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ANDNRA MAHABHARATAMU
CRITICAL EDITION
Vol.
Adi and Sabha Parvas
391
ANDHRA MAHABHARATAMU
www.teluguthesis.invisioni.com
(Critically edited for the first time)
Editorial
PROF, K. LAKSHMI
Board
RANJANAM
(Chairman]
PROF. D. VENKATAVADHAKI
Advisory Board
RALLAPALLI ANANTAKRISHNA SARMA

VEMPARALA STJRYANARAYANA SASTRY
DEEPALA PITGHAIAH SASTRY
Published
the
Govt.
with
the financial assistance of the Govt. of India
Andhra Pradesh by the Department

Osmania University, Hyderabad-(India).
of
1968.
of
and
Telugu,
(Adi and Sab ha
Vol.
Critically
Prof* *IL
Paw as]
I.
Edited by
Dn
Latshmi Ranjanam.
B.
Prof.
D; Vcnkatavadhani.
Dr. P,
Prof.
N. Vcakata Rao.
Dr.
Pro
B. Lakshminarayana
Dr. P. Durgaiah.
Rao
Rama
Raju*
Madhava Sarma,
M* Kulasckhara Rao.
Shri A- Rajeswara Sarma.
Dr. K. V. Rarnakoti Sastry.
TELUGU DEPARTMENT
Osmania University
Hyderabad (India)
1968.
FIRST EDITION.
COPIES 3000.
Price Rs. 15/- (Rupees Fifteen only).
c^
rights
Osmania University Press

University, Hyderabad-7 (A. P.)
Printed at the,
Osmauia
reserved.
57
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CONTENTS
Page
Benedictory Sloka of Nannaya Bhattu written in the
hand of Dr. Sarvepalle Radhakrishna, Former
'
President of Indian Republic
.
Foreword
Dr. D> S. Reddi, Vice-Chancellor
Introduction (English)
Prof.
K. Lakshmi Ranjanam
Upodghatamu
Prof.
D. Venkatavadhani
Vishayasuchika of the Text
Text of Andhra Mahabharata

Firsdine Index of the Text
Appendix
I.
Appendix
II.
scripts
Printed editions
List of
and printed
81-158
1-725
726-769
769-777
777-780
159
Donors of palrnleaf manueditions
written in the hand of

Benedictory sloka of NannayB Bhattu
Dr. Sarvepalle Radhakrishna, former President of India.
FOREWORD
On
sity.,
it
the happy occasion of the Golden. Jubilee of this Univergives me great pleasure and satisfaction to introduce to
the scholarly world the

critically edited by the
of Telugu,
Osmania
first
volume of the Andhra M'ahabharata,
members of
the staff of the Department
University.
i
The Mahabharata
is
one of the greatest epics
of the world,
human document, and a store-house of knowledge and

wisdom. The Andhra Mahabharata, which is a free translation
a perfect
of the Sanskrit original, has special appeal to Telugu scholars,

being the first work of literature in Telugu and a masterpiece
the Telugu classics.

The present edition is based on a
a
of
number
of palm-leaf manuscripts, collectstudy
large
ed from different parts of the State and edited by a team of
among
critical
competent scholars
in
Telugu.
take this opportunity to thank the Government of India

and the Andhra Pradesh Government for having provided funds
for the preparation and publication of this work. I congratulate
I
all the editors and their

colleagues on their collaborative and
successful scholarly Venture. I hope they will strive to bring out
the remaining volumes in quick succession,
Hyderabad
iQth September, 1968
D,
S.
REDDI
Vice-Chancellor
Osnwnia
University.
-o-
CRITICAL EDITION
OF
PREFACE
THE
Board of the Andhra
Mahabharata Project,
sincere pleasure in presenting to the
Assemblies of learned men of Andhra the I Volume consisting
of Adi and Sabha Parvas, of the Critical Edition of Telugu
Bharatam, Nannaya Bhattu, the first great poet of Andhra,
Editorial
Osmania University has
the first architect of Telugu Bharatam

pays homage to the
cc
assemblies of wise men. and calls them
the lotus lakes of good
men." (Stfôtftf Stf&Stfowoe) ;5jotfo ^tftfo fr$c&r*&. ^^s'S" 1-1-24).
Another Telugu poet Ketana seems to say what the wise men
smile upon is blessed.
What they frown upon is irretrievably
lost.
Obeisance to the wise who are next only to the Gods.
ANDHRAS AND MAHABHARATA

Mahabharata
feel
the same.
1
They
1-1-24 represents
Future
thus.
391
is
a national epic of India. Andhras also

not only feel the Mahabharata but they
Adi Parva,
References
to
1st
Aswasa, Verse 24.
Andhra Mahabharata may be understood
Witness the great battle of Palnadu of the 12th

Palnadu (Guntur District) reThe heroes of www.teluguthesis.invisioni.com
enacted the episodes of Mahabharata in a quaint manner.
The battle of Palnadu is a fight among cousins like the epic
war. The Pandavas and Kauravas quarrelled over the dice.
live
the epic.
Century A,D.
There
Palnati heroes fell out over an exciting cock-fight.
manda-potu (seizure of the herds) in the story of Palnadu to
match the Ghoshayatra and Gograhana incidents in the anc ent
The greatest among the heroes of Palnadu mighty Si am
epic.
Brahmanayudu is hailed as Palnati Vishnu. The Kr dabhiramamu, a \vork of the early 15th Century mentions that in
the city of Orugallu (Warangal) there was a temple for Pandavas.
Worship or Veneration for the Pandava hero Arjuna is" indicated
4-3_98
by Panini in his sutra -sr**&
Worship
The
is
' l
"S-s^g^^gSo^rAndhra. Heroes of Palnadu come

under this category. The practice to set up stone images called
for
mighty fighters, was much
Vira-gallulu (hero-stones)
in
the
middle
Andhra
during
ages.
prevalent
of warriors
is
common
in
The story of Mahabharata became so much an integral

art of our national life that numerous Telugu proverbs are
"
ased on it. 1
If you like to hear a story listen to Bharata,
you want a
(a preparation of Udad)
(a veritable
in
Saucha
Gangeya (Bhishnia in
uryodhana
self-respect);
of
a
title
of
is
favourite
purity
many a Telugu King
character)
and Chieftain in the inscriptions. Uttarakumara prajnalu
f
harata
tasteful dish eat Garelu
without
Mana Duryodhana
Kama,
*
c<
a saying
He blocked my path like
Do I not know
Saindhava;" An Evil genius like Sakuni.
the Pandavas they are four in number like the four legs of the
a humorous observation. Many more can be cited. It
cot
is not
only the common people that are attached to the Mahabharata. No less a person than King Rajar a Narendra
(1022-63) of the Eastern Ghalukya Dynasty of
ajahmundry
cc
declared to his learned courtiers
These five are t e objects of
rny veneration and love the respect of Brahmins the constant
desire to hear the story of Mahabbarata
an intense love for
the worship of Siva, lord of Parvat
the desire for unceasing
charity and a neverfailing desire for t e company of the wise and
(a derisive term).
There
is
'
good men." (1-1- 12) To the question w y he liked the Mahabharata,

his answer is "From the Moon, through Puru, Kuru and Pandavas,
(1-1-14) Rajaraja claims descent from

this race, hence he desires
race,
to listen to the story of his ancestors.
our family is descended."

the
Pandavas belong to
Lunar
MAHABHARATA
THE FIFTH VEDA
That is the ostensible and personal reason. The better

and more abiding reason is that Mahabharat is considered the
It is as venerable as the Vedas.
It is a mine of
Fifth Veda.
Dharma. It is a great poem. It is a store of philosophy, of
These ideas
political science, the great Itihasa and what not.
have been well brought out by Nannaya Bhattu in the prologue
He mentions again and again that the

(1-1-33.)
reading of Mahabharata is a meritorious act and that the wealth
of Punya (virtue) acquired by the study of Vedas, by the performance of sacred sacrifices, by penance, by Brahrnacharya
all this Punya is achieved by a constant
(celibacy) \by charities
study of the epic.
to his work.
Tikkana Somayaji, the great successor of Nannaya Bhattu

more explicit in his claim for the authority of Veda to the
"
whenever and wherever there is a conflict
Mahabharata.
the Vedas, Smritis and the Puranas, the
between
of opinion
Mahabharata is the authority that reconciles these differences
and lays down the law with regard to the four-fold duties of
man
Down to the most modern period Telugu
(4-1-4).
and
Telugu people retain this profound veneration for
poets
is
9'
this
ancient
epic.
TELUGU BHARATAM
More
THE FOUNTAIN HEAD
OF
TELUGU LANGUAGE
and immediate reasons sustain the respect

These are more mundane
reasons (1) Andhra Mahabharata contains our earliest, highest
and most popular poetry (2) It is the primary source of our
classical grammar, our prosody and our lexicology.
practical
of Andhras for Telugu Bharatam.
Taking these factors one by one, we will add a few remarks.

Mahabharata is our earliest poetry in the field of pure poetry.
There is evidence of versification down from the middle of the
9th Century A.D., in the inscriptions of the Eastern Ghalukya
King, Vijayaditya III. Some claim even a much earlier origin
to versification in Telugu.
They trace it to the royal decrees
of the Chola Princes of Renadu (the Cuddapah district) who
are the early contemporaries of the Eastern Ghalukyas, Some
doubt whether these fragmentary records can be called poetry.

the fact that Nannaya's
However there is no dispute about
composition is the first worthy essay in aesthetic poetry. The
opinion of yet a few writers that good Jaina poetry existed long
before Nannaya and that it was destroyed by non-Jamas, is not
It appears that Andhra
so far borne out by any evidence.
land of their origin for
the
much
favour
in
find
not
did
Jainas
the exercise of their literary talent. They seem to have migrated
to more congenial regions and adopted the Kannada language
c
The case of the Ratnaas the vehicle of their poetic talent.

Kannada
of
ancient
the
three
poetry, Parnpa,
gems
traya/
Ponna and Ranna is mentioned in this connection. Adi Pampa
is
said to have flourished in the
Nizamabad-Karirnnagar
Vemulavada
region, the
modern
Districts.
It is our highest poetry in the sense that two master minds

of Telugu fashioned it and a third joined his genius to it. It
not Desi in the
is true that the theme is not of Andhra Origin
That it is universally popular with
strict sense of the term.
Telugu people is an age-long fact. It is freely read and understood in the villages even to the present day. It is justly popular
by its ennobling themes, a natural, easy and dignified diction,
by the avoidance of pedantry and vulgarity and by eschewing
in all situations.
Nannaya is highly economic in
Tikkana showed a tendency to
his
successor
descriptions though
But he too returned to
relax this restraint in his earlier Parvas.
his exemplar's path not only in the matter of theme but also in
If the soul of wit
conciseness and compactness of expression.
is brevity, Andhra Mahabharata is the finest example of this in
artificiality
Telugu.
SOURCE OF CLASSICAL GRAMMAR
The place of Andhra Mahabharata in the field of our ClasGrammar is supreme and unrivalled. The more liberal
mindecb among our Grammarians held up the literary usage
sical
of Kavitraya the three poets of Telugu Mahabharata (Nannaya,

Tikkana and Yerrana) as standard and worthy of imitation.
There is a hard core among the grammarians who are unwilling
to place even Tikkana and Yerrana on the pedestal, by the side
of Nannaya. They hold that Nannaya's literary usage alone
ranks as "Arsha"
classical, as far as Telugu is concerned.
All subsequent poets have to look up to him for purity of literary
expression. Where they differ from him, Nannaya must prevail.
This is the dictum of an old poet/ Kavi Rakshasa whose time
1.
Appakaviyamu.
Introductory Verse No. 46.
late authority like Ahobala Pandita,

not clearly known.
"
of the 17th Century) commentator
on
Andhra Sabda
"
Chintamani
endorsed this view. The greatest of Telugu
is
(close
poets including Tikkana,, Allasani Peddana and Pingali Surana

held Nannaya Bhattu in unquestionable veneration. They
may have at the same time introduced minor changes in the
poetic usage, consistent with the tastes of the learned men of
For a correct understanding of the classical grammar
their age.
of Telugu, a Critical Edition of Andhra Mahabharata is essential.
SOURCE OF TELUGU PROSODY

Similarly Telugu Bharatham is the main source for a study
of Telugu prosody. All works on Telugu prosody except Kavijanasraya are subsequent to the Mahabharata. The AuthorIt may come nearer to
ship of Kavijanasraya is disputed.
the period of Nannaya but cannot precede it. One limiting
factor is that the poets of Andhra Mahabharata did not exwell known metre
haust the gamut of purely Desi metres.
The
like Dwipada does not find a place in the Bharatam.
Saiva poets and later on Vaishnava poets employed this Desi
metre in a masterly fashion and built up a separate and vast
branch ef literature. The Ragada metre, with its alliterative
numbers is not used in Mahabharata. The Prabandha poets
are very fond of this in decribing the frolics of young damsels,
Purely song metres also do not find a place in the high serious
poetry of the epic. Non-the-lcss, Telugu Bharatarn is the fountain-head for the study of Telugu prosody. Herein Nannaya
Bhattu, though supposed to be the architect of the Marga style
as against the Desi style, is more liberal in the use of native
metres like Madhyakkara. Taruvoja, Layagrahi etc. besides
the normal verses.
His manipulation of the isa metre is peSimiculiar to his poetry and forms interesting study by itself,
to
is
nearer
his
metre
of
the
larly
Madhyakkara
employment
the ancient models as found in the Bezwada inscription of Yud-
dhamalla.
The use of the Akhanda-vadi or Yati in the Caesura system

has long been a sturdy bone of contention among Telugu
writers on prosody.
The earlier prosodists like Anantamatya
to
seem
(A.D. 1420)
purist like Appakavi
approve of it.
it.
authorities like
does
not
countenance
Modern
(A.D. 1656)
Rao Saheb Gidugu Ramamurthy Panthulu take Appakavi to
task for this. The Rao Saheb and others of his school accuse
Pundits of having altered the readings of Mahabharata to conform to their views on prosody.
Critical Edition of Andhra
Mahabharata
done-must throw light on some

Teluguwww.teluguthesis.invisioni.com
employs "both Yati and Prasa
if satisfactorily
of these disputed points.
schemes in
its
serve as great restraining agents
They
poetry.
on enthusiasts who are tempted to refashion the poetry of master

minds in order to make it conform to their motions of grammar
and propriety or other considerations.
To
quote only one instance
among many, how
a prosodial
1
scheme can sway scholars, we

may refer to one verse.
this
verse
In the second line of
some have ta en
"
"
nis
Gaddarnu
the reading
(Tawny beard).
Kapila
in the Prasa theme.
v
The word Kap la
verse has
If this reading is accepted we have to
falls in the Prasa Sthana.
that
Nannaya rhymed p and v sounds. This is no
agree
doubt accepted for caesura but not for Prasa. There is yet
c
'
'
another objection to this reading according o some. In the

"
cc
a purely Te ugu word Gadcompound
Kapila Gaddamu
damu is brought into fusion with a purely anskrit adjective
c assical grammar
Kapila.' This is not in consonance with
5
Will a poet of Nannaya s stature, who is very
or good usage.
careful about grammar, commit such a solecism?
*
Scholars are
much
exercised over
it.
They bring
to
bear
ingenuity and all their erudition to save Nannaya, the

Valmiki of Telugu Literature, from a charge of indifferent grammar, Paravastu Ghinnaya Suri (rnid 19th Century), the best
authority on classical grammar in the modern period accepted
the reading (Kapila Gaddamu) and explained it on the principle,
3J
8
of
Anindya Gramya a solecism which we should accept with
veneration as it pertains to the father of Telugu poetry, It is
a highly sensible and p easing approach. Other scholars are
all their
not prepared to accept th
"
graceful explanation.
They ransacked
Telugu Vocabulary and fted up some obsolete words and tried

to save Nannaya from the charge of grammatical and prosoOne wonders whether Nannaya really needed
dial solecism.
the help from self-styled champions or whether their advocacy
improved his position as a most natural and pleasing poet.
A critical edition of Andhra Mahabharata has to tackle such
The present editors cannot vouchsafe satisdifficult issues.
faction to
all
the contending
schools.
no&j
2.
Balavyakarana.
Samjna Paricheda
6
Sutra
23,
MAINSTAY OF LEXICOGRAPHY
In the
enjoys the
a Telugu
field
of lexicography also,
When
supreme
position.
has to be fixed
Andhra Mahabharata
meaning or form of
the
word
with precision, grammarians
and lexicographers quote the Mahabharata in support. Ganapavarapu Venkata Kavi (A.D. 1676) seems to be the earliest
"
Andhra
authority who employed this method in his work,
Prayoga Ratnakara." In support of his grammatical findings,
he quotes Andhra Mahabharata. It was only in the 19th
century that Telugu lexicography assumed the modern form.
Charles Philip Brown quoted Mahabharata verses in his dicf
This method was elaborated and systematized by
onary.
t A e author of Sabda
Ratnakara, late Bahujanapalli Sitaramac aryulu Garu and was followed
up by the compilers of the
Suryaraya Andhra Nighantuvu, A Critical Edition of Mahabharata will stand our lexicography in good stead.
There is a minor branch of ictionary-making which p ays
an important role as far as the Te ugu Language of the class cal
"
Sa ata
period "is concerned. This is t e incidence of the
<c
known
as
bandi
of the
the
harder
form
Repha popularly
ra,"
trilled consonant.
The r sound in Telugu is *prono lriced
with a lighter touch and a harder touch. This distinc ^n is
fundamental to Dravidian languages. Words carry a di orent
meaning with or Vithout the Sakata Repha. The oppos te or
the light trilled sound is called Sad u
Repha. As far s the
classical language is concerned the
istinction between
akata
^
'
Repha and Sadhu Repha
is observ*
with great care.
ut as
time passed on peo le became h* ifferent to the dist nctive
utterance of twJ tri ed sounds and they got
merged into one
sound. It became ifficult even for
to
maintain
this Dispoets
tinction on any rat onal
Therefore
principle.
compiling lists
of words with Sakata Repha became a
There
literary necessity.
were not Lakshanikas wanting who took to this meticulous task
and composed special treatises on Sakata Repha. All standard
writers fall back on the Andhra Mahabharata for a correct lead
in this branch of
lexicography.
Chiefly they attach importance to the usage of Nannaya

as the earliest authority.
Owing to the obliteration of distinction in pronunciation, some words assumed
tvyo forms, one with
the Sakata and the other with Sadhu

Repha. In such disputed
the
Mahabharata
and
points,
particularly Nannaya is looked
upon as the most reliable source. In this branch of compiling
lists of words with Sakata
the earliest
seems
Repha,
attempt
have been made by Tallapaka Peda Tirumalacharya, (A.D.

Annamacharya. Peda
1530) son of the famous saint-singer
Tirurjiala compiled a small verse dictionary called
Repha
Rakaramulu. He did not quote from Mahabharata for corroboration. Appakavi (A.D. 1656) in his work Appa Kaviyarnu
Aswasa II collected some lists of words with both the r sounds.
Herein he shows some words which contain the lighter and
harsher sound of the trill. From this we have to infer that
Telugu pronunciation as far as the r* sound is concerned underwent a change during the six centuries that elapsed between
Nannaya and Appakavi.
to
'
Others who wrote on the same subject i.e. the light r

and hard r sounds are Bharatamu Lakshniipati Somayaji
with his book Sakata Repha Nirnayamu and Ogirala Ranganatha Kavi, with his book Dwirepha Varna Darpanamu \
The former claims that the lists of words collected by him are
based on the usages in Telugu Bharatam. He quotes many
There is much justification for this claim for
verses from it.
Lakshmipathi Somayaji is the author of a commentary on the
Telugu epic. More about this later on.
c
'
'
There is yet another branch of our dictionaries the Accha

Tcnugu Nighantuvu dictionary of pure Telugu words. The
early Saiva poets like Nannechoda and Palkuriki Sornanatha
desired to revolutionise the Telugu poetic style.
They felt
some dissatisfaction with what they called Marga style which
can be equated roughly with classical diction. Though they
do not expressly mention Nannaya Bhattu or his Mahabharatam,
they seem to imply Nannaya's style by the Marga Paddhati.
As a counter move to this they raised the slogan of the Desi
Now, Janu Tenugu is not clearly
style with Janu Tenugu.
defined.
However from a solitary verse of Palkuriki Soinanatha,
critics understand that it means Accha Telugu.
This implies
that part of the vocabulary of the Telugu language, excluding
the Tatsarna clement. Later in the 16th Century, whole Kavyas
with Accha Telugu vocabulary were written.
Keeping this
in. view one scholar of the modern period
late Kotra Lakshmi
Narayana Sastry compiled an Accha Tenugu dictionary.
He also extracts quotations from Andhra Mahabharata. This
dictionary seems to lean heavily on the extracts collected in
Sabda Ratnakara. As it did not approach Mahabharat direct
,and is based on secondary sources^ it may not help us much
HI preparing the Critical Edition of Bharatam.
NEED FOR A
CRITICAL EDITION FELT

Such being the importance of Andhra Mahabharata in

the field of Telugu Literature and language, scholars and savants
of the last generation began to wish for a critical edition. After
rinting became popular in Telugu numerous lovers of Telugu
rinted and issued the Mahabharata,, often in parts only and
ome times in its entirety. It is a huge under-taking and must
ave taxed the resources of our early rinters. Andhra Mahaharata runs into 21,516 verses, and rose pieces, in the traditional 18 parvas.
It consists of 63 . swasas
corresponding to
the Adhyayas of the Sanskrit epic,
ihe Telugu epic mostly
conforms to the classical epic in the division of the story into
Parvas i.e. the story content ^ Adi Parva in Telugu
corresponds
to the story content of that
arva in Sanskrit. But within the
body of the Parva considerab e freedom is assumed by the three
haratam. They often condensed
great poets of Telugu of
the story, pruned or rejected the numerous upakhyanas, philo-
So
sophical discussions and politico-economic disquisitions.
that Telug\i Bharatam is compressed into a fifth in. size of the
Sanskrit epic.
MAHABHARAT
IN
PALM
LEAF MANUSCRIPTS
Before the prevalance of printing, Mahabharata was written

and preserved in aim-leaf manuscripts only.
did not so
far meet with an
of
the
Bharatam
earlier
paper manuscript
than^the one prep red under the direction of C.P. Brown.
Prea
lea*
must
have
involved
much
labour
paring
palm
manuscript
and expenditure, Only the rulers of principalities and the
few wealthy citizens could afford this literary luxury. The
scribes were not often equal to the task of
copying a Mahabharat manuscript as they lacked the scholarly equipment
needed for it. Therefore they were prone to make mistakes.
Occasionally we meet with intelligent scribes also. All of them
make pathetic apologies for the errors they commit.
fully
The material which they write upon is
sympathize with them
such that it is not easy to erase what is once written.
We
We
SPELLING PATTERNS
The spelling of the Manuscripts leaves much to be desabed. Apart from letters, similar in form getting conf ed
Ke the Telugu n * and ' s the p ' and ' v
th and
h,'
*
"
'
'
'
Varnakrama or Orthography
UA instance scholars are
'
'
'
'
'
presents many peculiarit es,

very particular about the distinc on
'
between the soft r and hard r (what Caldwell cails the mclLakshna Granthas
r
linum and vallinum
respectively)
have been written about them. But our manuscripts are almost silent about it. They use only the symbol of the mellinum
'r* for both. Another orthographical feature over which
scholars are very particular and differ among themselves vehemently the half nasal is conspicuous by its absence in the
c
'
Strange indeed. In order to indicate the value

manuscripts.
of the full nasal and half or silent nasal a device was adopted.
Where the full nasal sound is intended the Purna Anuswara is
written and the following consonant is doubled. For instance a
Kum-dda.' If
word like Kumda
will be written
(pot)
the nasal sound is silent the Purna- anus war a will still be written
but the succeeding consonant will not be doubled. Vandu (he.)
Certain conjunct consonants had a peculiar utterance, shifting
away from their original sounds. For instance in the conjunct
consonant *jna* we have the palatal and nasal combination,
But in common speech, perhaps it was rendered as gna/ a
guttural and nasal combination. Basing itself upon this speech
habit, a new type of caesura was brought into vogue by poets.
e
'
'
There are other peculiarities in spelling in the writing of

For example the Druta consonant, the volatile
manuscripts.
n takes the shape of a < polla nakara 5 viz the mute nasal without the help of vowel to enunciate it. This form without the enunciative vowel has to occur at the end of certain verses. There
c
the
has to be written. But the manuscripts
polla nakara
5
write it in its Swatva
nu with a vowel ending.
form i.e.
This will rnar the prosodial requirements. Therefore a grammarian like 1 Ghinnaya Suri had to frame a cautioning rule there
is no Swatva form at the end of a verse which
ought to end in
the long sound.
3
'
'
"
Another feature of manuscripts spelling is the use of valar'

pali Gilaka" Valapali Gilaka is a device to represent the
sound in conjunct consonants. This device is permitted when
'
in the conjunct as in the word Karma

r
sound is the second member in the
this
is
not
device
conjunct
applicable as in the word Arnra,
55
is
The
to
which the "valapali gilaka
consonant
(mango).
added is usually doubled in the manuscripts though rules of
orthography do not require it. Yet another noteworthy point
in the spelling of palm-leaf manuscripts is the use of the Purna
4
the
is
action.
first
member
But when the
*****
8S
20.
10
Anuswara
grammar
nasal sound) before Sthira Varnas.

