\ Alphabetical Contents By Composer sen 2 All composers are listed alphabetically, followed by the titles of their compositions and the page number on which each can be found, Alphabetical Contents By Title...... 8 All compositions are listed alphabetically, followed by the composer name and the page number on which each can be found. Time Line Of Major Classical Composer ........01eu Categorical Listing. — 406 ‘Compositions are listed according to the style of music, including Ballets, Chamber Music, Choral Music, Concertos, Opera, 10 Music, Waltzes and more. ip ISBN 0-7935-1668-4 HI et tenarspovsting corporation 7777 West uemound Road PO. Box 19819 Mau, WI S218 Copyight 1982 by HAL LEONARD PUBLISHING CORPORATION InoratonlCopytam Secured Al igh Reserved For all works contained hersin: Unauthorized copying, arranging, adapting, recording or public pertormance isan intingement of copyright Infringors are Hable Under the law,ALPHABETICAL CONTENTS BY COMPOSER ADAM, ADOLPHE 20. ORY NT (Cte da) ADAMS, STERN "a THe Houy CTY ALBINONI, TOMASO GIOVE 72. AINGO CMDR ANONTHOLS, 2 DOXANEIS AEM (co) 22. RNATOME ONY Wr TNE NES aD, WGI 2 L400 (iets) ARENSKY, ANTON WNT B ] [RACH JORANY SEEASTIAN 2 ARO THEGSTRNG 25 anos 26 wsroc aa aR 2% BRADENELRG CONGO NO.1 INF Meme Theme 2 BRANDENRLRG CONGO NO 11M FS Meee Tene 27 BRNOENBLRG CONGO NO 11NF Thiel eee Tene 24 BRANDINBLRG CONCERTOND.11N Fine 2 BRNDINELRG CONCETOND NF Paes 25 BRANDENBURG CONCERTOND 21NF Ft Moen Thee 2 MNDENBIRG CONCERTO 0.218 Fed Meet Thee ‘9 UNDENLRG CONERO 0.21N7 Td Morena Tene ‘9 UNDENBLRC CONERTO NO 31 6 Second Moen Tene ‘BRANDENBURG CONCERT 0.418 Gn Moree Thee $1 UNDELRC CONCERTO 41 GTi Moen Tene 2 2 2 8 * xu s HUSDENELHCCONCETO N05 1D Fest Mawene, Opening Tee RANDFNELRC CONCERTO 0.51 Sead Meena Tene pg) [BUNDEELIG OONERTO NO 51ND Thi Moen Tene RSOENELRGOOMETO NO 618 Fis orem Theme [ANDENELRG CONCERTO N0 618 The Ment Those CAMS TODESEANDEN Oram mito 4 (OME SWEET DEATH (arm ser Ted). 1 BLS SITEND Scanaei 55 TASAINGMNOR Gnosis) 35. RUGLEINCMNOR fe le Fel Teper ler Bonk 36 J, JOY OF MES DISHING rm at 147 37 UTE RGLENGMBOR ope Thee 37 MJCHT DNR on Te a gel Ned 37 MINETIN GAR fon tn Madde Nook 58 MIUET IN GNIOR fu The ra ens ek 38. MUSETTE ND MOR fn he Ana aos Nook 38. MY MEAT EER ATE (Me bis er, lace) 4 OpSiAEN is 40 PARTANO. Me {PART NO, FOR MOUNSOLD Bee ‘PARI NO. 3 oR WOLNSOLD Pe 45. PARITIANO.3 FOR MOUNSOLD Go en eden 539) SUEP MAY SUEY GREE en Canta 28 4 SOXUTANO. FORVOUNSOLD Feo 46 SONATA NO. 3 OR OLN SOLO Apo ‘SUT EMINOETORLLTE Bare 4 STEROL FOR O10 Pade 48 STEN. 2 FORTE NDS ase 5 SUTENO. FOR GHD Sto ue 5 SOTE Ro, FORGO iL Bure St SUTEO.¢ FORGO SIL owe 51 SME. 4FORCRAD SO Bout 52 ToT RULE WD MNOR 55 TROPARTINMATINS DINOR 5. TROPART NESTON MINER. 56 TWOPARTINESTIONINC MAR BACHMAN, 56 SSUES [EETHOVEN, LUDWIG YAN 0 3 Fs © @ a @ a ae sussesogasase a * % Fosse es MET TING AS0 GREITO 0, EV MOR, Op 75 (EN) ou Moen Tene AYO SOMA. FOR Op. 2%. i: Moemen Theme WO SONA NO. 18 F MORO. 2%. |e Nowe Thee UNO SOSA NO. INF EOROp. 2,0. toe ene Thee USO SOMTANO.BINCMDBOR fae) Op. Fs Moen Tene UNO SOMTA NO. SINCMNOR (Pag) Op. 1 Sond Moen Teme UNO SOMTA NO. INCMNOR atiseu) p15 Ta Movement Thene UNO SOMTANO. 4 1NCH MBO (Moog Op 7, 0.2 Fest ene Tene FUNOSONKA NO. 1 INCE MIBOR (Mong) Op 27, No.2 ‘cond Meret Thee FASO SOUTH 0.151 AOR (Paser Op 2s NoenenTnse UNO SOUTA 0.19 1NCMNOROp. 49 is Mena Tene ‘90 IAUTAND 19116 MADR Op. Scod Meee Tene AYO SO 71 NCNAOR Op (Wa) Op $3 it ene Thene PASO MIAKTNANO 1 Feu Maen Tene 0ND0 4 CAFHOGO (lage Oe es Pe Op 12, ahuoas SMRUOWYNO.1 NC MOR it Moen Thee SRIOAY NO. 11NG Op 2 Sond rene Tene SMPIOWNO. ING Op 2 Thi Mayne Thee es) SSMOWND ING Op 2 rh Moen Teme MFO NO. 21ND. Op. 36 fit Meet Thee SMHONY ND 21.09. 36S Moen The SSMU NO. 21ND, Op, 6 Td Moen Tene SUMED. 21ND Op. 36 fort Moen The SIMIONTNO 31NB MOR (Ec) exo Tene SIMON NO. 31NB HOR CE) Seo Meee Thee SIMEON 319 MOR CE) Ti Mere Thee "SIMEON 0.3193 MADR Ira) Fur Moen Tene SIMEON NO 4198, op 6 Fis Mee Teme SPOR NO 418, Op 0d Mowe Teme SVMPEONY 0.4188 Op. arth Smet Those SIMPWON 0 S1NCMNOR Op. 67 Fs Moen Tee MPO 80 51NCMNOR ond Meee Tene SMT ND SINC MINOR Td Morente SMPIONY SD SINC MOR Moen Tene "SMIWONY 80.61 MAR ara) es Moree The SMIMONYND.61NFOp 6 (Paste) Second Meee Tee SSMIORY NO 61NF MOR (Pasa) Th Mowenes Tze SMO NO. 61 Op 6 (Paso) Kur Moreen Tene SHAH 40 61NF Op 68 (Paso) ih Moen Tee SHO NO. 7INA HYDE: Seen Thee SIMPON 0.718 AOR Sor Morsen Tene STMPHON N0.71N A. 92 Thiel Morne Tene 'STMPUON 0.714, p92 Furth Moen Tene SOHO. BINE, Op 95 Fis Moen Tene SMPORY NO BIN, p 98 Second Moreen Tene SFO NO BIN, Op 95 Thr Moen Thee SMPHOWNO BIN, Op 9$Rart Mowe Teme SRHORY NO 91ND Op 125 Fs Monnet Thee SYMPHONY NO 91ND Op. 125 Sond Novena The STN@HONYNO 91ND. 125 Thad Meme Thee STMPHON 0.9180 0p 15 ea oven" Teme ‘THRKS AAR! Eon Te ai of ee OU OACERTOND MNO, Op Thi Nene The ‘BENEDICT, JULUS * ANN OF ENCE ‘BERLIOZ, HECTOR. 6 © eo a LANE fo ess de ILUNGS, WHLAM. ‘WN ES HEFT‘MZET, GEORGES ‘Mix (AMEN ace A 19 ROOK fon Lieseme 9 RAERA Gon Carmen 50 LAREUR QUETUMANAS EEE Came 51 OMEEMRE TO CARE Seed Themes 92 SSGIDA Fon Carmen 9) TORREADORSON ou Carmen OCCHERN LUCK MICE fo ung use BONONCIN, GIOVANNE BETTSTA 95 PARLAGLORA DADORA [BORODIN ALEXANDER. RS THEME TOM PLOVETZAN DANE foe nce or NOCTURNE fom Sig Qu. 2 ‘ounceo1s, Lous 6 DOROUY ‘BRAHMS JOHANNES ‘6 ADAMI ESTA OVERTURE Thee 40 BALE NG MBOR Op 8, 0:3 ‘9 HOV MEL STE DURING PACE fom 4 German een 97 MINGARANDNCENO. 97 MINEANDNNENO. 1 STERMEZD Ny MOR Op. 117, 3 101 EERIEZD WAMOR, p18, 80.2 97 WARY (eed) 101 UNO COERTO 90.2 eneme Tene 102 SWF 0.1 CONOR Fe Move Thee 12 SYPHON 01 BCMOR Se Meme Thee 103 SIMRAN 90. NCMBOR Third Mowe Tene 10} SUMMON 0.1 CMO For Movesen Thee SYMON 0 21ND os Moe The 104 IMPRINT 0.2 Soe Moen Teme 104 SYMPHONY 0.218 DT More Thee 105 SIMFHONY 0.2180 oe Morea Tene 105 STMPVONT 90.31 FRx Meme Tee 105 STON N03 # Sed ope Theme 106 STMRHON 031M Tid oe Thee 1 STHPHONE 0:3 1N Feu Noes Teme 1 STMEHONE 0-4 08 Fs ore Tene 107 STM 0.4 BE NOR cond Meee Tene 107 Shan 90.4 E MBOR Thi Mowe Tene | SYMRHO 0.4 EMBO oar Moreen Thee US WALTEINB YOR 3, ‘Ho. BATZINE MMOROp.3,80.2 10. NALTINEMBOR Op 3986.4 19 WATE INA MQOROp. 38,815 11 MEME BRITISH FOLKSONG 12 LpAbONDE AT ‘acetN, crtt10 2 AMA ME RELA (ALDARA, ANTONIO uy See, cD ‘CAREY, HENRY 1s ane co0 Sa TH QUEEN) (CATALAN, ALFREDO 1A BREEN SANDRO LATINA Waly ‘cuMUabe, CoE 115 CAE DA (ort, meép6nic 15: BAIATENO 118 GSN, Op. 28 116 SERS AND MAJOR, 57 16 ETUDE Hop 1,3 [UN ENDEWE MINOR Rewiaoay Be’) O.10, 12 DEIN NAOR Op 25, $0.9 ASTASEIOMETU ING] MINOR (GN WATE INB MYOR Op. 8 8.2 FRRERAL MARCH Gare tr) om oat MAZE NAOH Op 7,0. MAILER MORO 25,0 3 12. MURA OMAR. 38.0.2 122 MARIAN MOR Op. 67.2 122 MALRUAINA MINOR. 678.2 125, MALLING MORO. 67, 5 123 MALIA INAMINDKOp 67,04 126 NOCTUREIN, MAJOR Op 3, No? 124 SOCHURSEINF MORO. 18, 2 125 SOCTERNEING MIND, Op. 15,83 126 NOCTUREIN DB MAR, Op 77.2 106 OCTERENF MN p58. 17 POLOMASE NA MOR. Op 4,801 aa) 17 POLDMASE INA SAK Op 58 128 PRLLOE NE MINOROp-24, 0.4 128 PRELOEN MINOR Op. 28, 8 128 PRELOEINE MOR Op 2880.7 129 PRELDEINDs MYO Op 28.15 129 HELEN MINOR Op 28,80.20 12) PREMDE INGO Op 28. 22 130 YSERA Op. 34,41 190 RATZINA MINOR Op. 34.2 135 WATZIND MQOROp 59, 10.8, [BL NATZIND, MAR, Op 4.1 (Mint Wat) 152. WATLING MBO, op 64.2 135, WATZINA MQOROp 9. 136 NATZINBMBOR Op, 80.2 135. WAT, Op Pts ‘CLARE, JEREMIAH 136 THEE YOUNTRY cuasenm, MUZIO 136 SONTI Op 36,1 Fs Moet Opening corTmat, TEODORO 136 ses uk COUPERIN, FRANCOIS 137 soo (cxorT, VILLA 1370600, REP AGES TSA) ‘ence, JOHANN 157 NO TANK WEA OR COD (han at aes) DECUITIS, ERNESTO 138 COME RACKT ORBEATO DEBUSSY, CLAUDE. 138 ARBESQUEND. 1 139 CARDEN Sut Spams MD GOLLIWOGS CAE WA eC Com Sue ‘1AM MCRD (The iw be Rae Fa) 139 UEP NEE peg PRELLDE 10TH APTN OF ALN Opening 0 ve ‘Denes, 160 12 PRESS (Dae heen) 14 PASS OS (Der oth Ve fu Sure 145 PATO PO 143 WASNT fom ye M6 WUSELENE om Cpe Ds PREZ JOsquIY MT LGD DLCAPUA,B. 7 Osu Mo! DDONALDY, STEPHANO e008 Wo AMATO BEX ‘DONIZETM, GAETANO 18 UNA ETVACRN he iof ve DDOWLAND, JOHN 149 OME ACA, Se LE ‘RIGO, RICCARDO 150, SERENADE fo nade DDUKAS, PALL 1590 THESORERERS ArENTIC Pcp Meme DDvoRAK, ANTONIN 152 MORSE 153 woED 151 SAOMEDINE NO.82 suo N02 152 SIMPWONNO. "ION THENER WORLD Sexed Moe Tene 1s) YAS GRCELSE ELGAR, EDWARD 154 FONDA CHEUMSTHNCE NACHO, 1 154 ST DANO ENGLISH FOLKSONG 157 LOR ENDL, ERNELERTEN GESANGAUCH, 1665, 15) PEASE T0 THE LORD, THE ADMIT (Lb Hees) auRE, GABRIEL 158 APS NV (ea rea) 10 HERCESE fo hea ue 19) GWEDSDIOR 10 Wn 10 Ne FAURE, JeAN-BAPTISTE 161 Tiras FERNANDEZ, 12 GHITOLNDO "acs, ZDENEK. 1 bE FLOTOW, FRIEDRICH VON 12 MAPPAL TET AMO eh, oe) oe rhe FRANCK, CESAR 163 PS CEOS FRAME, T. 16h eezz0 mst FRANGDIS, MARCEL ry FRENCH CAROL 165 SOR THE EEN BLADE RSET PUciK, Us 165 ENTRY OFTHE GADUTORS TER NO AES G gn a CRU tly ts sxmoeane ‘caUTEER, OMAR 167 LEST ‘HS, HENRI 167 ss (GARDIN, FUCE DE 16 CONE THOU LMC ONG ‘GuBBONS, ORLANDO 168 THESUVERSHAN GlonDANy, GIUSEPPE 18 uO MoBEN GUNA, MIKA. 169 USAN ND ALANA OVETERE ‘GLUCK, CHRISTOPH WILIBALD YON 10) GE FARO SA EERIE Of a aid 109 DANCE OF THES am Oro rier copa, BEnyan 171 RAS, MS, THE NG OF ENE a ana) 1 evr ‘covwon, cuamtes 171 AMST DE UTTER CS UB Fs we IALETYO. oat 175 ENTRAT ME OTTO EAE TE engl a) 174 FATES MES AVE om ot 174 AML THO fan at 17% FUNERAL MGR OFA MARONETE THE JEL SONG Fut 17% JUUETSWATZSON rm ome nde 1s ODMMERDEEMER 17 Au it ‘GRIEG, EDVARD 199 ABIMBLAT fam vie, Op. 12 190 ANTRAS DCE rr pt 180 ABESDENT om Pe 12 BANDING fe ye ces 12 QLUERE DH eta) 11 INTHERULOF THE MOUNTAIN NG en or ot 8 MAG OF THEI yc Pes Op 34 15, MORNING fn or 134 FLO CONCERTO «MINOR Op 6 Fit Moret twine 14 SOUEICS SNC er Ga 195 THEME OM NORWRGLN HUCEND. 195 HATZWAMINOR emi iO. 12 196 EDDNG DY A TRUER om pr es, Op. 5 AUNDEL, GEORGES FRIDERIC 196 AR Waters 157 ALEGROMASTOND Eom ater dai 1 AME SO STREETER ERE 1 OLR fu ater Mace MFO PEPE fo ea 199 FORUNTOUS A CHUD IS ORS om Ash 19> HALON om esa 12 THERON BLAH 191 HOROPE foe Far Mase 1BL ROW TTY HEDENER UNE om Mead 192 LETTHE SRG RUMI fs Sonor 195 Lc (Ones ma) Fo dees 19) USC PUN fa ds 194 LIND JOULE fox ue 194 PASGERO LAST eC Cae 195 ORE GEA fon Nes 19% SOIND ANAL fn das aca 19% TINE THE GLORY nos om de xcs) 197 TETRA IND Fo Miah 198 NHEREER OU Wa Some {MARDELOT, GUY 196 ats HASSLE, HANS LEO 19) OSA HAD NOW RONDD HAYDN, FRANZ JOSEPH 20 RMANAMTIONL ATEN 199 CSF RONDO Tene 200 THE MEAES A TELLNG fro Te Cation 21 PUNDSOUTAIND YOR is Men Tene 201, SURPRSESTMPONY Sed Moma Thee 201 staxmioN CHORE 202 STNG QURTET¥O, 8 Serene 22 THINPET GITO NB YOR Fe Meee Thee 243 TRUMPET GREIMO ND MAOR Tie oem Tene AYDN, MICHAEL 283 WORSHIP THE UNG) HERBERT, VICTOR 204 ASPET SER OF UF ro ay Mart 204 TEMMERN CR 205 ART ISCALNG ROR ME fe he aches 206 DAGGER DAN fr Ao 2a esr Lone son 2% NOUN SHOR 1A TUNSTHEET Soc rm gy Mart 208 ASSN THEDAR fon ne Bons209 ARGH OF THE TOS Aa Pend 209 TOVAND fu abe i Thad ENOLD, vous 210 2AM ONERMRE HOLST, GUSTAV 22 NTERUAK MOWER MUMPERDINCK, ENGELBERT 212 ING PAR Ha and Gt 212 RTERSS0NG (hw armen et) fom Host and Gel 213 S12 LITIES7 on as end ret [PPOLITOY.IVANOY, MIKILAL 214 THESUARS OISSON IRISH FOLKSONG 25, THELAST a OF SER, ANONICL, 108 21 ANE AES {JMCORS-BOND, CARRIE 214 HOMEYOUTAY UTCRATURIAN, ARAM 215 SABRE DANCE ‘KocuteR, conRAD 2G FORTHE MIT oF THEA [KOVEN, REGIUALD OF 26 On PROMISE ‘KRENSER, EDWARD 217 Wear TOCETER ‘unui, PUNE 218 Gow aN sR wu 217 THENEREY MIDOW WALT Te Mery ae 217 Aon Te ery ie LBONCAVALLO, RUGGERO ‘mo warmvatn 2 WESTLIAGRA fo alc LUNCKE, PALL 221 GON WORM srr, FRANZ 22 HENAN RESO 0.2 22 RESTA uy, JeaN-2aPrisrE 23 WOSEAS UUTWER, MARTIN 224 AMGTY FORTE UR COD (Fea Ba) LYRA DAVIDICA, 1708, 22 GRIT TL 5 SN TODNY ‘MACDOWEL, EDWARD 2A TOAWIUD ROSE om end hres MAKER, CUSTAY 225, SIMPHONT N01 Fal Mose Tene 226, SEMPHONY NO 5 Agee Teme MARGIS, ALFRED 26 WSBT ‘MARTIN, JEAN PAUL 27 PASEO ‘MASCAGNY, PIETRO 2 NFR fom Cs asics ‘MASSENET, JULES {2 GATE fom Narn 229. MEDTATION fo has ‘MEAL F 225 THEAMERIC PATIO. “MEDIEVAL BRITISH FOLKSONG. 