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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnow
inExperiencedplayers,Piano,Theory
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
Inthislesson,wellbelearningimportantcontrapuntalmotionsthateveryseriousclassicalmusicianmustknow.
Warning:Thislessoniswrittenwithclassicallytrainedmusiciansinmind.However,itcanalsobeofhelptoanyonewhoisinterestedingainingaclassicalperspective
tothemovementofnotes.
Imawarethatavastmajorityofmusiciansreadingthishavelittleornoknowledgeofcontrapuntalmusic,therefore,permitmetostartbygivingyouabackgroundon
contrapuntalmusic.
WhatIsContrapuntalMusic?
Contrapuntalmusicisanimportantclassicalmusicstylethatfeaturestwoindependentnotespreferablyknownasvoices.Theseindividualvoices,consideredaspoints,
areplayedpointagainstpoint,creatingacounterpoint.
TheLatinwordforcounterpoint(whichisadescriptionoftheinteractionbetweenthevoices)iscontrapunctumwhichliterallymeanspointagainstpoint.Anymusical
piecewritteninthecounterpointstylecanbesaidtobecontrapuntal.
Onceagain,contrapuntalmusicisaclassicalmusicstylethatfeaturesindependentvoices(mostlytwoorthree)andseveralclassicalworksinclassicalpianoliteratureare
contrapuntalfromBachInventions,toFurEliseandmanymore.
Itistruethatindependentmelodiesareagainsteachotherincontrapuntalmusic.However,theresaconjunctionbetweenthemelodiesandrelationshipsbasedoncertain
principleswhichwecantcoverinthislesson.
Yes!Thescopeofcontrapuntalmusiciswiderthanwhatwecanpossiblydiscussinthisshortlesson.So,wellproceedintolearningthepossiblewaysthevoicescan
moveduringacounterpoint.
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Attention
Therearefiveknownwaysvoicescanmoveincontrapuntalmusic,andtheyare
StaticMotion
ParallelMotion
SimilarMotion
ContraryMotion
ObliqueMotion
letsgoaheadandexplorethem.
StaticMotion
Instaticmotion,bothvoicesarestationary.
CheckOutTheStaticMotionBetweenTheseTwoVoices
CandC:
CandC:
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
CandC:
CandC:
CandC:
Guessyousawhowstationarybothvoiceswerethroughouttheexcerpt.Playingandrepeatingexactlythesamevoicesonthekeyboardoverandovercreatesastatic
motion.
Alright!Weredonewiththat,letslookatothermotions.
ParallelMotion
Inparallelmotion,theresamovementbetweenthevoicesinthesamedirection,andmaintainingthesameinterval.
Therearetwothingstobemindfulofinparallelmotion:
Thesamedirection
Thesameinterval
Tocreateaparallelmotionbetweentwovoices,youmustdeterminetheinterval(ordistance)betweenthemandmovetheminthesamedirection(eitherinascendingor
descendingdirection.)
HeresAnExample
BeforecreatingaparallelmotionbetweenthevoicesCandA:
thefirstthingtodoistodeterminetheintervalbetweenthevoices.
Quicktip:TheintervalbetweenCandAisamajorsixth.
KnowingthattheintervalbetweenCandAisamajorsixth,wecancreateaparallelmotionbetweenbothvoicesbystickingtoamajorsixthintervalinthesame
directionwhetherascendingordescending.
HeresAnAscendingParallelMotionInWholeStepsStartingFromCA
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
CandA:
DandB:
EandC#:
F#andD#:
G#andF:
HeresAnAscendingParallelMotionInHalfStepsStartingFromCA
CandA:
C#andA#:
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DandB:
EbandC:
EandC#:
Ihighlyrecommendthepracticeofparallelmotionusingvariousintervaltypesinascendinganddescendingdirectionstoallmystudents,youtoocantryitout.
SimilarMotion
Similarmotioninvolvesthemovementofvoicesinthesamedirection,justlikeintheparallelmotionbutunlikeintheparallelmotion,theintervalbetweenthevoices
canchange.
Forexample,themovementofvoicesfromEC:
toGD:
toGE:
toAF:
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
andtoCG:
producesasimilarmotion.
Didyounoticethechangeintheintervals?
EC:
isaminorsixthinterval.
GD:
isaperfectfifthinterval.
GE:
isamajorsixthinterval.
AF:
isaminorsixthinterval.
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
CG:
isalsoaperfectfifthinterval.
InANutshell
Saveforthefactthattheintervalbetweenthevoiceschangeinthesimilarmotion,theparallelandsimilarmotionsarerelated.
ContraryMotion
Contrarymotionisthemovementofvoicesinoppositedirection.Thecontrarymotionisoneofthemostimportantmotionsincontrapuntalmusic.
Studieshaveshownthatthestrengthandindependenceofvoicesincreasewhentheyareincontrarymotionwitheachother.Whenonevoiceascends,theotherdescends
andviceversa.
Averycommonexampleofcontrarymotionisthewarmupexerciseofplayingthenaturalmajorscaleincontrarymotion.
CheckItOut
CC:
BD:
AE:
GF:
FG:
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EA:
DB:
CC:
AndThenItBeginsToDescend
CC:
DB:
EA:
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GF:
Get Notifications
FG:
AE:
BD:
CC:
AlsoCheckOutThisOne
CC:
BD:
AE:
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GF:
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FG:
EA:
DB:
CC:
Letsroundupwiththeobliquemotion.
ObliqueMotion
Inobliquemotion,onevoiceisstaticwhiletheotheronemovesinanydirection(whetherascendingordescending.)
HeresAnObliqueMotionWithAStaticUpperVoice
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
DC:
Get Notifications
CC:
EbC:
EC:
HeresABluesyOne
GbC:
FC:
EbC:
CC:
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5ImportantContrapuntalMotionsEveryClassicalMusicianMustKnowHearandPlayMusicLearningCenter
HeresAnObliqueMotionWithAStaticLowerVoice
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CEb:
CE:
CG:
CA:
CC:
FinalWords
Imcertainyouenjoyedthislesson.Ialsobelievethatnowyouhavetheideaofthesefivedifferentcontrapuntalmotionsatyourdisposal,thatyoullbeabletoidentify
thesemotionswhenacontrapuntalpieceofmusicisplayed.
Ifyouhavequestionsorneedclarificationonanyofthemotionswestudiedinthislesson,kindlypostthemonthecommentsection.
Illseeyouinanotherlessonwherewellfurtherourdiscussiononcontrapuntalmusic.
Allthebest!
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ChukuOnyemachi
MusicConsultantatHearandPlayMusicGroup
Hello,I'mChukuOnyemachi(aka"Dr.Pokey")amusicologist,pianist,author,clinicianandNigerian.InspiredbymyrolemodelJermaineGriggs,
IstartedteachingmusiciansinmyneighborhoodinApril2005.Today,I'mprivilegedtoworkasamusicconsultantandcontentcreatorwith
HearandPlayMusicGroupsharingmywealthofknowledgewiththousandsofmusiciansacrosstheworld.
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Taggedas:contrapuntalmotions,contrapuntalmusic,contrarymotion,obliquemotion,parallelmotion,similarmotion,staticmotion
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