In Telugu
letters other than
Parusha
(hard consonants) and
Sarala (soft consonants) are called Sthira varnas.
The nasals
(full
come under this class. The Purnanuswara is prohibited before

them as it is redundant. In words like Anna (elder brother)
amma, (mother) grammar prescribes that we should double
the consonant and not write Anuswara before it
But the
.
scribes
of manuscripts
usually
commit*
this solecism.
There is no doubt of a historical background to it. In

the development of the Telugu Language this represents one
In pre-Nannaya language words changed their form
stage.
"
"
Kamburarn-Cheruvu
village by name
Kammari-Cheruvu.
The anuswara was
into
got
of
before
the
assimilation.
After the
perfectly logical
stage
of
assimilation
is
it
That
is
why the
operation
superfluous.
1
formulated
a
Sutra
which
states
that
in
grammarians
Telugu
due
to assimilation.
assimilated
Anuswara occurs only before the Parusha and Sarala varnas/

scribes are not willing to give up their age-long way of speland
The grammarian does not exercise a sympaling
writing.
thetic imagination and understand why the scribe insists on
writing as he does. It is like the deaf and the dumb discoursing.
the
The
THE
SCRIBES
the
Lakshanika comes down
self-xonscious
upon the poor scribes and condemns them roundly.
Ignorant scribes and readers have been
responsible for
changing the text in the kavyas of great writers like Nannaya
and others. 8 Persons with little learning made them worse by
Appakavi,
heavily
indiscriminate emendations.
If Lakshanikas accept these perverted readings as basis for laying down the law (with regard to
grammar or prosody) will wise men accept such canons as
sound rules. Allasani Peddana, the well known poet of the court
of Sri Krishnadeva Raya referred to the ignorance of the scribes
18.
g^
"
**tfc
rro
^
11
wS.
8.
2Q2.
1
To one who asked fo? the comin one of his Chatu verses.
is said to have
replied humoposition "of a Kavya on the spot .Jie
corne
to order
without solitude,
can poenis
rously
without a hearty meal> and a perfumed Tarnbula sent by the
dearest lady, without the cradle to swing, and finally without
the presence of readers who are connoisseures in literature and
Kuscribes %vho can distinguish between the right and wrong.
chimanchi Timmakavi (18th Century) also felt the same about
When Appa Kavi rejected the claim of Bammera
scribes.
How
PotanaV Bhagavata
for being a standard work because Potana

confused and mixed up the hard and soft r sounds in matters
of Yati and Prasa, Timmakavi answered the objection thus.
"It must have been the mistake of lesser poets that such errors crept
into the Bhagavata.
Otherwise can any one accuse the great
3
poet Barnmera Potana of ignorance about the rule -regarding
'r* sound.
The story goes that some portions of of Potana's
c
Bhagavata
students
were damaged by worms and that
filled
up
his friends
and
these gaps.
INTERPOLATION
That is how poets and Lakshanikas felt about the ignorance and vagaries of scribes.
Some were bitter and some were
humane in their approach. Sometime an ill-equipped but rash
scribe tries to correct the author's text according to his lights.
Yet another will indulge in the excusable pastime of composing
one or two verses himself in the easy metres "and set up as a poetaster.
Fortunately the Andhra Mahabharata is not subject
In Sanskrit
to serious interpolations unlike the Sanskrit epic.
the metre us d in Mahabharata can be easily manipulated.
A poet of or inary talent can try his hand at composing some
verses and
nterpolate them into the main text without
the danger o detection.
Further, the ancient epic rolled down
2-284.
SN.
*>
<2
S^'
12
that many a
more than 25 centuries. No wonder
and, deft
and otherwise worked into it. Not so the Telugu haratam.
The poets of the Telugu ep c are the
Its life is 10 centuries,
It
is
not easy to
^Telugu
poetry.
fear of exposure.
Moreover from the
was universally respected both in the courts
masters
greatest
imitate
of
them without
ver beginning it
Hence interpolation
of -ings and the assemblies of villagers.
in ts case was not a thing in which small poets could indulge
wit
impunity. Though this applies to the poetical portions
of the Mahabharata, the prose portions were not so immune
from interference, As the restraining hand of metre does not
operate here, scribes and minor poets were busy here, adding
and subtrac^ ng matter. Often they content themselves with
verbal variat ons and synonyms. The prose passages of Telugu
Bharatam d d
suffer
some emendation
and
elaboration.
PROBLEMS OF TELUGU BHARATA

If interpolation did not play a major role in the Andhra
are the issues that confront scholars in connection with this fundamental work.
At this stage we wish
to invite the attention of our learned audience
to the aims of
classical criticism as set forth by Dr. V. S. Sukthankar, the mo"
dern Vyasa of Sanskrit Mahabharata. He says1
the cannons
of the classical philologist are four (1) Heuristics i.e. assembling
and arranging the entire material consisting of rnanuscri ^s
and testimonia in the form of a geneological tree (2) Recen 10
restoration of the text of the archtype (3) emendatio .c.
i.e.
restoration of the text of the author (4) Higher criticism .<?.
separation of the sources utilised by the author. As far as the
Telugu epic is concerned ernendatio and higher criticism seem
to absorb more of our interest.
will return to the subject
in due course.
Mahabharata what
We
THE PRINTED
The
ting int
of the
EDITIONS
Christian Missionaries were the
Telugu.
ible or
They
introduce prinelugu translations

enjarnin Schultze
first to
chiefly brought out
Missionaries like
parts.
ronzes took part in this work.
G.
Brown observes
n his i elugu-English Dictionary that printing was introduced
"to Telugu in 1806 but did not make much progress till 1830.
rrose books needed for the Schools were much in vogue at the
its
.D.
1.
Prolegomena to the Critical Edition of Sanskrit
Sukthankar Memorial Edition. Volume I, page 97.
13
Mahabharata
-
beginning of the 19th century. Native Pundits like Ravipati

Gu umurthy S as try, Chief Telugu Pundit Fort St, George
Co ege, took to writing prose books. He brought out in easy
Te ugu prose s the stories of King Vikramarka, published in
18 9 and stories of Panchatantra, in 1834.
3
Naturally the country looked forward for the publication

are not yet in a position to state
Andhra Mahabharata. We
definitely who first published t
of
For sometime
e Telugu epic.
of
Mahabharata
tion
ed
the
published
though
appeared
ri
Ekarnra Josyulu was the
by the scholar-enthusiast
earliest.
the front page o this publication Saka year 1755
to the impression that it was
is printed.
Naturally this le
A.D.
But
the
in
1833
Cyclic year is given as
published
as
it
On
Paridhavi, Pushya
Sudha Padyami
Somavaram which
corres-
Monday January 10, 1853, Therefore we have to

ponds
finally accept the date 1853 for the London Edition, which we
have accepted into our critical apparatus,
to
doubt was known long ago

That the date of the London Edition is
For want of definite information it was allowe to be called the 1833 Edition.
On further examination it is now fairly establ aV ed that it is an edition conn of 1952
temporaneous with the Karalapati Rangiah, Ed
^
Some
of the facts about the London Edition are interesting. There is an

introductory leaf to the portion of Maha Bharata beginning with the Bh.ish.ma
cc
Aluri Ekamara Josyulu garu is pious
Parva. Here it is narrated as follows
Telugu literature. In the month of Am of Sadharana Samvatsara (corresponding to June 1850) he conceived the idea of
printing of Andhra Mahabharata and formed a society of enthusiasts for
undertaking this work. This body published Adi and Sabha Pan/as. But
i their head in this body and further work was
unfortunately
scholar, desirous of serving
'
'
suspended.
Pandit Ekaxnra Josyulu not to be deflected from his excellent purposes

of bringing out a scholarly edition of Andhra Mahabharata. He formed
another Society of enthusiasts and launched upon its publication. In this
second effort he sought and obtained the cooperation of Puwada Venkat Rao
Pandit Josyulu
proprietor of the Vartamana Tarangini press of Madras,
himself owned the Jyotisha Kalanidhi Press. This new body agreed to issue
the work under the name of Durvasula Jagannadha Rao gam, perhaps
a wealthy member of the Society.
Perhaps there was an agrement to print and publish the entire Telugu
Bharatam from the two printing establishments, Vartamana Tarangini and
There is no express statement to this effect from
Jyotish Kalanidhi Press.
any of the parties* It is a surmise, The India Office Edition (viz*, London
Edition) is in two divisions, the Adi Panchaka or the first five Parvas ,and the
portion beginning with Bhishma Parva and ending with Svargarohana Parva.
14
The first five parvas appear to be printed in the Vartamana Tarangini Press
by Puwada Venkat Rao. There is no regular front pages (Mukha Patra)
to this part of the Book. There is no page of contents attached to this. There
is one leaf with the seal of the Vartamana Tarangini Press.
The year of
publication is noted as
85 1
The Bhishrna Parva portion KPS a regular printed front page and also a
table of contents of the story from Bhishrna Parva to the end.
Here it is stated
that the Maha Bharata is issued for the benefit of the pious people from two
The Jyotisha Kalanidhi and Vartamana Tarangini. The date of
presses.
publication is not noted here in the Christian Era but in the Salivahana Saka
and the cyclic year. The Salivahana Saka is printed as 1755 which corresponds to 1833 A.D. The mistake about the date of this Edition arose out of
do not know how such a mistake appeared in
this recorded statement.
as Paridhavi, Pushya Sudha Padyami, Monday
The
is
noted
cyclic year
print.
We
which corresponds
to January
1
3
853
I think that we have finally to reject the date of 1833 for the London
Edition and accept the year 1853 for the later part of this edition i.e., Bhishrna
have to reconcile all the available evidence
to Svargarohana Parvas,
with regard to this edition as follows.
We
In the year Sadharana, month of Ani, i.e., June 1850 Pandit Aluri Ekamra
Josyulu conceived the idea of publishing Andhra Mahabharata. He actually
issued the Adi and Sabha Parvas. This venture failed at this stage. We do
not know what happened to these two Parvas* Pandit Josyulu launched the
second venture. Here in 1851 we come across with the Adi Panchaka of
Puwada Venkat Rao published in Vartamana Tarangini Press, We have
to assume .that this is a part of the overhaul scheme for the publication of the
whole Bharatam, divided into convenient instalments between two presses.
We do not possess the front page or table of contents of the first instalment.
We do not know whether P. Venkat Rao was very enthusiastic about the
He is silent about the whole understanding.
partnership or the joint venture.
On the other hand Pandit Ekarnra Josyulu is very informative and mentions
both the presses on his front-page.
There
is
one factor which supports the
scholars
who
effect is
appended
thesis
of joint venture.
The
&r. "Sotf kg\S$ ;Sr=cpQboe>o;

actually did the editing are thive
a-.
&*.
SacC6Tr>s5g 2. These names are
printed
-Sor^^gvj)^;
on the front-page of Bhishma Parva. There is no mention of them on the
Adi Panchaka issued by Vartamana Tarangini Press. But a note to this
done at a
London Edition. Evidently this must have been

when the whole edition was got ready for preservation
to the
later date,
in the India Office Library.
Similarly there is a noting on this part about

1833.
But this seems to be clearly an error.
It was*
occasioned by the printed date Salivahana Saka 1755. There is yet another item of evidence which induces us to give up the date 1833.
There is
one printed leaf in the Bhishrna Parva portion which serves as a brief introduction to the publication.
It is here that the laudable
attempts of Pandit
Ekanira Josyulu to publish Andhra Mahabharata are briefly set forth. In
the end of this brief preface the compilers acknowledge their indebtedness to
that distinguished English savant Charles
Brown's services to
Philip Brown.
Telugu Literature and his library are eulogised. Evidently Mr. Josyulu
the date.
It
is
15
others were a\vare of the efforts of Charles Brown to prepare what looks
critical edition of Andhra Mahabharata by collating some palm-leaf
manuscripts the mention of C. P. Brown in the London Edition clinches
It must have been published betv/een 1951-53.
Thus it is conthe issue,
temporaneous with the Karalapati Rangiah Edition and not anterior to it by
and
like
almost a generation as
we assumed
earlier.
Though the London Edition thus loses the glamour of being the earliest
printed edition of Andhra Mahabharata it is nonetheless highly important
to us, Firstly it is associated with the personality of that amiable scholar
of the mid 19th century, Pandit Aluri Ekamra Josyulu. I feel that we must
hence forward designate this Edition as the Ekamra Edition in honour of his
name. Its scholarly set up is unmistakable. Three scholars were employed to
supervise its editing and publication. Not only that., this editing made use of
the labours of Charles Philip Brown.
Karalapati Rangiah does not mention
his indebtedness to Brown's manuscripts.
This
is
called the
London Edition
as
we secured copy of
We are also aware

of the edition brought forth by the scholar Karalapati Rangayya about 1852. Earlier to both these we hear of an edition
of Adi Parva. This is issued as a prose
version of the Adi
Parva by Vyakaranarnu Ramaaujacharyulu and Paravastu ChiIn spite of our best efforts we could not
nnaya Suriin 1847.
a
at
of
this.
This publication is mentioned by Rao
get
copy
Saheb Gidugu Ramamurthy Pantulu in his 1 Balakavi Saranyamu.
it
from the India Office Library, London.
Rao Saheb
*
Bharata
gives these details
Vachanarmi
about the hook
ce
It is
named
Viyakaranam Ramanujacharyulu and
Chinnaya Suri edited the Adi Parva. Bharata Vachanamu is a

It was
prose renderiag of the Adi Parva prepared by them.
in
1847.
the
was
Pandit
Head
for
printed
Ranianujacharyulu
9
Sanskrit and Telugu in the Pachayaippa Modali High School.
'
HAYAGRTVA SASTRY EDITION

Yet another unidentified -version of Andhra Mahabharata
to our notice.
This is ascribed to the 19th Century
Puranani
scholar,
Hayagriva Sastry and is mentioned by the
Pundits (1) Chadaluvada Sundara Rarna Sastry and (2) Dandigunta Suryanarayana Sastry. They published an annotated
Edition of Virata Parva of Tikkana Somayaji, called Bharatha
Samjivani in 1913. Subsequently they prepared and published
an annotated edition, -of Adi Parva of Nannaya Bhattu in 1915,
also called Bharata Samjivani.
They are well read scholars and
we used the Bharata Samjivani commentary of Adi Parva with
advantage in preparing the Critical Edition. Now in the inhas
come
Balakavi Satanyamu (1933 Edition, pages 26 and 46)
16
troduction to their commentary, they mention that Puranam

an edition of Mahabharata.
Hayagriva Sastry is the first to issue
This statement is supported by a similar observation by Dewan
Bahadur ^M. Adinarayana lyah of Madura, who wrote a preThe Dewan

face in English to the Virata Parva commentary.
Bahadur was a Retired Settlement Deputy Commissioner,
Madras. In his preface to Bharata Samjivani of Virata Parva
"
There have been several
dated 9-8-1913 he states as follows
Sri
of
Mahabharatam
Text
in Telugu. The
of
the
editions
earliest edition issued is that by the late Puranam Hayagriva
Sastrulu, who was in his time Telugu Pundit of the Government
Presidency College. This edition was issued about 50 years
ago." According to the date given by Adinarayana lyah,
the edition of Puranam Hayagriva Sastry goes back to 1863.
We have information about several editions of Telugu Bharatam
issued about 1860 in the British Museum Catalogue but nowhere
is the name of Hayagriva Sastry so much as mentioned.
that our information about Puraaam Hayalived

griva Sastry
just a century back from now, is so vague
and incomplete. He was a well known scholar of the first
half of the 19th century.
He was the proprietor of the Vivekadarsha Printing Press in which a book on Geography and
It is strange
who
1
Astronomy
Bhubhagola Dipika was printed in 1843. The
same writer informs us that2 Hayagriva Sastry competed with
Paravastu Chinnaya Suri for the Punditship in the Presidency
Late Hayagriva Sastry was responsible for
College in 1847.
many publications in Telugu and Sanskrit. That he issued
Andhra Bhagavatam about 1855 is well known. The Editors
of the Telugu Bhagavata issued by the Andhra Pradesh Sahitya
Akademy mention Mr. pastry's Edition. Brown mentions an
edition of Bhagavata Published in 1848.
Whether it is the same
or one different from Hayagriva Sastry s Edition is not known.
Rao Bahadur K, Veer^salingarn Pantulu informs us in his
account of 8 Karalapati Rangaiah (1814-63) that he (Rangiah)
published for the first time the Telugu Bharata, bhagavata and
Ramayana. Whether this edition of Bhagavata issued by
Karalapati Rangaiah is the same as mentioned by Brown, we
'
are not in
a position to assert.
1.
Aadhra Vadiana Vaagmayamu
2.
Chinnaya Suri Jivitamu
N. Venkat Rao (Page
3.
Andhra Kavula Charitra
Part III.
17
391
N. Vcnkat Rao (Page

30).
99).
Prof. P. P. S. Sastry in the introduction to his Sanskrit

Mahabharata (Southern Recension) refers to Puranam Haya-
The Professor says " Mahabharata in Sanskrit^

griva Sastry.
four times in Madras
printed in Telugu characters and published
1
1850 by Venkataraya Sarma
1855-60 by Puranam
Hayagriva Sastry, a relation of the proprietors of Vavilla Press,
the present publishers (c) 1870 by Venkata Subba Sastry (d)
1929 by V. Ramaswamy Sastrulu & Sons, publishers of this
From this, it is evident that Hayagriva Sastry was
Edition."
in
But nowhere do we
literary activity about 1860.
engaged
of
to
edition
the
reference
far
so
Bharatam said
Telugu
any
get
Can it he that Mr. Adinarayana
to have been issued by him.
lyah mistook the Sanskrit edition of Mahabharata issued by
Hayagriva Sastry for the Telugu Bharata ? It may not be so.
For the annotators of Virata Parva also make the same statement.
It appears that we have to search further for the Hayagriva
It may well have
Sastry Edition of Andhra Mahabharata.
formed the basis for the Vavilla Edition of the Telugu Epic,
(a)
(b)
1.
Due to diligent search by Shri N. S. Sundereswara Rao, Pundit of the
project, the cdtition of Sanskrit Mahabharata issued by Hayagriva Sastry is
located in the collection of the Sri Krishnadevaraya Andhra Basha Nilayam,
Hyderabad. This is in Telugu script. The Adi Panchaka lost its front page.
The Yudha Panchaka portion retains this page. From this we learn that
.Puranam Hayagriva Sastry undertook the publication of Mahabharata as an

act of service to propagate Dharma.
Sastry believes that Mahabharata
Adwaita
the
The.
Telugu poet Tikkana Somayaji held
Philosophy.
propounds
a similar view. He calls Mahabharata the mainstay of Dharma and Adwaita.
Puranam Hayagriva Sastry is the son of Venkata Narayana, the

and Savitri, descended from. Kausika Gotra. Her father
crest jewel of Scholars
Venkatesha. Hayagriva Sastry is said to be proficient in all the branches

of ancient learning. He is called Sarvatantra-swatantra, By the grace of his
father he acquired the Hayagriva Mantra. The upasana of this sacred Mantra
made him scholar of Sanskrit, Prakrit and Desi Bhasha,
-was
"
sets forth his labours in publishing Mahabharata thus
Manusare
from
the
work
various
of
the
The
combrought
country.
parts
cripts of
mentaries of Vaisampyana and Nilakantha on Mahabharata are closely conThe slokas have been numbered. Where the meaning is obscure
sulted.
or doubtful Nilakantha Vyakhya is reproduced to dispel doubts. With regard
to the Bhagavadgita, the commentary of Bhagavat Sankara is appended."
He
In this manner the Mahabharata is printed in the Vivekadarsha

Printing Press of which he himself was the proprietor, in the year Rakshasa,
Magha 3 on the full moon day. It falls in the year 1856.
This establishes the fact that Puranam Hayagriva Sastry was
conEkamra
of
and'Aluri
Sun,
Josyulu.
temporary
Chirmaya
Karalapati Rangayya
But our main quest about the Telugu Bharatam said to have been issued
,
by him
is still
eluding pursuit.
18
EDITIONS PRIOR to 1860 A,D.

to track
In our attempt
down
every well
known worthy
edition of Telugu Bharata to its sources we had to digress into

the literary activity of Puranam Hayagriva Sastry, strictly
not relevant to our purpose.
Summarising our inquiry into
the older editions of Andhra Mahabharata prior to 1860 we
arrive at the following
:
Adi Parvam issued by Chinnaya Suri and Ramanuj achary ulu
2.
3.
847
Andhra Mahabharatamu Yudha Panchakamu

Bhishma to Sauptika 1850 A.D.
London Edition as we call it, issued by Aluri Ekarnra
Josyulu
1851-53.
4.
Karalapati Rangaiah Edition
-1852.
5.
Puranam Hayagriva
Edition
traced)
6.
Sastry
(So
far
not
The paper manuscript Edition of Charles

Brown (Unpublished)
Philip
About item 2 above, we have
to add the following details.

in the India Office Library, London.
The
authorities furnished this note regarding the edition
Library
"
This
is
found
Telugu D-7L Yuddha Panchakamu Edited by R. Venkata

Krishna Sastrulu.
Kalanidhi Press. Saka 1772".
Jyotisha
This corresponds to 1850. It may be noted that the scholar
Aluri Ekamra Josyulu was engaged in bringing out aa edition
of the Telugu Bharatam.
Item 3 above represents the full
fruition of his efforts.
Even before that he was engaged in
this task,
R. Venkata Krishna Sastrulu, editor of Yuddha
Panchaka is one among the three editors who prepared the
represented by No. 3. The printing press, Jyois the same in both the cases.
Ekamra Josyulu
owned it. The only point which is not clear to us here is whether
Josyulu printed Yuddha Panchakamu for himself or for some
other publishersfull
edition,,
tisha
Kalanidhi
C.
P.
BROWN'S ACTIVITY
we have
to add a few remarks about

P. Brown's
In the introductory portion to his Telugu*
literary activity.
*"
corrected Edition
English Dictionary, Brown informs, us thus
of Bhagavata was prepared at
expense in 182*7. The Telugu
Further
my
19
Brown
at Madras in 1848."
does not mention here his efforts
to get a corrected edition
of Mahabharata prepared. It may be that he did not think
of this work seriously when he was engaged on his dictionary.
But he seems to have actually set afoot this excellent venture.
In the Government Oriental
Library are pre-
Bhagavatam was printed in quarto
Manuscripts
served two paper manuscripts containing the results of Brown's

Nos. 163 and 164.
activity with the Telugu Mahabharata
He wrote here " The mahabharata now first rendered to numerical arrangement and copied in separate verses and lines by
the directions of Charles Philip Brown.
The alterations made
in this copy show the various readings found in some copies by
me."
T *e
writer of this preface had the privilege of examining

rown Manuscripts in the Government Oriental Manuscripts
ibrary Madras on 17.9.1964 along the Sri. T Sridhara
Sarma and Sri N. S. Sundereswara Rao. The paper manuscripts
these
were badly injured. Insects made profuse holes into them.