231 SUMMER SENN MEDIEVAL CHRISTIAN CHANT 230 SE 250 ToT POHL MEDIEVAL FRENCH 251 TALL MORTAL FSH NE? LENE Re) (MENDELSSONN,FELIC 251 COSOLATH on Song itor ods {BE HUNTING SON fom Son ito ee 233 FWIHAL OURS om ih 2B ORSTINTHE ORD fom jah 233 OFORDOF GOD ARNT 23 SCHED IN MIND p16, 82 235, ONNGSING em Songs ido nts 256 SPHNGSONG om Sons Bou Bnd 236, NETANBOATIN SONG fu Sop Wit es 236, NEDVNG MACH om A Mime gh Dea NEVERREER,GLACOMO 257 ORDATON MARK MONTEVERDI, CLAUDIO 258 ASAIN MORE woyn 25 cas ‘MOURET, JEAN JOSEPH 25 HEAL ‘MOZART, WOURGANG AMADEUS 2 AMBLfue za, ate 280 ANEVERIM CoA 29) CONCERTO FR GARET Bs MAR Ft Moe Tee 1) ONCHRTO FOR GARNET V8 MAR Sed Monee Thee 259 (ONERT FORCLAEET V1, AOR Td ore Thee 22 DEXVIEALAFRESTA Gere fon Do Glens 243, EK VIN, NON TARDAR fa he Margo go 2M eR VOGEEANGER BN TO) Te Ng Pe 244 OVES0NO fone Marae of Fo 216 BN WADCHEXCOER WRC rom heap ae 2M} ENEKINE NCHTMLSK Tit een Tene 15 REMAN NUHTMSK Send Moene Tene (ae) 245. BNE GENE AOA Ted Mowe Theme ie) 246 NE LENE NGM ou rena Theme 27 RUNDE 247 ORY CNETOND 5B MORK. 47 Tid Moe Tne 24 INDIE NEL GEN ALEVE Meg ie 250 U.CDAREMIA MANO fu don Gert 246 JCRWOS os apse 251. MMLET on Dos ean 28 MNETINE 2S MMETING YOR 255 OR PAD ORAL Eve Marie fg 254 NOKS0 en he Marae Pe 219 OWSSUND OSS fon The Mage 255 OVFATIRETO DON GOWN Opening 256 OFATURETO THE MAGIC ALTE Opi 256 ORTURETO THE MARR OF FAR Open, 25) AND CONCERTO HARK 254 PANO CONGO NCAR 259 ORG AMOR a he Margo ga 260 SL ALLA Te Margo Fe 298 SOMTAINA MYR C31 Fist Moen Teme 26 SOXATAING MOR ona ack) 145 it Mone Tene 26, SONATAINC MAR en as) K 55 Sead Meee Thee 262 )NEHONY 90.2918 ANAORE. 20 Fs Meee Thee 25 SNeMONY 0.39183 MAOR Tr Moen Tae 26) THERON N41 G MOR 50 Fis: ene Tame 215, vedo 90,18 MORK 0d Mee, Me 264 Swen, 4218 6 MDNR 50 Fours Moen Tee 214 sMeHOnY 0.11 CMAOR Chie) Fete, peng 22 TUS HONDO ol ae Tar) on Son 31, hid Moen 26) DRA, ARNO fe De eras 268 VOUNONERTON GE 216 Fe Mover Thee29 OL CHE SUT fo he Margy re [MUSSORGSKY, MODESTE 22 THEGHEAT GATE OEY om tue tn Ebr 20 tea 2D PROMENDEen Pett an Econ [NEIDUNGER, W. 1. 27 THEBITHDAYOF ARNG NicouaL, PHLPe 2 OMDRING SAR How FRAO BT 272 ACHE AY, ROT STINE, eae) ‘cus, stecrRIED 25 DAMS DU, HH ans Be oh) COFFENEACH, JACQUES 15, BARAROUE TT of oa 25 axon 2 THEDOLSON fo he Tas of fron PADEREWSKI, CAACY JN 26 MNT ING PAGARIST NICOLO 27% m0 ¥. PAISIELLO, GIOVAN 26 NL CORAL NON MSETO PALESTRINA, GIOVAN PIERLUIGI DA 27 TESTERESOR Pestaozza PONCHIELLL, AMILCARE 1 DANE OFT HOURS om de Gods PRAETORIUS, MICHAEL 27 OSEUBDOROF COD GLORY RCT Pur Mss) PROKOFIEY, SERGE 17 OWE OF TREE Otc 178 PETERAS THEWOL peg Theme PSALMODIA EYANGELICA 29 UTOPYOLR MEAS Peccrn, cAcomo 28 BH SOGN LORETTA om one 280 ELLGWNLESTELE fo oe 179 THEMOONG CORI fom Made tery 2 ITERVEZ0 bor aon ent 255, QUADO MENYD Ges WS) om Lone 254 UNBELDIVEDRDW fom aon ty 231 YSS.DARTE fon Face ‘PORCHLL, HENRY 235 LATENPT OM LOVES SESS TORY 26 UL aL UPON THE DOG TAR 28 THNET NE 28) WHENIAMAD EAT en ia as RACHMANINOFF, SRE 299, MUNDCONETON0.2.NCMBOR Fr Novena Tee 28) MSO UNIO. INCI Third Moen Tene BI MAV0ONGTO N03 Monet Thee 290 RELIDE NG MINOR Op. 25, 5 AVE, MALICE 291 Nv rOUR UNE NHL DENTE (Pe fr ead Pes) EGER, MAX 292 THE AGIS SIRE SONG RINSKY-KORSAKOV, MOOLAL 292 GT OF THERON REE 296 SEHERUANE Temes a Oe 29%, SIEHERWADE Tees Pa Tv 295, SHERWADE Theat Pat The 2m sowoF NON RODRIGUEZ . 2 Wasa ROSAS, JUVENTINO 26 OFTHE WANES OSSIN, GIOACHINO {WA LAR AL TOT here ofS ‘0 OWATURETO TE RABEXOF SELLE 52 (NL VOCE PDF Barro Sie 505 UMM TL OVERTURE UBISSTEIN, ANTON 316 MOOT HE 5 RMD SAINT-SAENS, CAMILLE 07 NSE MACABRE 507 MONCOBLRSOLVREATAYOD on Semon on il 56 TESTA (ee om Gift inal SARASATE, PABLO DE S08 TKEINEROESEX (Ope i) SCHORERT, FANT 510 ANDIEMUSK oi) So aves 31 SUSOOHE erent) 30) wossUw SCHUMANN, ROBERT 51 BOLT STRANGE U0 AN PEO om ems ld 31 ARIES Op 18 56 DURING AN MEEN GER Te ig 8 ig) 516 GRODEATERS DUKE om peep. 2 5312 THEIAPPY AME a Afi Fa Op 6.10 513 sa}cROu WoT 5 PIO GONERTONA MINOR Ps Merenen Thee 314 SOLDIERS WAC ru un ore Tug 0 8.2 51S. 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AILGREAMURS OF LR COD 80 HN: ‘sp is, ah $81 ALGLOY, ALD A HONE (Ted) ed 17 ALBGRD WHESTOSO fom Rar al and cea Fede 20 ALITA rn Bae, bate so Span Ss, ed ‘¥9_SOSRACHZARATRSTRA Opi Tene Seas ed 12 wag oR Caen, aio 167 aus Goes 115 ss (00 408 TEE) (oy er 24 eC C,H rr We 22) AveMCAN ATION, THE Mean, ¥. ‘80 ANDIE MEK To Msc) ‘eaten, Na ye 158 AMREQUENO.| bey, ade 312 nugesqtop. 18 Schum, et 25 00 ach Jha Seta 105 ARIS LING OR Men Te chars eter ae 28 ARTS UE, THE Seas oi 10 ASESDEAT om Pert (eg rd 171 AMNT DE QTE CS oe At (Guna rks 310 ae see, Fa 17 AEM oun, Cares 2 EVER cones Moar ot Aedes $96 Er 00, STREP adel, com Fier 1S RADE NO.1 58.6 IOR Op 25 ‘ede, 106 ERC MAR Op. 7 ‘Gopi, rire 170 AS fon chs er ejen 1 ERS fom “Day Sue (abl Fa 272 TRAY OF AG, HE ang, 9.1 2% nsTDVeR MR ch Sean 225 voistrs ay apse 18 URES om Wier Mei del, eos rene 26 BUNDOALG CONCERTO. 11NF rx Mme Thee ‘ic, han ean 27 NDEELECOONETO 0. 11N Feo Moree Tene uch Johan eas 17 RARDENILRG OONRTO WO. 1S Meee Theme ch Jl eatin 2 ADEN CONETO ND. 1 NM ach jan Sain 2 BMARDDLRG CONCTOND 1 INF Paces ‘oh, jb etn ‘LNDELG CONCERTO 0.21NF Ft Moen Teme ik Jota Sein BRANDENBURG CONGO NO. 21 Fund Ment Thee ach tar Sin DENELRG CONCERTO ND 2147 hid Moen Tene Bacon San eae53 RUNDINBIRG ONCETOND.51NG Second Moree Tene Bach, bata 31. BRASDENELRG ODCRTO NO. 41 Gis Meet Theme Bach, ar in| 31 BRAND CONGRTO NO. 41 GTi Neen Tene ach Johar Seti 32 RASDELEGOOERTO NO. 51ND Ft Meme Opi Thee Ba jar esa 33 UNDER GONEITO NO. 618 Fst Mme Theme ich jar Seas [4 BANDEN ODO NO, 61 Thi Moen Thee ‘ich jt Sean 595 BRIDAL COR to Lalegin ‘pe, Retard 175 owoAY estat, Joes 276 cart W024 Page 5 CN Enc WA in, eos 9% CRNMALOF ee 16 oO MOB Gort Gasp S87 AHO SOME oe Pato er Gey 387 ESTE ADA fe ae er cacy 585 UCIN ASO COUT om Di eras Seas jt, 159 aUSOXD NOUR Fa, cabo sm ausowmaste ‘Teton, Boe yh 170 GEAR Se EUR rn Be (ck sgt Wb 280 EL SOND DORETTA on Rode Pei Gace 572 OMOREN OF THE HEAVENLY ATER Sedth Ney | GARISTAGIN TOOEANDEY Chon ra Cana Ko. 4 ach esa 22am MLO Ss TODAY yaaa, 708 18 aamrowwo ead m7 ana Fesloce 159 LAR DEINE om Sate rpms 239 CONCERTO FOR GARNET VB, MADR: Moet These 239 ONERTOPRCARINET I. MNOR Seon None Tee 239 ONCERTORRCLANET 8 MAJOR Tr Move Thee 332 OOM WATS 19 OME ACA, See one 138 COME CLT ERENT et Es 2 come, SUE DEAT! (oan, ss) ach Sst 16 come, eo AGT ONG Carn, ede 1 ONIORT EY FPL en ab andl Cao ide 231 OOSOLATION oe Sng ie Rods enka, fe 257 cooTON RE eye, Gace 257 cas Mo 0 CARAS Di demas Ses, oa 206 GEER DUCE om Natoma r (ck sph Wiad 375A OF HE SUA LAM RY fo Te ere Tao Pea yk 25 DAMS HERR aks Be Te) es Seg 375M COLE (Chins Dac) fe Te arecker ‘eho, Party MSE ACA Santis. Cre 2 aE was reco 22 EVEN ALA FISTRA real) om Do Gs Near, Wolly Ames 145 DEL VEN, SO TAEDA The Marge pro ear, Walia Anas 39 DER RCSENAALER WT ‘ems iad 24 ERVOCEENGER BHO om Tea Fe Mea, Walang Andes 387 OLPROCA Ga it Ver, ce 550 OLIGO ATO um er Roem Ss, Ban 344 DE REDE We Seas oh J. 230 DES AE Nese hsten an 274 DOU SING Em Te Tk of fase ert joes sn novos WUT, ae Ea 2A NOB (ae) eoryoes 24 DOTESNO to Te Mari of Fp Mar ag Anas 96 oma {oss Bouts 2K TO MEOALY wT TEES crys 6 DU IN A MENEN GER ego Fe) ‘oma Robe 20 ELDON ST fo Face ‘ei Gacann 14 REE, ANDRO LOAN fa aly (a led0 57 ons ethos, ain 26 ENAIDIEN ODER WERE Thai iste Maat, Wl Anas 24 ENE LENE MAMAS it Monn Tene rat, tng Anas 245 ANE NLENE ACTS Sead Monet Thee (ama) oan tg Aes 245 BNE LENE NCTA Td Morena The (iu) oar ops Aes 26 NERLNE NMS Ruth Mens Tene Mor fg hades ‘0 sLoUmMaat Sea ot ip 7 wonuo ‘Pre, Join 12 ANDO om yc ies Op. 12 (eg Ed 335 BAREOR WATE Sams tJ 24 NGLISISITENO. 3 coome ‘ch jr een 175 NTRENT ME NOT OLATHE Gogo a) 18 TUDE CMNOR (Reesor Be) Op. 1, a. 12 opi Fi 317 ENDED MNOR Seri ead 16 EDEN E MUORGp. 1,5 opin, se TIDE MAYOR Op. 25, No.9 Gop ke 212 END PRATER Hel nd Gt umperdin Eger 199 THEEVENEG STAR om Taner ‘ape ett 176 FATES UMS Ef Fi esd Cates 1s TAS-ArOMPTE NC] MBO ‘opi re 35 HNTAGLING MO rds) ‘a, lan Sse 89 RADU Fon kee i Gees 174 RAL TRO om ft one, ares 307 mo Stes {ST HEME ROM FOLOVETZAN DANE om rice era, eden 21 TERUG OF MEADE B. Fil ora, Nes 385 THEMOWUIS TAT HOOM IN THESPRNG en Te Mado Sal, {385 FORALL TIE SUNTS (Si Nein) spa ila, ap 216 ORTHEMEUT OF THEE Keen 1a FORLYTOUS ACI BOR on Mek Mandel eng re {81 FOURSEISON Sprig Fs Mee Thee 392 FOLRSEAGONS png Ti Mover Tene "ll a 195 OURSUSONS Sonne Fie Moan Tene "le 93 FOURSESONS Summer Se Move Thee al, seo 94 FOURSESONS See Third Moen The ‘al, nono 394 FOURSEAONS a: Fr omc Thee Vil, neo 195 FOURSTASORS Anu Sn Moet Thee wa neo 395 FOORSESONS Am Third Mone Thee hal, nono 196 JOURSESONS Winer Fes owen Theme wa noe 196 FOURSEASONS Winer Sed Moen Theme ‘la 397 FOURSEASNS Wie: Thi ene peg al ene 55 RGLEINCHIOR fos The Wl Tepe ner Bok uc, se en 12> PUNE WAC rc etre) foe Somain ioe opin, Fee 176 FUNERAL MARCH OF AMARONEITE ented, has 7 AORELSE Beet, aia 2 HOTT Fem Manon 27 GER DONE Non og Anes 2 casas ATION ANTIEN ag Fa ph 21 caDATOR MO Jb Philip 221 aow'woaN Und, al 218 cow wos war uh, Fras 140 OLLIWOGS CAE WAL hr Caner Sie es, de 119- GRO BAITED MMOR, Op. 18, Na 2 opi, de 3 GUNDESTES DCE rm pon Op 2 hopin, ie 270 THEGEAT GATE OF EV So Mrs a xin ony, ode 2a rey Lene ONG eae et 199 GIFS RONDO Teme ad, Fah 4 HABER bo Gamer x, Geom 190 HALE fo Mesiab dl Seo Fide 12 THEHAPY TENE Al foie Ya Na. 10 educa Robe 12 TEWARMONLS BLOAT nl, ors ede 353 HESANENGLSIMN Fon HS afr Sa tee200 THE EAVES ARE ELIN fom Te Onan ad, Fa 2 me soHOL ETS Seas, to al 29 mienowvay Mars Sepien mo Ho ase, Nose 247 HORN COMER ND 5186 MARK #7 hid Meena The ox, Waliay Anas HOWE fo Fae Mac nd ors des 9 HOW LVL ST DRELING PACE ee German aon as oases 279 THEMEOOANG ORS from Mad try ei, Ge 1 HIMORESQE Dei, son 97 MUNCAUAN DANCE ND. rns obaes MACAU DANTEND.S Aes aes 22. MONA OY 90.2 i, Fea 23. MORIN rom Songs ih ind Mensch, Fel 1 s 398 IAM APRATERNG rom he Prof omc ‘li, Ab 356 AM THECAPAN OFTHE PRFORE om LS Pare sala, Ar 354 1A THE MONCH OF THESE fom 45. Pre ‘Sa, Ate 265 [ATEMR OM Loves SORES: TORY Poel ey 5 LINEASONG TONG, Oto The oman of be Gad saa Artie 191 {A908 TAT ny EDEENER ETH Gum eb el cer dere 244 LworevouTmtY sh ed Cae 26 TUS CPOATHEDOGSTIR rl ey 313 sorGROUE Wart Sct, Robe 181 OL UEE DCH (IL Yn) hig ar 235 TAL YOUR EARS jab Meso, Fela 25 1LBAO (ets) di, Lag 246 INDUS HOLES HALEN a he age ae ec, Wali aes 20 TIE SEACMODEOTER ie Gas INTHE ALL OF HE MEKNTAN NG ert oe Eb 206, UNSER eer st oo TERED NC MOR Op 17 80.3 eas ons oy TERAE20 1A MYR, p18 80.2 eds oes 228 (TTRNEZ0 te Cnet sions Maca eto 22. NTA tee Mane san Pca, Giaae| fT " et seRMz0 Rus pave 44 TTON TOE DANE "ebro 207 ALANSTIEE SOG fu Nagy Mate re Yr 6 J, JOVOF MANS DESENG om Cat No. 147 at, jhe ean 175 TEJEVEL SOG fon ae unas 16 JOURTS WALTZ SONG fom Ar nde (Ces sz mNGCOTTON Some ip 2m AHSSINTIE DARE fe Og som ese We 337 MSW Seas, tar 259 TACLDAREAMAND fe Don Guns Moan, Wag aes 16 ACNQUUNTANE (Calder Welling) (abr) 298 WOT die 50 UADONS NOW om apne Vers, Cpe {AFUE A EVE DE LN The Gi it ee Ha) Dey, fe 90 AFIT UE TU MANUS ETE Fo Carmen ict Gers 05 rome Trae, a 2 AGIOS Fo eae oot, eng kes 198 (ARC (Cnr i) fn Kes adel Car iden 04 ABCD AL FCTOT on Te ater of Se sich 198 USCA OF AGA Baby adel, Care de 238 USCATB MORE Hone Cando 215 UST ESE OF SLNMER es Folens 56 LANG SO ne dra Sass an) 19 UE PTE HE Opry, Debs cade 4382 CRE DU PROTEST Re oS) Opening Senin. ee 7 ESET er, eed 153 Ee Dek Anan 195 LESH A a Fagen nei ‘edakooly, Reet 6 uses thn 21 ETAL MORTAL RSH SLENE (Fea) Medio Fro192 LETTE GIT ERIM fo Semon dl ene Fee ‘32 UBER aE Sou, tn ial 88 UUMO (DS) fo Tra Ver ace ‘2 umesraM 1 ae 29 urTur Younes aod Bags 70 Ue CYA OTE Sep Pon 386 UTI BTEC fm HS Pte ‘ea Ane 37 UTERVEWCMNOR Re Tene Bach oa Sebastan 112 LoDo AR et Ft, 157 HD RENAL Fags Plo 396 JOE SAAMI SONG fea Patience sala Aa ras, Some 57 MAE eed) ks ohne 1 won au, Gabi M 1 A, TT 08 i fo fom ets foamy, ek ee 297 MASDOLN NETO NCAR Mons ene ‘eo 223 ManrTN BA Se ip 37 MUECND MY a han ape a hen tn 12 MUCHO LDR Ps OF 4 ig. rd 523 MUCLOF THEODORE Sa np 299 NADGLO TE Tos tube and tet 595 Nie Te cer Tealoy Ao ye sok miso sur Teton, Poy 20 warm, Leer, nt MAA AMOR O67, 80.2 en rc 125 MU AMR Op. 80.4 ops ee 221 MACON PROG 2490.3 ep re 129 MEAN 8 MO, 0978.1 a. rc 125 MUIR CARO. 3 in de 11 MBN DMNOROp 3386.2 op. ee 12 MLB IN MN op 686.2 Opa ee 219 MEDAN on ha Mase, ls sus Egon abi. 217M WIN Tf Te Mery ide lei ne 224 NIG FORTIES SOUR OD (et Bu) tab Ma 38 MINUET INGO The ne Map Noa eh, phan Sbasen 25 MNIETINF| You, Wa eds 2% MIMIETING| Pare py ss MNETIING ee, abi ‘sueTiN yo Yoo, Vln ass -MXUETING MNO om Te nna Naga Ntoak ‘hada ean MOET Fo Do Gi oor, Wl dais 4 MIE fo Seg une ce ip 357 MAS Te Mads Sa Are 359 AMODER JOR GENER om The Pies ee Sein Att ‘20 MOLD Teme Seu, 07 MON IRR SORNREATA OO om Samm nd Diab ‘Sus, Cail 50 Monae seas, ihr 185, MORN fe or pt Greg bat 58 MISETEIND AOR fe Tbe Ans Mayan Nook och ota asian 38 AKT EVER FTIR (es ies ere, lke) Bach, oar Sasan » i 176 NELooR ibn MsEO 396 NOCTRNE Tato Pr th 126 NOTURE ID AOR, Op 27, No.2 ein, te 124 TUNE Mao, Op 9,02 hon, ee 126 NOCTURNE FAIR Op 55,86. 