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I.
Like Marx, Nietzsche, Freud, and Darwin, Kafka was troubled by questions about the nature of the
human in the modern world. He first read Darwin as a high-school student, and never got over the
impact that reading Darwin had had on him. He was also profoundly affected by his reading of
Nietzsche, who had proclaimed the death of God and the discontinuous nature of history. Like many
people of his generation, Kafka was aware that man might devolve into a lower creatureespecially in a
randomly ordered universe, where history, in the absence of God, had no purpose, and no meaning. Even
in Marxs more rational theory of history, man had been reduced to his function and lived in a state of
perpetual alienation from both self and world. Writing in 1907, Henry Adams sought to show in his
Education of Henry Adams (printed 1918) that the individual had been reduced to a manikina
simulacrum of a human rather than a real one.
II.
Topic: Drawing on your reading of Freud, Darwin, Nietzsche, and Marx, show how the transformation of
Kafkas Gregor Samsa into a giant vermin echoes and extends late nineteenth- and early twentiethcentury debates over the plight of human beings in the modern world. (3 pages, minimum)
Both Bram Stoker and Joseph Conrad deal with the darkness that lies at the heart of Nature and in the
nature of human beings, butarticulating the nineteenth-centurys fear that man might devolve as well as
evolveStoker seems to use the figure of the vampire as an emblem of the otherness within man
something that fascinated Freudand as a site for exploring the anxieties over gender that accompanied
the Woman Question which had been discussed in England and America for a half century by the time
Stoker wrote. Conrad, similarly, presents us with a vision where the nature of human begins and the
nature of Nature is deeply mysterious. As he is at pains to show, all places are places of darkness, and all
humans harbor darkness within themselves.
Topic; Drawing on your reading of Nietzsche, Freud, Darwin, and other writers, show how Conrads Heart
of Darkness and Bram Stokers Dracula embody the anxieties of the fin de sicle about civilization, Nature,
and the Otherness that lies within and outside us. (3 pages, minimum