These manuscripts are actually registers. Readings are catered
in between the lines.
It was found difficult to read them.
At
the same time the selected readings are entered in the page opSomeone under Mr. Brown's direction may have copied
posite.
the accepted readings on opposite pages. No. 163 manuscript
contains Adi Parva upto 5th Aswasa, verse 190,
No. 164 c retains Adi Parva from
-191 to the end.
There is yet aaot c
manuscript No. 193 w ch seems to be a fair copy of Nos. 6
and 164. In none o these manuscripts (Registers) we A n
the use of the hard
r
(Sakata Repha) and the half-nasa
One interesting feature here is that reference
(Ardhanuswara)
r
given to Sanskrit Mahabharata for the appropriate context.

This may be a copy made ready for the printing press.
In
No.
D.
we
have
Adi
Parva
IV
Aswasa
201,
manuscript
upto
only. Here we see an effort to introduce the half nasal into
is
the
text.
Brown's work with Telugu Bharatam does not end with the
There are 47 paper
registers mentioned above.
numbers. They contain
manuscripts having different
collations of all the Parvas except perhaps the
very last two,
Adi Parva
'
the
are very
Mahaprasthana and Swargarohana.
They
short Parvas.
e that they are incl ^ded in other bundles.
It may
It is evident that Char s
Philip Brown ac ieved the stupendous
task of getting the 18
arvas collated an a corrected text was
prepared. Though he did not mention t c
which
manuscripts
20
for the comparison of the Adi Parva, he left better information about some of the www.teluguthesis.invisioni.com
succeeding Parvas. Adi Parva
was collated with 7 manuscripts.
In the case of Virata Parva
Brown
Parva
and
others
took care to mention the
Udyoga
he
with
which
manuscripts
compared and finalised the text.
For Virata Parva he mentions the following manuscripts
he used
Manuscript of Rao Brahrnaji Pantulu
1.
of Vemuri Subba Rao

of Vaddiparti Venkayya Samalkot
of Gudirnetta Pallayya Jagannathapuram
2.
3.
4.
5.
ofTadigadapa
6.
Penugonda
Veeresalingam
of Manne Kanakayya Yanam

of Vatsavayi Buchi Seethayya
Peddapu-
3J
7.
ram
of Ayyavaru of Pedapudi
of Majeti Sarvesalingam Yanam
of the former village munsif of Mogaliturti.
8.
9.
10.
,,,
Parvas which are very popular like Virata, Udyoga, Santi

could yield many manuscriptsElsewhere he furnishes a
wealth of interesting details. For instance under 1 D No. 211
etc.
"a
00-33 Son
catfwoStfo
oy
"So
8*?5s58
II
"DVoC
Xioii
c^t^w
*btf
III
"SfoS ôn
qjr=ooc3
mi
IV
*^-0
ôii
3^(^
"a-s^8
Xicti
"3
T^^
wi_
cr
co
<atfo?)Q3
"eJQ
^CJ'io
^0^
eo
^8?5
cr
QoSotf oiraer Soi

o
w X5o^tf ^>ô D ow
o w'Vjgô
o tw
03 fu^
*otf
60.
on
^0^^
oT33
î5j^ s5o,
XSoii
^T*0
îi)i55
"So
oy
cr
^p'Q
"3>
.33
^laf
"So
ox
f>
0^
exn- Ôo3o^
o
__
^fl
^ eVjjSc ti&r* sSo,"
VI
-I
S-s-0 X>on
^^
D. t-
co^ X>0^>^
So ^^r-ô."
VII
"ETr-fc Xioii
eS^
"do^
t>o
*btf
ot
21
"So
"So y "^Q
tftfsb
it is noted Aswasa by Aswasa, how finalisation

uses a very significant Telugu
of the text proceeded. Brown www.teluguthesis.invisioni.com
word for this. He does not use the Sanskrit word but calls
it
Tirpu which means judgemeat as done in a court of law.
Brown was a District Judge for a long time The tirpu or finalisation of Aranya Parva was started on 1st December 1838
and ended with 27th May 1839. Udyoga Parva was finalised
by July 23, 1840 and so on. There is a note at the Santi
Parva. Here one Pundit seems to have been entrusted with
the task of comparing the text with Sanskrit original and justify a
The Pundit notes in the course of the
reading.
particular
work " the reading has to be discussed with the Doragaru and
finalised".
Dora was a term of respect used for Englishmen
Aranya Parva,
'
'
during the British
rule.
Here
means
it
Brown Doragaru
'.
Aluri Ekanira Josuylu in his introduction to the second

volunie beginning with Bhishrna Parva bearing the date 1853,
acknowledges in a nice manner that he utilised Brown's colIt means that Brown's corrected copy
lection and his library.
of Mahabharata has already taken shape. Karalapati Rangayya
whose edition of Mahabharata belongs to the same period.
i;e.
1852 does not mention Brown or his beneficent activity.
Many a succeeding publishers undoubtedly used the readings
of Mahabharata collected by Brown, with and without acknowThe readings ot our Vulgate, the Vavilla editionseem to be very near Brown's readings. It is not know if Vavilla acknowledged their debt to this great disinterested Savant.
ledgement.
Ekamra Josyulu
set
up a
fine tradition for scholars.
POST 1860 EDITIONS
BRITISH
MUSEUM LIBRARY
to Editions of Andhra Mahabharata publi1860 "we have two sources of information. One is
the British Museum Catalogue which records a few important
editions.
Secondly we glean much information from the Office
of the Registrar of Books, Madras.
It appears that the act
of
was
Hence
Books
regarding Registration
passed in 1867.
books published after this date are preserved here.
With regard
shed
after
The
authorities of the
Museum
Library gave us
information regarding the
printed editions of Mahabharata preserved with them. We
are indeed thankful to them.
They gave us not merely a dry
list but photograph copies of the front pages where available
list them below
and one or two inner pages of the Text.
British
very promptly on our request
full
We
22
Adi Parva No.

A.D. 1863.
1:
2.
14174-L-12 Rudhirodgari.
Madras.
i
.abharata complete in 3 Volumes No. 14174-L-16.

dited by Vinjarnuru Krishnamacharyulu, Madras.
864.
Udyoga Parva
3.
No. 141 74-K-33- 1864.
4 Sabha Parva No.
14174-K. 23-1865,
5.
Yuddha Panchakamu No. 14174-L-13-Madras.
6.
Maha^
by
Ma
1875.
arata.
2 Volumes No. 14174-L-14. Edited
hadrachalarn Tirumala Narasirnha Charyulu,
ras.
1881.
7.
Adi and Sabha No. 14174-K-57.
8.
Sabha Parva with notes by C. Janaki Ramayya-1899.
Nellore.
1895-1896.
No. 14174-K. 45.

9.
10.
Udyoga Parva. With an English introduction by

Panappakam Anandacharyulu 1900.
Andhra Mahabharata with preface by Sataghantam
Venkata Ranga Sastry. Edited 'by K. Veeresalingam and Rayadurgarn Narasayya Sastry,
Volumes. Madras. 1901. No. 14175-B-L
11.
Aranya Parva. Aswasa VI an VII Notes 'for F.A.

Telngu Text, by Dandigunta uryanarayana Sastry
and Ghadalavada Sundara
ama Sastry.
12.
Bharata
Reddy
It
must be
He
is
Sara
Rathanavali.*
P.
-V,
Subrahmanya
Madras 1885.
st ictly
Kattamanchi Subrahmanya Reddy.

Ramalinga Reddy, former
the fat er of Dr. G.
Vice-Chancel or, Andhra University. Item 1 1 above.

These two sc lolars are quite familiar to us with their
valuable Bharata Sarnjivani.
We
are ntcrested in the 1864 edition of the Telugu Bharay Vinjamuri Krishnamacharyulu as it represents
The British
t e
march of our printed editions..
could
Museum Library has agreed to supply us c y.
not yet take advantage of it. This Library is a o in possession
he authorities
of a palm-leaf manuscripts of Adi Parva,
sent us a photo-copy of the first and last pages oft is manuscript.
tam, edited
a stage in
We
23
with the benedictory sloka of Nannaya. There

of readings in this
are the common mistakes and variations
at
Adi
the
end
of
Parva is given.
The
sloka.
gadya
single
After this there is a nothing by the scribe of the person for whom
"
Written for the study of Bangait was
copied etc. It reads
rayya, son of Mankaru Nayani varu, of Akshantala Gotra,
resident of Nutka-puri, by
Chokkalingam, son of Chewandi
resident
Lingaiah Bheshaja (perhaps medical practitioner),
in
Tula
Masa
the
year Viswavasu,
Sedamangalam,
(Month)
Astamij Thursday. This corresponds to 23rd October 1845
It begins
A.D.
The Bharata-Sara-Ratnavali
of interest to us not as part

of our critical apparatus but as it inspired an intellectual like
Sir C. R, Reddy.
That Dr. Reddy with all his western orientation became a lover and a devotee of the national epic of Andhra
is due to the Bharata-Sara-Ratnavali and the austere
training
which he received at the hands of his father, Subrahmanya Reddy
is
The Bharata-Sara-Ratnavali and
garu.
Muktavali compiled by
5
his father
the Bhagvatha-Sarawere republished by Dr. C. R.
in 1926.
They were originally published in 1885. To
second edition, the distinguished son contributed a brief
but devoted account about his father. The scholars, Seshadri
Ramana Kavulu wrote an introduction to this
One point
Reddy
this
revealed by them here is of much interest to us.

They state
that the author collected the verses of Mahabharata from an
Edition of the epic published in 1863 from the Vani-Niketana
Printing Press. Madras. As the anthology of S. Reddy consisting
of philosophical and didactical verses is drawn from all the
Parvas of Mahabharata, the 1863 edition must have been a full

We did not come across this so far. One more point
about the second edition of Bharata-Sara-Ratnavali is that
the editors, Seshadri Ramana Kavulu, checked
up the readings
with the Ananda Edition of Telugu Bharatam and noted the
Thus the Ratnavali may have a distant usefulness
readings.
edition.
to
us
as
testimonia.
INDIA OFFICE LIBRARY. LONDON
is
Our indebtedness
much closer for the
the
India Office Library, London

authorities of this library
obliged us
to
by
supplying at nominal cost an excellent photographic copy of
24
the 18 Parvas of Andhra Mahabharata. This forms an imporknown as the1 London

tant item of our critical apparatus,
Edition.
We
list
the collection of the India Office Library of
Maha-
bharata.
1.
Edited by M. Venkata KrishnamacharKrishna Sastri and T. Vijaya

Venkata
R.
yulu;
I
Adi to Udyoga Parvas. Jyotisha
Vol.
KavL
Raghava
Tel
67, 68
Kalaiiidhi Press. Saka
1755.
Vol. II Bhishma Parva to end.

Press. Madras. Saka 1755.
Jyotisha Kalanidhi
D 71. Andhra Bharatamu. Yuddha Panchakamu. Bhishma to Sauptika Parvas. Edited by

R. Venkata Krishna Sastrulu. Jyotisha Kalanidhi
Saka 1772.
Press.
2. Tel.
3.
Tel.
83,
84.
by Karalapati Rangayya.
nidhi Press. Madras.
his
Two
1852.
Prepared under directions of G. P.

in
Edited
Volumes. Kala-
Andhra Bharat Kavyamu.
Brown and annotated
handwriting.
Harivamsa Parana by Sambhudasa Errapragada. Edited by Karalapati Rangayya.* InTo Uttarabhagam Aswasa 4. Kalacomplete.
nidhi Press Madras 1858.
4. Tel.
54.
1
In an earlier section of the preface we wrote that the front page' of
Adi Parva of this edition is not available. This is true of the London copy.
But subsequently we discovered copy of the Adi Panchaka of Aluri Ekamra
.
Andhra University. This contains

the front page which is exactly the same as found on the Bhishma Parva of the
London Edition. The Jyotisha Kalanidhi and Vartamana Tarangini Presses
Thus the account ofthis edition is complete.
are mentioned here also.
Josyulu in the special collection of the
2.
In an
earlier section of the preface
we
furnished available informa-
Josyulu. Here we take opportunity to furnish

information regarding Karalapati Rangayya Garu. The reader is referred
for details to the account about him in the Andhra Kavula Charitra Part III
by late Veeresaslingam Pantulu. Karalapati Rangayya (1814-1863) belongs
He is a poet also and wrote two
to the Vaisya Caste, Vaishavaite by faith.
Kavyas, the Bhutapuri Mahatmya and Kavijana Manoharamu. He was
Telugu and Sanskrit Pundit, in Pachaiyappa Mudali High School and Presidency High School. He also served as the Head Pundit in the Hindu Boys'
High School, Madras which is described as Vani Mandapa,' the audience
tion regarding Aluri
Ekamra
25
The India Office Library does not possess any manuscripts

of the Telugu Mahabharata.
DENVER PUBLIC LIBRARY
We
(U.S.A.)
of Andhra
of Denver,
Colorado U.S.A. We had preliminary correspondence with
the authorities of this library.
From the first description given
about it, we infer that it relates to the Yuddha Panchaka. The
manuscript is about 120 years old, we are informed. It may
not go beyond 1800 AD. Further the manuscript seems to
be split up into 3 parts and shared between the Denver Public
Library ; Colorado State College in Greely and Colorado State
University in Fort Collins. We fully appreciate the love for
could
Mahabharata
discover a palm-leaf manuscript

in the Public Library of the City
Foot Note Contd, From page 25.
Veerasalingam mentions that Rangayya

published Teiugu Bharata, Bhagavata and Ramayaaa. From item 4 above
we find that he edited Harivarnsa also. Rao Bahadur thinks that Rangayya
is the first to
publish Bharata etc., having carefully edited these books by
eliminating the errors of scribes. This is partially correct for we know that
Ekamra Josyulu contends the palm with Karalapati as far as the Mahabharata
at least is concerned.
Both the editions emerged almost simul-
hall of the Goddess of learning.
taneously.
Karalapati Rangayya does not appear to be beset -with the financial

hurdles encountered by Josyulu. The account which, the later gives us of his
difficulties makes pathetic reading.
Rangayya had the backing of a rich
Vilamduda Sornasuiidaram Pillay, Rangayya pays homage to his
person.
patron ia a few artistic verses, published on the front page of the Mahabharata.
The father of Somasundaram Pillay is Muthaya Pilla, a wealthy merchant,
who obtained the grace of God Vrishachaleswara. His wife is Minakshi, a pious
To them was born Somasundaram Pillay. He is of a chartitable
lady.
Just as he repaired at his expense many a neglected tank, dilapidated temple, rest gardens, drinking wells and summer water resorts, so
Mr. Pillay undertook to restore to its pristine glory the Andhra Mahabharat
written by.Great Poets like Nannaya, Tikkana and Sambudasa, by getting it
thoroughly edited by scholars with a view to rid it of naistakrs committed by
scribes.
He printed the epic by the full inoon day in Margasira of Paridhavi,
Saka 1775. This date corresponds to December 26, 1852. Prior to the publication of Mahabharata, Somasundaram Published the Bhaskara Ramayana
and Uttara Ramayana. The printing of these books was done in the
Kalanidhi Press of P. Kumarayya.
disposition.
It appears that the Kalanidhi, Jyotisha Kalanidhi,
Vartarnana Taran-
and Vivekadarsa were among the leading Printing establishments of this

There was healthy rivalry among Them to publish standard works
period.
and classics. Considering the early days of Printing in Telugu, in the mid
19th century, we must heartily congratulate these pioneers. Their books are
generally free from mistakes which we can scarcely claim for many books
produced at the present day.
gini
26
knowledge which induces these far off libraries to preserve

with religious care and solicitude andwww.teluguthesis.invisioni.com
old palm-leaf manuscript
in an unknown script and language.
We are amused at the
which
made them split up one manuscript and possess
eagerness
part of it. As we are busy at the present with the earlier books
of Mahabharata, we did not actively pursue the history of this
Manuscript.
PRINTED EDITIONS AFTER 1900
While we find that a number of publishers attempted to

Mahabharata in parts or the full complement during
the period 1860-1900, either due to a veneration for the epic
as the fifth Veda or out of commercial motives, we find that
from the beginning of this century the number of such editions
became fewer and fewer
This is as it should be. Two prin-
issue the
ting establishments alone stand out prominent for their standard editions of Mahabharata-the Vavilla and Ananda Presses.
It is not difficult to guess why this change came about.
Firstly, when printing is introduced for the first time into the
saturation
country, there will be a plethora of editions.
point
Secondly the novelty attached to a
new experiment having disappeared, the public began to demand
a high standard both in the scholarly and technical execution
of the work. Powerful journals like the Amudrita Grandha
Gintamani began to expose the
shortcomings of ill-conceived and badly executed editions.
It became quite a task
is
soon reached.
weather the storm of exacting criticism. Therefore many

a smaller publisher felt it safe not to enter the arena for prin-
to
ting a vast
book
like
the Mahabharata.
We
have gancrally noticed some of the leading editions

Under the Registration Act
published between 1850-70.
necessary to record the publication of
books with the Re istrar of Books. The Records office at
Madras has entry o many of the editions of Mahabharata issued after 1867.
ome of these editions are described and
r some periods t ey are not described.
They are simply
1 sted.
We give available details regarding some of these edit ons in
appendix II. The law of the survival of the fittest
are left with two editions the
has operated here also.
Vavilla and Ananda editions,
They keenly contest the palm
like for the scholarly editing and neatness of execution.
of 1867
it
became
We
27
VAVTLLA AND ANANDA EDITIONS

us
is which of them is the earlier
facing
question
one.
What Is the history of its development and so on.
do not have indisputable evidence. As far as it goes we can
1
Vavilla
find mention of
Ramaswamy Sastry
proceed.
as joint publisher, with Saraswati
Tiruvengalacharyulu, of the
Adi Parva of Mahabharat in 1870. 2 This is printed in the
Hindu Bhasha Sanjivani Press. In the same year we find
another entry under the name of the same author 19/1.71
1870,
This time they published Udyoga Parva.
It is not
clear whether it is Udyoga alone.
The number of pages is
Now
given as 470. It may be the whole Adi Panchaka.
with regard to the Ananda edition issued by Vemuri Venkata
hear of this firm in the AmuKrishnamachetty & Sons.
now
The
We
We
We
drita
Grandha Gintamani.
Poondla
In its issue of 1894, the editor

Krishnaiah writes appreciatively of the edition
"
we
Bhagavatamu issued by this firm and says
Rama
of Andhra
hope that Vemuri Venkata Krishnama Chetty & Sons will
enhance their prestige by publishing the Andhra Mahabharata
in the excellent manner
they did the Bhagavata."
From this we infer that the Ananda Edition of

rata came subsequent to the year 1894. Here we
the famous edition published
this firm in 1901
Mahabha-
meet with
under the
by
of Rao Bahadur
K, Viresalingam Pantulu and
-editorship
a
Rayadurgam Narasayya Sastry Garu. This edition is justly
1.
For a brief account of the
life
of the late scholar Vavilla
Ramaswamy
Garu (1832-1899) see Saraswata Sarvaswamu (Volume 2 Samchika 2)

Aswayuja, Raktakshi, Year 1924. Here it is static! that Ramaswamy Sastry
was born in the Village of Dandigunta near Nellore.
He studied in the
traditional manner.
Having known the difficulties facts by students with
palm-leaf manuscripts, he thought of taking to printing. In 1853 he established
a small press and
struggled throughout his life to print standard works with
meticulous care.
He won the appreciation of Maharajah Ananda Gajapathi
of Vizianagaram, the
Raja of Venkatagiri and other leading men. A story is
narrated^to illustrate the care which was taken to avoid Printers Devils. When
a forme is ready for
printing, it will be exhibited outside the Press.
Any one
Sastry
who can
discover a mistake in
it
2.
Vide
3.
Rayadurgam Narasayya
list
will
be paid at the rate of 8
of printed editions in
as.
per error.
Madras Records Office 47/4-71.'
Sastry was one of the well known scholars

19th century.
Lakshmi Narasayya and Subba
.Lakshamma were his parents. He was Pundit in the Christian
College,
Madras. He translated Kalidasa's Sakuntalam into
Telugu as early as
^1894.
^Kandukuri Viresalingam Pantulu translated Sakuntalam in 1883,
Viresalingam's translation is the most popular to this
with its
and
of the last
quarter of the
day
28
style
famous
authorities associated with it.

Since then the
Press seems to have enlisted
the co-operation of highly
for the
Ananda
learned
men
like
Bukkapattanam Ramanujayya, Tanjanagaram

Puranain Suryanarayana Tirthulu and
Tevapperumallayya,
others.
The subsequent Ananda editions

They made additions and subtractions
are descended from this.

here.
For instance they
do not seem
to acknowledge the debt they owe to

Viresalingam
and Narasayya Sastry. Tanjanagaram Tevapperumallayya in
1907 edition does not refer to the editors of

Puranam Suryanarayana Tirthulu slightly
made amends to this in his edition of 1922. We have also to
his preface to the
1909 edition.
the
improvement they effected.