1 ‘ops, rie 124 NOCTUREIN Mao p15, 2 epi. ree 15 OCI NG MNOR Op. 15, No 3 in, Fire 9% NOCTERNE om ig ure No.2 rin ade 255 OVAL ADR am eerie of es Nex og Ards 254 NON SO Te aria of ao Nour alg nae 5760 HTT LNELY HEAT Serer einge Tao Pt yeh 157 NOW THN BEALL OUR GOD (a hele Got) Ce ae 16 ps1 mo aur ‘ray, Seine 17% ODMINEREDMER amd, hs 157 (00, ORE vs s(t. NRE) (id ia20-0 oUY WaT (ee deo) an Ae 119 OS ND CSRS he Magi ate Moar, Woiag nes 9 OSUENESS ach har Sean 271 MORNINGSTAR HOW FAR AND BIGHT Neca Papp 25 OFESTINTHE LOO fom jh Menke, Fc 199 OSD HED AOR NOKNDED ie, ase 17 OSE Moe owe 27 OSRLAOROF COD GORY BRGHT (MER NOB SLTER) rae Ma 255 WORD OF coo ARTE ee Fl 205 OWORSEP HENS (ys) ada Micha 26 i PROMISE ME Nos, egal de 194 0H, AWD ERAS RE a ade Gage dene 587 ON TE BEAT BE DONE Seas Jos, 598 One EAT, NEO, Seas, ph 549 OUR CHES oD, RTOS MA ro he Mia Saha, Ae 258 RTE WATS seo 255 OVERTURE TO DOK GNA Opi Thee Meat ofan ras ‘1 NERTLRE TO CARES Temes i cores 139 OVERTURE TI ERM Ope Teme Seas tan 400 OvFATURETO TH BER OF ELE Rosi, Gtino 256 OERTURETO TH MARC UTE Open, Mea, Wego aes 26 OVERTURETO TE WARHAGE OF PAB Oe, Nea, Wag ras 16) THERM Fae Bape 163 suas rad Csr {1 PART NO.1 oR WOUNSUD Bore ach jar est 4 PATTANO.1 Mit ach arn Ses 45 PARTANO 508 MOUNSOLD Gone en ade ah jh ein “4. PARTTANO. 3 FOROUNSOUD Pade uch jh Sein 12 PASDES ALS (Dee Fone) ee, do 14 PAS DES OES Dance fie eis) Loree Dae, do a nave Fan, ae PANE PORINE INPANTE DENTE (Peo el Paces) ol ee 96 PERL LOR DORA Romo, vs ai 2 PETERASD THE WOU pei Theme Prd See 2 ws a wo a m ae ee » w 5 Py “ a w wt 8 PANO, LA SORT Mo Gi Csr hl Gee er 0 OREN SB MADR Op 73 Cpr i Doe hee ete bi | 490 CONCERTO Fx Moe dion (ig ad O60 CONCERTO INC MAORI 46s Move Tent St, log ales KO CONETO IN OR 467 ont Morente eat, tog als WO ORCERTO ND 2s Meer Tene Pees aes NO GAERTOND, 2 DOR Td Meet Tene aul Se FUND CONERTOND 21NCMMOR Ret Moment The Scinanos Se SD CONERTOND 5 i Mone Theme Sakasi Soms 490 CONERTO NA MBOR Fe Neen Thee Seam NO CONCETOND.11NB, MO, p25 Ft Mem Opeig "etal, yee FU00SOMTANO INFO. ot Move Teme este abi PUOOSOUTAND INFMIOR Op 2 Sze MorenetTene {echo big PND SONATA. MER Op 2, 8.1 or Mees Tene Bech lina PD SNATANO.SINCMINOR Paige Op 13 Fr oe Tene Pech lime FUND SNATH¥O SIN CNBOR (Page Op 1S Moen Theme Reados ings FRUOSONTAND SINCMBOR Pai O. 8 The Meer Tee Restos ids FWDSONATANDHNCMEWR (Moai) Op 27,802 Sond Mone Tene esos igi AND SOATAND HNC MINOR (Mog) O27, 80.2 ft Moreen The teed agi FUSDSONATANDTSIND NOR Fs Op 2 Men These eve big RD SONATAND 191 IOROp. 49 Fs Moree Thee eve aig ASDSOMTAND 191A IOROp. Sco rene Theme toe aii UWOSOWTAND £1 I\CMMOR (Wald) Op 55 et Mone hee Bexioe, agen PANO ORATOR ene hee Bere, abigen AND SNAAN DSA Fe Meet Thee a, Fh exrs Frags, arc SRDS HORS Tair ager ead rnc rk ‘Sons ona jal ct ru OTA EASA OVERTURE See raion POUONMSENA MAR, Op 8,81’) he, Fine POMP GRCENSTNCE ARCLNO. i, rt“ 259 FORGL AMOR ee Te Maria of go 151 PRUSETOTHE LORD, THE MGI abe dex Hees) eee Gest, 165 171 PREY SOU, THE G OF HEA ads Se) (os, 18 PRLLOE IN EMNOR Op 2,804 ope, rine 18 PREIDE BMI p28, 8a. ope rine "a8 PREUDE IN EMYOR Op 28 8.7 ope rine 129 PREUDEIND, MAYOR. o15, op Fie 129, PELE NGMDOR Op 2,80. op, Fate 129, PREUDEING MINOR. 28, 22 Chopin, Fie 290 FRELDEING MORO 23,0. 5 ahi Sys 12 PREIDE TO THE ATERSOON OFA FN Opes Theme Dd se 21 ROMEMDE om Pte ot xii ser, Mode 223, Q4N0O MENVO (ute Wal So fm La aime ‘resi, Gace Rocz MAH Rec, se 195 OI GRAM fom Mech dl core Fe 0 RR Debs cade 505 ROME ‘atin, eo 136 setae RAUSOON WO. ey, Gomes 37 ROMEO 0 LUE Pra Tene ‘ebony, Rec 238 oweN! Nose an 137 pom aera Fas (67 RONDO A CAPLIO (ae Lest em Op. 15, Panes ede, aig MO ost OM THE SUT Seas, oh 1p SCAN AD UDMA METRE ina tai 25 SARE DANCE (ache. 2M SONS PROGESGON pple Maal 154 Suro oR 36 ser (ae, Teo is Scag ANCE cy » ws 2 a * Eo a» ry 05 ‘I 1s ” a we a8 ea 60 86 me 1s Bs SCHIZOW EMINOH Op 6,862, Ment, Fx 5, YUL BILARE on The Mariage of gr oan ifn nae SHRED (aia io. SLD Fm Carmen ie eos SEMPRRDES Seb il SENRELER fo a Tite ern seewe Faas Sys SGENDERIONE Cabri a ‘SEN fn ends Drip, Reade sc “el ao MEP MAY ATL GRE om Gama. 208 Teheran SHERERCADE Themes rn Pa oe isn Neh SHERERCADE Themes on Fa The sry, Nek SHERERCADE Themes ro Pa 0 isp, Nel SENT HON "ag lias, ap THESIS (does ado TW sures bee, SAVONCDANCEND Dol, sean SAVONCDANCEND 2 De aon SEP BEAT WALTZ “toy, yh SOLDIERS AC en bu fr Yo p62 ‘ebesam ote ‘08S an Pe yt oe Fa SONA. FORMOUS 0 Presto ch Jha ees SOMTANO.SFORNOLN SIC Algo ach hae Sean SOMTLIN A MORE. 381 Ft ene Thee Nour Wag Aes SOW I CMAOR Goa Fae). 545 est Maven Thee ox, Wiad SATAN MOR naa Fase) 45 Sond Moen Tee Moar Wefan SOXATI, Op 5 8. Ft Moen Opesig ‘nes, Maso NG OF NUN ily oa, Nea SONG HOUT WORDS Tehaon Pai SORERESMPRNTIC rcp Theme ks, a SOUND AN AA dr Maccabens adel, Som dee ‘HNO OF Sess Joh Pal NG eae, ne SPRINGS Songs dou es Menkes, Fle SPRINGS rom Songs doa Words Menken, Fx% 1% Sv-asTIOS CHORE ad, Fa STAMIOHEN Gea) Seber | "THE STAS AND STE FORDER Sousa jon Pip STRELA AMPA rate Ver see ‘TESTHRESOTR ss, Gos Prag STRING QUARTET NO. 16 Sree ada, Fs eh SUE INE ME FORTE Bou Bd jon ea SMITEND LORI SL0 Pe Bech, Sebsan ‘ATTEND FORTE ADSI Bese Bech joa Sasa _SITEND 3 OR CRO S10 Four ach tar Shin | SUE 0. SFORCLLOSOL Bou ch, tar ttn SUIT, FORCES Beurte ch ten Sei SUN. 4 FORCLLO EL ear ach, har ei SUMNER SIME Meda Bt Feng {HES WHOSE RS ee Mids Sata. A “SHER SMTHONT Sod Moen Thee a Fog ‘12 UIT Yb ed Gt unpedd,Eten “THES Ope) tam Comal of Anas Sains ame SHANA Pin Theme Talon Pa eh SMONY N01 NCH eee Thane edhe, aig SSRPIONY NOLIN 0.2 Sod Moen Theme ‘eho, abigra SEONG 0.21 Thre Moen Tame Seber) Texte, Liat SIMEON 0. 11NG Op. 21 Fourth Moench echoes Lavigan STROWONY NO, 218, Op. 36 fet Move Tht ee, adn SHON NO 21ND Op. 36 Se Mew These ee, SXMERONY NO 21ND Cp. 36 Thr More The ee, ing SMO NO 21ND op, 36a Ment hone ee, ab SPIN NO SIND (ek) Re Noone Teme ee, Ind SMO ND 318 (Sern Mone Tee ee, aia SYMPHONY 0.518 ("The Meme Thane Behe, adi SYMPHONY 0.518 (i four Mone Thee echo, aig ‘STMEWON 41 Fs Meee The ext, Lagan STMEHONT 0.41NB Scod Mee Theme eve, Liat SHER NON Tid Moe The echoes, La ‘SIMEON 90.418 Furth Morena Thee ects, Lng as SHON ND SINCMINORGp. 67 it Moen Tene eos, La * " a a 8 ® 6 SMRIONY NO SINC MINOR Seed Moreen Tee eae, aig SPOS SINC MINOR Ti Monnet Thee eho, adi STMPHON 9.511 MOR oth More Tse ete, at STWEAORY ND SIN ar) es Morne: The eto, dh SSMAVONY ND IN (Paso) Sead Moen Teme eto, nig SPIO 80.61NF (Mas Thal Moen Tene ere, aia SMPON NGI) our remen The ‘wees aia ‘SIMON 80 61NF (Patra) i Mee Tene echoes, nt SINFHONY ND 71NA Fs Moree Thee ede, dei SYMPIOR 9071S Moment The eon, adi SMO NO 71NA Te! Moen Teme exe, dar "STMPON 0.714 bath Mone Theme Behe. Lng ‘STMPONE 0.51 Fp. 95 es Move Thee Bex, gan SIMEON 0.818 Op 93 Sod Moe Teme ecoe, neg SPINY NO. 81 Op 98 Third Movement Thee eo, eigra SPO N09 fourth Movement Thee een, aig SMPIONY 9 91N DOp.125 Monee Thee ete, aig STMPHON 0.91 D Op.125 ex Nope Tee Bead, Lv an “STMPHONY 0.9180 0p.125 hie None Tee Teche Lan 14 SYMON NO 91ND Op. 125 Fourth Meer“ 7 Thee a 1 echoes, adn SHH ND 1 'NCMAOR Fs Moe Tene Beas ons SMP N01 NCMNOR Sec Moen Tene ean, paces SYMPINY N01 NCMNOR Ti Monee Thee as, pares SPIN N01 NC MINOR Furth Mowe Tene ashes SPN 0.210 est Moree Thee ses SYMPRON 21D Sond mem Tee Branson SIMEON 0.21 Thiel Meet Tene eds ous STMEHON 0.218 Fur Mower Thee es ons STAN ND 51NF Fes Mover Theoe ea bane SYHEHONY ND 3INFScond Mee Thee cmos SHON ND INF Thi Moreen Tene as ones SSH ND SIN ourh Moree The ra oases SOY NO 4IKEMNORE Meme The ns oases SSH 8D. 4INE MINORS Moe Tene aise SONY ND 4 INE MNDR id Mow Thee rai as SPOT SD 4INF MINOR Fur Noreen Teme abs obs6 152 SYMON 90, 9-FROM THEN WORLD” Sc Mont Tene Derk Ante 225 SIMON. Fal Mone Tene ae Cut 226 SYMONE. 5 Age Teme ae Cte 26. THOT 0.29144 MAOR Fi Hone Tene Maar, Wali ess 26 sTHEHONT 0.391 MAOH The Meee Tene en, Wali ads 214 STMPBONY N18 6 MINOR Mowe Tene Moxa etd 285, STMPHONT N01 G MNO Td Moene, Mie Mozart Weg Andes 2 STNPHONYN. 006 MBOR Fut Soe Tee Moxa af Anaes 26 SNeRORY N41 CMYOR eres Moen Opeig ox aligns 79 SIMON. 5 (Pai Second Monee Thee ‘eiondy. yc “MI TALES OM TE VEN WOO Seas, ea on TweiseR Mt ape, Rehr 185 THEME FOS HORPEGS NNO. Greg Ebr 519-THES OM THE BATERED BRIE Sen, Bich 196 THIN THE GLORY use es Mach) nde ere dec HS ATHOLAND NO OF TS Seas, Johar je ‘36 THEME So ta ip 362 TUTTE Wns ROM SCO foe iad a Arte 551 TL INSPEC NERY PRAMS Open Tene ems, iad 368 TEMULOW fe he Mia Salas, Ace 124 TOAD RIS un Wood Sethe Mace, vad ‘2 TOTATAAND RUE ND NOR hd jhe ean 93 TORREADORSON oe Comon Bae Caos 209 TOLD fm ae fond Hee Vir 515, TRIMER (Ree rm Sens fom Cid Op. 15 ‘luca Be 2 TEASE WATS Sms tat. 9 TRUMP MC to Aide end Gaseype 00 TRMPETCOSETO Fs Meme Tene is, Fob 202 UMET CONGO WB MYOR Fes. 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Rod exo Fela ST, AGRE aghast MASEL om a at 6 ‘eon, Hae ‘YoU COMED IND NYORTi Meme Tene ech, ahi ‘OLN CONCERTD NG 26a Moen Tene Moar, Wag Ades THE NS SLMERSONG ge, a SSD ARTE va Toe Pcs Game weLwoce ‘rio pean VO, ETE fm The amie of sr Mon og Acaes ‘ORES SPR Season. 4 "HQT L, LTS ESTE (ke, ee) Na, Fagg ware ay, Ae8 0 1 » Bs sa 0 a 6 35 m a 16 x» ALTZIVRMyoROp 39.801 aso ‘NALTINE MINOR p30. 4 hss [BATZINE OR Op. 39.6.2 fas, es HAIZINA Op 38,8 15 eam anes [WLTZIVAMBOR,p.