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Siegfried Kracauer
p. 245. Este vorba despre medium i despre felul n care acesta face posibil comunicarea.
This study rests upon the assumption that each medium has a specific nature which invites
certain kinds of communications while obstructing others.
Mediumul n care ne cream ideile, le restricioneaz nu numai n ceea ce privete formele
ct i anumite cmpuri.
IN her Philosophy in a New Key Susanne Langer hesitantly admits that "the medium in which we
naturally conceive our ideas may restrict them not only to certain forms but to certain fields."
Cum putem delimita n natur mediul fotografic?
- Rather, analysis must build from the views held of photography in the course of its evolution views which in some way or other must reflect actually existing trends and practices.
- So it will suffice for our purposes to scrutinize only two sets of ideas about photography, those
entertained in the early stages of development and relevant present-day notions.
p. 246. Autenticitate
-There was general agreement that photography reproduces nature with a fidelity "equal to
nature itself.
-Gay-Lussac insisted that no detail, "even if imperceptible," can escape "the eye and the brush of
this new painter." And as early as, 1839 a New York Star reporter admiringly remarked that,
when viewed under a magnifying glass, photographs show minutiae which the naked eye would
never have discovered.
p. 247.
Oglind a memoriei
- The insight into the recording and revealing functions of this "mirror with a memory.
- success odat cu pozitivsmul, ncercarea de a alunga tua romantic ce acoperea lumea.
p. 248.
-REALISMUL mult prea cras a fost mblnzit de Sir William Newton: s aducem fotografa la
rangul deart: nu chiar att de mult realtate. (1853).
-frumuseea n locul adevrului.
p. 249. Democratizare si industrializare.
- All this means that such concern with art led the artist-photographers to neglect, if not
deliberately to defy, the properties of their medium, as perceived by the realists.
- mentalitatea realist a produs idea : photographs were copies of nature.
- The realists, it is true, refrained from identifying photography as an art in its own right.
p. 250. divergente pictura vs fotografie
- The artist-photographers shared these views with a difference: they were confident that
photography need not be limited to reproduction pure and simple. Photography, they reasoned, is
a medium which offers the creative artist as many opportunities as does painting or literature
provided he does not let himself be inhibited by the camera's peculiar affinities but uses every
"dodge, trick, and conjuration" to elicit beauty from the photographic raw material.
- His pictures record nature and at the same time reflect his attempt to assimilate and decipher it.
-As compared with a photograph, any painting has a relatively definite significance. Accordingly, it makes
sense to speak of multiple meanings, vague meaningfulness, and the like only in connection with camera work
p. 267.
Fox Talbot called it one of the" charms" of photographs that they include things unknown to their maker,
things which he himself must discover in them.