Viresalingam. and
do
not
reference
to
the
Narasayya Sastry
give
manuscripts they
consulted in fixing their text.
Surely they must have consulted
notice
the
The subsequent editors of the Ananda edition

manuscripts.
have adopted a more scientific method. They indicate the
manuscripts consulted by them by letter symbols. This is
certainly an improvement as it enables the reader to check
up the evidence and form his own conclusions. There is still
further
room
for
improvement
here.
The Ananda
scholars
do not disclose the palm-leaf manuscripts which they used

the collation of the text, tlie principles on which they selected
also
for
these
particular
manuscripts,,
CRITICAL
their
description
and
so
on.
TEXT OBJECTIVE-HOT SUBJECTIVE
A truly critical edition must place the fullest available evidence before the scholarly world and allow them to judge for
themselves about the acceptability or otherwise of a particular
The critical text is an objective text as far as possible.
reading.
The editor has no doubt his own choice of a particular reading
but does not seek to impose his view on the reader. In selecting
a reading for the constituted text, the present editors tried to
give primary importance to the readings of aim-leaf manuscripts.
It does not mean that they chose a readin
by merely numerical
count.
available
n
a single manuscript
even
if
good reading
is
fau
a
of
or
host
inferior
to
Looked
ty readings*
preferred
happy expression. Narasayya Sastry may have undertaken a fresh translation

m order to bring it as near as possible to the commentaries of the drama. It is
said that Narasiyya Sastr was the first to use spoken dialect in the drama for
inferior Characters,
Lat r on Vedam Venkataraya Sastry tried this experiment successfully in his rama Pratapa Rudriyamu, Narasayya Sastry was
-
intimately associated wit
the literary publications of the
29
Ananda
Press.
at from this standpoint,
Narasayya Sastry
is
the
edition
prescriptive
of Viresalingain and
In fact
descriptive.
and not
a sense, whether it is
previous editions are prescriptive in
the edition of Ekamra Josyulu, Karalapati Rangayya or any
all
Brown's edition may have been perhaps

Edition but it never got published.
other,
Critical
EMERGENCE OF THE IDEA OF A CRITICAL EDITION
The
idea of a Critical Edition of
Andhra Mahabharata
seems to have vaguely emerged about the beginning of this

The epoch making controversy about the Grandhika
century.
Bhasha (literary language) and the Vyavaharika Bhasha (Spoken language) paved the way for the emergence of the conception
of a critical edition. Rao Saheb Gidugu Ramarnurthy Pantulu
in his crusade for the spoken language took to an examination
of former models of writing, In the course of his search for
the use of the spoken dialect in older writings he began to ransack
the manuscripts. This revealed to him new vistas of information.
He found that many a passage written in the spoken
dialect was transformed into Grandhika Bhasha by the votaries
of purism in language. Rao Saheb raised his voice of protest
against this high-handed activity of the scholars.
About the same time, Ramarnurthy Pantulu and his son

Dr, G. V. Sitapati were engaged on the preparation of scholarly
editions of our leading works on prosody like Appakaviyamu.
To his astonishment Ramamurthy Pantulu discovered that
Lakshanikas like Appakavi altered the readings of Mahabharata
to conform to their views and theories of Telugu prosody. Everybody accepted the authority of the Telugu Bharatam as a standard work.
If the readings in this authoritative text are
made
to
answer to established
In
theories., the theory gains sanctity.
this process they failed to notice that they did a disservice to
great authors like Nannaya and other poets of Mahabharata in
making them appear what they were really not. The Akhanda
Vadi (the caesura which alternately agrees with the vowel
and the consonant) is an important instance. Having seen how
readings of famous authors were altered indiscriminately
to the conclusion that the
printed texts must
be subjected to a close comparison with
which
tfie
Rao Saheb came
were undoubtedly
manuscripts
This will establish the former shape
nearer to the original poets'
composition.
earlier.
of these works which
is
30
GJDUGU RAMAMURTHY PAKTULtr

The Rao Saheb expressed himself on this subject thus.

The Mahabharata of Nannaya stands as a monument of the
fame of King Rajaraja Narendra. As this great work was
written in Rajahmundry, it is but natural that the people of
that are
love it intensely.
Not only that, the whole Telugu
olds
it
in
But it is the misfortune of
esteem.
country
great
sc
that
an
of the Mahabharata which
edition
telugu
olarship
is author tative and
its
in
trustworthy
readings, has not come
out so far, though the book itself is nine centuries old.
The
scholars of Andhra are guilty of not having undertaken this
sacred task so far.
They have not made any attempt to restore this venerable book to its pristine condition.
If they do
not take up this work even at this late stage, the love of Telugu
men
of
language is indeed open to question.

the
expose
charge of pseudo sentiment. Resmen
and
men
of
action can achieve this objective
ponsible
if
set
forth
on
the
task with tenacity.
If the wave
they
quickly
of patriotism and love of one's own language that sweeps the
country at the present time is really genuine if it is not spurious
I
surely,
hope, that those who launch upon this work will
l
receive all support from the country"
for their
letters
It will
itself to
OSMANIA HEARD THE CALL

an unmistakable voice, a clarion call for a Critical
Andhra Mahabharata, The prophetic bugle \v s
sounded 46 years ago and we arc happy that it did not go utter y
unheeded. We are in the midst of the stream. The ban
The Osmania University under the able
are not yet visible.
leadership of Dr. D. S. Reddi, Vice-Chancellor heard the call
and became alert, We will corne further to the subject.
It
is
Edition of
OTHER VOICES
It is not necessary to multiply the opinions of scholars of
Late Dr, C. R. Reddy was undoubtedthe previous generation.
the
of a critical edition of Mahabharata.
of
idea
a
champion
ly
invite the attention
He was a lover of Mahabharat studies.
of our readers to the opinion expressed by Dr. Reddy, commending the publication of* Sukthankar Memorial Volumes.
We
1,
Rajaraja
Narendra
Pattabhishcka
Samchjka
Page
128,
Pub-
lished 1922.
Sukthankar
VII,
flagc
i
2.
Memorial
Edition,
31
Volume
II *
Analccta.
Preface
He
"
Suktliankar, whose early death was the most

and Oriental
Learning generally that
India sustained since the death of Dr, R. G. Bhandarkar, was a
contemporary of mine at Cambridge. By far the greatest undertaking of modem India is the Critical Edition of the Mahabharata.
It will be recalled that this Critical Edition has been
said
Dr. V,
S.
serious loss to Sanskritic
under preparation for over 25 years. Imagination staggers at

the volume of labour, comparative study and critical work
involved.
'
Needless to say that Dr.
Ramalinga Reddy would
have welcomed a similar service to the Andhra Mahabharata.
Rao Saheb Ramamurthy Pantulu was not merely content

with giving the call for a Critical Edition of Telugu Bharatani
but set on foot the preliminary work on his own initiative,
He
seems to have begun the comparison of the Adi Pan/a of Nanaaya
Bhattu in order to obtain better and earlier readings.
The
contained in the volume which
efforts are
results of t s
marked
into
our critical
we admitte
apparatus
gi
This is the
ao Saheb's personal copy of Adi Parva preserved
c
'
Andhra University Library. It is interleaved and Ramamurthy Pantulu noted the Readings which he collected in this
in the
His
copy.
were presented
There is a note on
books
after his death.
to
the
Andhra Univcisity
this
personal copy indicating

"
the sources of these readings. It is stated here
Paiitulu took
the 1914 Vavilla Edition of Andhra Bharata as the basis for his
comparison something like our Vulgate. He compared this

with (1) the Palni-leaf manuscripts of the Saras wad Mahal
3
The Tanjore readings are marked
Library, Tanjore.
gi
in our critical repertory (2) The edition of Adi Parva issued in
1847
gil.'
c
NJ8.: This was printed in the Saraswati Pitha Mudrakshara

in the year Saka 1769, Phvanga,
Adhika Jycstha,
jSala
the third Tithi, Monday,
This edition is evidently the one said
to have been
published by Chinnaya Suri.
It
(1847)
means
that the
besides
Rao Saheb
comparison of the
one old printed edition

for
the
palm-leaf
manuscripts
It is not known how many
manuscripts
the principles on which he selected these
selected
some
text.
he pressed into service,

It
manuscripts and the collators who did the work for him.
may be that a small team heade by his versatile son, Dr. G. V.
for
Sitapati did this work
These
arnamurthy Pantulu.
are available for Adi
arva
The Sabha parva
readings^
only.
is
empty _of readings,
portion
amaniurthy Pantulu broke the
ic&
As an individual he ecu d not have done more with his
"
limited resources.
32
PRACTICAL
WORK
JAYANTI RAMAYYA PANTULU

It
must have become evident very soon that sporadic work
not yield results in the case of a gigantic idea like the Critical
Edition of Mahabharata. There must be a vast collection of
palm-leaf manuscripts, a country-wide search for them and
>other old works. This is a work which an organisation with,
plenty of resources could attempt with some hope of success.
will
Accordingly the Andhra Sahitya Parishat, Kakinada began a

country wide collection of manuscripts. The genius behind
1
late Jayanti Ramayya. Pantulu Gara
The
this effort was
financial sinews
late
must have been supplied by Andhra Bhoja,

of Pithapuram.
The
Rao Surya Rao Bahadur, Maharajah
2
Library of the Sahitya Parishat Kakinada contains perhaps the
largest collection of palm-leaf manuscripts of Andhra Mahabharata. At any rate it is the only library that has the distinction of lending us its vast collection for use in the preparation
of the
Critical
Edition.
With the non-co-operation movement of Mahatma Gandhi

was a general revival in the country towards old values and
there
hoary Indian Culture.
In the
field
of letters
it
took the form of
and preservation of palm-leaf manuscripts and old

Many an organisation took interest in this work. It
collection
works.
would have yielded abiding results if there was concerted action

and a central library to preserve all the literary treasures collected.
This seemed to be lacking. So that individual libraries
1.
Jayanti Ramayya Parxtulu (1860-1941) was one of the bulwarks of
Grandhika Andhramu, While Gidugu
Ramamurthy Pantulu \vaged a
battle Royal for the introduction of Slsta Vyavaharika Bhasha into literature
and the education system at all levels, Ramayya Pantulu stood like a rock for
His
the Grandhika Bhasha or the traditional style for equally good reasons.
Defence of Literary Telugu is a powerful plea for the classical style. It is saicl
that it was mainly due to his efforts that Literary Telugu stood its ground in the
Ramayya Pantulu was equally proficient in Historical Research

and Epigraphy, He edited a number of lascziptions for the Government of
India. "The Andhra Sahitya Parishat and the Suryaraya Andhra Nighantuvu
-will make Ramayya Pantulu remembered by Telugu people for centuries,
Universities.
We
are thankful to the authorities of this venerable Parishat, parti2.

Garu for placing
cularly its enlightened Secretary Sri Dantu Bhaskar Rao
at our disposal 26 manuscripts of Adi Parva, Shabha Parva. and Aranya
Parva. The last mentioned parve is considered in-auspicious. Hence it
The Kakinada
Its copies are few and far between.
rarely copied.
Parishat alone could lend us 13 manuscripts of this rare Parva.
hope to
receive continued co-operation from this Parishat in our further work
famous
along with the blessings of Sivasri Bandaru Tammayya Gam,
scholar and respected President of the Sahitya Parishat.
is
We
33
391
collected a few manuscripts for themselves and they could

preserve them after the first flush of enthusiasm waned.
much
not
It
and continuous care of the manuscripts.

By the time the Telugu Department Osmania University deneeded
cided
upon
finance
publication of the Critical Edition of Andhra
Maha-
bharata about 1964 and set about collection of palm-leaf manuscripts of the work, much damage was done in the field of manusSince printing was introduced into the country in an
cripts.
effective manner nearly 135 years ago 3 individual persons ceased to take interest in manuscripts, They almost began to forget
this stage in our book-evolution process.
MANUSCRIPT COLLECTIONS
few older
libraries like
Gautami
the
Grandhalaya,
Rajahmundry preserved with difficulty some palm-leaf manusThis library was generous enough to lend us its manuscripts.
The
Andhra Historical Research Society of the same
cripts.
place possesses some manuscripts of Mahabharata.
They arc
not prepared to lend them outside. The
Society published a
descriptive catalogue of its manuscripts, Its needs improvement.
The1^ Suryaraya Vidyananda Pustaka
Bhandagarara of Pithapuram owned a few manuscripts and they lent them to as,
We hoped for a valuable collection with the palace
of Pithapurani
asthelateRao Surya Rao Bahadur was a great

patron ofleanuag
but we were sadly disappointed. Either there was no
response to
our enquiry from any person in
knowledge of Pithapuram a flairs
or we were left to a blind chase which ended in
Here
nothing
is
ajesson about the state of affairs after the abolition of'Zurnindanes. One of the most serious losses and we are
afraid it may
prove a permanent loss-is the disappearance of the
Bharata
c
Kdamkasha
Vyakhya^ by the 19th century scholar

It is
said that the
Lakshmipati Somayaji
Pithapuram got it copied
on to the office of the
for his
library.
Suryarava Andhra
SSS^T
inestimable
Bharatam
Maharajah of
Later on
it
was passed
Nighantuvu~a standard
Ma
Pk*wd. Somehow this
?,disappeared,
âjah
it is said.
We sent our renre-
JT
book
sentaê even
to
Chitrada-the home-town of late
Fa^T
To
Family.
llferary
enthmiaSt and
our regret
it
IN TELANGANA
34
was
all
4d
&
rda *ou of
in vain.
tl
were
here
heard
indistinctively
Andhra Mahasabha
some
started
also.
The Nizam
literary
Ramana Kav
Rashtra
and
sent
activity
lu for collection of
round the scholars Seshadri

ection formed the
manuscripts and inscriptions. Their col
Mandali.
nucleus of the
Lakshamanaraya Paris odhaka
arishat, Hyderabad
This Mandali and the Andhra Saraswat
which is a live instit tion, lent us some manascripts. We hoped
for much from an ol library like the Rajaraja Narendra Bhasha
ood
a
Nilayamu, Hanuma onda. This library did possess
m.
to
enthusi
collection but we fai ed to rouse the authorities
1
ao
It is to the credit of Karimnagar that Sri B. Venkatrama
manuscr
Chairman of the Library of the place gave us some
pts
of Mahabharata.
we
wish to refer to the

sad state of affairs of the libraries of some of our leading Samsthanams of the last generation. We say this just to invite
ttention of the authorities in succession to rescue what can still
e rescued from the great library treasures of^ these courts.
or instance we could get only some matted palm-leaves from a
mous centre of learning like Gadwal. We were much grieved
to hear that a similar fate overtook the valuable collection of
White ants the relentle s vandals
the Rajahas of Venkatagiri.
The fort of Viz anagaram
are busy there and every where.
where that most loved and enlightened ruler, Mahar* a Ananda
Gajapathi held his court, could not offer any manuscripts.
Though
it
may sound
repetition
We add some details about the coll ction of palm-leaf manuscripts

and old printed Editions lodged in the library, ort Vizianagaram. Dr. Nl V,
Satyanarayana of Andhra University collectc this information for us. The
fort Library will not lend its manuscripts or boo s outside.
Palm-leaf manuscripts of Rhishma, Drona, Kama, Salya, Stri and
Santi Parvas aie available but they are very badly damaged and cannot he
handled.
One peculiarity of this collection is that it contains paper manuscripts

of Adi Parva (except Aswasas 2 and 8) and second Aswasa of Sabha Parva,
Except Brown manuscripts we did not so far come across any paper manusAdi and Sabha Parvas are written in note books. How old they arc
cripts.
and what the exemplar is from which they are copied, cannot be ascertained.
We also find here an edition of Adi Parva printed in 1891, in the

Another interesting possession
Saraswativilasa Mudrakshara Sala, Madras.
1.
remember with
Dr. T. Koteswar Rao,
pleasure the efforts of a former student of mine

Lecturer, in securing this collection for us,
now Telugu
35
of this library is the Amnaya Kalanidhi commentary for Stri, Santi and AnnParthasarathi
nelaturi
sasanika Parvas, written by
lyengar. This is
the
Sasirekha
in
94
1892
in
the
Madras.
Printing
Press,
years
published
We received information that the 1915 Edition (Vavilla?) with

Bharata Samjivani, cornmeri ary is available in the Maharajah's College,
Vizianagaram. How old is t e Bharata Samjivani Vyakhya we are not able
to st te. The autho s of I* s commentary D. Sm yanarayana Sastry and
Gh, undara Rama astry
eady appear in the British Museum Library
Gata ogue. It has st to be enquired which of these commentaries Bharata
Samj vani or Arnnaya "alanidhi appeared earlier.
A
few details regarding the author of Amnaya Kalanidhi have come
We
consider it worthwhile to record them here.

to our knowledge.
In the
course of this fairly long prefa e 3 I tried to collect forgotten information con*
not strictly relevant to our subject but since
cerning our literary men. It
the sources of information are ast disappearing,
what still ramains
in the
hope
it is
felt
necessary to preserve
it
up.
at other scholars will follow
The author of Amnaya Kalanidhi, Nelaturi Parthasarathi lyengar

the second son of the pious parents, Raghava and Venkatarnbika.
Nrisirnha was his grand-father and Venkataraya was his grcat-grand-father.
They belong to the Bharadwaja gotra. Niishuuha Tatacharya, the preceptor
of p arthas rathi Iyer ar is said to be a dependent of the famous Vaishnava
is
Ac
arya
in
astras
an
at
-otikanya
om Anan
anam Tatacharya. Partliasarddti received instruction

a Saraswati,
Our Commentator is a stauch Vaishnava
consi ered Adwa tins as Dushyas, perhaps heretics.

This shows that even
e close of the last century inter-sect prejudices were still keen.
Parshasaratdi belongs to Ncllorr
"
states he
won
according to his statement.
He
the approb
"learning by writ ing a Tclugu Gommcne proposes to wiite a

ry to Manu inriti. Now
commentary to Tcluqu
haratam, T e Amnaya Ka anidhi was published in
January 1 894 at the
di borough
At this time
riming Press o Kuppuswamy St'lty in Madras.
ar asarathi yengar was Tc ugu Pundit in Hindu
Theological High School,
ras.
Subsequently he seems to have; shifted to the district of his
Nel or District and he became Tclugu Pundit in the Venkatutnri origin,'
Rajah's
Ma
Hig
School.
Our information shows that the Kalanidhi

commentary for Santi
Parva is published once in Januar 1II94 from the
Edinborough Press and
again m May 1894 from the Sasirckl a Press, We do not know if our informamants committed an error or we xavc to r coneile these statements thus.
Santi Parva
one of the most wi dy road 'arvas of
is^
Mahabharata, particularly by religious minded elders because t contains Mosksha Dharma.
commentary for it is deservedly popular. I ence the need arose for issuing
Santi Parva with
Amnaya Kalanidhi Vyakhya twice in ihr course of one year.
IN
Our
aged and
RAYALASEEHA
contacts with Rayalasecrna did not

respected patriot, Sri Kalluri Subba
36
extend
far,
Rao Garu
The
lent his
manuscripts to the Sarada Niketanam Library, Guntur. The

authorities of this place were silent
when approached. We
tried at Karvetinagaram with no fruit. The Chittoor District
alone exhibited the silver lining to the cloud. We could get
,
some manuscripts of Mahabharata through the good offices

of our friend Dr. Nanduri Ramakrishnamacharyulu. More
interesting is the case of our acquisition of one copy of the whole
Mahabharata except perhaps the Adi Parva, from the1 Sri
Kanyaka Parameswari Temple, Vayalpadu, Chittoor District.
Among the regular Libraries where the manuscripts are

maintained properly be mentioned the Tanjore Library, Government Oriental Manuscripts Library, Madras, the Theosophical
Library, Adyar, the University Libraries of Andhra, Sri Venkateswara and Osrnania. We got selected manuscripts collated
at these places,, for us.
The Andhra and Venkateswara Universities went further and have lent us two manuscripts at a
time for collation purpose for which we are thankful to them.
Numerous
lovers
of literature
donated
their
palm-leaf
manuscripts, and old printed editions of Mahabharata to the

full list of these
project and laid us under a debt of gratitude.
donors is appended separately.
SCHOLARS AND MAHABHARATA READINGS

Almost since literary journalism got establis *ed in the
Telugu country, scholars used the forum of journa s to discuss
the readings of Mahabharata.
It took the shape o examining
As
1.
our
cute
and
Gan ha
We
it illustr
tes a beautiful
we
tendency, prevalent among a

Now in the countryside, in
will g vc a few details.

families, there s a custom to hold
hagavata in rr igious veneration.
eople
(Sandal)
came
to
like
Owners
Mahabharata,
of these classics o
mayana
T them,
deities.
Malya (Garlands) etc as they offer to house-h^
that the Kanyaka Parameswari Temple of
ayalpadu
It
was a guarded
manuscripts of Mahabharata.
know
some
possessed
books
section of
nsophisti-
"
our
with
the last
Him
bastion of
,
Vaisyas,
women are the trustees of this excellent t( mple. After prolonged correspondence the writer of this preface proce< dec! in person to Vayalpadu in 1964.
At a very touching ceremony the enlighter ed Trustees of this temple presented
their jealous treasure, the Mahabharata bundles to us. Not even sage Kanva
could have felt so sad at the departure of Sakuntala as^ did the Trustees of
the Vayalpadu Temple feel when the manuscripts of Mahabharata left their
sacred precincts.
secret.
Sri P.
remember with pleasure the note of introduction given by
Thimma Reddy, now
Minister for Agriculture, to the Trustees of the
temple, in this behalf.
37
the readings adopted in printed texts, with a view to their gramwith regard
matical correctness, prosody and appropriateness
Often the deviations made by fhe authors
to Rasa or sentiment,
ahabharata from the Sanskrit text in the course
of the Telugu
of translation used to be discussed. Articles on the appreciation
of the literary excellence of Mahabharat poets are innumerable.
Articles of the former type, on grammar and prosody are not so
tried to make
numerous but they too are considerable.
a bibliography of these critical articles so that they may be of
use to the editors in constituting the critical text.
Though
started in right earnest., it was given up in the middle.
We
We
feel
handicapped.
that devoted some space for these

on Mahabharata mention may- be made chiefly
of the Amudrita Grandha Gintamani
whose editor Poondla
Ramakrishnaiah was a fearless critic. Series of highly learned
discussions would appear in this journal on points of
grammar or
Among
the journals
critical articles
c
'
prosody. Writers would accept the Andhra Sabda Chintamani

ascribed to Nannya or the modern work Balavyakarana as
the norm for grammatical discussion. To quote only one instance
the following verse occasioned a lively
controversy.
&*
*eo. 2-333
The context is Sri Krishna advising Arjuna in Salya Parva

come out of the chariot with haste and that he
(Krishna)
would get down next. In this verse there is a
grammatical
and
in the third line where the word
prosodial^ peculiarity
Z>ti3
beginning with a hard consonant must become a soft
tfX
consonant
as it follows a Druta Prakritika.
fisfc
I.
The first personal pronoun is considered a Druta
eading
word. Hard consonants
following the Druta become softened.
They become voiced consonants. If this rule is applied here
and
pf becomes b the Prasa or rhyme principle is infringed.
Poet^Tikkana author of this verse cannot be accused of such a
solecism.
The alternative will be to assume that the labiodental
rhymes with the soft consonant 'b' for which there is no warrant. This is not
accepted by some even for Yati purposes. Appakavi the Lakshanika
quoted this verse (3-373) as an instance of
to
'
'
'
38
'
He seems to think that the hard consonant