¥4,80.2 Choi, Fe [ALT NYDROp 39,808 opi, Fine ‘WATT NAOR Op. 64, No.1 "Mie a” op, Fre ‘WALTZING MNOR Op. 64.2 opi, Fire ‘WAT. BORG, 80 1 ops rine ‘HUTLINBMBOE Op 902 epi, ie ‘SUZ. Foshans ol, eine TWITZINA MINOR ome Pees Op. 12 Ge Ba ‘WATE fom st ‘ou es [BUTE Sema fr Sings ‘eos. Rothe JHTZOF THE LOWER fe he rch ‘eat, rc ANAND MASTEL on Te ds Sa, Arar "HE HASNCTON Pst aR Sasa te lp ‘WecaT TOGETHER Kremer, hd ‘REDOING AY ATTRLDHALE om yr ces, 0p 6 Ge, ed WING HAR Mid Ng Dro Menkes Fx ‘BUEN RT HY OLD iby Sa, Aa ‘SHEA LAD IN ATH Ge io aes rc fy WES wT lig, in ‘WHERE ER YOU WL Sole nd coe dene weowssawe Scher, Fa ons Schuman, Robert ‘SE NELDOIN rah, aes ‘EN, DUSTADT MR TNE Secs, iil ‘BUD HORSE Seen, Bes ‘mus TEL ETRE Fos, ative ‘HO TOMEN 0 086 Season Jc ” 210 7aNeg ovsTURE $51 AGUNG as, etaTIME LINE OF MAJOR 1300 1400 1500 4 [PHIUPPE. DE vITRY ‘GUILLAUME DUFAY reach, [291-1361 French, 1400-1474 (GUILLAUME DE MACHAUT JOHANNES OcKECHEN. French, 15001577 Feanco-emsh, 14101497 FIANCESCO LANDINI JOSQUIN DES PREZ an, 125-197 French, 140.152 GULLS BINCHONS French, 100-1460 1800 GIOVANNI PIERLUIGI DE PALESTRINA alan, 15291594 “ORLANDE DE LASSUS Fracofenish, 15321594 ‘WHLLIAM BYRD Engh, 156.1693 TOMAS LUIS DE VICTORIA Spanish, 15481611 TCA NARENLIO Ian, 15561599 GIOVANNT CABELL Tada, 15551612 ‘CARLO GESUALDO lain, 1560-1612 ‘CLAUDIO MoNTEvERD! Ian, 1567-1683 1825 i YINCENZO BELLNI aia, 18011855 HECTOR BERLIOZ Fresh 1803.18) FELIX MENDELSSOWN German, 189-1897 [REDERIC CHOPIN Poh, 18101856 [ROBERT SCHUMANN German, 1810-1856 PUN USzT Hungca, 181-1886 ‘GUSEPPE VERDI Tain, 181-1901 IGURD WAGNER German, 1815-1883, GURLES GoUNOD French, 18181893 JCQUES OFFENRACH ‘Germanench 1818-1880 (CESAR FRANCK reach, 18221890 [ANTON BRUCKNER Astin, 182-1896 JOHANN STRAUSS, JR. asian, 18251899 ALEXANDER BORODIN asin, 183-1887 JOTUNNES BRAHMS German, 133-187 CAMILLE SAINTSAENS Frech, 18351921, 10 DELIBES rete, 1836-1851 (GEORGES BIZET French, 18361875 [MODESTE. MLSSORCSKY asian, 18991881 PrOTR ILYICH TCUMIKOVSKY usin, 1840-1895 ANTONIN DVORAK. Gach, 186-1904 ARTHUR SULLIVAN lh 1842-1900 ULES MASSENET French, 18421912 EDVARD GRIEG Norwegian, 185-1907 NICOLAT RIMSKY-KORSAKOV asa, 18441908 ‘GABRIEL, FAURE French, 1845-1924CLASSICAL COMPOSERS 1600 1700 1750 JHAMIAPTSTE WY ‘GHRISTORH WILLBALD YON GLUCK MUZIO CLEMENTI French, 16521687 Gemma, 171787 Ie, 1752-1882 HENRY PURCELL FRAN, JOSEPH HAYDN ‘WOLFGANG AMADEUS MOZART nls, 1659-1085, usta, 1732-1809 seen, 1361791 FRANCOIS COLPERIN ‘WILLIAM BILLINGS LUDWIG YAN BEETHOVEN reach, 16681733 Avec, 1746-1800, German, 1770187 ANTONIO VIVALDI (CARL MARIA VON WEBER ian, 16781741 Germar, 1786126 (GEORGE PHILIPP TELEMANN ‘GIACOMO MEYERREER German, 1681-1767 Germarech 1791-1864 BAN PROLIPPE, RAMEAL {IOACHINO ROSstNT 1683-1764 ia, 17921868 JOHN SEBASTIAN BACHE RANE SCHUBERT German, 1685-170 usa, 17971828 ‘DOMENICO ScARLATT ‘GAETANO DONZETH Tan, 16851957 lan, 17871858 (GEORGE FRIDERIC HANDEL Germ, 16851759 1850 1875 1900 {JOHN PHILIP SOUSA ‘MAURICE RAVEL [AARON COPLAND ‘esc, 18541932 French, 18751937 ‘Ameria, 19001950, EDWARD ELGAR ‘ELA BARTOK KURT WEILL Fal 1857-198 Hungarian, 1881-1945 GermaAnercn, 190-1950 ‘GuNcOMO PUCCINI 160m STRAVINSKY DMITRY swosTAKOMIC la, 18581924 ustavAercan 1882-1971 Rusia, 19061975, VICTOR HERBERT ALBAN BERG SAMUEL BARBER German smescan, 185-1924 dase, 18851935 ‘wren, 19101981 (GUSTAV MARTE. SERGE PROKOFIEV [BEWN BRITTEN ‘asa, 18601911 Rasa, 1891-1953 Engh, 1913-1976 EDWARD MACDOWELL (GEORGE. GERSUTWIN LEONARD BERNSTEIN America, 1850-1508 eres, 198-1937 ‘era, 19181990 (QAUDE DEBUSSY [FRANCIS POULENC French, 18821918 reach, 18551963 RICHARD STRAUSS. Germ, 1364199 JAN SIRELIUS anh, 1865-1957 [RALPH VAUGHAN WILLIAMS Eaglsh, 1872-1958 SERGE RACHMANINOFF RasiaAnericn 18731948 GUSTAV HOLST bags 18741934 (URLS IVES ren, 1874-1954 ARNOLD SCHOENBERG usia/American, 1574195120 HOLY NIGHT (Cantique de Noél) Adolphe Adam ‘nd mine 5 » 860 Sa ene = = + tee bet tors lye _ 6 woth she mr peep pr te et 5 wert A tht of tape ewer wR re ke Sa fu a yon + der wreaks new and ho = sas mom, THE HOLY CITY ‘Stephen Adams Ande deo . oo, ow SS tose oe tet ye aap apa aa a escheat toes oe ae on . 6 a7 ‘a 2 SS esas SSS = son oie mtb Stim pk ee Nadi leaps arnt ome A ee pi sn ie, wa eae ae Saat Su oor a Sagres mass A are esto nc meus coreenaron ‘itm Se nse ger consa om ac F Be A BT oops tee fon Men mk i dwt Stow a a) 7 te M7 OID AG 70h o om A vss 1 8 a km ma kolo ia Sioa oleae ote eta o > a s o i Oe fm Bm DAA DPT > nd cae 2 gun he sone sas eanged, New rh there ened 9, De GmsD PC © e FE Dw an aw teHovly Ghety Be = se the ie fes sex; The gh of God was omits sees The s o we NT o o Daw ae a Pa hic Cou mth A a , we ee fee ms kam Tht wold nts GAS DAS NO OH S08 o oo, vm Rew mek mee Ste he te aie o ic mn Bm BoA a Dh Ob AS A8icb vet Bo a satin the gh = ak Mo ane ma faces see = mae! We DHE chm Bm AD a o2 ADAGIO IN G MINOR Tomaso Giovanni Albinoni ‘aslo Gr Ga B 5p cn cunt Daas 7, ow Asbs Ato? 2» ‘om on FA a an expt tn ona une comonston ‘sot Co oes gra DONA NOBIS PACEM ‘Anonymous Or c F © o far = Dos mo bp. com ecm Dm com Or SS ea eS ‘Mey bsg conn Pek oot to DRINK TO ME ONLY WITH THINE EVES ‘Anonymous. Very moot and rather sow 6 Fat 5G Fe? Fath BR AVC BI a7 Disk me on = ly wih tine yes Ant wit plage wih Fat 1.6 Fe? FTA B/G ALC Br 8 a a OY ea he sol dom te, Baka int at fom gn yk rouge roousinaconronanon ‘Sinton Coe ats Rae2 Eth O67 SIth PaTAS IGF? HIG _AB/CEIO BA? ES Fn? Dv FriG IFES Asus Ab G SA B71 MIC SS fut might of Jose tr i 1 would nt ange or ie cn Fn BT Fat BG Fi? Fab Eh ALC rr rr ae » 6 Fe? BoKG_Eb FTA Eth AICO aS fs giving #8 pe ae thee cuth—tith = rd 6 wom 6 * Spe ee a teen ttn oy = bebe Aad se tk So AK SATAN BOF BO Ace TS BMT Sec we pown and sock Nw ony yi EOD PRLBANS CORFORATON Setae Speech Re ILBACIO (The Kiss) Luigi Arditi eighty #55 SSS = SS {eS Sea Eas Se ee enn tna conn ria COMPOTION SORINS Cayaeee" asm Aenaie co Anton Arensky o = f$ tae =e C———" cm 5 prs 5 SS ree = a orote an wna tous ‘oti Corp care Ahan Rare AIR ON THE G STRING {rom the Orchestral Sulta No, 3 In D major Ade DDC BuBMAG RH ANG FintAme sD} Br a Do Cen een Johann Sebastian Bach Em EmD AIH AT ANG Ant Anite $e ee BOB ixD he ow ITAL Bn Gm TASB OA ETOH OPE FED nk PIAL Em Em Act > oc mg ty a Loven rosne commonsTon ‘ore Cp eres ae an oo 125 ARIOSO: Johann Sebastian Bach sere pea ee Seay — en Am Anti An bik GE ant pea eee eee fgiemm yaa Me =a cam oy a OMA FURL CNN CORFONATON Ema cate aga tore COME, SWEET DEATH (Komm, Sisser Tod) Johann Sebastian Bach Wek me dA amma af iy eet see alee meet ent eel a ins ees cee vai, vo ks ome BoB BS Bm Fat GIF CMB Cm Fas CG PE em. Kom, — cro ra on reine ceoron eto Setcsees Ng26 BIST DU BEI MIR Gent (not ost) Johann Sebastian Bach Ser benim 70 met S25 O SSS SSeS == SF = SS) “ oe oe i FA st ce lies de cy BIN abe —_ —_ Bo ea nw *: Ee = Ade ina wer en Aa gen = Be e ‘in? cm ae ee Bab BG Bi ao mai Ps St sa cour rss comroninon ras Seer saath BRANDENBURG CONCERTO NO. 1 IN F First Movement Theme (crigiaily for baroque onesies) Allegro F be ec SS Ser = bx and set. SS amet > et Rot Johann Sebastian Bach See ee oes ¢__peon pr Peete ete scour mun commento ‘stdin Geyascare ar hate RamoBRANDENBURG CONCERTO NO. 1 INF Second Movement Theme Johann Sebastian Bach (ergy for baroque orchetra) ‘Adago caine DC Gee OA apap yt EURO FUGA cOMPERATON (eotSaa Cruse Ahaha Ree BRANDENBURG CONCERTO NO. 1 IN F ‘Third Movement Theme Johann Sebastian Bach eseeaneeend re fo ae rSssSerse co are : pela tone eee ce SS aes frempelinkrs ee cont 4 yn LEUHD FS ANG CORPORATION Semmes Seucaces anteEy BRANDENBURG CONCERTO NO. 1 INF Minuet Johann Sebastian Bach {exginat for baroque orchestra) FIA FTC FID FIC Fe FA o Pe cme SSS feta = = ce, : fe fof i SSI cape ey UFO FS cORPORATON ‘simon Conpesesees Aa Rea BRANDENBURG CONCERTO NO. 1 IN F Polacea Johann Sebastian Bach (orginally tor baroque orchestra) FOF F OFF or For FoF F ome oF G mp cm cer 6 coe oc oe cc oe hams kT mia a7 DmiA A? BHO Dm A AID Om Fh Bh FD BF Bm os omc F CIR Dp AM Dn Am och R CHR COR F os sagas apres as yi coupe rumisnna coneomaron ‘ime Cousens Argue ReeBRANDENBURG CONCERTO NO. 2 First Movement Theme Johann Sebastian Bach here SS See el Se anger BRANDENBURG CONCERTO NO. 2 IN F Second Movement Theme Johann Sebastian Bach Second Movant hs SSS Ses a tet gel te ttt ‘oe Cnr Sees A er!0 BRANDENBURG CONCERTO NO. 2 INF Third Movement Theme (erga fr baroque orehesta) BRANDENBURG CONCERTO NO. 3 ING Second Movement Theme Johann Sebastian Bach (rg tor orchestra) Alegre Creo yc ronsowna comenATEN ‘ett Crp Saree3 BRANDENBURG CONCERTO NO. 4 ING First Movement Theme, Opening Johann Sebastian Bach eet a feebicat ae J om tibet ret tS & act ato iy na cE ru NC CORPORATION ‘oman Conner AI BRANDENBURG CONCERTO NO. 41NG Third Movement Theme (Fugue) Johann Sebastian Bach Cora bog rhe iPLtry eset teti “T4 Pete ore em 0 > fk anc O an Cd2 BRANDENBURG CONCERTO NO. 5 IND First Movement, Opening Theme Johann Sebastian Bach {origina tor orchestra) chsn DGD AE D ACH = Dam GA " mii any TR ‘tS Com Sav an Rene BRANDENBURG CONCERTO NO. 5 IN D Second Movement Theme (Opening) Johann Sebastian Bach (otianal for baroque orchestra) ane G me D6 chtim tort PPE i Aus pO be 5 a D CEDG_ Ar DG A opp syn ounso rush cOmPERATON Sa Cotes Be Rese BRANDENBURG CONCERTO NO. 5 IN D Movement Theme Johann Sebastian Bach See, i epg conn man coreonsron (tc Cnc Ana RenBRANDENBURG CONCERTO NO. 6 IN B> First Movement Theme Johann Sebastian Bach (ecg for baroque orchestra) apie ya NAD Pangan comPRION SERBS tea hana Pe4 BRANDENBURG CONCERTO NO. 6 IN B> MAJOR Third Movement Theme Johann Sebastian Bach (exginaty for orchastra) oA Ge oF B DD On Cn Fh 5 Bm BE ea cpus ety compo ruigancconromnron (iran Coyiptsesres Singurhne CHRIST LAG IN TODESBANDEN Chorale from Cantata No. 4 Johann Sebastian Bach {erga orchownand manent tn tO PAK O -ATAL He HB MDL tm HEC MWAtE Ans COT tm Sem = - SS 3 Wg tke i ww tm Ome Cra ey ogo RISA CORFORATON (ern Coyepttones Sheri ENGLISH SUITE NO. 3 Gavotte! (cxginaly for keyboard) Suey on om GND Gn Di ico reo . pease LeeLee teeter “ert fen etre tee it nlite Qi Deals RES TD re TR bs Rea Dt fest tpertzteeeertetnt pf crt any a aro russians conreRATON Etta Cngn Sesser Aap ReeFANTASIA IN G MINOR (Introduction) Johann Sebastian Bach lier ‘og oa ono russia comvoMATN ‘sin Ciaanet Ree FUGUE IN C MINOR {rom The Well Tempered Clavier Book | Johann Sebastian Bach on a Fn fege Ses a frteniretae sett oe = a= wipe yee » as cn Pay o cm Cain? ea age ya Ena Pn ComrORANON etal Coepu sce rahe6 JESU, JOY OF MAN'S DESIRING {rom Cantata 147 Johann Sebastian Bach (ergy foe ehorus and orchant) yw dom, vin pee al Cimns 07 G «GH CE Dr ER? D SS ce oH oD », oor ce OB Em Peet eee m 5 fim 0 mo SS oc io he fe tad C Ganson D DCE am pastas? ae ap Petts sae = ; Be eee ene i oie EE et — a pitta et == ema —S-9- oss == eee cael co ck ap ‘th Sg ml: Ba G once Go fe ee jd eal ‘Soar - ing, @y ing ound — Thy throne. — oS ror ay poe me a ey eel hee) 7 aon (i ee i an Gh © fm CGB Em ERD CH chmms0r Sarl cmov sess miRgna sencea LITTLE FUGUE IN G MINOR: Fugue Theme Johann Sebastian Bach (oat rg) fas fa SS SSS - Jno an, fir geen PRE ete # Ta ST el Seal cas ey a coro RuaueunaconPonaTon (ina Coppers Mhgurhe MARCH IN D MAJOR from the Anna Magdalena Notebook Johann Sebastian Bach {ccginat for kayboare) Moderate arch tee fe = gir? prices iter + Hts ree A teepte pe . © hin qs fireeteateottit =i “teeptrt: seperttoe A Adin GB Em gretnettine «pene epg soars conromnon ‘Sein Compe See Aer MINUET IN G MAJOR Johann Sebastian Bach ome a LEnsto PSN CORPORATION ‘Ste Comp icet Ae ReneMINUET | IN G MAJOR ‘rom the Anna Magdalena Notebook Johann Sebastian Bach {erga for keyboard) gts a sora ins conroaren Se Septet singh MUSETTE IN D MAJOR from the Anna Magdalena Notebook Johann Sebastian Bach (cxginal to keyboae) Moderate defer Pass lpg a cura uminaconronron ‘SEtdenaCompeesee Aan Rte MY HEART EVER FAITHFUL (MoIn glaubiges Herze, frohlocke) from Cantata No. 68 (ergy for soprano and orchestra) Andante con mote F oF Johann Sebastian Bach pre es be joy fa, My eat eer hf Singpae «.be jy - sg ‘Simo Cova snwse Renee© F F ow =o ea iS eS ee pets «ex be joy = fo Thy Je ~ ss smear My Reeve ith fuSing pais ~ 5 be Joy —FSing pai 5 Be oy - FAL Thy eat Jes sae seat a o a ctdn? 7 Om AT maT ‘eg ih com pi ing a = 4 ih ca pain ing Fah ee al ang My Je = a Mer; ny wih ampli. Fath ee ee ce re ee er =. aot sete et Peet ites oe fee eS See oe ch ermheah eels = mk bay = ob be on eae oe ae on” a oF » oo ef + fob pp ect Reps Ss Seat 3 fA yin com TES nyc pin ng Fla eas - wp y moe eR Be or Te = ois feet My Wate eer fh RLSing pat 6 oy w et or A ont oe = porte SaaS itt retin ari Water ff Sig pl 8 oy te py = flty e- ma Nee Sig pes cmd sok ike ante meer crRemE RARER Cr hfe y $4 bg pa Foe ce pales bey = BLT) Be eet SHEEP MAY SAFELY GRAZE from Cantata No. 208 Johann Sebastian Bach F we or om) BOB RC CO Om RCC OF oro F Da OF ce F or oy LEONA un CORPORATION ‘soto Cec aan eee«0 O JESULEIN SUSS {ecgialy for woe and basso contin) mo Me ' TF wD ir = ap mo Johann Sebastian Bach = = : F = = uo eS (eEtSen Corse eo PARTITA NO. 1 Minuet {ecg for kayboare) Agr cat DF big SFist asl a7 wD F A dnarse 07 wo 87 cy OD BF Gn Johann Sebastian Bach Ain 8h rte ‘tele areas seen preset Ceeraritetatetett eta DEO BD BIS tO BT Cn Da BF Pie Se rel = cyt ay SUE PBA CORONATION beh ion n ar St na“a PARTITA NO. 1 FOR VIOLIN SOLO Bourrée Johann Sebastian Bach _— J gee sept phere