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https://en.wikipedia.org/wiki/Exposition_(music)
Exposition (music)
From Wikipedia, the free encyclopedia
1/18/2017 3:56 PM
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https://en.wikipedia.org/wiki/Exposition_(music)
A fugue usually has two main sections: the exposition and the body. In the exposition, each voice
plays its own adaptation of the theme, in either a subject or an answer; they also provide
countersubjects (counterpoints) to the following voices as they enter.[7] The exposition usually ends
on either a I or V chord, and is then followed by the body.[8]
References
1. Benward & Saker (2009). Music in Theory and Practice: Volume II, p.136-38. ISBN
978-0-07-310188-0.
2. Don Michael Randel (2003). The Harvard Dictionary of Music. Harvard University Press.
ISBN 978-0-674-01163-2.
3. Don Michael Randel (2003). "Exposition" Harvard Dictionary of Music,p.302 ISBN 0-674--01163-5
Retrieved from https://books.google.com/books?id=02rFSecPhEsC&printsec=frontcover&
dq=%22harvard+dictionary+of+music%22&hl=en&ei=0fGpTKb_GcSclgfms6XZDA&
sa=X&oi=book_result&ct=result&resnum=1&ved=0CC8Q6AEwAA#v=onepage&q&f=false
4. William E. Grim, "The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical
Form" Papers presented at the Second World Phenomenology Congress September 12 18, 1995,
Guadalajara, Mexico, in Analecta Husserliana: The Yearbook of Phenomenological Research LXIII
(1998): 65. "The first section of a sonata form is called the exposition."
5. William E. Grim, "The Musicalization of Prose: Prolegomena to the Experience of Literature in Musical
Form" Papers presented at the Second World Phenomenology Congress September 12 18, 1995,
Guadalajara, Mexico, in Analecta Husserliana: The Yearbook of Phenomenological Research LXIII
(1998): 65. "It is in this section that there is harmonic movement away from the primary tonal area to the
secondary tonal area."
6. Charles Michael Carroll, "Memories of Dohnnyi" Perspectives on Ernst von Dohnnyi, edited by
James A. Grymes. Lanham, Maryland: The Scarecrow Press, Inc. (2005): 235
7. Alfred Blatter, Revisiting Music Theory: a Guide to the Practice, New York: Routledge, (2007):
p.249-250 ISBN 0-415-97440-2 https://books.google.com/books?id=Z-xfT0jMc9oC&
printsec=frontcover&dq=Revisiting+music+theory:+a+guide+to+the+practice&source=bl&
ots=2XdInWKF8J&sig=uz7xRfFCraKvukB3H3pfKY_oFzk&hl=en&
ei=L_upTLqDCIOClAfx6fCvDA&sa=X&oi=book_result&ct=result&resnum=2&
ved=0CB8Q6AEwAQ#v=onepage&q&f=false
8. Alfred Blatter, Revisiting Music Theory: a Guide to the Practice, New York: Routledge, (2007): p.250
ISBN 0-415-97440-2 https://books.google.com/books?id=Z-xfT0jMc9oC&printsec=frontcover&
dq=Revisiting+music+theory:+a+guide+to+the+practice&source=bl&ots=2XdInWKF8J&
sig=uz7xRfFCraKvukB3H3pfKY_oFzk&hl=en&ei=L_upTLqDCIOClAfx6fCvDA&
sa=X&oi=book_result&ct=result&resnum=2&ved=0CB8Q6AEwAQ#v=onepage&q&f=false
1/18/2017 3:56 PM
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https://en.wikipedia.org/wiki/Exposition_(music)
1/18/2017 3:56 PM