Sandhi-gata-prasa.
'
in the context of prasa.
labio-dental v www.teluguthesis.invisioni.com
the
to
p changes
He wo ild have been justified in this assumption, if the preceding
sound is a Kala and not a Druta. The first personal pronoun
So the
in the singular is read among the Druta Prakritikas.
'
'
word following
it
must be changed
to
soft
consonant only.
This prayoga of Tikkana Somayaji aroused a 1 vely controversy and remains unresolved to the satisfaction of al the scholars,
Parvat swara Sastry
A scholar of the 19th century, Mandapaka
He says cc we have to make a
offered a clever explanation.
distinction between the two forms of the first personal pronoun
& l3&. One begining with the vowel and another with the
consonant. We have to treat the vowel-beginning form of the
end ng. In
pronoun as a Kala word i.e. not having the nasal
s
e quite
will
into
v
that case the c *ange of the letter
p
for
asis
is
no
there
as
ous
the
Ingen
explanation is,
regular.
c
assuming that
e first personal
word and sometimes
'
pronoun
Kala word.
'
is
sometimes a Druta
problems of grammar and

Scholars
eagerly range themselves
prosody of tl e Mahabharata.
battle
and
a
into contend ng camps
rages with full heat.
literary
Dr. G. R.
the
in
Sometimes t ere is less light
controversy.
is
humour
of
sense
ood
a
with
reported
Reddy who s credited"
The d putations of scholars are parushas
to have observed once
This
aralas (soft consonants)."
(hard consonants) and not
the
about
The
dscussions
is only by the way.
Prayogas of
1
Mahabharata are really high performances.
They are carr ed
Gran ha
Amudrita
The
this
on with tenacity even to
day.
to h gh
loss
a
severe
It
was
Gintarnani disappeared long ago.
There are
many
such
ticklish
ke
place is taken by journals
as
Sanchi
Parishat
Patrika, Ugadi
Bharathi, Andhra Sahitya
Parisothe
Andhra
of
Patrika)
(Annual literary supplements
class
literary journalism.
dhana,
Its
etc.
discussions find a place in the prefaces to the different

mention the introduction to
of Mahabharata.
Edition
the
(1901) written by the Scholar
Vireshalingam
Venkata
Ranga Sastry where he raised many of
Sataghantam
these points at issue.
Similarly latec Malladi Suryanarayana
Abhinava Vaganusasana'
who
enjoys the title
Sastry Garu,
of
counter
modern
Nannaya in Grammar) discusses
(a
part
Such
editions
We
39
to the
the readings of Mahabharata in his introduction
not known)
Vavilla Edition of Mahabharata (year of publication
in his
Sastry discusses some of
some of
Elsewhere
essays
Suryanarayana
regarding Sanskrit
Prayogas of Nannaya
1
jfsSctft
t
Stfc&r*
the
(poetic
Under
caption:
examines some of these readings.
the
A serious
attempt will have to be
graphy of the
articles
grammar and
with
deal
made
on Mahabharata ?
compounds.
licence)
he
prepare a bibliochiefly of those that

to
prosody.
who began to think actively about a critical

Mahabharata we may mention the late scholar
Korada Rama Krishnaiah Garu, sometime Head of the Telugu
Ramakrishnaiah wrote a CriDepartment,, Madras University,
tical appreciation of the sublime poetry of Tikkana Somayaji
3
Andhra Bharata Kavita Vimarsanamu.
in his
Apart from
this Ramakrishnaiah published a highly thought provoking arti3
Andhra Bharata Patha Nirnaya Padhati/
cle with the caption
This is a very sane and balanced approach to the problem.
Ramakrishnaiah tried to throw more light on the discussion.
regarding readings by bringing in the evidence of contemporary
We may not be able
Inscriptions to bear on a particular usage.
to agree with him in some of his findings.
He thinks that Nana
had
in
his
naya
rigid consistency
Prayogas. We do not think
that this will be fair to Mm.
If Nannaya were the first regular
poet of Telugu, ~as we all feel, it will be better to credit him with
some flexibility in Prayoga than stern rigidity. For instance
the Prasa called Swa-vargaja Prasa may be rare in
Nannaya.
But we need not labour to deny him an occasional use of it as
4
in -the verse of Adi Parva,
However we are happy to find
that the method adopted by the present editors is not much
removed from the sensible path chalked out by the unostenta-
Among
those
edition of Andhra
tious
scholar,
Ramakrishnaiah.
The writer of, this preface agrees with Ramakrishnaiah

c
in using the
testilanguage of contemporary inscriptions as
monia for evaluating the
of the
of
5
Prayogas
poets
Mahabharata,
.
2.
We
are informed that the A.P.
the Bibliography of
literary articles.
mo-7^0
1937-38.
Sahitya
of
Research of the
^
T pnental
Part
1.16. K.
lals
I.
Page
Akademv commissioned
University of Madras.
Ramakrishnaiah and
4.
40
301-816
S.
Volume
II
Lakshmipati Sastry.
Nannaya. Like the bibliogarphy of articles on Bharata,

could not so far implement this. www.teluguthesis.invisioni.com
To this extent we are
handicapped.
chiefly
we
Much
nearer to us
is
the scholar
poet Rallapalli
Ananta
Krishna Sarma Garu, who is one of our senior men of letters and
our adviser. He is one of the latest critics to give a call for critical
In an
editions of standard works including Mahabharata.
1
article in Bharathi he pleads the need for a Critical Edition.
DR. C. NARAYANA RAO
GARUDOPAKHYANA
more serious and sustained effort for laying down the

tracks for a Critical Edition of Mahabharata was done by late
Dr. C. Narayan Rao, the talented pupil of Rao Saheb Gidugu
Ramamurthy Pantulu. Dr. Narayan Rao undertook the specimen editing of the story of Garutman in Adi Parva. For this
purpose Narayan Rao selected 92 Palm-leaf manuscripts and two
One
of these printed editions is that of 1847,

and Ramanujacharya. The
prepared by Chinnaya Suri
other is the Vavilla Edition in which Ramamurthy Pantulu
have used this in our critical apparatus.
made his notes.
printed editions.
We
He analysed his palm-leaf manuscripts on a rational basis,

indicating the district from which a manuscript has been obThe details given by
tained, the person who acquired it etc.
Narathe scribe at the end of his laborious task are also noted.
yana Rao's manuscripts are mostly from the Sahitya Parishat,
Kakinada.
handful are from the Gautami Library, RajahThe
districts of Nellore, Chittoor, Anantapur yielded
mundry.
many
manuscripts.
and Guntur,
few
The Doctor
What
came from Godavari,
Krishna
claims many from Dakshina Desa.

not clear. These manuscripts also
exactly this means is

are lodged in the Sahitya Parishat.
Narayan Rao's collection
are
does not contain any manuscripts from Telangana.
this
for
area
the
ancient
of
in
Telugu
lucky
getting representation
Country, Narayan Rao does not appear to have utilised the
Brown paper, manuscripts, the palm-leaf manuscripts of the
Oriental Library, Madras, the collections of our Universities
etc.
are fortunate in having access to all these and we are
We
We
1.
fiS$Tj;$tfy>
Scholars
Sri
-W8
"$X>cfo"306DcfocO. T^tffi.
R. A. Krishna Sarma,
Sastry and Sri Dipala Pichayya

members of the Board.
Sastry
41
Sri
tftfo&ife.
1980.
Vemparala Suryanarayana
are our
external
advisers
and
Our critical apas far as practicable.

will come back to
varied.
utilising this privilege
paratus
this
We
and more
vaster
is
subject.
With
the creditable collection at his disposal Dr. Narayan

1
to specimen
edit the
Garudopakhyana, con-
Rao proceeded
taining about 120 verses.

the attempt of Narayan
is
What
Rao to
strikes
the eye immediately
retain the spelling of
cripts with all its peculiarities and oddities.

will only get confused and he will be
scared
manus-
The
lay reader
away. It is true
more for the scholar than the
that the critical Edition is mean

lay reader. But if a vast work ike Mahabharata is printed in
the spelling that has gone out o vogue, it will serve no useful
These vast tomes wil only serve to adorn an antepurpose.
quated library.
necessary
to
manuscripts,
Rao are the
Hence the
resucitate
the
did not think it

peculiarities of palm-leaf
editors
present
scribal
For the rest the principles adopted by Narayan

as adopted in the present Critical Edition.
same
Dr.
Narayan Rao's greatest contribution to the study of

Nannaya is his extensive analysis of the language of the eleventh
It is a vast mine of informacentury, running over 200 pages.
tion.
He enhanced the value of this study by a similar
exposition about
pre-Nannaya language.
An
equally instructive study of the language of the preNannaya period and of Nannaya's Bharata is made by Prof.
G. J. Somayaji in his book Andhra Bhasha Vikasamu.
We
2
have a few more aids in the
analysis of Nannaya's
language.
COMMENTARIES ON ANDHRA
Among our testimonia, mention

mentaries on the
Telugu Bharata.
MAHABHARATA
may be made
of the com-
There was a time when

something ,of the second or third
The first poet of Telugu, Nannaya
ielugu was looked down as

order in
literary estimation.
referred to this in an indirect
This disdain for Telugu
way.
or
anything Desi must have come from the high browed votaries
oi banskrit.
The contrast between Telugu which wasjust
1.
2
j
a u
f i?T
i
History of
Telugu Language.
Volume
II.
Pages.
1535-1570.
P ra
nl
ng-Nannaya Yugamu and Nanny a's Bharata by Dr. D. Venkatane f the membtrs of the Editorial Board.
Nannaya Pada-Prayoga
n
rdance
for
Naâya's Language, published by A.
42
P.
Sahitya
crawling on the ground in the eleventh century A.D. and Sanskrit which had reached its heights some centuries prior to that
period, must have made hard-core Sanskritists to ridicule or
at least to be sceptical about attempts to create serious literature
The Andhra Sabda Gintamani, ascribed to Nan1
up a very reasonable attitude on this issue and argues
Wise men love their country, their language and their mode
of dress, manners etc. They evince keen interest in Vaikrita
Kavyas (i.e. Kavyas in Desa Bhasha) to the exclusion of others."
The others referred to here must be Sanskrit and Prakrit Kavyas
languages which have receded into the background.
in Telugu.
takes
naya,
"
There
Nannaya
is
a 2 verse in the prologue to Mahabharata in which

said to indicate the opposition which he encountered
is
in his attempt to translate Sanskrit Mahabharata and how he

overcame it. He says c just as Narayana (Srikrishna) stood by
Arjuna in the great war of Bharatas, so Narayana Bhattu, the
master of literature, friend and co-student of Nannaya stood
by him (in the battle for Telugu) and helped him in the great
task."
The reference is unmistakable though very gentle and
poetic.
Nannaya was very careful about the susceptibilities of
the wise among Sanskrit scholars and paid hearty homage' to
them as we showed at the beginning of this preface.
more explicit and trenchant protest against the superior

of Sanskrit worshippers was voiced by Vinnakota Peddana,
author of Kavyalamkara Gudamani.
He belongs to the
"
15th
He
exclaims
can
early
century.
any one devise any
cure for the disease which spurns anything in the name of Telugu
because it is Telugu, though it abounds in all the virtues of a
Sanskrit Kavya, in matters of Rasa and Alankara and which
has the added beauty of the caesura and Prasa." (9-4) Since then
airs
centuries rolled on.
Telugu came into
its
own.
Telugu Kavyas
Vasucharitra began to be rendered into Sanskrit. Men

of letters began to think that Telugu work like Mahabharata
merited a learned commentary.
like
It
must have been in
this
mood
19th century wrote the Bharata
-5--r*oJD =ur*;5oS3 ^ctfo
&
2,
^catedW^r'SSS. 1~:U26
43
that a scholar of the early
Kulamkasha Vyakhya.
This
scholar
is
Bharatam Lakshmipati SomayajL
The very surname
mily of learned men specialised in Mahabharat studies.

ey must have been respected Pauranikas
"
of Mahabharata,
o far we could not get any authentic information about the life of this learned scholar. Besides the Bharata
indicates that this
Kulamkasha Commentary, Lakshmipati Somayaji is the author

of a small work1
Sakata Repha Nirnaya.
This deals with
the words containing the hard r
and the soft r ' sounds as
gleaned from Mahabharata of Kavitraya.
Lakshmipathi quotes
for his authority the verses of the
epic at each stage.
'
'
The Eharata Kulakmkasha
is a vaster and more sustained

Lakshmipati does not explain every verse of the Telugu
Bharata. It is a
running commentary, sometimes in Sanskrit
and sometimes in
Telugu. He often quotes the original Mahabharata in support of his
commentary. Alamkaras are pointed
out.
Grammatical points are
expounded.
Lakshmipati is
keen on
following the story of Pandavas in a chronological
manner. The ages of the Pandava borthers
when they came to
toe court of Kauravas after the
death of Pandu are worked out
in detail
Subsequent events in their life like the
at
Varans and the conflagration in the lac-house sojourn
are closely
aatecL home of his
interpretations are
work.
queer and far fetched.
-m
It
1900 by
5 a^ffS
be a
C0ntamlng
^ ""^rfon
on
GaunpS
P
inspired
me
this
on
catd
Lord
me
this
*m
work
'
Andhra
'
it'h but
-P'
^
^
^T,!
m^t
he author **Y*
u
h
in
in
n
uf c
"
is
he
tS acclu^lf?'
v
to rn^
Y dr
d S
in
^SS
the
Sakaui
Rcpha
a Slc.ka
Andhra Bhash *'
treatls
"Oh
You
Slnce Y
commissioned
^
L)aiva
an sl nce you arc the creator of
L)aivaanslnce
fJ 1
?-
"
lie
comments on the verse 1
instance
of Tikkana
that the poet lived like a Vaidika.
He had no need to accept
employment. He interprets the word Vaidika literally as
opposed Niyogika/ Among the Telugu Brahmins one sect
to
adopted service under the governments of the day and came
*
be known as
those
who
or
Niyogikas/
accepted
Niyoga
employment. The other sect kn~ *n as Vaidikas were more
conservative
They shunned se ê under government and
stuck to the r traditional way of li e with study of Vedas, performance o sacrifices etc. Laks mipati's
interpretation is
matter of
ct.
What the poet really intended was that he
combined t e path of Karma with the path of Bhakti. To
these he joined literature as a mode of worship.
For
'
'
'
keen on the exposition of points of Vedanta

appears to be well-versed in Dharma Sastra.
Some of the texts which he quotes in support of points of Telugu
grammar 1 are not familiar. He sometimes cites himself as
authority.
ealing with the verse we were at a loss to know
the source o this canon. We now know that this is found in
his Sakata
epha Nirnaya (Verse 60).
Lakshmipati
and Dharma.
is
He
Altogether the Bharata Kulamkasha is a very learned and

highly interesting running commentary on Telugu Bharata
that Lakshmipati elevated the Telugu epic to a high literary
status deserving a Sanskrit commentary is really commendable.
This commentary deserves to be published in full. Late Elurupati Ramabhadra Chayanulu garu led the way by printing the
Sabha Parva portion of the commentary of Lakshmipati.
We
have already referred
mentary of the
scholars
Bharata Samjivani comand Dandigunta. It
to the
Chadaluvada
ijfi.
ITS'.
)6so;5
Ef&koxktfG #b?jtft>o&r 1-8-203.

e^
O
o>
Adi and Virata Parvas only. We are not aware,

for any more portions.
As far
the
wrote
commentary www.teluguthesis.invisioni.com
they
as it goes it is a highly scholarly effort.
took
care
to fix
They
a
themselves
and
text
for
the
then wrote
good
up
commentary.
is
available for
if
The
by them appeared to us very sensible

used this commentary in editing Adi
Parva. We could not secure copy of Bharata Samjivani for
1
the
Virata Parva. This commentary is for each poem and
prose passage. It proceeds by the method of Tika and Tatparya.
readings accepted
and well
tested.
We
Another commentary for the Telugu Bharata is styled

written
by Nelaturu Parthasarathi
Amnaya Kalanidhi
Pundit
Senior
in
the Rajah's High School,
Ayyangar,
Telugu
wrote
He
commentaries according to him on
Venkatagiri.
The Amnaya Kalanidhi makes
Manusmriti and Santi Traya.
'
The Tatparya portion brings out the ideas fairly

In my opinion this commentary is no match for the
Bharata Samjivani in the critical Text. The commentator
did not exert himself to fix up a good text. The readings accepted by him are not well tested.
Hence it falls short of the high
standard of Bharata Samjivani. It is curious that in a text
published in 1925, the verses are not numbered. We quote the
1
comparative text of Vavilla and Amnaya Kalanidhi to illustarte
easy reading.
well.
the point.
The
readers will appreciate the difference in the readings

accepted by each. The force of the simile is lost in the Amnaya.
There are other instances of this nature.
jit
tf
tftfo
Jô&k
fco
TTtfg
cflootf
1-868.]
We appeal to the scholars and libraries of Andhra

copy of Virata Parva commentary, if available with them.
46
to
lend in
tin-
Another scholar/ late Akondi

Vyasa Murthy Sastri Garu
wrote a commentary for the Adi Parva, known as Bharata
Phakki.
This is more an eagle-eyed view of the method of
Nannaya's translation than a regular annotation. The passages of the original Mahabharata are put in juxtaposition with
Nannaya's rendering. Such a method may not yield results,
for the poets of Andhra Mahabharata never attempted a literal
translation of the original.
Their's is the method of a masterly
swimmer who cannot be tied down to ordinary conventions.
is not a critic who can be easily
said to have attempted a full translation
of the Mahabharata in the modern era.
One portion of it, the
Adi Dhara alone saw the light of day. The credit of having
translated the whole of Mahabharata single handed goes to a
Vyasa Murthy Sastry
brushed
He
aside.
is
contemporary of Vyasa Murthy Sastry. He is Mahamahopadhyaya Sripada Krishna Murthy Sastry. This version is called
Sri Krishna Bharata.
Marathon, though the labour of Krishna
in translating this stupendous epic,
has
been
Murthy Sastry
in the realm of aesthetic poetry it can approach the work of
Kavitraya from a respectable distance only. The twin aims of
3
Nannaya prasanna-katha-kalitartha yukti a story-telling which

a pleasing style made
is
akshara ramyata
perspicuous and
Mere transthe Kavitraya Bharata a poem of sublime poetry.
c
'
lation
cannot
rise
to
these
heights.
poets Tirupathi Venkata Kavulu, who are also

a small booklet vtftf 3";$,;5coex>. in which
scholars
wrote
great
The famous
1.
It is said that in the modern period three scholars attempted a full
translation of Mahabharata (1) Akondi Vyasa Murthy Sastry (3860-1916),
(2) Sripada Krishna Murthy Sastry and Taduri Lakshmi Narasimham

Pantulu (1856-1936). One of them, late Krishna Murthy Sastry alone
succeeded in translating the full Mahabharata, 18 Parvas. Taduri Lakshmi
Narasimham Pantulu is said to have attempted the translation of Virata
and Udyoga Parvas only. No portion of this is published. Vyasa Murthy
Sastry succeeded in rewriting 13 Parvas of Mahabharata, out of which the Acli
Parva portion called Adi Dhara was published in 1939 at Pithapuram. Vyasa
Murthy Sastry was a well known scholar of Sanskrit and Telugu in his time.
He was the Senior Pundit for Telugu and Sanskrit in the Government Arts
He wrote several other books. He was considered
College, Rajahmundry.
an incarnation of Veda Vyasa Maharshi.
The diction of Vyasa Murthy Sastry is terse though meaningful. It is

more scholarly than popular. Adi Dhara contains the stories of Adi Parva.
Unlike Nannaya, Vyasa Murthy Sastry introduced the Brahma Ganapati
incident into the story.
47
answer some of the www.teluguthesis.invisioni.com

objections raised by Vyasa
Murthy Sastry in his Bharata Phakki.
they seem to
We
are aware of a small handy edition of the Mahabharata

by the harata Grandhamala. These volumes are ably
annotated by ri Palle Purna
rajnacharya of Guntur.
do not know i the whole Maha harata is issued in this series.
It is like the Verity edition of S akespeare, brief but standard.
issued
We
Andhra Mahabharata is invariably prescribed as a book

The
of study in the Universities and lower levels of education.
University of Madras issued various portions of this epic, as a
Able scholars were entrusted with the
part of its selections,
As such they may prove of some
task of editing these portions.
help in checking up readings.
ORIGINS OF THE SCHEME IN THE OSMANIA UNIVERSITY
/
Here we quote one
or two paragraphs
from a previous
report.
On
Dr. N. V. Subba Rao, the then

1959,
Co-ordinating Officer, University Grants Commission Unit,
Osmania University invited proposals with financial estimates
about Development schemes for implementation in the III
August
12,
I, (K. Lakshmi Ranjanam then Prof. & Head

of the Telugu Dept) consulted the members of the Telugu
tter with late Kuruganti SeethDept. and discussed the
Plan period.
arama Bhattacharya of he anskrit Academy, Osmania UniHe and I consi ere the proposal for a book in Telversity.
"
OXFORD COthe
lines of the
on
ugu
ngl sh Publication
MPANION TO CLASSICAL LITERATURE." But my mind
was set on something more substantial-something, which in
"
Our country men will not willingly let
the words of Milton
I
said
to
Prof.
Seetharamaiah "Let us attempt the
forget".
on
of
the
CRITICAL
EDITION
publica
a
scheme
about
which our great men dreaHARATA,
med _ ants like Sir C, R. Reddy, G^dugu Ramamurthy Pan-
OF ANDHRA
MAHA
tulu,
Jayanti
Ramayya
Prabhakara Sastry and
Pantulu, Vetur
een an ideal publication

Surely
it to this generation to
if they undertook it.
le
Perhaps they
Did not
attain bless dness by the services of Mahabharata.
other stalwarts.
it
would have
Bammera
otaraju feel that great " êts like Nannaya and

^ver the translation of
haJBhagavata to enable
will earn Dharma
blessedness by writing it.
to atta
some me to boot, if we serve t e great national epic of
Tikkana
him
and
le
We
Andhra."
48
Bhattacharya was impressed and encouraged me wholeEven at the outset we

idea.
heartedly to proceed with thewww.teluguthesis.invisioni.com
wished to plan the project on the lines a opted by the Bhandarkar
Oriental Research Institute, Poona in t eir monumental scheme
Ma abharata. We planned
volumes including the Index Volume with an estimate of Rs. Two lakhs and I forwarded the scheme to Dr. Subba
for the Critical Edition of Sanskrit
about
five
Rao on
31-8-1959.
Committee examined the proposals and after pruning

up the scheme with its recommendaThe Senate of the Osmania University considered it at
tion.
meeting held on February 25, 1961. But the Mahabharata
Financial
Project was assigned to the second priority schemes.
assistance was sought from the University Grants Commission.
When Dr. D. S. Kothari, the learned Chairman of the University
Grants Commission visited Osmania University, this writer
ventured to mention the project to him. Dr. Kothari's words
It is a great attempt,
No
of encouragement are memorable
in
of
for
lack
finance
this
ever
suffered
scheme
country.
worthy
The U.G.C. advised the UniPlease go ahead with self-help.
them
to Rs. 1,36,000 sent
'
approach in the first instance, the Ministry of Scientific

Research and Cultural Affairs, Government of India, for finan-
versity to
assistance
cial
to
for
the
Mahabharata
Project.
Accordingly application was made with a revised estimate

* Government of India and the Government of Andhra
At the State Government

the then Minister for Cultural Affairs
and ^ ri L. N. Gupta, Secretary took interest in the matter.
The overnment of Andhra Pradesh agreed to bear 50% of
Subthe cost of the project (Total estimate Rs. 1,75 000),
of
also
sanctioned
India
50% of
sequently, the Government
the
into
1964-65.
years
expenditure on the project. This went up
Pra
leve
financial
for
ri
assistance.
M. R. Appa Rao,
Dr. D.
bharata P
he speaks
Reddi, Vice-Chancellor took interest in the MahaLike Will ; am the Silent,

ect from the beginning.
.
an^ believes more
in concrete act
OIL.
He
could
gradually r ng t e University to make a prelim nary allotment

Sr B, P. R. Vithal, the then Reg strar helped in
of Rs. 6,5uO.
this decision,
happened in 1963.
INAUGURATION
Meanwhile the sponsor was anxious
to launch the
as early as possible for the following reasons
49
391
scheme
1.
Time
is
2.
a good act. Dharma brooks

Adharma.
.the essence of
no delay
like
The Telugu Department of the Osmania University

rose to
proper heights by the introduction of
its
Ph.D. Degree in Telugu, The Department

must make its marks in the field of research pub-
the
The
lications.
bharata
3.
will
Critical Edition of
be the
fittest
Andhra Mahafor
beginning
it.
This writer desired that the name Dr. D. S. Reddi

should be associated with the national epic of
Andhra. Reddi kings of old did yeomen service
to the cause of Telugu Literature.
Sri Dinnepati
Sadasiva Reddy Garu carved out a worthy place
for Osmania University in the comity of progressive
Universities of India.
Without further waiting for external help and relying on

the message of self-help given by Dr. D. S. Kothari, the Telugu
Department, launched the scheme in a token manner on 17th
few donations 1 were collected for preliminary
July 1961.
expenditure and work was begun.