t eae As ; ne pent pepe deeetety pen« PARTITA NO. 3 FOR VIOLIN SOLO relude Johann Sebastian Bach2 ape ee Pepe TSS Pe Riana earl pet oe eee ee PARTITA NO. 3 FOR VIOLIN SOLO Gavotte en Rondeau Johann Sebastian Bach staf Gy:“ ‘SONATA NO. 1 FOR VIOLIN SOLO Presto Johann Sebastian Bach«6 SONATA NO. 3 FOR VIOLIN SOLO Allegro erat ey a Connon conromArEn ‘etna Compu Sees irae«8 SUITE IN E MINOR FOR LUTE Bourrée Johann Sebastian Bach ony) i OURO FURL ORFORATON Retdaa Coyuiowee Aha Ronee ‘SUITE NO. 2 FOR FLUTE AND STRINGS Badinerie Johann Sebastian Bach ‘Allegre ice rot gD tas Ce co be (ee ee ay EO FURLONG CAVOMATIN emis Cayce Mommas« SUITE NO. 1 FOR CELLO SOLO Johann Sebastian Bach iy xe. Sento cane Sas ges50 SUITE NO. 3 FOR CELLO SOLO Bourrée! Johann Sebastian Bach xe. + np it LARD FGA CORPERATON ‘ittdin pepe Sears A ena Rea SUITE NO. 3 FOR CELLO SOLO Bourrée il Johann Sebastian Bach FSS See eee ete = eae oh? teers ‘corey cage ep caro rumigune comPeRATON ‘eittoa Soyeusesres alga fore51 SUITE NO. 4 FOR CELLO SOLO Bourrée! Johann Sebastian Bach tf feet oe te tp FAT = os entioe cae yi EUKD PURISNG CORFORATON ‘oa Corse Ahh ‘SUITE NO. 4 FOR CELLO SOLO Bourrée Johann Sebastian Bach dd Ne. eins Sse hero82 ‘TOCCATA AND FUGUE IN D MINOR {ergy fr organ) A Ne ID ANC Gath ANC. a agp Aw —_ _— =, = dais eet te pe Das Dm Dax? Dm NC. ¥ DIR Gm DIC GaiBh DTA Geib DIC nD _DIFE Gm__DTA Gm DIA GuiBh DIF Gm & Fe a oe s Fer apie ey 4 omno ruausa conroNATN Ss lac Sr taor or or ce Fe Fe aD a0 tain Chain 0 coe55 ‘TWO-PART INVENTION IN D MINOR, Johann Sebastian Bach eee San cept misono rina conronaron StS Conon cet Mn ‘TWO-PART INVENTION IN A MINOR Johann Sebastian Bach ‘Am E1GH Am 67 Am E706 Am 67 An beat cu An Da orc Am S10 Am ET Am Fons 87 a= tein ‘Ano ENR Amc OD ET aig ya ro rin cOmPORATON ‘Sitios Cee sesame we‘TWO-PART INVENTION IN C MAJOR Johann Sebastian Bach ‘gg om como sin conrERATON Sie Sepeocee airgun LES SYLPHES G. Bachmann Madero 7 5. oowr SS SS s ws Eee net plete Aas — 8 Min 8 Pa 8 Sa ECOSSAISE Ludwig van Beethoven (og x ino) ag mis ayes oo coro Fususins cORFCRATIN ‘onto Compares Aho FUR ELISE cate $ jam aes fe es eae Feri SERIES Sasser aha tomre38 MINUET IN G Ludwig van Beethoven (Calg for piano) Agree NGG GH GD OG > 6 Som wos SSS PIANO CONCERTO NO. 5 IN E> MAJOR, Op. 73 ("Emperor") First Movement Theme Ludwig van Beethoven SSS SS Ss J. i Sart oe eee # sep dp te ef pe tree pif ehh ¥ a i v = fipg efit fog nett edd. Bak on on oma ow Br BT Bi BD 8 Bm A= peas =} tr. eS Setar eee s Oowre Gad Ga & Ba Bm Bm th tm OF to Bm Or Bm the y dlciteteteptatatattettebs tet td of eit ry Loni paisa conten ‘ott nana han ees59 Bs Bm & Se Oh boo we Bw OB bo Fx DO aa FIA 60h Sn ff tape6 PIANO SONATA NO. 1 IN F MINOR p.2,No. 1 First Movement Theme Ludwig van Beethoven “Ne fa oe te gs Fatetoe FriAb Shee NCIC NC cn Fc Bont Cra a a ‘Bb Ddim B AbIC Db Daim Eb AIC Db , Din Bo See SSS SSeS) ae 87 BBB? BD MC BG OTe, perso tira BTR hd? AIC htm BIC BGA A he PIANO SONATA NO. 1 IN F MINOR Op. 2, No. 1 Second Movement Thame Glau) Ludwig van Beethoven Allegreto re CC Bains t ee ee ene meee SS SSS — aoe jira tac Fc Cin) Fn NE PwC creas F ¢ F6 PIANO SONATA NO.1 IN F MINOR Op. 2, No. 1 Fourth Movement Theme Ludwig van Beethoven Preise mn sin Fm oR fm Es fe OR Fn IGG BG ORF OT CCP CIE xc Ab CNG CMF CmiG AF Caio Cav Ca Ab Cal Fn? CMG AL Ca FAinT CasG AF Gin TE fa GR Ge BES CSE le Mino oth th hin om ae eee PETS ea DCm Fm HAtinT CG 6 Fath 7 pls Sis etd Sey sR oe8 PIANO SONATA NO. 8 IN C MINOR (‘Pathétique") Op. 13 First Movement Theme Ludwig van Beethoven ‘Ate dma cco io Chas ge a e i. te Ne ey =SSsee cm Hie?) COs a ee bee Féin? ay ov toy ano rua ceAromON SaaS Sayre tongranoe PIANO SONATA NO. 8 IN C MINOR ("Pathétique") Op. 13 ‘Second Movement Theme Ludwig van Beethoven ‘Ago canbe 51 i; . f == ee SS lrg yn couto snsan conor ita Cope se Agno PIANO SONATA NO. 8 IN C MINOR ("Pathétique") Op. 13 Third Movement Theme Ludwig van Beethoven Alegre d= 36) NC Ca GRC Gm Gm shears pet Sorgen ma sours nine coromton ‘etna Caye Seon AePIANO SONATA NO. 14 IN Cé MINOR ("Moonlight") Op. 27, No. 2 Second Movement Theme Ludwig van Beethoven Alero DF AES Gin AC ABT Ci DA Chico EsmGhOvA wT Gina moe eT = A GhIBh DhIAS—Cimch Fa? Aino DIE [ a é p= +: a == Tame T a toe a _ SS re ena yh omen RGN onPERANON id fa Rae Stee eye PIANO SONATA NO. 15 IN D MAJOR ("Pastoral") Op. 28 First Movement Theme Ludwig van Beethoven ‘Alleges NC. = “4 Aree AD > # i ee poe ag oni ono ring conroRATON eS Cee tes ngs |6 PIANO SONATA NO. 14 IN C# MINOR ("Moonlight") Op. 27, No. 2 (Sonata quasi una Fantasia) First Movement Theme Ludwig van Beethoven Adal ssteuto ty ott ase owes tbs Fates Dias Cftas bes Chins Fits Ghboss GAbass gr Pci ppeotelsen tigermatt emg as ata tts Chose ets fiebeonitee = ome ut eo ‘rm caperseh = Fiajataafail wu — me é ‘ied oer a ett co coe Pe cpetalel int tetany rea a re - a a, +f ef PIANO SONATA NO. 19 IN G MINOR Op. 49 First Movement Theme Andante d 24 ef irate ‘Ludwig van Beethoven m_FAdiAGn 07 Gm_Hinnn Oo Gnsh OT Gn Cob Gx D ~ e fae: £ fe as Gn MéevAGn 7 Ga FlbmAGa Cm Gn a ah ALON Ra CORPORATION SCENE Coton som ae66 PIANO SONATA NO. 19 IN G MINOR Op. 49 — Movervent Theme Ludwig van Beethoven “ne pan 6 AmCoM Am Fidin AMG AWC Cdn? Om Am GNC _AmcG Am HémG AmGRAMCGD 07 G SS Sone ee © DIF G DIRE DIFF GHAR G = AMCGR AM FAdinG Ames GBARCGD DG foresee! (Uereif the rere a ey a nano Pu coRPORATN ‘tte Coeptenrs ARs PIANO SONATO NO. 21 IN C MAJOR ("Waldstein*) Op. 53 First Movement Theme ‘Ludwig van Beethoven ‘Ales co lo ace PIANO SONATINA NO. 1 First Movement Theme ‘Ludwig van Beethoven Madero o DA aye > op gL rere ear eo oso ruse onronATON ‘iat Cove sree tenses RoeRONDO A CAPRICCIO (Rage Over a Lost Penny) Op. 129 (Posthumous) Theme Ludwig van Beethoven (ogni or plano) ‘Agro race a potters 7 ple tet pet congue uc pun coWOMATON RSS Menten shane tea ‘SYMPHONY NO. 1 INC MAJOR First Movement Theme {ecg tor orchestra) ‘Alegre bro c De may) Dh a) mnie bc a. A bm) Dm [SES Seve Seaes at ae os6 ‘SYMPHONY NO. 1 INC, OP. 21 ‘Second Movement Theme Ludwig van Beethoven Andante anion oto ay est c oa oF ebctebe, De @ © ac cao) ie See ” De o © 7 chain? om co a ree ety coro reigns conronkTen SER Saya ses “tr hae SYMPHONY NO. 1 INC, OP. 21 ‘Third Movement Theme (Scherzo) Ludwig van Beethoven ‘Alegre mate vnace Fe at CG Cc AnD G & FOR G C (NC, Sst te Seta ce ft Nps 18706 Dh * on SSeS 5 toe rig im rou rusuemaconreeaToN ‘ilo Cece AgereSYMPHONY NO. 1 INC, OP. 21 Fourth Movement Theme Ludwig van Beethoven AMerrometwevins | ¢ GC o 6 «7, be tet pega Patera 2 orgs mor runoma cowowron ‘sitdinGeorge Soret Me Rs SYMPHONY NO. 2 IN D, OP. 36 First Movement Theme ‘Ludwig van Beethoven ‘Agro con brio D. omg my ono Rita comORATEN SESS Coy Somes ate oes70 ‘SYMPHONY NO. 2 IN D, OP. 36 ‘Second Movement Theme Ludwig van Beethoven AEA A BE AE AB Ae 7 ee om ALE A © Baw E 8 A tm fe A ‘Ain? — km ind am Adin ee o 8 ages yt os russe comer ‘tina ves ee aaa ‘SYMPHONY NO. 2 IND, OP. 36 Third Movement Thome Ludwig van Beethoven Scher Alero > s a D arp Dein . aia Daina A ava. DaimA’A > erent cago ona comonron ‘it estes——r—1 > ‘ > 4 > wo ° Al ‘SYMPHONY NO. 2 IN D, OP. 36 Fourth Movement Theme Ludwig van Beethoven terme vy Do 0G mA DA, oo” feeezagzaazeriiee ao td OY a ju, = 4 t e 6 D7G HTA AT DIA. Dim A ATA. inTA 8 aD A 0 HB BEY. Aint e aah iy i EARS FIG COMPONATN SiS Cometsenes Ahhn ‘SYMPHONY NO. 3 IN E> MAJOR ("Eroica") First Movement Theme Ludwig van Beethoven Allegro is 5 tein, es AB AC Beh Cage Luis runs cOMORATEN ‘eit emp anata aga ed SYMPHONY NO. 3 IN Eb MAJOR ("Eroica*) ‘Second Movement Theme Ludwig van Beethoven ‘Adagio na co ow on ca fe ce mn cnc Gg fa o ain? Fn cw im o cep pes ey sano rsa conronaon Ss Cpepe see thane hon ‘SYMPHONY NO. 3 IN E> MAJOR ("Eroica*) ‘Third Movement Theme Ludwig van Beethoven Agro vrace BANS Eb ANI Bo ANS BALI ANE THORS De Bim FIC th + [0B ANOH Tit Ab EDA Abb ES AD/Eh 5/0 ASH GGA Dlim D+ TCs BHD Cut 5 ergte moa eowonmonacomernon Sei Spepesaes ata howe ‘SYMPHONY NO. 3 IN E> MAJOR (“Eroica*) Fourth Movement Theme Ludwig van Beethoven cy $5255 Alero mote NC. pacaael ieee eee ee = =a cat. LEDARDFUBISANGCOAPOMATON ‘eins Coron Ses A ns Rem™ SYMPHONY NO. 4 IN Bb, OP. 60 First Movement Theme Ludwig van Beethoven ‘Alegre nace m Py be coe om Fin By Gah FA E510 DF B/D Fas # » an rm ona Es oS Drfiegaige i tterieerreerr| Frat n on on # » Srgtg mac tougo mse commun — ‘Seca Cus ss Rane ‘SYMPHONY NO. 4 IN Bb, OP. 60 Second Movement Theme Ludwig van Beethoven ‘Ataio Ai BIEBER) GTA Co a ey ABB Ettin 7h Bb Eh BS Gb FIO OH GT Fava BT ce Fe ESRh CIM wT epg momen usc comonaron rnd Compose Na SYMPHONY NO, 4 IN Bb, OP. 60 Thied Movement Theme ‘Ludwig van Beethoven eg vrnce a Ff Asin? ss 5 ont FA o o * Sargeant sora ups cowomron Soe pean Sart Aa Renae?‘SYMPHONY NO. 4 IN Bb, OP. 60 Fourth Movement Theme Ludwig van Beethoven age yn EURO FS CORPORATION Site Cope siome Aha tome ‘SYMPHONY NO. 5 IN C MINOR, Op. 67 First Movement Theme Ludwig van Beethoven Aer co blo pet om. Ne on op Ge GB mal Do o ca a Cm Dac DaintIC Cm 7 = f= nt Flee C7 FCC Rin Oy a, Cn Clin? xe. Gene, aye si ono cea conreruTION ‘Sitioa Comer sewee Aho Rot% oso © BG Bin Cr A Phan? 6 Adin ‘int ain > om. ‘SYMPHONY NO. 5 IN C MINOR Second Movement Theme Ludwig van Beethoven Andante con mate ae pr hegrtrer Serge umn rouroraisana comonaren ‘sth aes ged‘SYMPHONY NO. 5 INC MINOR Third Movernent Theme Ludwig van Beethoven Ne. 6 Ca___Diinc Ham? G__NC. cm Gr cnith Bybee te rie ete mre camormiomacoonroe SYMPHONY NO. 5 INC MINOR Fourth Movement Theme Ludwig van Beethoven Bain 6 c o € 6 Seema Spee genoa% SYMPHONY NO. 6 IN F MAJOR ("Pastore First Movement Theme Ludwig van Beethoven Agro mano opp vig ot ogo sn CORPORATION ‘imo Comey ccs age fae ‘SYMPHONY NO. 6 IN F, OP. 68 ("Pastoral") ‘Second Movernent Theme Ludwig van Beethoven _emmb os FTL FB 1 FI FB FORAY one SSS rer f = f ee Grr BFIGNF BD CHRD or Cn SaaS eS] pu ny E48 PLAN comORATON ‘SinaineSepasiones at ont Re SYMPHONY NO. 6 IN F MAJOR ("Pastoral") ‘Third Movement Theme Ludwig van Beethoven ee aS = uy if = rit eo a po PUBUsiNa coRPEMATON (Ein Ce ares Mg ReetFA Be Fe © F ‘Sergi maya tna mea conemaron ema cep soe nnguntoae ‘SYMPHONY NO. 6 IN F, Op. 68 ("Pastoral") Fourth Movement Theme Ludwig van Beethoven ‘Alegre Clin Clim 0b Clin Coin Db Dim? Be Ne. Dini Daim Eh Dan Dain hm Edie ‘ttn cape tone. Mas eet20 SYMPHONY NO. 6 IN F MAJOR ("Pastoral") Fifth Movement Theme Ludwig van Beethoven ‘Alege ¢ cr Foo F c F fA F ow PA oc op ce o ete eit cota risen conronaTon ‘tain Como Sere Aina Ronea ‘SYMPHONY NO. 7 IN A MAJOR First Movement Theme Ludwig van Beethoven Atego * hm Ea Ak A bee ote tae SF eee Sa iy ee Miwt EB oe z a Sergig am ac ro Reus comouron tS Seon Seas AthesRomrae ‘SYMPHONY NO. 7 IN A MAJOR ‘Second Movement Theme Ludwig van Beethoven Agra A ae Bot Bs an os 6 ome Gb Am mt [3s pepe eae ara rc conrenron ‘ima Compt toned Mow rat ‘SYMPHONY NO. 7 IN A, OP. 92 Third Movement Theme Ludwig van Beethoven ‘Allegrete An Bot Bho 3a) Ae Alaina Co 6 c 8 be Ane OF Am Eto3d) E Am gre ma toupee comouroe Sema Sytem2 SYMPHONY NO. 7 IN A, OP. 92 Fourth Movement Theme Ludwig van Beethoven e cm RA cm FT CFA FT long eo oro runic comronAron Seino pe Seres Arn, SYMPHONY NO. 8 IN F, OP. 93, First Movement Theme a van Beethoven ‘Agere com brie F Fo me pelted == e stittalacd =e er or ‘SYMPHONY NO. 8 IN F, OP. 93 Second Movement Thame Ludwig van Beethoven & 5 : noo Dr Gn at f 4 Sores fa. pestt f iigtty 4 a ates ch teeta # o BS oeo5m Benem Bo capi aro COMERATON StSinacege soa gna SYMPHONY NO. 8 IN F, OP. 93, Third Movement Theme Ludwig van Beethoven Temps mimeo Ne fe g re moo coo nr o Fe » o F cet ey LEAgo Ln cOMEMATIN ‘Stan Sevens gee es8 SYMPHONY NO. 8 INF, OP. 93, Fourth Movement Theme Ludwig van Beethoven ‘ego vrce Nc Fo Ney, Om FAR NC. % ce Bm oe Hews OF a Gn Gaith COD F FIA COGIC CHosa) —C Chom) —«C—Cwosrd) «CGE FCC GC oF FOR FIR FORE Ne. Gait cme CHR EDT Gm Gn FLdiIA CT IDCIER Dm B Gu7cr —F Corgee an a LOMpO BUSAN CORPORATEN (ronson cegr sna ihe ee ‘SYMPHONY NO. 9 IN D MINOR, OP. 125 First Movement Theme lee se nu ono uaucina comonAren ade cept nan ans need SYMPHONY NO. 9 IND MAJOR Second Movement Theme Ludwig van Beethoven Mae rhe ¥ caa SYMPHONY NO. 9 IN D MINOR, OP. 125 Third Movement Theme Ludwig van Beethoven ‘Adagio mote enable % FB) BD FIA FIA Gal CG BF Flas F iF FI BHD AFUABhas Gn? or cs raion" miaru mms te worn come coe ee = Spee pete pb It Pe. poeta eee eo nane nom frat ge if # SSeS = A cegmrgraseepnniowacorouro ‘SYMPHONY NO. 9 IND MAJOR Fourth Movement Theme, "Ode To Joy" Ludwig van Beethoven (erga for soot, chon reheat) ‘Agra Fea de seins Orn ey Tock rE om, a Da A DA A HIS Ba EA Dei- ne n= ber in = den le = dey wa ie Mo = de ateng ge ea ke Men tener = den BG ~ dex wen wnh ster FB =p ‘TURKISH MARCH ‘rom The Ruins Of Athens (incidental theatre music) Ludwig van Beethoven {erginaly for orcheata) ND ro > xD 7 a am An a om Aect Am a args oa cour cin convention ‘Siraloe Capea tap RoeVIOLIN CONCERTO IN D MAJOR, Op. 61 ‘Third Movement Theme Ludwig van Beethoven ° ace DG A DA > ‘apie sa como i CRFERATIN Emo Sip deatCARNIVAL OF VENICE Julius Benedict Modern c o c etm so RAKOCZY MARCH Hector Berlioz a on An wDa VILLANELLE from Les Nuits o°Eté (song cycle) ene te coor Hector Berlioz Agreed = 96 % 6 ud en = as = wn ace vel % Det Am Dn Cléinrth th FD HM Oe rs Pou cw = theme we pieh ge F FAG AWB GD FIC GHB Am ca mms per es Ge Tmt = ape ey a cage runs conPoRTON ‘emo Con Saeet Aap Aen WHEN JESUS WEPT William Billings {¢rgiaty tor chore) canon he) 1 em = Mag fea sind al ety trod aoa 9 EoMED FURL CORFERATN ‘sind errgSewee Ming RoweAGNUS DEI Bizet (adapted trom Intermezzo from L'Artesienne) Georges ier mde 5 Sc OS BOM mF sc thom Fah Fa co BA oe cee em mie em | Ol A pm et gin ee m0 ANC fm cnt AIG Fm ob one ° un Gm meets, mi = seem, mis sore ee mm Ble A gu Agee - Fath Fac Chinn nT Fas gt cant __gho Blinc be pore mA om pee = ga pe om 502 0 fas CAO FIA RRR B DOOM ACHR Cx OF mo Meme Ange Deol Wom om Ang Oe we om Oe ove cn Har co my OBO o " SS SS Saas SS SSSA 2 Dem mt ea exer so sgononmamacmonron sma cohorts CARMEN (Opera) Entr'acte to Act Ill Georges Bizet ‘Arduino AegretoFARANDOLE from L'Ariésienne Georges Bizet (ncldental theatre mut for orchestra, tater cobeted nt 2 utes) Aero co Gah cn 5 BB Ow Fos Gh ana ty. oNa Pa CORPORATION SiS Crees ashen0 LAFLEUR QUE TU M’AVAIS JETEE from Carman (opera) Georges Bizet Andantoo a Dos, car wie Bint Sar farge Womeewh ee jo pie Ghai? Dias . fee fom a tout = qual tH que eden wc Bans ae Didnt HE a ee aa es ee ee: Db pens po aint Cor = men rH elOVERTURE TO CARMEN (opera) Selected Themes Georges Bizet ann Tia ce a A A HE Cm a Bm oD us > ame . hs? cage ey EoURD RNA cORPORATON iS ep aes pheSEGUIDILLA {rom Carmen (opera) Georges Bizet a Ent on » va ke, chert mans = mi Ul as Pas tn fn ea Be a fides Ste gat dies bole edu mint = a= Se heron ari Li o or ” bo em Ba iw be pet pe b Oa mis ton te seule on sen-mui - 6 et les vrais plas sont A dea ee pour mee air 0 _ 8 fie 7S SS => Sa feaew ee ee ot i te op os om =F je Je Ueiaia A ta porte be! nt enw Mon pau ve oem, ing om» 2 wD fire fe cons so + la = the, man orerest ti bre com me Vaid Pah deege-tie te dna, em, 5 2 ‘ono Da an wie een teamed tee el: be Gi ete Breet oo om om his (Ud et t= mfeed bpencdel Von wet te o me ee Se ete letmpedatten de, car a wee monsonsel a math ek s pm we en? cn a > Somptcet hpe haeee HIfins le SE pe Ole bo oedema Tah bb Be Be Be ort Aye TOREADOR SONG from Carmen (opera) agree ott Sitar aa eee tao ea eo hm AARNE 8 es oem peeve enter: dhe: poring sont le. com-tuel. Le. cr-guggtpeincet jue de® = wl Le F Br ein? ob (5B Gb hh ObGb AS ciqeest pit — dat en bas — epee tt pedi ne, ae ie om ot ae 6 cae a fel lena gandta-cat_ A pnt ples ene om Omit Oona oc Fa term du cain gel Cette te es gence cowl Allon) en c mc 8 gc oC OF OCF OOF one dt Abo! Al eet Tod ado ee a covth GaiOGei8) Gm wF DRA Dn Dm Toe he nel To se adatom Bin i, songs cata «ak wana mi te epee ge emer faet Fore Bris a EeHABANERA ‘rom Carmen (opera) George Bizet amone et Be olsen Fe = tel He quem oe peal ap = pr wah sn === pelt 61 Econ = vie dere = fe = see! Rien n'y i, menace on pel = Be me Mongar = ie nn, De ons a0 teaate me nh en ache ppt Re dee de dem Dome Pm mm ee m a. mow Es nm om a ° " ost Ua mau Camara = fant Bo eer amo. tienes pric Se Situ ne mai- espe tne Nines ie me mis si je aime atone 8 ‘Sora Ca Soue tthe horae om Sig Quret Lulg! Boccherint6 PER LA GLORIA D’ADORARVI Giovanni Battista Bononcini {erga for vole and baroquanecompaniment) 6 Ano OF DGC Ant op pr G DTA DUG. Ame eee me meee vt me 6 Ast pro cbs on com Ea capes ery a oro nau comrORATON ‘bt Cap seares Ape Rr FIRST THEME FROM POLOVETZIAN DANCES from Prince igor ‘Alexander Borodin Madera Gat a E on Toads oF tin ar o F capa syn cto Rima conronaren Src Com Sowes ArhNOCTURNE ‘rom String Quartet No.2 ‘Alexander Borodin Moderne DOXOLOGY ‘Thomas Ken attributed to Louis Bourgeois ° D tm oe mm DG Dom co G Dem rite oy fm whom lll - gt lov pie him, all ce er he Be = ow pre on G oD GB CAA OG mb Am oh oo Nim b= tove ye wen = Iy ost pie Fa = tet, Sm amd Wo = yt. pt ma scan usa conven ‘toa CSc Anger ho ACADEMIC FESTIVAL OVERTURE ‘Theme Johannes Brahms (criginally for orchestra) % Gn ca D ESS = On Gt | Ga De AT Dm AT GODT oom 6 om oom En 8) Em capt a cna uma comenon Seta Speeesee mRLULLABY (Wiegeniied) | 4 Johannes Brahms Tete ag 75 B BT Cen ted Nach, mit -Ro-sen be- Gch. i. Nigea be — seek, elu on = tr Ge Decks Morgen ae 5 ans 5 BT Ae 5 ya) 5 fh, wennGon wil, win wieder ge - Weck, mocgen fh, wennGot wil wit du wie - der ge ~ wet, ‘toa Coppesowee ahah HUNGARIAN DANCE NO. 1 Johannes Brahms Alegre Qn FIC Gm AC _FAdin7G Om Féin On erie nw a come ruse CORORATON moe Cape Snee eget HUNGARIAN DANCE NO. 5 Johannes Brahms (xg for plano) Fim Finch Fin Finch Bah Be Alm Amt Beside Fin cd CHA Fin Find Hin Finch 4 Ale Hind Sn) Bm Am AimCY DS Chm = Bex on Fie PHIM 17 HALT Be Bath BTA ETH ET Boh Ey A AEA Ne HIRE CT CHT DA Dia a Nc. am mart nsHOW LOVELY IS THY DWELLING PLACE. from A German Requiem Johannes Brahms {origin for chorus and orcheta) Con moto moderato Br om oo oe co 4 Now toe. ty Dy oD BD BF BG BAe BB Ca TG OD uel = ing plc, Loko, tent tH, cn > TFG cm_ GMD Cah Om Ty— uel = eg pes, Tas, Ones Ftd rah * Fah c Bo Fac Paold FD BhiDh C7 Foo my sleep ee ee nt ed FaiAb DAI) Ch ESD ANIC Ab Shoe oo > Yong, i ong ye, the, yen te ah a te conn on aD or a0 Binh tthe Lak my mata yo ye, foe ty sing Goh my tnt aad tad yeah awe ct F o 5, A FelAb BAD BCE Db a en ee a) : eer aon amr BG Min tn Ca 7 BGO Px tad tH, Lada ° cage FARO FSA CORFORTON otSena Coen Saet Nt Ran@ cn 5 Ss Bh Oo Fe BD vier ey ot duct wih Ty tose ‘Ty pe Ty name ev ee = moe hey pce Thy name cet 5 a Bin oo a 6 on + [retype Thy sme r= me, Ty tame cr = cr moe, = t= moe, ey puke Thy WS BG PTA Fans or an mee ee Cae sot Nov te =100 BALLADE, Op. 118, No. 3 Johannes Brahms (ecg fr plano) Agr cnr EmDD Gn FIC BIC D CDM E Adin Dm Gn Cn A DED Gn—_FIC Ec F_G+G7 Cm F Bm Eons? Ans GGT ES\0Gsih9 EHGOn7EIGGNAYB NG GahS C1 Fa CIF Fr? Abb ET Eb Aba DmhSGn? Ce Fe? BOT TBO OC) Gh Dir Bb7 BYES BELGE IG Ga OY Gu“ BC D_Cith 67 ES Aim Dm Oa Cm A > Droge bm Cn F1BbnsiBmi Ans DG ape ow om russ comPERATON ‘Eid Saye Soee "amg INTERMEZZO IN Cf MINOR Op. 117, No.3 Johannes Brahms {erga for piano) ‘Andante con mato ‘Double ctae loner ani ® + ne AQ de A CleiGh ADDF OH Ge Obromacs an Gtromact 47mg re we ma coro russia comORAO ‘Mono Compesenes Ain Reeae101 INTERMEZZO IN A MAJOR, Op. 118, No. 2 Johannes Brahms (exgaty for pana) ‘Andante dlor ADA 0 BD ACH An ARE En DFE AE BOK BTA. Ola? AntABT mee Ce ene ET EGE Aes E78 EVA A n tint ae B Aba Abide 7 Adm AE NE DM Chm 5 Bm AA Pima ba BmA BTA A Ae apa yi EINE PSIG SORPORATON Site Spee ices Ahm PIANO CONCERTO NO. 2 First Movement Theme Johannes Brahms Allegro nn oppo Ke. » poor Ne F BAF Ont F AC DWF cath Bh Adm BiB A Abin? Binh iF Clay Bom AIC AT FT Bor om ne SM FIA BO FFB We f 0 ip BD FTC GB FeAb G7 BATCH Cm AtevC BiB Adm Aim Bit Adm102 ‘SYMPHONY NO. 1 IN C MINOR, OP. 68 First Movement Theme Johannes Brahms a pce senate NC Cal DE FC Om Di Fie bi BO GAD G NC, or Ezegte mm pat touronmoena cower Site Cran set Aan Rema SYMPHONY NO. 1 IN C MINOR Second Movement Theme Johannes Brahms ange a i gona et CERN ‘Sindoe depres ar ana103 SYMPHONY NO. 1 IN C MINOR, OP. 68 Third Movement Theme Johannes Brahms Ua pce Adega rae ‘OF thm BtoB ICG Fm Ch Sioa Sgrgeceoe Agu hene SYMPHONY NO. 1 IN C MINOR Fourth Movement Theme Johannes Brahms Agr nn trope con blo © oc mw ¢ 3104 ‘SYMPHONY NO. 21ND First Movement Theme Johannes Brahms Aegre oaroppe pre i ts tour onsecowcron Sime Coyepesene hers ‘SYMPHONY NO. 21ND, Op. 73 ‘Second Movement Theme Johannes Brahms Adagio non troppo a om ow BM no ep mB Fatawct 7 > cham > chur >on —— a = Jaf fae weiwt en 8m ETE Gy ceeespmmmssgernmema iwc emer Eaae ‘SYMPHONY NO. 2 IN D, OP. 73 ‘Third Movement Theme Johannes Brahms Arpt cme Gm cb swe A xD ob Eno 0 wr 6 7 wo co oo G owe a7 Br ar be or com 6 om a ro Deva A be EntD AnD Dia? OT En DG105 ‘SYMPHONY NO. 2 IN D, OP. 73 Fourth Movement Theme Johannes Brahms Alegre cm ite DONC. te A cht 0 cigs net 8 ban A De Bn ACHA As BaDFE DAE AC EuE A NC. A DAA EMAA BAC A ET A BA At d errr rt rT Act cr Ne. cept ozo unin AON tS Cpa tees a ree ‘SYMPHONY NO. 3 IN F First Movement Theme Johannes Brahms ‘Algo ro Bah cate PA. c PA c F gt ma co una MTOM ‘ete Conn Set MA ‘SYMPHONY NO. 3 IN F, OP. 90 Second Movement Theme Johannes Brahms ‘Andante cae etc er tate Ht cx tov ee clv(ca ROME EOIC IC pie ane e Die OB An D BOE a! ano ¢ Gig Did Fasc An E An Ee Fo CE De SD An |F Dm) OC OC onc cc G CBG F BMF GC F FE Da FCGIMG C GB AnFInTCG GT C corsmmsoupamtenscmuon r‘SYMPHONY NO. 3 IN F, OP. 90 ‘Third Movement Theme Johannes Brahms Pac Alert Ce Fa on Fa Bint on Fein Om CB FaiAb BF FASB Eom? DsimFAD Cn1G DEF GIF Cais Dein Faith Cm CIB Fa/Ab BHF FriAb Bh ES? Osim AD cn Gow cpg oa toon ea comer Size Craeseees Anahi ‘SYMPHONY NO. 3 IN F, OP. 90 Fourth Movement Theme Johannes Brahms ‘Ate onl Cape sonne apes Re SYMPHONY NO. 4 INE MINOR First Movement Theme Johannes Brahms ‘Agr en troppo SSS tin vig my oro rusia comrERATON ‘Sioa Caer eoreM Reen ans mmc An in Pita a m9 ent 8 en SYMPHONY NO. 4 INE MINOR Second Movement Theme Johannes Brahms ao poy FS ee mon Boh Bn Am ge —— = Sa An Cie Gein fe £_Gim Cin OinBCim Gta Gin E cag yi ONO Pu ANG CoRORATON ‘sinioe Crise Aono ‘SYMPHONY NO. 4 IN E MINOR Third Movement Theme Johannes Brahms Abeer sacs com F G FA G ¢ Em F mm G es oi oo mG COMORANON ‘Semoaicay eons sR ees‘SYMPHONY NO. 4 IN E MINOR, OP. 98 Fourth Movement Theme Johannes Brahms ‘Alero neg psieato amc FA mam n 5 NC AWE NC.FIA Ne em NG ANC NCD NG EMG NC FY Ne. & a BA Em > ° Enis 8 m cae pats roy uc suc conroraron tie epee ena WALTZ IN B MAJOR, Op. 39, No, 1 Johannes Brahms (xg for piano) Temperate Cine i 5 btm ote Dtaiat anno Dimrt B cas 8 Btwee ALT capt 4 ro BLS CORPORATION Petes Sn Searee Monona WALTZIN Ab MAJOR Op. 39, No. 15 Johanne (ecg fr piano) deg i Brahms fa S cy Gt oom s bias anh yh EOURD PLUS’ CORFORATON ete Sees Agta110 WALTZ IN E MAJOR, Op. 39, No. 2 (Cxgally for pane) de) ace E Johannes Brahms ant e or E ans Mein 8 be | ime Bot Dime cre 8 “e Sree eo \Gomgesesses stapes WALTZ IN E MINOR, Op. 39, No. 4 Johannes Brahms (aay) Esialaos ey mem op ge oc ns Moh Kw lange ee ke ‘ a et $e SS ee ow an De Bin GinhS Dm Blin GES D 8 De Fein BA # pote f_§ ¢ f f- $F SSS Sune Se Seeyies Addin? ow Am Fidim? —G Didin? Em Riva BT be Phe e. rau ya tc com ‘ase geWIE MELODIEN Johannes Brahms (cxginaty for vole and plane) Yar Tender) « Noe ° Bo See] We Mes. ai « dt homie he deh den Sis wie nd ED nce 8 mo om E mys Che ETS S| ih — ingen en ke eked schwetn wie Dut it, vad BARWAB) Ema NC a we 2 A tno in ED ACE fot swords Aa, wie Ne = bg er Mast and D eats Rv ——iT_FimiCt BaD Finch CT Am ‘SoS 5 5 schvin = det wie Hach, and scwia det wie ln Hach, SS bar | NC pee Unt den soch tim Rel - me