It is matter for deep pride and satisfaction that the students
of the Telugu Department of the Osmania University made
themselves very useful in the different stages of the project.
At the very outset our pupils Kumari B. Vijaya Bharati, T.
Suseela, J. Hemalata and Seeta prepared the Index of first
lines of
Adi and Sabha Parvas* An Index Volume was in
our mind from the beginning. Subsequently this index was
prepared for the whole Mahabharata.
Several of the Telugu Lecturers of the Osmania University,

constitutent and affiliated colleges came forward to help voluntarily in the different processes connected with the project.
Not only this, some Telugu Pundits of the High Schools also
1.
K. Lakshmi Ranjanam
~
Rangacharyulu
Dr. P. Durgaiah
Sri Vangapalli
Nilakantham on behalf of the Sadachara Nibandhini Parishat, Secunderabad
Prof. G, Lakshmi Kantiah
Sri
Sri G.
Rs. 116.00
116.00
116.00
101.00
45 00
.
Rs. 494.00
30
Came
to
We
are thankful to all of them,, specially

to our help.
P. Krishnamurti Sastry, Sri T. Venkateswara Sarma,
Sri M. Ghandrasekhara Sarma.
Sri
and
PATTERN OF
WORK
Even at the inception it was agreed to mo el the Critical

Edition on the lines of the Critical Edition of anskrit Mahabharata, published by the Bhandarkar Orienta Research InThere will be some variations according to the
stitute, Poona.
needs of the Telugu work. In order to get first hand knowledge
of the scientific methods adopted at the
handarkar Institute,
Sri C. Rangacharyulu, Reader, Telugu
'epartment was sent
to Poona in 1963 and. he received training under Dr. P. L.
Vaidya, Head of the Mahabharat Department of the Institute.
^
STAGES OF
Printed appeals wer
1.
of
WORK
issued for palm-leaf manuscripts
the older printed e itions.
We
Andhra Mahabharata an
mention the first gi

This is a palm-lea manuscript
of Udyoga Parva presented y Sri V. Narasimha
eddy, now
Lecturer.
Other donations and loans of manuscripts and books
etc. are mentioned in
Appendix.
will only
.,.
There are collections of Palm-leaf manuscripts in

which will not lend their manuscripts outside.
Workers were sent there to prepare descriptive sheets of
Such sheets were prepared for also the manusmanuscripts.
2.
Institutions
in our custody.
cripts
Parva- wise indices of manuscripts were prepared so

at a glance where copies of a particular Parva
are located and their condition.
The date where available
was worked out with the help of the Indian Ephemeris.
3.
that,
we know
4.
The manuscripts were analysed with a view to secure
due representation to the three Cultural regions of AndhraTelangana, Rayalaseema and Coastal districts. This presented some difficulties.
After this winnowing we selected some pa m-leaf manusform the basis for collation.
manuscr pt was admitted on the basis of its age, freedom from scriba mistakes and
condition fit for handling.
5*
cripts to
51
we
set on foot as early as

Another vast effort which
6.
Andhra Mahabharata con1962 was to collect references to
in works of prosody, grammar and dictionaries.
taine
earlier how the Telugu
ned
Bharatam forms the basis
expl*
Writers on prosody,
for t e study of our Classical dialect*
We
grammar and lexico raphy often give quotations from Mahabharata. Such quot tions will undoubtedly reveal the condiThere is one limiting
tions of the text in t e earlier periods.
Some 01 these works of prosody and grammar are
factor here.
brought out in print. In this process they were edited by modern
scholars.
It is feared that thev altered the readings of these
manuscripts according to the 1 terary canons which they held
in esteem. Thus the purity of t A ese texts on prosody and grammar is questioned by some. T e right thing will therefore be
according to them to go to the original manuscripts. This will
entail preparation of Critical Editions for the Lakshna Granthas,
a task which is much beyond the purview of our work and which
we do not feel absolutely necessary. Therefore we collected the
Mahabharata quotations from the printed versions of Lakshana
Granthas.
COLLECTION OF
MAHABHARAT QUOTATIONS
the
^Quotations were collected from
wor*
Ananda
(1) Appakaviyamu (2)
following
prosodial
Rangarat Chanclamu
avi Samjivani (4) Kavi Samsaya Vichhedamu

(3)
(5) Sarva
Laks anasara Sangraharnu (6) Andhra,
Ratnakaramu
Prayoga
(7) Uiandamu (8) Sarva Lakshana Saramu (9) Sarasandhra
Vritta
Ratnakaramu
paliyamu
(12) Sakata
Darpanamu.
We
sodial works to
at them.
(10)
Lakshana
Dipika
(11)
Virabhu-
Repha Nirnayamu (13) Dwirepha Varna

there are a few more pro-
are informed that
be laid under contribution.
BOOKS OF
We
could not get
GRAMMAR
(1)
Guptartha Prakasika (2) Praudha Vyakarana (3)
Andhra Bhashanusasanamu (4) Andhra
Vyakarana Samhita
Sarvasvamu (5) Balakavi Saranyamu
(6) Ahobala Panditiyamu.
We are told that Andhra Kaumudi also contains quotations of
Mahabharata,
We
could not get at
it.
DICTIONARIES
(1)
G. P. Brown's
Telugu-English
Ratnakaramu
(3)
Dictionary
Suryaraya Andhra NTig-hantuv>u.
(2)
Sabda
ANTHOLOGIES
Sakalaniti
We
Sammatamu by Madiki
Singana
(early 15th
Prabhanda
Ratnakaramu of Pedapati Jagannatha Kavi (b) Prabhanda
Manibhushanamu (c) Udaharana Padyamulu published in
Andhra Sahitya Parishat Patrika. We could reach only the
century).
Sakala
to
Niti
hear
of further anthologies like
Sammatamu.
(a)
Other books were not available
us.
COMMENTARIES
Under
and
(2)
this head we mentioned (1) Bharata

Kulamkasha
Bharatha Samjivani, We utilised them as far as avail-
able.
DR.
S.
RADHAKRISHNA'S BLESSINGS
One of the most fortunate happenings for the progress of

the scheme was the blessings which we received from Dr. Sarvepalli Radhakrishnayya Garu> the former President of the Indian
His Excellency was camping at Rashtrapati Bhavan,
Secunderabad in the summer of 1963. On 4th August 1963,
His Excellency was pleased to grant audience to K. Lakshmi
Ranjanam and Sri G. Rangacharyulu. The President heard
about the scheme and wrote with his own hand the benedictory
sloka written by Nannayya Bhattu in a register as a signal for
Republic.
the inauguration of the project.
SPECIMEN EDITING
t
t
1
Having fairly settled tl e Critical apparatus we proceeded

edit a small portion of
i Parva as a
treated
specimen.
e Prastavana portion a 1^
the story of Udanka on Critical
nes and sent it to repute
scholars all over Andhra to elicit
We
t eir opinions.
There was wide response from scholars and it
was generally favourable. Valuable suggestions were made by
some of them and these were kept in view in the further stages
of the work.
One of the important suggestions was to give
reference to the readings of manuscripts where they answered
t e ordinary tests of grammar and prosody and another suggeson was to indicate the source of the accepted reading if it
ifFerred from the vulgate.
53
COLLATION
Collation proved to be a vast and long drawn process,
In the earlier stages tê teaching staff did the collation of manue project repertory.
It was found that
scripts available in
a more extensive e ^rt was required. Accordingly during
1965-66 a number o collators were recruited and engaged on
collation work in the University.
Though this speeded up the
was
left
in precision as some of the
to
be
desired
work, something
collators were raw-hands.
It was partly set right by revision
of the collation of Adi Parva.
Some of our workers were sent
to the S v aswati Mahal Library, Tanjore for collat ng selected
Palm-lc
manuscripts. With regard to manuscr pts of the
Andhra diversity, Pundit K. Jogayya Sarma did t
collation
for us.
JLater on the Andhra University and Sri Venkateswara
Thus
University agreed to lend us two manuscripts at a time.
is done
At Madras, we arran ed for
locally.
two centres, the Government Oriental
'anuse excripts Library and the. Adyar Theoso Meal Library,
the
perienced scholar, Pundit Bulusu Ve ^vataramanayya
collation for us at Madras for some t me.
Now Sri K. ryanarayana, Telugu Lecturer of a loca
college is carrying on
this work.
It will be remembered that the Brown
Paper
their collation
collation
in
Manuscripts are lodged in the Government Oriental ManusSince the Andhra Sahitya Parishat, Kakinada
cripts Library,
Gautami Library Rajahmundry, Andhra Saraswat Parishat
and Lakshmanaraya Parisodhaka Mandali, Hyderabad were
all good enough to lend their
manuscripts to us, the bulk of
of collation was done in the University itself.
a matter for sincere pleasure for me to note that our
Kumari M. Deenavathi, M.A., B. Jyotirmayi,
Kanta Lakshmi, M.A., and D. Vidyeswari M.A., were steady
It
is
former
I.
students
and intelligent collators. The first mentioned Kumari Manapragada Deenavathi has worked with us consistently for nearly
five years and has become a small
expert on manuscripts.
we followed the pattern of the Bhandarkar

Collation sheets are specially prepared.
One sheet
is used for one line of verse or
The
of
prose/
readings
palm-leaf
manuscripts and old printed editions are noted horizontally
one after the other. Each manuscript is given a letter symbol.
In collation
Institute.
The
Critical
apparatus with their symbols
cribed.
54
is
separately des-
EDITING
GUIDING PRINCIPLES
The_Critical Edition of
Andhra Mahabharata
is not undertaken to disprove what earlier scholars did for it. Undoubtedly
they did a lot for it. Our aim has been only to supplement what
former generations of scholars contributed to it. The Critical
Edition is inspired by the motive to apply the principles of
scientific tex ual criticism to the
Andhra Mahabharata.
That
haratainu occupies a place of honour among the

t e provincial
languages of India is mentioned by
Dr. V. S. S
thankar.
He says in his prolegomena " as testimonia or a* s of a partial or subsidiary character, there are
the Telugu
versions in
available bes des the numerous commentaries, the following

three important epitomes of the
eleventh century (1) the
Javanese adaptation Bharata
(A.D. 1000) (ii) the Telugu
adaptation, Andhra Bharatamu by the Telugu poet Nannaya
Bhatta (A.D. 1025) (iii) the Sanskrit
adaptation, Bharata
Manjari by the Kashmiri Poet Kshemendra (A.D. 1050)."
"
Sukthankar goes on to observe

Nannaya's version is
valuable for the light it throws on the condition of the Southern
recension or strictly speaki g of the Tclugu version in the eleventh century of the Christ an era, especially in view of the fact
in his poem an accurate rendering
that Nannaya has include
of the Parva Sangraha giv ng the number of slokas in each of
There are numerous other
the Parvams of his Mahabharata.
vernacular abstracts of the Mahabharata besides the Telugu
abstract mentioned above but most of them arc of later date.
Moreover they are all far too free to be of much use in reconstructing the Text of the Mahabharata."
That the Telugu Bharatam was not subjected to Critical

examination on the vast scale done in the present attempt
nor scale.
is its justification.
Others did t e work on a very
*scoveries.
f
aie
not
results
obtained
extraordinary
Interesting
As already indicated the prob ems of Sanskrit Ma abharata
are quite different from the problems of Telugu Bharatam.
We
did not set out to disown or
own
the vulgate and other
In each case a reading is subjected

previous printed editions.
to thorough examination in the light of the vast evidence stored
by us. If the reading of the vulgate stood t A e test it is boldly
If the manuscripts and other ed tions gave a better
retained.
reading
it
was changed.
Often the Sanskr
original
sulted to pitch upon the appropriate read ng.
55
was con-
At each
stage
Sanskrit Mahabharata, Parva

the editors gave reference to thewww.teluguthesis.invisioni.com
of the Telugu portions.
source
the
indicate
to
and Adhyaya
doubt kept in view but
no
were
of
grammar
Existing principles
to conformity with
text
the
reduce
to
made
no attempt was
wealth of
manual.
or
any gramamtical
Balavyakarana
free to
left
the
reader
is
and
at
each
stage
readings is provided
manusof
The
a
of
make his own choice
readings
happy reading.
cripts
were given due primacy in
all situations.
CRITICAL APPARATUS
Our
Critical
apparatus for the Adi Parva
is
briefly des-
represent the symbol given to

Telugu
each ^manuscript. The figures represent the serial number in
O, U. is Osmania University. All our manusour
cribed below.
registers
letters
are
palm-leaf manuscripts only. Manuscripts

cripts
with O. U, number are collated in the project.
O. U. No. 5 contains Adi, Sabha, Virata Parvas

complete and Udyoga Parva upto Aswasa 4, verse
403 leaves.
Size
Palm-leaf.
370.
ISJ'xH".
Condition good. Slightly damaged. May be 200
Collected from Domakonda
Village,
years old.
Nizamabad District. Presented by Sri A. Rajeswara Sarma Telugu Dept. O.U,
1.
**
2.
e O. U. No.
17*xli
Adi and Sabha Parvas complete. Size

310 leaves. Condition good. Slightly
Writing good. Presented by Sri M. Vee-
injured.
ff
Manuscript
resalingam.
3
marked
may belong to
Telangana.
O, U. No. 19 Adi Parva. (incomplete).- Available

from the beginning to the end of 4th Aswasa. A
Size 16 X
portion of the V Aswas also is found.
c
and
old
110 leaves. Cor derably
damaged.
1J"
Mahaails from Gadwal.
Writing very good.
verse
1-1-25
T
e important
boobnagar District.
(3r*d&
^s'r'SSS) fn
*ch
Nannaya
Narayana Bhattu
co-student,
is
refers
to his
not found in
this
manuscript.
4.
O. U. No.
Adi Parva. Complete. 2731 Leaves.

good. At the beginning of the VI
Aswasa there is mention of date in a Sanskrit Sloka.
32.
Condition
56
The
Cyclic year Angirasa Chaitra, 14th day of the

dark-half of the month. Week day is not mentioned.
There is another noting of date on the first page
Ashadha Suddha Trayodasi
Friday.
Copied at
the instance of Singararya.

5.
Adi Parva. Complete. 137 leaves.

33.
Condition good. Contains a few leaves from Drona
Parva. also. Leaves bearing numbers 343 79, 82,
O. U. No.
*.
83, 84,
6.
m3
7.
*t.
8995
are missing.
O. U. No. 63. Adi Parva. Incomplete. Begins

leaves.
Size IS^xlJ".
179
4th leaf.
from
Written for Eluri Venkayya
Writing is good.
Obeisance is done
by Sivapurapu Srisailapati.
by the scribe to God Vireswara of Yenamadala,
Also to Goddess Bhramaramba and God Chenna
Malleswara. Date. Angirasa, Margasira, Bahula
Dasami Sunday. Presented by Sri A. Rajesawara
Sarma.
O. U. No.
74.
Incomplete. From beCondition good.

Kakinada,
Parishat
Sahitya
Adi Parva.
ginning to 8th Aswasa. Verse 144.
Lent by Andhra
8.
.X
O. U. No.
75.
9.
6.
O. U. No.
76.
Adi Parva.
Complete. Condition.
good. Date. Pingala, Sravana Suddha Chaturdasi.
Week day is not mentioned. Andhra Sahitya
Parishat. Kakinada.
Adi, Sabha, Aranya Parvas. Some

Contains Virata Parva also
portions are missing.
upto IV Aswasa. Condition good. There are
scribal mistakes.
Date Sarvari, Vaisakha Suddha
Saturday, May 6th 1780. Scribe Vipperla Balaramulu copied Virata Parva as found in the manuscript of Chintalapudijvaru. Andhra Sahitya Parishat.
Kakinada.
10. C
O. U. No. 80 Adi Parva,
Complete. Size 17" X

1.3."
193 leaves. Condition good. The name
of the scribe is mentioned in" a Telugu verse. He
is
The verse
1-1-25 (d*<xfcf
Sanjiva Kavi.
ttmzty is
Sahitya
not found int his manuscript. Andhra
Parishat. Kakinada.
57
1L
*.
O. U. No. 91. Adi Parva. Complete. Size 18.8"

Leaves 195. Writing is not quite good.
1.3".
Andhra Sahitya Parishat Kakinada.
12.
t-
O. U. No. 95. Adi Parva. Complete. Size 17" X

Date
1.5:.
Leaves 180. Writing very good.
Suddha
10
Sravana
Friday (14th July 1654)
Jaya
Written by scribe (name not given) according to
the copy of Bhuliveti Timmappa.
13.
**
O. U. No.
fair.
Many
96.
Adi Parva. Complete. Condition

Written in big hand.
scribal mistakes.
ood,
Writing is
Manuscript belongs to Sitaramudu son o Subb rayudu in Kuntipura Agrahara.
Can Kunt ûra e Pithapuram, East Godavari
a temple here dedicated to
District ?
nere
Kunti Ma hava wamy. Andhra Sahitya Parishat
14.
Kakinada.
O. U. No. 99 Adi Parva. Complete. Condition

Corrections
are
noted
in
fair.
the
margin. Writing
On the 18th leaf,
good. Note regarding date.
Vikari ma varamu (week day) First Aswasa of Adi
Parva c mpleted by the morning. On leaf 180.
Vikari,
ushya Suddha, On the last leaf. Vikari,
Pushya uddha Dasami, Monday. (17th January

1780A.U.). Papayya (Scribe) copied the book
Adi Parva for Kilabbika (Kilambi Ramaswami).
15.
O. U. No. 110. Adi Parva. Complete. Condition

Scribe.
ood.
Le ves
189.
Size 17" x 1".
Krishna
i
son
of
Venkata
Paranan
haskarappa,
hattu of Tankallu, Belong ng to Vadhulasa
viotra.
Date. Krodhana Pus ya Bahula Chaturhi Saturday (4th January 174 ).
Andhra Sahitya
Parishat
Kakinada.
16.
O, U. No.
cript
is
Leaves
Adi Parva. Complete. Manus

112.
in very good condition.
Size 16"xli"
Scribe apologises for mistakes in
246.
a small verse.
Gavuravaram Polamaraju
58
copied
Adi Parva in full from

an exemplar. Date Nala.
Suddha
Magha
Saptami Saturday. The month
ofTai26th (4th February 1797). Presented by
Nattam Subrahmanyam to Andhra Sahitya Parishat
Kakinada.
*
17.
O. U. No. 119. Adi Parva. Incomplete. Available from the beginning to Verse 111 in the 7th
Aswasa. Condition quite good. Size nj^x-l-S".
Leaves 205. Writing is good. The scribe offers
obeisance to guru (perhaps his preceptor) Rama-
Bhadra. Dedicated to Goddess Minakshi and God

Somasundara. It appears to be a southern manusPresented by Nudurupati Ramaswamayya
cript.
to Andhra Sahitya Parishat
Kakinada.
*
18.
O. U, No.
126. Adi Parva.