ver a0 A ad -8D Ach Fuck Pe ons = gee wohl nul, en mld nes t= em Kei me einfach = te AD ge Fats Oe Bs onthe? ET112 LONDONDERRY AIR British Folksong Leateciprenive r c Am D9 = SSS sa Word we Ot ase ive te a ata Oe heat oe ined feet cae glared ees reel ene & Es 5 z S===5 o Ano om B oe For you puch meld ing by 50 cal Wile won ae Boe Ig, tem Ge ET ae Se pate Tat your comm F An fe c SS * stale your be of own wil dap =e YVourrobe of aun your Spun gold St Yer ot igh me’ get “lag. Mig presse go ce eee Baht epg mia srr comanrON Seema caret le Shoe ‘AMARILLI, MIA BELLA Giulio Caceini (origally for slo velee wth accompaniment) Gu DB Gn Cat Dim oF on be a) on BD Cy_ Dud? Gm cos ime 07 cath ot os beta non A pial pt - we ve dal seit gin oe Asm D a ca Dr Gn Am a Kh miane Camu ty FOUND PUN coMPORATON ‘Sinton Ceram ene13 ‘SEBBEN, CRUDELE Antonio Caldara {eriginat for vole with accompaniment) ‘egret gross en coe Ant ” 6 Em c Sb = ben cw == ea on Se age ne cape arn ope uni crrenon eta Saye sg seas AMERICA (GOD SAVE THE QUEEN) Samuel F. Smith F ee My crenata of tee, Suent md fh reg, OF tee tig, Land hey o Fc oF or F e ono F Tas Wendied, ‘und ofthe Fl= gim'spt, From ev cry mom -tiarsile Ut fee dom sgt pepe tna ugar comnaron4 EBBEN N'ANDRO LONTANA ‘rom La Wally 05(opera) Alfredo Catalani Andante alo etna ewe. Eu moor cin Gin nia 2 ena odban- mmo ah ete 7” ans Asin? fake wb So bod dos ee ean =a ewe ee Tim pee ° dio om . deme a pe ce cue ont onset 0 i —S— SS ay ee yon aes sm ph ve dm __ ip co tea pcan ps EB BP £ At Mam ny (fosgia 2 eta bi Sot Cree ey koto rons comronaTon (ease Corp Saesstagpa he5, ‘SCARF DANCE Cecile Chaminade Vek Moderato eS SS : = $e Setees nat ty i EOURO PRIN COAPORATEN State Seou Saar Aint BALLADE NO, 1 IN G MINOR, Op. 23 Frédéric Chopin tenga fore) ‘um . fee ee ee ftps pee eter rere 7 mats oon ) $= = ay ¥ Sy oes (afar ma matinee mo wD re ms 8 ee ec =F ea diet BG Ga capt 89 ONO RUS COMPORATIN Sa Sayaee hh ¥ + LA116 BERCEUSE IN Db MAJOR, Op. 57 Frédéric Chopin (aay an) ows om Paes fo pd SE eae ==FES oo wm Tt FEES Eee = orate ey zane rouse coneenaron Eta Compe scares A phot ETUDE IN E MAJOR Op. 10, No.3 Frédéric Chopin (Cigna tor pane) ete ma en toe e e a on te Ang se = i ie 5 n Ee aETUDE IN Gb MAJOR, Op. 25, No. 9 {originally for piano) Allegro vac o 7 Frédéric Chopin aint om BoD tet ¢ she com ais Rita D1 hos poockbbct ope tet albb ati hh 7/0 70 wh poled citi z £ peel eaii = egg mmm emma ramangcomoanonETUDE IN C MINOR (“Revolutionary Etude’ Op. 10, No. 12 Frédéric Chopin (eget tr pane) Alegre cn fn on she Cm Cin? GB Gath ALB dees Be com G8 aieseh FA Fmab co cms ar om FANTAISIE-IMPROMPTU IN C# MINOR Frédéric Chopin (rg fr piano) Moderate canbe tare 7D) ob eas. rat nna roto msenscomroraron ‘Some Sepnssoen ar nga19 GRAND WALTZIN E> MAJOR, Op. 18, No. 2 Frédéric Chopin (ergy tr pana) Ye Ke. SSS So 2 BT Gin? Aims fetta #7 5B poorest tunel Nah Bt & Bo Aen s a o ae Br ” a? o gheshuate cage yt OUND PEIN COMPORATON SEARO Srpeaaee arate120 FUNERAL MARCH (Marche fundbra) from Plano Sonata in Bb Minor, Op. 35 Frédéric Chopin Lene Bn Din Gh Bac Bn Bm Ob Bm thm Gh thn mh Bim Bn BeG tn G tin Bm G BnG Bn Be Bm eG = =! = ae Se SS Saas a Bn GhmG) Eh ch Bach ohm Gh hm Bh Gh thm ANT Ob peblestilees SS See, Sor we err gy f= sprceattit SS Bn te Be ohn A ob Wo 87m - a - epee est f b5 SSS oa th - ian ee eC a oe SSS Sas ‘Sinatrw Coyn soe Aaa fxs MAZURKA IN B> MAJOR, Op. 7, No. 1 Frédéric Chopin (originally tor piano) Vive d= 50) m a Boog ® A eget oman comenarn ‘tht rompers agp Ren12 MAZURKA IN Ab MAJOR Op. 24, No. 3 Frédéric Chopin (oxgnay or piano) Moderato co anima = 126 BT sien “ fens eae ea Sate a him? Cm Asin? he Gdn? A Bis? Cr Adin? then Glin A Gin AD bm Gin CVE Fe Paes ee SSS =] CO Fa GSD C Ne Bt S52 fees alee BME aB oS BT s Bi pepe te tee gore MAZURKA IN D MAJOR Op. 33, No. 2 (erga fr plano) Vince 7 SSS es SES anny Enno FUBUSANG COREORATON Seis Seow ece Airge toes1 MAZURKA IN G MINOR, Op. 67, No. 2 Frédéric Chopin et poy cme ee ee aero (rsey SS : on Ga oF co Bo, o » ong cm $2) eS Sen care Gm DTmg D7 Gm gg Pawns) $7, 8 Fans) FT, ooo Pow BT aT oT oi? oa on # o of, & ave em mn fe peterserer epttemed Sa SSS rae op FSi CORPOMATN ‘oraenCo Saree Resa MAZURKA IN A MINOR aera Frédéric Chopin berger essen py ee npn: a tartar a: hep iec tD ‘nso SepsisMAZURKA IN C MAJOR Op. 67, No. 3 Frédéric Chopin (ergy tor pana) ‘Ate ne aint we [SSS oo c sees ers Raed | ‘ em cider See Se5 SS es » © cléminor 6 camo 07 o «es e2 as Sergeant uonmo romeo conwonon SIS Simp aces Ate hee MAZURKA IN A MINOR Op. 67, No. 4 Frédéric Chopin {crginatyfr plano) Moderato animalo NC Ae 8 an ob an NC. 5 a an aa NC Da 7 ETA as an a cot Oe ow BaD124 NOCTURNE IN E> MAJOR, Op. 9, No. 2 Frédéric Chopin (erga tr plano) Andante B Mints Bp a ant Fw SS Cm Aint hw Maines etoumts = . i nae oo OMe uaLSNG CoRFERATON ‘Sins doprprsose tanpnoee NOCTURNE IN F} MAJOR Op. 15, No. 2 Frédéric Chopin (originally for plano) ar on ns Fh HTD haarcd a peas 3 Seatsone » a at ayn coro au CORFORATN (Sota Spe Saree thom tore NOCTURNE IN G MINOR, Op. 15, No. 3 (ergy tor piano) ante Gn cn Frédérle Chopin = Se sin » Cin126 NOCTURNE IN D> MAJOR, Op. 27, No. 2 {erga fo plan) ene wens o — dia th Clint sah hme eT) # Bm FimA TFA AKT Gh are. Bans a oot Cain? 7h SIBETB AAA AST > ‘ror ey Leona tsi Comonsnon ‘the Cap fone. NOCTURNE IN F MINOR Op. 55, No. 1 Frédéric Chopin (erga fr piano) ee Andanle fp, ac Bec wie oo pe Seeman ae oR m8 ‘itis Cay aon pros17 POLONAISE IN Ab MAJOR, Op. 53 Frédéric Chopin (erga for plano) * we fn 8 » 137 tn the the aT Bm Bn? fp np F = a = = = w be BY Fo? Oh Gein fea BoB WS Sn Sa ap i a oN FUELS CORFERATION (arn Con cus fad POLONAISE IN A MAJOR, Op. 40, No. 1 “Militaire” Frédéric Chopin (cxginaty for piano) a Bm ime FH? 8 a Say no oa uate CONPORON SERRE rn eces netfee18 PRELUDE IN E MAJOR Op. 28, No.7 Frédéric Chopin (cts tr piano) Andantino &7 A zy a yo be fmt e7 a ong cnn rush conPORATON ‘hd ome cee hg | PRELUDE IN B MINOR Op. 28, No. 6 Frédéric Chopin (gna tor pane) Lento a fn 6 ha C17 ie GID ‘eutyetny cette ¢ oP Pas == Sin AT Bm CAesS Edn FisaFt7 Gia? @ Chan An 5 Ela? 6 Hasult Bn Ba? Be eae syn vata piganscomronon ‘oes orga Aine PRELUDE IN € MINOR, Op. 28, No. 4 Frédéric Chopin {orignal tor piano) Lae Ene BiuvAl BUR) BIAS Bh Féin? E7 ET Edin? CE FLBSE tain? SS - Ans HOH BiwbtawC BT AMC BT NG = eno Bratt BOSE a Bas AWC © Bus BOBT CCT AniC Bow EEeyB C70 Bu Bee Fabs Fine cape tos apa commun ‘Senos Ceypaseses age129 PRELUDE IN Db MAJOR Op. 28. No. 15, Frédéric Chopin (etignay or pano) Seseruto DWiAb AKT | AbD OF Sel » z eng no eo rue coRPORATON ‘ited Compu eae A aA PRELUDE INC MINOR Op. 28, No. 20 (expat fr plano) Lune Cn Fat GT Cm BT Cm AWC Bain? Gh Anes DTSG «GIF Cah FOB Bm Gr oom We Py Cn AIC Blin? GnsBh AnTeasA ABTS © GF Cn Fm it oom 4 cae oy a cOMno FURL CORONATION ‘simon Comers tRoneRomres PRELUDE IN G MINOR ‘Op. 28, No. 22 Frédéric Chopin (originally for piano) a = pe = SS = = r= =A Aim NC___ Adie DY Aim? Bn in? on Gy ans Ge Say SSS aa pepe na uma umn conven eae Sayre thane hes190 VALSE BRILLANTE, Op. 34, No. 1 Frédéric Chopin (erga fr plano) hace rs o a ~ Sf Om BB 7 Ain Ab Fh SH BomDh “ 5 Foss » BAR cae ey gO SANG CORPCRATEN (roto Com Senree AR eae WALTZ IN A MINOR, Op. 34, No. 2 Frédéric Chopin {originator piano) ene as awa An nia ro caine e ae ra An Delia tp in a An on in? IC ane Da Da " dns 8 Bint Fe anes Dn a owt E168 Ae e an ergtg mia rope nous convonon ‘roe Co Sees thoes fooe131 WALTZ IN Db MAJOR, Op. 64, No. 1 “Minute Waltz" Frédéric Chopin (originally fr piano) Moto sae JIT a Fu oe ane o Be a Fasc 7 BT Be MT DS.atCote CODA ef SES Soe shane eo12 WALTZ IN C3 MINOR, Op. 64, No. 2 Frédéric Chopin (exiginaty fr plano) Tengo gate a on on ae . Dita oT a on Gn 8 ta on an on ote on ta on a Ae tn on Gta on tn on eT hpere srg mn ona ruin coronsron ‘sito Cor Sens ga eee133 WALTZ IN Bb MAJOR Op. 39, No. 8 Frédéric Chopin foun nd ar cn » . oe 3 ff. ff tf —» ptf Foo PA Bint F Bat Bain Dhak Fe epg soa sah comeomaton StS Speputsoes anges Rae WALTZ IN Ab MAJOR Op. 69, No. 1 Frédéric Chopin {ent piano) Si Smoky rene pags Se. Bain? ooh ‘BID Bling Ab Bo or 5 ans 51 ‘7 Ba 7 o oe ce die? =f ce Bde, Fimo din? Ab Deal Fine ee cope comma runs comeOMTEN rataes ory sces aera es1 WALTZ IN B MINOR Op. 69, No. 2 Frédéric Chopin {ern tr piano) Moderate wet ar co ‘sin em fm pit ES rp tr eeeees Mt 8 Pot 3 Ac a apg a oy ‘so Com en a135, WALTZ, Op. Posthumous Frédéric Chopin (ergy or plano) Wise 0 ee Ca En ant fs e SERS States arma138 ‘TRUMPET VOLUNTARY Jeremiah Clarke sigb thi posinigi th fei diet ery Re rorerrerere a boa boa e 4 DCalRae eae 3 tomo rus cHPERITON ‘etn Coy sores ninpertnaed ‘SONATINA, Op. 36, No. 1 First Movement Muzio Clementi Alegre ag ay com umn conroRsnok ma Saeed agate SANTA LUCIA Teodoro Cottrau {originator voice and piano) 5 ar oy ® 70 ro 8 ar er yp Ak Ton dk posagesmoel ver a1 Br 5 Sag ae Bh BT a veoweels Tegel taeda oma, See ee Saew Lede ae 5m or AD 5 veeictealh agi le Meta om a See EE a Sam Leet ‘aap oi oo pe comronaron SEtme Spree tata Roee137 RONDO Frangois Couperin capi ey a icovuse rumsca coment frie Spree anpunee GOD, OUR HELP IN AGES PAST (St. Anne) foe Isaac Watts William Croft harmonized by W.H. Monk ¢ rom Hoe Mm te me Do roe of ; SSS] S545. Oto a Mp ts gh on te yun cm © oF om G c¢ om €& CE om c m G a ee Mo ardour ee mal aml ong tas yt uc usin oRPORATON itd Cotes ates NOW THANK WE ALL OUR GOD (Nun danket alles Gott) Johann Criiger eens i a = pene 56 oe wom is woe = ie eho fA 8 BG DB 80 Ae Dom ce Fe ce Bc FeAh Cm BOT com = es gite of we, er SESS Senne nthe138 COME BACK TO SORRENTO Ernesto de Curtis aS Se SS c ot c Ma De a GG pec Seepeg mpi cowmramnc comonron ARABESQUE NO. t Claude Debussy (Crginaty for plano) Andante con ota Fin Fine FinsDd Finch . 6 i Sa Sai er lh) ea eet Poo oe eet Aiwa 50h OE cn Smo NCE Bia Hk 2S f 7 age to on ue CRFORATN Sema Cran see nantes139 LE PETIT NEGRE Opening Claude Debussy (ctignaty fr plano) ‘Alege ite Ne Dn Dvn CR Fbdin Dm Ehdin Om ACK Cm GIO Shin An Adin Om Gin Fa CE Ehdia Dn Didin G7 Ons cn ae F Fe Dn FNC Ee * = = ys amr out nunc conrenan SS Seas tno CLAIR DE LUNE ‘om Sulte Bergamasque Claude Debussy (eign for lan) Sony ce ‘ae ya cn us CORPORATION EMSS Sedans gee eeM0 GOLLIWOG'S CAKE WALK from Chikdren’s Corner Suite Claude Debussy (Criginay pane) Agee pas Bessy rn Bu, h(a) A o cage ty i OURO FS CORPORATON OMS Coyne: Aimer Renee REVERIE Claude Debussy {original fr plano) Sey, wth expresion Det Am Got Det Am et no Ce eee ok oe s De Ga A on ” Gm AT Ge F Sores ipa sae tops Ravens1 LA FILLE AUX CHEVEUX DE LIN (The Girl With The Flaxen Hair) ‘rom Preludes, Book 1 Claude Debussy {orginal to pane) Trixcane dt davementapresit We oo oF thn the oT ooo 8 NC Gh ATH GAT ANTS Be OT Ob Maat gs rest) Cte Se a 4, Beth, Sat 7 OY nN BT ce chum hank Athan ob Snob” pony ‘Ga Sn Marmaré een ctenat pw peu o GiGh DIA CoG Bae GHD oy Gots Mars Abas ich cop om rousormonacemrcniron StS Geren shpat1 PRELUDE TO THE AFTERNOON OF A FAUN Opening Claude Debussy {Cigale reheat) = 3S Sey o gps pt nD Ra CORONTON Eas oh ntar rt na PAS DES FLEURS (Dance of the Flowers) Léo Delibes ‘Tempe Ve NC G 0VALSE LENTE ‘rom Syivia (valle) Léo Delibes (crignaly or orchestra) Souty“4 PAS DES VOILES {Pance of the of the Veils) Léo Delibes: wa fre eeres, An Car soc 7 te Doe » pa, o in Ban 6 ms 5 An Am Ooms fo es ae 8 Eom Pua CORPORATION RS crass nageAm Dn Am 67 A(BAGAGiI*) e oo > oa PIZZICATO POLKA Alegre 8 Léo Delibes Sees Syeees tetas148 VALSE LENTE {rom Coppelia Leo Delibes F agree a como neni comeRITON ‘ino Cope soon mite taa17 ELGRILLO dJosquin des Prez (exginal for chorus) "0 SOLE MIO! E. Di Capua “Andatino 6 eerie aa i eos UG CRFORATON FS Saye thoesue O DEL MIO AMATO BEN ‘Stephano Donaudy (crgaty or voles and plane) ‘Axdante at adaio rae Diab Don ae aos Bm, ed Bic Bh 8 ° re er eee) wo ae co oe Ao Bw ts t = BE Mage ech me mem gore nwt Bn ar 6 ~ a0 oF ce Be Oper le me sn oe wns pe oar me it me s 56 Ayo) A Bm Ch - oe