Incomplete. Available
from the beginning to verse 151 in Aswasa 8*
Condition
very goocj Leaves 197.
Presented by Nudurupati Ramaswamayya Garu

No. 119 above. Contains a laudatory Telugu
verse on Vedavyasa in the style with Antyanuas
prasa
of
Bammera
Potana.
e>
Andhra Sahitya Parishat

19. *.
Kakinada.
O. U. 143. Adi Parva. Complete. Damaged by

worms. Still it is fairly readable. Size 17$" X 1 3*.
Leaves 165. It is stated that this manuscript was
acquired by Jayanti Ramayya Pantulu from the
Karvetinagaram estate. Andhra Sahitya Parishat
Kakinada.
.
20. *
O. U. No. 197. Adi Parva.
Complete. Condition
good. Size 18" x !#' Leaves 150. This is acquired in
the Chittoor District by Dr. N. V. Ramakrishnama-
charyulu and Sri Tekumalla Kameswara Rao and

was presented to the Mahabharat project.
59
Date:
(1)
Bangarayya son of Kottinti Natha-
Parva by Viswavasu, Ashamunulu copied the Adi

Shasthi
Suddha
dha,
Thursday. (2) Copied by
Kothinti Bangarayya for Ghirrama Setty, son of
Karnakandi Chinnanna on the 15th day, Ani
month. Viswavasu year. This works out to lOth^
July 1845.
21.
O. U, No.
Adi Parva. Complete. Condition

This is acgood. Size 17.8"xlJ". Leaves 188.
N.
V. Ramaquired in the Chittoor District by Dr.
krishnamacharyulu and Sri Tekumalla Kameswara
Rao and was presented to the Mahabharat Project
as No. 197 above.
Date
Copied by Kondanna,
son of Buse Dasanna for Venkata Dasu Chetty
son of Tumkuru Narayana Chetty, on the auspicious day of Saturday, Vidiya in the bright half of
198.
the
month Chaitra
of the cyclic year Jaya.

corresponds to 6th March 1714.
22.
O. U, No. 200. Adi Parva.
by worms but
Complete.
This
Damaged
lS^Xl.4^.
and
Acquisition
presentation as above
fairly
Leaves 195.
in the case of manuscripts
23.
Size
readable.
197 and 198.
O. U. 201.
Adi Parva. Incomplete. Available upAswasa, 214th verse. Condition fair. The
manuscript has become brittle. Size 17%' xl .4".
Leaves 215. Slightly damaged by worms. Acquisition and presentation as above in the case of
to 8th
-manuscripts 197,
JV.#.
198 and 200.
Some of
the palm-leaf manuscripts generously lent

by the Andhra Sahitya Parishat,
Kakinada were returned to the Parishat after the
Adi Parva was edited. Hence it has not been
possible to note details like size etc. in the case of
to the project
manuscripts 32, 33, 74, 75, 76, 96, 99 and 126.
Some of our manuscripts

Osmania University 95
are sufficiently old
14th July 1654
6th
March 1714
4th January
May
60
6,
1780
746
4.
Located in Sanskrit Academy, Osmania

532/S.
General Library) Adi,
University (Now in the www.teluguthesis.invisioni.com
Sabha and Aranya Parvas. Adi and Sabha Parvas
are complete except for a few leaves lost, here and
In Aranya Parva the text is lost after the
there,
Leaves 302. At the
4th Aswasa. Size 18"x 1J".
end of Adi Parva there is a noting by the scribe
*>*
Palavayi Challayya copied Adi Parva for Lakshmi

Narusu, younger brother of Gajam Acchanna.
Copied as found in the exemplar, by the afternoon
of Friday, the 13th tithi of Bhadrapada Bahula,
This seems to correspond
in the year Sobhakrit.
AD. 1782
to the years 1722, 1782 and 1842.
is
in
the
Collated
University,
accepted
25.
&
Andhra University No.
Palm-leaf.
354.
Contains
Adi, Aranya, Mahaprasthana and Swargarohana

Parvas.
Granthas 12780. Leaves 426. The four
Parvas are complete. Handwriting good and settled.
Noting by scribe at the end Vellaachni
Appayya copied Adi, Aranya, Mahaprasthana and

Swargarohana Parvas
for Rajasri
Sitaramachandra
Ranga Rao Bahadur Garu and submitted

grace.
No
date
is
available.
Adi Parva
to his
collated
by Pundit K. Jogayya Sarma, Andhra University.

26. *>
Andhra
University.
Adi Parva.
18, 1.
-the beginning to verse
1111/N
Available from
Incomplete.
197 in 8th Aswasa. Damaged by worms. Very
old manuscript. Writing good. 45 X 134 Cm.
Leaves 178 Granthas 4984. Collated by Sri K.
Jogayya Sarma, Andhra University.

27. <=&
Adyar Library 74758 Adi Parva.

good. Condition fair.
by Sri K. Suryanarayana.
ing
28. *
is
Complete.
Writ-
Collated at
Adyar
Adyar Library No. 75067.
Adi Parva. Complete.

Condition good.
Scribe Korrapati Gangaraju.
Two no tings regarding date. At the end of 3rd
Aswasa it is~ stated Pardhiva, Margasira Bahula
3 Jayavaranau.
At the end of the 8th Aswasa
Pardhiva; Vaisakha Bahula 8 Monday. It is not
known why an
earlier date
of later Aswasas.
Suryanarayana.
is
given for the copying
Collated at Adyar by Sri K.
29* *
Printed Edition. Adi and Sabha Parvas. Readings

noted by Rao Saheb
Gidugu Ramamurthy Pantulu.
*
Gi represents the readings which were collected
for him from the Palm-leaf Manuscripts of the
Saraswati Mahal Library, Tanjore.
*
30. \-
As above. Readings'collected by Ramamurthy Pantulu from the 1847 Printed Edition, issued by
A 15 are
A
Suri.
and
Paravastu Chinnaya
described in an earlier part of the preface.
e
31. *
C. P. Brown's paper manuscr pts lodged in the Government Oriental Manuscr pts Library Madras.
Collated at Madras by Pun it B. Venkata Rama3
nayya.
32.
**
Brown's
aper manuscripts as above. Contains readings

by other Scholars which Brown
Collated at Madras
admitte into his Manuscript.
B.
Pun
it
Venkata
Ramanayya No. 31 and 32
by
are described already in an earlier part of the prec
ected
face.
33. ***
Vavilla
Printed edition of Andhra

1
as the Vulgate,
which we accepted
this edition earlier.
Maha
We
harata
d cussed
Gidugu Ramamurthy
antulu
have taken the 1914
edition of Vavilla
for the basis of comparison.
Dr. C. Narayan Rao
r vulgate
Iso seems to have accepted this version
of
n the preparation of the Critical Text
arudo *is
the o y edit on
hyana. The Vavilla editiojn
That a good deal of sc
eely available of late.
arlv attention was bestowed on its preparat on
is
said to
enerally
accepted.
The Vulgate
itself
need
not e a Critical Edition. We could utilise editions

of t s published in 1950 and afterwards.
34.
1.
common
*>
Edition published by
Chetty and Sons in
St,
1901, in
Volumes.
This
Vulgate. In common use as a version of the Bible,

Forming the
or usual version of a literary work.
The old Italic Version of the
Bible, preceding that of St. Jerome.
by
Vemuri Venkata Krishnama
Jerome
The
The Latin Version of
shorter Oxford English Dictionary.
62
the Bible
made
was edited by Rao Bahadur Kandukuri Veeresawww.teluguthesis.invisioni.com

lingam Pantulu and Rayadurgam
Narasayya Sastry.
This reached us
Already described.
late.
35. *
Edition published about 1851 by Aluri Ekamra

Josyulu.
Photograph copy obtained from the India
Office Library.
There are a few printing mistakes
here and there.
Some latitude is taken in the use
of the Sakata repha. Already described.
36.
Karalapati Rangayya Edition. Published in 1852.

Greater Scholarly attention seems to have been
bestowed, on this edition than in the case of the
Josyulu edition. Karalapati Rangayya was a Uni-
Teacher
versity
37. 3-
himself.
Already described.
We have taken the foot notes
of the Vavilla Edition

into account in constituting the text.
Vavilla
scholars may have accepted a different reading for
their constituted text.
Still they exhibit the readin the foot-notes.
which
collected
ings
they
sometimes accepted these readings for the Critical
Hence we gave a separate symbol for the
Text.
We
readings of foot-notes.
38. *
is the Ananda edition.

This edition is preferred by some as it comes nearer to the principles
of a Critical Edition.
It is not freely available of
The Mahabharata and some other classics
late.
"
are published under the general caption
Anan-
This
dasrama Grandha Ratnamala." The

this series were Vemuri Venkata
Chetty A. Kannan Chetty and Co.
Rama & Co. Eluru. The problem
Edition was already discussed.
of
39.
*!
proprietors
Krishnama
and finally1
of
Ananda
This represents Ananda foot-notes. As in the case

of the foot-notes of the Vavilla edition, we gave a
1.
Our publishers are not consistent in indicating the year of publication
of any edition. If they took care to do this they will be doing a service to the
cause of higher literary criticism. Without the year of printing we are unable
For instance Rama and Co., published

Santi Parva in 1946 but they do not give any year of the volume containing
Bhishma and Drona Parvas.
to trace the history of these editions,
63
edition.
to the foot-notes of the Ananda
sometimes for the constituted
took these readings
symbol
We
text.
TESTIMONIA AND AIDS
We
stated already that we took into account the readings

taken from various subsidiary sources. They are noticed below :-
Works on Prosody
w^'
This work was written by ApAppakaviyamu :
is an oft quoted work and subject of
This
A.D.
1656
in
pakavi
much controversy. - ppakavi started to write a commentary
on the grammar An hra Sabda Gintamani in Telugu verse
and prose. He made t mainly an authoritative work on Telugu
prosody. In illustrating the points of prosody Appakavi quotes
1.
often from
2.
Mahabharata.
Published by VaAnanda Rangarat Chandamu :
Kasturi Ranga Kavi (A.D. 1750) is the Author.
M;$ *-
villa in 1922.
dedicated his work to Ananda Rangam Pillay who was

Dubasi to Dupliex, the French statesman. Ranga Kavi men-
He
who
are contemporaries to Dupliex.

He recounts the names of several writers on Lakshanikas whose
works he consulted. Some of these writers and b^ ks are mere
tions
many
personalities
ahabharata.
Ranga Kavi gives quotations from
He did not mention Appakavi though he preceded m by more
than half a century. Or he confuses him with t e author of
This book is ascribed to GanaAndhra Prayoga Ratnakara.
pavarapu Venkatakavi. Ranga Kavi wrote also the Samba
names
to us.
Nighantuvu,
3.
Kavi Sanjwani
Published by Vavilla
Muddaxaju Ramanna
in
1930.
Ramabhadra son of
Pedarama.
is
The
of
Ramabhadra
brother
Ganapayamatya.
He wrote a commentary on Raghava Pandaviya of Pingali
The Author
is
alias
Surana. Kavi Samjivani contains quotations from ancient

works chiefly Mahabharata. It is in 3 Chapters or Tarangas.
The writer may be assigned to the end of the 16th Century.
Sarva Lakshana Sara Sangrahamu :

This is written
Timmakavi.
He flouriby the well known poet, Kuchimanchi
in
shed
the first half of the 18th century.
He may have lived
4.
>
64
He
upto 1760.
belongs
to
the Villages
of
Kandarada and
East Godavari District.

Chandrampalem near Pithapur in thewww.teluguthesis.invisioni.com
Timmakavi was a profuse writer. Rasika Jana Manobhiramamu, Nilasundari Parinayamu, Acha Telugu Ramayanarnu
Sarva Lakshanasara Sangraare prominent among his works.
hamu is a manual on grammar, prosody etc. This is published
by N. Chalapathi Rao, at the Manjuvani Press, Eluru in 1927.
Timma Kavi quotes from Mahabharata and other standard

works in support of the principles of grammar and prosody
enunciated by him. In the last chapter of his book, Timma
Kavi deals with words containing the Sadhu Repha and Sakata
Repha. A knowledge of this branch is considered very vital
for the fame of a poet.
Appakavi and earlier Lakshanikas laid
a stigma on Bammera Potaraju, the immortal poet of Andhra
that he mixed up Sadhu and Sakata Rephas.
Bhagavata,
Timmakavi denounces this charge and enters an enthusiastic
plea in defence of the great poetry of Potaraju.
^^
5.
Kavi Samsaya
Vicchedamu:
This
written by
is
Adidamu Surakavi of the 18th Century. He tried many forms

of literature among which the prabandha, Kavijana Manoranjanamu is prominent. Surakavi belonged to the village
of Ramachaivdrapuram, in the Ghipurupalli Tq. of Visakhapatnam District. He lived between 1720-1785. It is said
that Veeresalingam Pantulu collected the works of Surakavi

and published them in 1899. Kavisamaya Vicchedamu is pubshed by Vavilla and Paravastu more than once.
used the 1955
Edition of Vavilla. It deals with special points of Grammar
and usage and illustrates the prayogas by quotations from
Mahabharata and other works. Surakavi devotes some space
to deal with words having the Sadhu and Sakata Rephas.
By
far the best part of the work is considered to be the portion
dealing with Tadbhava words of Telugu.
We
^w
6.
Andhra Prayoga Rainakaramu, This appears to be part
of the larger work Sarva Lakshana Siromani by Ganapavarapu
Venkata Kavi. He belongs to the court of Muddalagiri, brother
of Vijaya Ranga Ghokkanatha of madura. Venkata Kavi's date
may be A.D. 1674. Sarva Lakshana Siromani treats with the
necessary aspects of poetry like grammar, prosody and dictionary.
Prayoga Ratnakaramu deals with the prosodial aspects The gram,
65
391
mar
part of this omnibus
appears to have been
treatise
Andhra Kaumudi. The prosody part
lished as
is
pub-
not published.
"
noticed in
Descriptive Catalogue of Telugu
"
Mahal Library, Tanjore as
in
Saraswati
the
Manuscripts
695-696 at pages 290-291, Copies of the Telugu Manuscripts of the Tanjore Library are preserved in the Andhra Uniare obliged to Dr. M. V. Satyanarayana for taking
versity.
collect
Mahabharat quotations from 6 of these manuto
pains
This
is
We
(1) Andhra Prayoga Ratnakaramu

(2) Chandamu(3)
Lakshana Saramu (4) Sarasandhara Vritha Ratnakaramu (5) Veerabhupaleeyamu (6) Lakshana Dipika. The
last three are from the Government Oriental Manuscripts Library, Madras*
scripts
Sarva
Venkata Kavi claims to have drawn illustrations

older Iâkshanikas and added his own contribution.
from
This unpublished work of prosody of unnoticed in the Tanjore Catalogue as 705-712

at page 295.
It is a compilation of illustrative verses from several works including Mahabharata.
The author lays down
canons and illustrates them from the usage of famous poets.
7.
-9
Chandamu:
known authorship
is
>**
Sarva Lakshana Saramu:

An unpublished work
of prosody noticed in the Tanjore Catalogue as No. 714 at
page 297. The name of the author is Rangaya. His time is
not known. Several of these writers on prosody expatiate much
on the mystic significance of syllables, the good and evil effects
that flow from the use of a particular syllable in a
given position
in the verse.
The author of this work devotes some attention
to the words containing Sadhu and Sakata
Rephas.
8.
9.
^cr.
Virabhupdiyamu:
lodged in the
This unpublished paper manus-
Government Oriental Manuscripts Lib-
cript
is
rary,
Madras bearing No.
1319, (Vide Descriptive Catalogue of
Telugu Manuscripts Volume

Grammar, Prosody, Lexicography. )^Virabhupaliyamu is like Appakaviyamu and sets about
to explain the Andhra Sabda Cintamani.
It is
dedicated to
Kaluve Viraraju, the general of Mysore. Viraraju is the author
of Yachana Bharatam, Virabhupaiiyamu contains some
quotations from Mahabharata.
10. ^Sarasandhara Vritta Ratnakaramu:
This unpublished
paper ^manuscript is lodged in Government Oriental Manuscripts Library, Madras, bearing No. 1320. (Vide Descriptive
6S
The author
is Vellaturi
Lingana, sou Vengana
a
of
Nrisirnha
devotee
God
Swamy of Malmatya.
is
in
Tal T k of
Malekonda
the
Kandukur
Malyadri
yadri.
Nellore District. Therefore it is sometimes called M* -adri
Chandamu. The book deals with Vrittas, Yati and rasa.
There s also
It has 5 Aswasas but the last one is incomplete.
a palm-leaf manuscript of this book which may have been the
Catalogue).
He was
original for the paper manuscript.

1 1
w-
tf
.
aksfr
lo
is
na Deepika :
This unpublished paper
the Government Oriental
ma-
nuscript
ged
Manuscripts
v
No.
1329 (Vide
as,
earing
Library,
Descriptive
noug the name of the author is not mentioned
Catalogue)
in he book it is surmised that the au hor is Vartakavi Ra hust of the subjects
ealt
nat ayya. The writer gives a long
wit in it. Grammar, prosody, and r etorics also find a ^ ace
uch space is devotv to
in
and make it comprehensive.
the emergence of speech sounds, their benevolent and evil qua-
Ma
.
It refers to
lities etc.
dramatic technique also
and Sakata Repha are coasidered.

works like Mahabharata.
Repha
briefly.
There are quotations from
There is another work noticed in the Descriptive Catalogue

of books in the Government Ori ntal
Manuscripts Library,
"
Madras, bearing No. 1254. It is sa to be a paper manuscript.
The book has a long title- Repha- kara-vat-chabda-jnapakaseminates
knowledge of
Lokopakara-kamu, a book that
words having the Sadhu and Sakata Rephas in Telugu, The
This gives verses from Mahaauthor's name is not known.
bharata and other classics to illustrate the use of the two kinds
of Rephas,
could not secure tliis book.
We
**
This book was printed

Sakata-Repha-Nirnayamu :
Eluru.
The
author is Bharatam
Manjuvani Press,
the
Bharata
Kulamkasha
of
writer
also
the
who
is
Lakshmipat
the two
of
with
n
cite
words
to
examples
Vyakhya.
trying
verses
the
kinds of Rephas in
Telugu,, Lakshmipati quotes
of Mahabharata profusely.
12.
long ago in
"
As the name indiDwirepha Varna Darpanamu:

ook deals with the tw fold use of the r sound in
he author is Ogirala
anganatha Kavi (1st half of
Telugu,
19th Century)- The book is e ted and printed in 1903 by
that famous critic Poondla Rama rishnayya. Rangnatha Kavi
belongs to the Village of Nilapalli in the East Godavari District,
13.
'
cates, the
67
'
Like
other
many
great importance
writers before him, Ranganatha attaches

to the incidence
of the Repha in words and
usage from various classical writers. Some

confusion arises out of the use of the same symbol letter for diffe"
rent works
Bha " is used for Bharatha, Bhagavatha and Bhaskara Ramayana, Apart from this, like experts in any other field
the writers on this subject of Sadhu and Sakata Rephas in Telugu
do not agree among themselves as to its occurance in a particular
word. So that the same verse is quoted by one for Sadhu Repha
whereas another quotes it for Sakata Repha. Thus confusion
is created in the mind of the learner and reader,
tries to illustrate its
TaUapaka Peda Tirumalacharya son of the saint singer

Annamacharya also dealt with this subject of Rephas. He too
gives words and phrases from Mahabharata containing the two
kinds of r sounds.
But we could not make use of this book
*
'
as
full
verses
are not
quoted.
COMMENTARIES
14,
is
v*r- BhamtaKulamkasha;
by Bharatam Lakshmipati
already noticed.
15*
v3-
BharataSanjiuani:
by Daridigunta Suryanarayana Sastry and Chadaluvada Sundarararna Sastry has already
been noticed.
GRAMMARS
16.
*$
Ahobala Panditiyamu;
This is also known as
Latest publication of the Book is by
Kavisirobhushanamu.
the
Andhra Writers'
Association,
Hyderabad
in 1965.
Ahobala
Pandita flourished in the last quarter of the 17th Century.

Kavisirobhushanamu is a Sanskrit Commentary on Andhra
Sabda Cintamani which is itself in Sanskrit. The Atharvana
Karikavali is also commented by Ahobala in the course of Cintamani. He belongs to the school that considers
Nannaya,
the first poet as the primary standard for
poets in the matter of
Prayoga. Even poets like Tikkana Somayaji rank next to
Nanmaya in purity of expression. He quotes often from Nannaya
and occasionally from other standard poets.
^
17.
&
It is a learned
GuptarthaPmkasika:
commentary
written by Kalluri Venkatrama Sastry
Pundit, Arts College, Rajahmundry. The place
on the Balavyakarana
(18574928)
63
of honour occupied by Andhra Sabda Cintamani in the classical

period by Bala Vyakarana,
period is occupied in the modern
There is more than one
written, by Paravastu Ghinnaya Suri.
good commentary on Bala Vyakarana but none that can excel
Guptartha Prakasika. Venkatarama Sastry is a well" known
MahoScholar of Sanskrit and Telugu. He enjoyed the title
padhyaya," He did a disservice to his great exposition of Balavyakarana by questioning the originality of Ghinnaya Suri in
composing Balavyakarana. Venkatrama Sastry contended that
Balavyakarana is a translation or imitation of Hari Karikavali
of Sistu Krishna Murthy Sastry. No other scholar of repute
endorsed this view. The Guptartha Prakasika quotes from
Mahabharata. These readings must have been mostly taken
from prevailing printed Editions. This commentary was .published earlier than 1908.
It is a Grammar written
Proudha Vyakaranamu :
{***
B.
of
author
Sabda
Seetharamacharyulu
Ratnakara,
by
In the course of his vast analysis of classics for the
(1827-91).
compilation of the dictionary, the author noted numerous
Prayo'gas by poets which he pressed into service in Proudha
Vyakarana. This stands to Balavyakarana in the relation of
a Sesha Grandha as Atharvana Karikavali was to Andhra
Sabda Giatamani. As Ghinnaya Suri covered the vast field
of usage in Telugu, Seetharamacharyulu had to confine himself
The felicity which Suri enjoyed
to visesha or special prayogas.
in the chiselling of his Sutras could not be attained by Ms successor.
However, Proudha Vyakarana is a substantial grammar,
enjoying high reputation. It merited one or two good com-
18.
the
mentaries.
**
A grammar written by
19.
Andhra Bhashanu Sasanamu :
latcMalladi Suryanarayana Sastry, Sanskrit and Telugu Puadit,
Andhra University. Sri Sastry wrote many works and is a
well known grammarian.
His distinctive service to Telugu
"
all gramis
the ancient saying that
of
the
grammar
adoption
"
Earlier grammarians
mar is based on the Prayogas of poets.
like Ghinnaya Suri were very conservative in their approach to
the language of poets.
He would particularly accept as standard
Others are
the Prayogas of the three poets of Mahabharata.
treated as moderners, who can stand in the second rank only.
Suryaaarayana Sastry broke

good poets, ancient or mediaeval
and helped
this
ring
and admitted all

grammar
for purposes of his
to liberalise the field of Prayoga,
69
This helped to
of acceptable usage. Anextend the arena of poets in matters
a
is
Sasanamu
deservedly popular grammar.
dhra Bhashanu
20.
So
Andhra Vyakarana Samhita Sarvaswamu :
an
by V. China
It
is
writte
encyclopaedic work on Telugu Grammar
Sitarama Swamy Sastry, former Pundit, And *ra University.
sub ects. There is
Sastry is a massive writer on grammatical
an unresolved controversy about Nannaya be ng the author
Sabda
of Andhra
Cintarnani.
Sitarama
Swamy
Sastry
is
He
believer in Nannaya's
authorship of Cintamani.
wrote a number of standard works on Telugu Grammar. VaiCintamani
Vishaya Parisodhanamu
yakarana Parijatamu,
are prominent wo s in the field.
Sastry comments on Sabda
tries to
Kari
*vali, Balavyakarana in one batch,
Gintamani,
bring out their di erent approaches and reconcile them finally.
In the course of t e commentary Sastry quotes profusely from
Mahabharata. He states that he consulted the palm-leaf
manuscripts also where doubt arose.
firm
'
ir*
This is a critic al exaniinaBala Kan Saranjamu :

on
of
Pundits
tion of the views
existing grammar and Grandhika
21.
Bhasha (standard correct speech). The author, Rao Saheb

G. Ramamurthy Pantulu is a powerful crusader in the cause
of a liberal approach to usage, Prayoga. This movement is
called the Vyavaharika Bhasha Vadarnu.
Ramamurthy Pantulu contends that risi g young writers are scared away by the
The genius
regulations and inhibit ons of conservative scholars.
of writers must be free from meaningless subservience to a rigid
grammar. Language s changing through centuries and poets
have been following t e changed beauties of language. It is
only the so called grammarians that are trying to withstand
this mighty current of spoken language and are swept away.
'
are also subject to the force of current speech without

recognising it.
They
The very name Bala Kavi Saranyamu

Ramamurthy Pantulu sets forth the
pose.
'
indicates
its purof
wealth
great
He
numeexamines
liberal usage of language by Telugu poets.
rous Prayogas and sets the pace for drawing sustenance from the
vast current of contemporary speech.
DICTIONARIES
We
for
laid
collecting
chronology
under contribution three important dictionaries

quotations of Mahabharata. In the order of
they
are
70
First published
Browns Telugu English Dictionary:
in 1853. Reprinted by The A.P. Sahitya
Akademy in 1966.
We already set forth Brown's activity with Andhra Maha-
22.
ijf*'
bharata. Curiously enough the chronogoly of Telugu poets

was not well known in the time of Brown. For he states that
Telugu Bharatam was composed about 1120. Now we know
definitely that the date of Nannaya goes back by one century
i.e.
A.D. 1020. Brown indicates Bharata by the letter, 'M
Parva, Aswasa and Verse are indicated by numbers. _ There
is
difficulty in identifying his references in the modern printed
texts.
According to his own statement. Brown was the first to
reduce Mahabharata to numerical order. The text must have
To give one
subtractions.
and
additions
undergone
'Wâfr^Q'
is
explained to
example. The compound word
and forBackwards
mean Pell
In
a rout.
mell.
wards. Then Brown cites a verse of Mahabharata. M. 4.
3. 157.
It means Virata Parva Aswasa 3, Verse 157.
Today
we find this expression in 4-3-165. We close with an inter1
Brown regarding his acquisition
esting statement made by
of knowledge of Telugu Language.
J
* tf Sabdaratnakaramu First
printed 1885 by the Madras
It is a Telugu-Telugu
School Book and Literature Society.
Dictionary, compiled by the famous scholar Bahujanapalli
Sitaramacharyulu Garu. Undoubtedly it is the cream of Telugu
All succeeding lexicons are
dictionaries so far published.
deeply indebted to Sabda Ratnakara. He states that he worked for 25 years at the dictionary. Sitaramacharyulu quotes"
amply from Mahabharata. His readings are generally well
tested.
Ratnakaramu gives only Parva and Aswasa. It does
not give the verse number and leaves something to be desired,
23.
&r.
This is an extensive
Suryaraya Andhra Mghantuvu :
dictionary in about 8 Volumes (7 only are so far published)
compiled under the auspices of the Andhra Sahitya Parishat,
Kakinada, since 1936. Jayanti Ramayya Pantulu, architect
24.
was taught Telugu alphabet in. 1817. In 1822 I talked it with

In 1824 I began writing
I began to study Telugu poetry.
English Dictionary and continued it with little intermission for
I
1.
ease.
In 1824
Telugu
more than
10 years.
In 1832 I began to reverse my Telugu-English Dictionary forming

an English Telugu Dictionary. This \vas completed on 21st July 1832.
(A descriptivejCatalogue of Telugu Manuscripts ia the Government Oriental
Manuscripts Library Madras. Volume V. Page 1713.)
(
71
of the Parishat, edited
Volumes
&
II of the dictionary.
The
the Maharajah of Pithapuram,

whole scheme was patronised bywww.teluguthesis.invisioni.com
Suryaraya Nighantuvu is an. improvement in some respects

on Sabda Ratnakara in that it gives cognates to Telugu words
from Tamil and Kannada. Examples from Mahabharata and
other standard works are given in abundanceRamayya
Pantulu claims that illustrations are drawn not only from printed
works but also from current usage and from ancient Inscriptions.
This dictionary gives Parva, Aswasa and verse number also
and makes reference easy.
ANTHOLOGIES
fe
25.
Sakalaniti
Sammatamu
byMadiki
poet
wrote
Kayya
as given
This
this
Padmapurana
by the poet
The
also.
Singana.
date of
Saka 1342 or A.D. 1420,
is
Sammatamu was
edited by Manavalli Ramakrishna

"
Kavi under his " Forgotten Poets Series No.
and was published by the Andhra Patrika
Works
in
Madiki
1923.
Printing
Sakalaniti
Singana collected verses on Rajaniti from various poets and works

Mahabharata and compiled them into the
present work.
Sakalaniti Sammatamu
to
us
rare
and
old works.
presents
many
Some of them are lost for ever.
Ramakrishna Kavi wrote
like
valuable
introduction
to
Sammatamu.
Niti
draws
maxims from various sources
his political
Singana
KamanMudramatyamu, Mahalike
dakamu, Nitisaramu, Panchatantri,

bharatamu, Baddena Niti etc. The Mahabharata verses are
often from Sabha Parva and Santi Parva
where principles of
state-craft come
for
treatment.
up
**$
26.
This
Bharata PhakkiAkandi
already described.
is
Vyasamurty
SABHA PARVA
appamus
1.
of the
Sastry.
Sabha Par
described
0. U. No
Same as No. 5 described at Adi Parva.
babha Parva is
complete in two
.
tending over leaves
Aswasas, ex-
162-201.
Sabha p
Parva
is
7 described
wasas extending over leaves

236-'310.
72
Adi
complete in two As-
3. 9-
-~O. U. No.
Contains Aswamedha, Asramavasa,

Sa-
8.
Mousala,
Maha
Prasthana, Swargarohana,
and Sabha Parvas.

Complete. The
Sabha Parva cernes at the end of the manuscript
and extends over leaves 161-206. Condition
good. Size 17#'Xl.3". Leaves 206. The
owner of the manuscript must have got the
uptika
Parvas copied according

4.
*,
5,
*.
5,
*.
_O.
_Q.
to the
order of his need*
U. No. 33. Contains Sabha Parva Complete.

Leaves 42. There is a noting regarding date.
Virodhij Bhadrapada Bahula Chaturdasi. Week
day is not mentioned.
U. No. 127. Sabha Parva complete. Condition good.

Leaves 26. Andhra Sahitya Parishat-Kakinada.
"U. No. 156.
Sabha Parva complete. Condition very good.
Leaves 42. Presented by SaRamaiah
to
Andhra
jra
Sahitya Parishat-Kaki-
o.
7.
>
O. U. No. 161. Contains Sabha, Sauptika, Kama

and Salya Parvas, Complete. Condition good.
Sabha Parva extends over leaves 213-262,
Andhra Sahitya Parishat-Kakinada.
8.
6-
O. U. No.
162,
Sabha Paiva Corriplete. Condition good.
Slightly
damaged by worms.
Size 17"xl.4",
Leaves 44. Andhra Sahitya
Parishat-Kakinada,
9.
*-
O. U. No.
Sabha Parva complete. ConLeaves

very good. Size 14^x1.2".
Date Rakshasa, Adhika Ashadha, Bahula,
163.
dition
78.
Saptami, Friday,, July 6th, 1855. Scribe is

Vyaghri, Secoad son of Joimalagadda Vyasulu.
Andhra Sahitya Parishat-Kakinada.
10.
e>.
_Q.
U. No,
Sabha Parva. Complete, Size

Leaves 63, Badly damaged. If carefiilly handled it can be made use of.
Tottiyam
Sitaramaiah presented to Andhra Sahitya Parishat-Kakiaaca,
17
x/
167.
1 .3''
73
11.
*"
12.
E-.
O.
U. No, 171.
Sabha Parva.
Incomplete.
Condition good. Leaves 4-2. Available from the
beginning upto Verse 181 in Aswasa 2.
Andhra Sahitya Parishat Kakiaada.
Q. U. No.
Sabha Parva. Complete. ConLeaves 59. Scribe Sambasivudu

copied Sabha Parva complete for Seshayya son
of Gudimetta Timmaraju by Sunday, Margasira Suddha Saptarni in the cyclic year Raudri.
This corresponds to November 23, 1800. Ac172.
dition good.
quired at the Village Gummaditurra, Nandigama Tq. Andhra Sahitya Parishat-Kakinada.

13.
.*.
_o,
U. No.
Leaves 90.
Sabha
204.
Parva.
CompleteCondition good. At the end of

the 1st Aswasa it is noted copied by Purnirna,
Kartika Suddha, year Siddharthi. At the end
of the Second Aswasa it is noted " Akula Ranga-
aayakulu copied this by Saturday, Dasami,

Margasira Suddha, in the year Siddharthi 10th,
November 1610 Gautami
Grandhalayamu.
"
Rajahmundry.
H.
_o.
U. No. 205. Contains Sabha and Aranya

Parvas. Complete.
Condition good. Leaves
264.
Sabha Parva extends over leaves 1-53.
Loan from Gautami Grandhalay a-Raj ahmundry

Scribe has given
full details
of the period taken
copying Sabha and Aranya Parvas. Dataru

Narasinga Rao copied for personal use the first
Aswasa of Sabha Parva beginning on. Friday,
Dasami, Ashadha Bahula, Cyclic year Plavanga
and completing at 8 P.M. (two ghadiyas) on
Friday, Tritiya (3) Sravana Suddha, in the
year Plavanga. At the end of the second
Aswasa of Sabha Parva he again notes " Having
begun on Friday, Ashadha Bahula Dasami in
the year Plavanga, Dataru
Narasingarayudu
copied both .the Aswasas of Sabha Parva by
midday on Wednesday, Bhadrapada Bahula
Panchami (presumably in the same year). 33
This works out to 29th
September 1847. From
the above statement we can make out an infor
teresting
point.
74
The
scribe
could
copy
first
Aswasa
consisting of 295 poetry and prose pieces

in about 9 days www.teluguthesis.invisioni.com
which gives an average of 33
verses for a day.
may infer that a scribe
at
could
ease
writing
copy 30-40 verses in. a
We
The
day.
pears
to
scribe
be
Mahabharata
Dataru Narasinga Rao ap-
man
of culture.
He
copied
shows
a
disinterested attachment to the Telugu Bharata.
Rarely do people get Aranya Parva copied, as a
sort of odium attaches to it as an inauspicious
Parva.
That
for
is
himself.
It
why we come
also
across with very
few palm-leaf manuscripts of Aranya Parva;

Narasinga Rayudu took pains to copy for himself this long and sometimes tedious Parva.
The scribe states that he copied these Parvas
from the exemplars of Mangipudi Suryanarayamidu and Tumarada Ankanna.
15.
O. U. No. 207.
Sabha Parva.
Complete.
Con-
dition good.
Date Narasanna, son of Kakulapati Peda Viranna copied Sabha Parva Aswasa
as per exemplar, by midday on Saturday,
Phalguna Suddha Tritiya (3) in the year Jaya.
This works out to 4th March 1775, At the
end of the Second Aswasa he again notes Friday, Jyeshtha Suddha Panchmi, in the year
Manmatha. Gautami Grandhalayanmu Rajahmundry.
O. U. No, 908/S. Manuscript belongs to Osmania
University Sanskrit Academy. Sabha Parva
I
16.
complete.
The
Condition good.
Leaves
72.
"
which says As the exis

so
emplar
my copy. Right or wrong, it
is no fault of mine.'*
Gannamaraju Kommaji
copied Sabha Parva by Thursday, Chaitra
Bahula Saptami, in the year DurmukhL It
scribe adds a sloka
corresponds to April
17. 3.
_O.
U. No. 532/S.
11,
(Same
1776 A.D.
as
serial
No, 24 Adi
Parva).
Manuscript belongs to Sanskrit AcaOsmania
University, Adi, Sabha and
demy,
Parvas complete, Condition good.

Size 18'xlJ".
Leaves 302, Sabha Parva extends over leaves 129-159, Palavayi Challayya
copied this for Lakshmi Narsu, younger brother
Aranya
75
of Gajam Acchanna, by the after noon of

Friday,
Bhadrapada Bahula
Trayodasi, in the year
Sobhakrit.
This is taken for 1782 A.D.
18.
T.
M.
Sabha Parva. Complete Manuscript

the T.M.S.S.M.
Library, Tanjore.
Condition good. Size 15"xl3f", Leaves 54.
Grandhas 1000.
40.
lodged in
JO.
Here we
may add
a few words about collation.

done in the University. In
cases where
manuscripts are not lent outside, we
sent out our workers.
We generally select two
manuscripts for external collation. Tanjore manuscripts for Adi Parva were
not separately collated as we had the
Rao
readings collected
large part of
it is
by
banebGiduguRamamurthyPantulu from Tanjore.
*or
other
are
Parvas
19.
TM.
Sabha
37.
Tanjore
Manuscripts
secured.
readings
Parva
complete.
18"
Condition
xl i" Leaves 74. Grandhas

S
Manuscript lodged in the T.M.S.S.M.
d<
86
?m
1000.
Library, Tanjore.
Rao
ew
S
JWM,
v
Prabhakar
tT
dd
at
20.
^-No
Ilege
eddy
>
T ûgu
Hydera
collated
Lecturer,
and
New
T.
Sri
the selected
palmC P'^ f all Pa
rvas except Adi Purva
,
74843
eC
to
Sabha, Virata and
Udyoga Parvas
complete.
Udyoga Parv
'
Condition
dgedintieAd ^ Li
Ma
r^T rpParV
Parva CXtends
tend
over lcava-li
r
There^ .re?
ctrC LvVÔ
*-
21-
-No-
J.XC'J.
43.
plete.
!nOrinrrc
"**>**
Andhra Universitv
Y
Verv nW
'
^4"
-vv
S a KK
bha
r "
Parva c om-
*w#^53&=
76
from exemplar by Wednesday, Ashadlia

in t e year Manmadha, This
Suddha Panchmi
full
corresponds to 3rd
22.
No.
7/1H1/N1
-6.
Parva. Gonip
etc.
45x11 Cm.
ting good.
1527
uly
Pundit K. Jogayya
Collated by
arma.
Andhra Univenr<y. Sab a

Condition old. I jured Si e
W-
eaves 78. Grandhas 657.

ate etc. Scribe Remel
Gonayya
copied Sabha Parva complete by Sun ay, Bhadrapada Bahula Daarni, in the year arabhava.
?
This corresponds to 4th August 14
Collated by Pundit K. Jogayya Sarma.
23.
No. 75066.
Adyar
Sabha and Aranya
Library.
Parvas complete. Condition fair.

Sabha Parva extends over leaves
Leaves 264.
1-43.
There
are two entries regarding date,

Scribe Manavelli Kantayya wrote (this copy) L by Wednesday, Visakha Bahula Panchami in the year
Akshaya May 7, 180
(2) by Sunday (Ravi.
varmu)
uddha
Aswayuja.
Ashtami
(8)
in
Adyar by
Sri
'
the year Akshaya,
ollated at
K. Suryanarayana.
24.
Brown's paper Manuscripts.

other readings in Brown's Manuscripts.
25.
26.
"^
Vavilla Edition
27.
&
Veeresalingana Edition 1901.
28.
London
29.
&
30.
Karalapati Rangayya Edition 1852.

Foot notes of Vavilla Edition.
31.
Ananda
32.
33.
*&*
34.
tfo
Same
35.
**v
Sarvalakshana Saramu same as
the Vulgate.
Edition.
Edition.
Foot notes of Ananda Edition.
Kavisiro-bhushanamu
Pandityamu.
as
Chandamu
also
at
known
as
Ahobala
Adi Parva,
at
Adi
Parva.
Nos. 26 to 32 are printed Editions. They are the

same as described in connection with Adi Parva.
Nos. 33-35 also are already described at Adi
Parva under Testimoiiia.

77
COMMITTEES
One of the interesting features of the Mahabharat Project

that editing is done by committees of Scholars and not by
It has both advantages and some disadvanindividual effort.
Individual editors in charge of one or more Parvas
tages.
team of Editors brings a
may accelerate the pace of work.
is
larger pool of experience and thought to bear upon editorial

work. There is healthy discussion and common agreement.
This may occasion some delay but the gain is distinctive. So
Work
far we edited the Adi 3 Sabha and Aranya, Parvas.
on Virata Parva is in progress. The following scholars participated in the editing for longer or shorter periods.
Prof. K,
1.
Lakshmi Ranjanam
2. Prof.
D. Venkatavadhani
3. Prof.
N. Venkat
4. Prof. B.
Lakshmi Narayan Rao
5.
Dr. P. Durgaiah
6.
Dr. B. Rarnaraju
7.
Dr. P.
8.
Dr.
9. Sri
10.
M.
Ax
Rao
Madhava Sarma
Kulasekhara Rao
Rajeswara Sarma
Dr. K. Ramakoti Sastry
Recently Sri C. Rangacharyulu, Dr. B. V.
and Dr. K. Suprasanna are drafted
The
our ripe
sc
Kutumba Rao
into work.
roject has the benefit of the association of some of

olars as advisers.
They are Sri R. Anantha Krishna
Sarma Sr Vernparala Suryanarayana

5
Pichaiah
astry.
Afte
on the pecimen
extern
for
flirt
edite
advisers met
er editing.
in the
The
Sastry and Sri Deepala

were
received from scholars
opinions
the
portion,
larger editorial board with
some days and
laid
down guide
lines
e three Parvas so far edited were revised
ght of the suggestions of scholars.

executive part of the project
is
simple,
There
is
an
Executive Officer who implements the decisions of the Editorial

Board. Financial matters are submitted to the Vice-Chancellor
78
The steering Committee of the project enjoyed

B. Gopala Reddy, President,
the benefit of the advice of Dr.
for his approval.
Andhra Pradesh Sahitya Academy. Sri N. Narotham Reddy,

M, P. and Sri D. Ramanuja Rao, Secretary, A.P. Sahitya Academy have evinced active interest in the project. The former
co-ordinating Officer of the U.G.G. Unit Sri D. Hanmanta
Rao was
a watchful custodian of the
The
Critical Edition
is
of the project. Sri

Dr. B. Ramaraju &
Officers in succession.
affairs
Lakshmi Narayan Rao, N. Venkat Rao

K.LakshmiRanjanam worked as Executive
B.
printed in the
Osmania
University
Though the press has no background of subPrinting Press.

stantial printing in Telugu, it rose to the occasion and maintained
The Director and his staff deserve
sufficient *peed in the work.
congratulations. It appears that there is considerable room for
improving the quality of printing and get up, Proof reading
can be more meticulous.
the office staff Sri N. S. Sunderesv/ara Rao, Pundit

has continuously worked in the project. He helped me much
in looking up the necessary references for writing the preface.
He is generally well posted with information about manuscript
libraries, rare publications etc,
Among
CONCLUSION
From August 1959 when the Critical Edition was first

mooted, to July 1968 when the first volume consisting of Adi
and Sabha Parvas is ready for release, it is nine years. The
Osmania University which has sponsored it, the Governments
who have provided the financial sinews may feel that the progress
The weighty nature of the work partly justifies it.

slow.
Rishis have defined the very name of Mahabharata as the
is
work which
is
vast
and one which
is
very heavy
(Jfctf*wjjS"
needs utmost caution to proceed in a field already heavily miaed with the attention of former
At least half of the 9 years that elapsed
gains in scholarship.
was spent in expectation of finance. Then there was the difficuland
ty to collect a tolerable library of palm-leaf manuscripts
Collation of a vast text like Andhra
older printed editions.
Mahabharat with 21013 (nearly a lakh of lines) verses and
prose passages needed a few years,
Tp^tfaf-w^cfy jfccS^tftfjfo-tfgft),
It
full time editorial committees working on the

Teachers of the University do the editing in their
There are no
oroject.
leisure hours.
The
project
was
originally conceived to provide
79
opportunity for the teachers aad students of the Telugu Department of the Osinania University to do a big thing by team work.
Allowance has to be made for human frailties, the discount
between ideals and execution, Altogether the result is not
The path for future work is well laid out, It

discouraging.
needs a greater number of st ady workers, working round the
are told that the B andarkar Institute is engaged on
year.
the Critical Edition of Sans it Mahabharata for nearly 40
ahabharata s not so vast and its problems are
years.
Telugu
not so varied.
ence a team of steady workers may successfully
ritical Edition in three-to-five years hence.
complete the
We
May the wsemen of Telugu Country witness in the Critical

Edition of Andhra Mahabharata, a fitting monument for the
great
Nannaya,
poets
Hyderabad
6-6-1968.
Tikkana and Yerrapragada.
1.
KHANDAVALLI LAKSHMI RANJANAM
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Adi and Sabha Parvas

RALLAPALLI ANANTAKRISHNA SARMA

the financial assistance of the Govt. of India

Andhra Pradesh by the Department

Shri A- Rajeswara Sarma.

Dr. K. V. Rarnakoti Sastry.

Price Rs. 15/- (Rupees Fifteen only).

Osmania University Press

Dr. D> S. Reddi, Vice-Chancellor

Vishayasuchika of the Text

Text of Andhra Mahabharata

Donors of palrnleaf manueditions

written in the hand of

the scholarly world the

volume of the Andhra M'ahabharata,

the staff of the Department

one of the greatest epics

human document, and a store-house of knowledge and

of the Sanskrit original, has special appeal to Telugu scholars,

the Telugu classics.

take this opportunity to thank the Government of India

all the editors and their

the remaining volumes in quick succession,

Board of the Andhra

Osmania University has

the first architect of Telugu Bharatam

ANDHRAS AND MAHABHARATA

a national epic of India. Andhras also

Aswasa, Verse 24.

Andhra Mahabharata may be understood

Witness the great battle of Palnadu of the 12th

"S-s^g^^gSo^rAndhra. Heroes of Palnadu come

The story of Mahabharata became so much an integral

tasteful dish eat Garelu

good men." (1-1- 12) To the question w y he liked the Mahabharata,

(1-1-14) Rajaraja claims descent from

our family is descended."

THE FIFTH VEDA

That is the ostensible and personal reason. The better

He mentions again and again that the

Tikkana Somayaji, the great successor of Nannaya Bhattu

THE FOUNTAIN HEAD

and immediate reasons sustain the respect

of Andhras for Telugu Bharatam.

Taking these factors one by one, we will add a few remarks.

doubt whether these fragmentary records can be called poetry.

The case of the Ratnaas the vehicle of their poetic talent.

said to have flourished in the

It is our highest poetry in the sense that two master minds

SOURCE OF CLASSICAL GRAMMAR

of Kavitraya the three poets of Telugu Mahabharata (Nannaya,

Introductory Verse No. 46.

late authority like Ahobala Pandita,

poets including Tikkana,, Allasani Peddana and Pingali Surana

SOURCE OF TELUGU PROSODY

The use of the Akhanda-vadi or Yati in the Caesura system

done-must throw light on some

of these disputed points.

serve as great restraining agents

on enthusiasts who are tempted to refashion the poetry of master

quote only one instance

among many, how