My cere nev, hina vt Fa Ber Br saat Gl pepe aoa m ry err UNA FURTIVA LAGRIMA ‘rom The Elid of Love (opera) Gaetano Donizetti arto on Fe in Be a epoca wl Ses ta ower oF Ey eens ew te Oe paras mye 0" Oe pt creado wt Wem ves dy ee « Ue so) san ah pal ght tel mn bl ram epg moms amiga cononaron itd Spepesacee apd“9 mein? igo ert se w mich so sp cm fon Per pos ha mth wo + ae ' Gm cn Oa Ciel spb mo pi on che do, son ce i ne ei Saeie Si pam, oh ped mene a mow COME AGAIN, SWEET LOVE John Dowland {erga fr voles and uta) e oo o cok oat « op on om Geo 6 om Aw AD De OB wee KS an we « mh aed for =e, ra fy wn = Nike di Fu Gr ee 34 We in Pe pe Am? D7 o om oc D ea oma tg de metas om +> By To se i‘ casks me PRD Te Peep tim de c oe © Ant 07 6 ——— Wit tees an feces sym fe ext ty pn weed ss FS Soya ae me180 ‘SERENADE from Ariekinads (bell) Riccardo Drigo (cin er oreo) Marni Ce? oF e F & ges i tor an ‘THE SORCERER'S APPRENTICE (Symphonic Poem) Theme Paul Dukas {etginay or orchestra) ‘Abeat march temp ach neste = Dea) cnt Anh hems WO hdmi & a Bie ce owes cap cts pas. egugrg ig tog runanna corre ‘Sias Segue sep Reco181 whe ene ers fe cee ac km Daa An Gib = Pe 4 hal tpt «fe : ae eS op nc ow oma oe 6 oe cu oc oR De # s rt =f te 8 oot —— ° F ore oC oc km Dak An fees Da Am Em An mA An Em Am (DNA Am D/A Am DA Am182 ‘SLAVONIC DANCE NO. 2 Antonin Dvorak ety re An Am OB Emon Gams, 4 ‘Atego pea roe By o or @ oy o » Gi ame i cro rsa comroRATON ‘enoniComaptoowe Aharon HUMORESQUE Antonin Dvorak Mersey ToCodag " =e ephite ttn, pees —— wim Cm Br Gm ATO? @ 0 ms a7 oro a waft. ¢) SC ees cerremnnsomana gow emnsmyresormeanes SYMPHONY NO. 9 “FROM THE NEW WORLD" Second Movement Theme Antonin Dvorak StS Compu See ae153 LEGEND ‘Antonin Dvorak (Grigor plano) Per SS c Da an oc a Gts SSS SS Sa ag com FUELING CORONATION SeiSintEempn cree Aap Aemnes VALSE GRACIEUSE Antonin Dvorak ps @ © 6 2 6 os ms 8 co =] SSS SSS peor pas 6 pos 6 ons c gir J See oh fp ae SES Soteenee ans Ronn154 POMP AND CIRCUMSTANCE MARCH NO. 1 Edward Elgar Larpamenie 6 o « c o anton 6 ” > Bo ea? ec) a D crt SALUT D'AMOR andanion Edward Elgar F on Foon o a om F ont ° Foo oom a‘SPINNING SONG Johann Ellmenreich {ergy fr plano} Aare Ne F oF Ferman Seeee ArapahoeROMANIAN RHAPSODY NO. 1 Georges Enesco Moderate o or 6 ” acme mo oo pm co roi conromnon ‘Sire Cn icee Ahan Ree17 LORD RENDALL English Folksong . Fie Be En A Wise hve you ten all te dy, Ret = dak my sce? Whee have you ben all the ay my We Wine Aiveyou been ct "ngs Ren = dehy san? Ww hoveyoo beeneal ~— ing my 9 ‘Whee dit se get hem fu, Ren = Sl my ace! Whee Ba Se pt tom fms my From Bn He Be ca teen my seet = hea, mo Tye been my suet = hea, es “ind ec bth) che, O° eee tad eel ah, athe Seb. gerind Sch es mathe Pom fed = pera dick sex olhet, (Seamer Wastin 1 D on Ee oy fm a0 ° SSE or Imi my ted won, For Yim ack to my heat and a woudl Neon hike my bed son For Pm sick by Beat onl [fin woe) Te Sow inne my ted soon, For Tm sete my heat and Tin wool Te owe “ ‘ ‘Waa wate calor om isi, Ren. my So ‘Wha wt yo lve your mtr, Rena. my 20 Wat vst colar ory pty oe ‘Whatwljoo lene your mee my ety ne? Ospicand spk mater mae my ed an, Ns at and ler er male my be on Fort omy ta ef wae de ‘aac my hea do moa ova s. 1 rac wl yo eve yout, Rena ys ‘as wit yo eave you beer, Ren my soe? ‘Wht jo ebve you ie my pet oe? Wat wil ysteane you bot, my ety ne? My edad a My coment hones mater, mae oy ed 0m, Frm so my hat anda wale ove Farms tomy bean Un welled * Wat wit you eave youravet, Ren se? ‘Wha witout yourover my ty oe? ‘Nope bang ht aera my ed on, For Pn my Sat dan ale oe. cag yn ENA Ponsa ComCAETON See Sprgusices Apt PRAISE TO THE LORD, THE ALMIGHTY {Lobe den Herren) foe Joachim Neanderngbiich, 1665 Erneuerten Gesangbiich, 1665 trans. by Catherine Winkworth ce tc be inh fo tndon comm F ie Sao hoe eC = ee ee ee ns SSS E == Beare ee eet eens Melon = mov hm omg LNA Po CRFORATON Fema Seta aes158 APRES UN REVE (After a Dream) Gabriel Fauré (origina for vole and plano) Andante De Pare Go _ a o 0 BF Fao Be eens Geant BS =a ca Cu? Chin? Gath Gah Gti FA om SS 655553 mom Tey ams mss comme on cll = chine par Pens ® Mm om mmo o 0° 9 oF mo # S- (Sf See SS] ——= = Dee he be me Ree he eas AT Gown wT Dep in Ca fe i es Les Ge pour vous ent? covet us Boers Dre 50 ” . Bani oe we wen den eer) > pe om cus cm Gat 5 cane wee He ht We tox tis te vet des son ° m Dm FC Carib Ams OAD Gm ae on a pe a ANCL AY AG DniFGnefth DTA Ge DFE? FA GIB CT_ATKY. Chin? EdD ARID Dm Ss ‘Spree ey cou rossoanacomeraron Sloe Comoe Sees Aina Rae189 CHANSON D'AMOUR Gabriel Fauré {original for vole and plano} Aye moderate 6 on cai? BD GD Ca CATS pr ic me tes year, jak me wn fom, Ome bel ma Dams Am F FC hnai? Bas BC o oe fou = che, Tis me es yer, jak me bow = che OF met bass enSe pulse - fmt Bo Bn Ca a i od " pie ce dent ce qe md oirts 0 a> cu Gants ome vena FA = SS a em em fhe tm mm Fre Smt ns ren oo pn? fa me bos ce OF me tense - Homo wm cinct & camo SS Fr rai ~ ime aul ce qui te fait bel — le, De ts pieds jus qu’dtes che dint om Diaat teat 5 Dimat ve, th vem gai mon = tent meyers, Om = mech ma es tel = . 7 op ul Gans oot e Daina 6 ke Pais me es yeu jak = oe ton fom, Ome Deke dm fe eh F RC hm? Bats FC pwc omc Be o Pais me ws yen, nis me ow = che Ob mesbai- eV pict - fmt (Ok mes is-em pics os An Goi os. AnG idm i] age a onan An CORORANON SRS SS themes160 BERCEUSE from the *Dolly* Suite Gabriel Fauré (cxgaty fr pane) c o ee 9. aero @ © an img? oc? pretty EoMRD Psa COMFERATON ‘Sinton Compu See A Rea LYDIA Gabriel Fauré pen es 0 a = SS a SSS he er na Staccato Ie see ee io ecol seal sVoccleetae ae eanl Se spk eetltel feta tenner = — SS ¥ Ser te SS ses elem be Outs swt a vieen ew, su a Mine en fe apy FORD Puna conPoRaron ‘Sine Cnn See Apu Rea PAVANE Gabriel Fauré (ergy fr orcheta) ‘Andie ee) mc net BWA FRG tnt am 7 ig cur? 8 En cm? © Ant BAG GE et court om G0 ee) ogg wa suo pnznacomenron tata Corguceaset A fae Roca161 ‘THE PALMS Jean-Baptiste Fauré (expat for vee and plano) Ant nn fe Fac © Wh Dna 7 OM Gr GHC te Ses f= SS a fe woy, peenplaand Now Some oy esse ae ae ee ain a omit 7 or ee : == =H ae i = a conte he tees 8 Een now te Nomp welcone inp pe ’ doin a andsing His mime dee, atv = co An Om G AWE AT Om sm mal Pre ye the Lod! Bes Hin whocom-chio bing us sal= va ‘en, ati Hu ren COONAN SEES Sey anes astra Race POEME Zdenek Fibich Moderate on a ae Det o Da? o a ae fn cogue m mm sounprauemeomonnton SE SipSeee mh162 CIELITO LINDO C. Fernandez ss = SERS Sele Saga MW’APPARI, TUIT’ AMOR (Ach, 80 fromm) ‘rom Martha 06(opera) Friedrich von Flotow ‘Alegre moderate org he Bi Banger Grn, e8 se tam, ha le Zhan mir om = MK, doch mit stemming gual ae = geet bel alee F o ar o> ihe N= ke mie new» 65 Daten asset FR WeAl Ex wchnand wt ih fds ach, meh Gi erst ch fe GM The moe eae Sell at son po th pen set We pes ter alee tw aoe i Oe ar o o c ac fe Flare lum bin er = wach ie Nacht rash = teh den nor pS pe use ce af tea a ee re The cae al a eetec ae lca “Todo ‘anmulCamepu Sear Aion Rese ang he Bid Ws Her ieF PA on one F Bo Fe ‘nen Glick ahat ‘ia Mar thal Mar = tat Daca = Shan et e Mel oah Mars at rns a) oF aia iff mar wo oW we apo we a fei mk mk, mitt a a ee) PANIS ANGELICUS Cesar Franck Paco Lento FoF OmF Dm Gn G? RC Amc CCT AC CECT ET — 001 Dot Oatth owt or ae @ =e oS = SH noe pew fo ' oF m com ar oo o om oc o 5 re A be GTC GANG OF ce om C ia oes pet, pa = pee stoves 7” Am GT) Dim ch TN SS ee ts =f Pa ns m= gecthcus pte Movin, Dat pa ns Gar ors memset FT Gm cone C7 Gane Do- mim, tw pep pee ter = rane i i DIM Gn = ae on Hs 6 . op > Gott e fe 3 Pe, my tou he Kinga he fe he one thy =e ” rivat fn HITCH BaD OH Tas Hain Fim EGE ADE BET sing apa to Pua comrORATON Seas Seyusoree ogee GAVOTTE Frangois J. Gossec ) f tee Auten tenet fate terpstta pelsteteerettoofeetneee tetas : 2 v2, », Fimo =e Destine ” > » ow om Dp aye m4 EOMUFO SISANG COREERATON Sm Cayo ste Rn AVANT DE QUITTER CES LIEUX from Faust (opera) Charles Gounod “jaune Bo Fmt BT SSS =e o apa ee ee we . apt Stee Tai tesco, = wn pen E Di pe de are ono tf * £ — pp pe SE a == pwn pe ee) em De SaeW Bomre ne om premiera Ens c f === pe een po pede Alm pepe om Oe pepe rm toupee cworen17 AVE MARIA. Meditation on Prelude in C by J.S. Bach Charles Gounod Reereny SSS asa ap mom Be me epe fc as Bi” Galt oor ee = = spent eraser BALLET NO. 1 ‘from Faust ‘Charles Gounod Dea Fiee argte ee yas cone rssoanaconronaren ‘oid Sng ices inane173 ENTREAT ME NOT TO LEAVE THEE (Song of Ruth) Charles Gounod Andee © rims = “te or kot de em A nh oo BOF aoe See ee ee pS = Ses ch eons mete ee ee eens whiter thon ose Twill gt and where thon lodge Tha Bap f= Bert Emo fwd Em vl FIT Be Shea wiimer ou gps eh I wil pm tate tow dye il_ni,4 FAITES-LUI MES AVEUX trom Faust (opera) Charles Gounod Om Am? Am c o © Blt At 8 a ppt ey 25 ea tes igueest tel te ee mon euro por—— an gut wou c o c Ant AmG Tarte ter b yeos por e an or o c net veut Reve ih we home ke wesc & mt fam — me, a'r alen = vec vont par fam doe! lat en a LOU RUNG CoRFORATON etme Cpr sores Mehra FINAL TRIO. from Faust ( ten tren Charles Gounod Mateo nnn rr Ose Se == aaa ee tn ae oe ot Des SSF doe = net nes pu 6 or oF o Ent ae A A, 2 ac po, oan geen Per mon Sine eines lens! ie Fie? DR Fim Fam 7 me A wi je maton doe tel Dee um eaten donot je mie rat HRW A Be . Gkn At ote C17 30 Bt Dice on, jess 4k par doe ach A es Py . $ fp aati nano isn coneOniON ‘cotta Cen Soe rR175 THE JEWEL SONG from Faust Charles Gounod Aare 8 ” ee 8 . er ee 5 Jest de me yoirt belle en ce mi- at AW ek de me vars Bele en cm Ce ee ctw on Mors pes. ea ert woe om 8 ee) 8 etek Appa Mn vo a 8 8 at Ba o7 me ea . € =e = PES a ve oe coe . eo © 0B Cow A a D pet oc om c o stew rt ce wet pus Et BA et art NI __ ota Conmes ne deme we metre a fait SS Se app ma sour omronuron sree ey iosee hehe eet176 FUNERAL MARCH OF A MARIONETTE Charles Gounod (crgiaty tor orchestra) Mystery Om prae so koneo i COMORUTIN ‘Etna Coy soo hero JULIET'S WALTZ SONG {rom Romeo and Julit (opera) Charles Gounod rat ot HN cORPORTION ‘aot Cp cased ngs” from Faust Charles Gounod os on o om. o ¢ SSS Spee ara hw173 DIVINE REDEEMER Charles Gounod Mie Moderate ce "aie m7 Bh Avmit 86 6 BA nf Bm? Bs 7 Rec De See as = Seek cet eo ey er] ee eo _ = = = oo Ne Fal de? GH OF GE Ab for the sword of vengeance mite, (to? righ = es hese = ge, Leg! Shlde in prey The, rn Pa on. aed ce = meter mt, te member et my sesh c oa pet ce. Da us G Fos geome, Oe ve ke fens at oF oF Det pay The, gam meg on and te = member na remem. bt aol Landy c Bimo Dhak thaw C mc DAS ahs sit igh gabe sound my anh for tay cage sa ONTO one cORERUTIN (io Cayrprsssee tat ee170 c cma Bik cee cua ith ab SS SS — ta — Ses ak Me TB SN Bae peo few my cyber my ont Comers save me, 0 6 os or Gad GID ce Da teen a1 pry Theta meg Gon tod re - member an = mem-ber no 0 annie Dab siedTioe me, 0 my Gad OG ie Re tem te mee o Hep omy Se ‘ALBUMBLATT from Lyrle Paces, Op. 12 Edvard Grieg (eiginay for pian) Alegre fe Clim n w cs coin ae ty eomno rune comrORATIN Sets ees a hp ee180 ANITRA’S DANCE from Peer Gynt Edvard Grieg (Pheure muse, aa made It orchestral wuts) re aw an Eran he ep ey oupo ran cororron ‘Sette ssa taper teas ASE'S DEATH from Poor Gynt Edvard Grieg hm nw km mmm Am mS Am FHS Aim C BRS «EBS Dh F BAAS Ohms FAS DMG FE? Am tte ga ap a fo Ste NSE ‘condor Cpe Ssses wraps ad181 ICH LIEBE DICH (I Love You) Edvard Grieg Meare c 6 cit On ” » ast 2] 24S SS Sos Lilo wy ewe gy at lt eee acta tte sm Sed eat De acta Mee ae See pe o ¢ ed ® aay = 5 Wage in ayy te ofa owas, | ean (ch ies be dh we wth ao he-ser” Er dem ick" e-'Be ck he Be thick be? Fat oc a eases ea Recaro : eras ona i = Sa rcs ane epee me leer a eee : cae fs 5 a 2 Ses TLE ME AE A ereTeS = i Soe SE Sj ‘ev etemore. 1 love thee dear, saw and for - ev - et- more! — gts mm omnanmnnconwonton IN THE HALL OF THE MOUNTAIN KING Edvard Grieg co ie a am oe ea 2 bm Det Be omc cae ity i LORD FLIBANACEAFCRATEN ‘eEtcena Comer See Mera Ren102 ELFIN DANCE from Lyric Pieces, Op. 12 Edvard Grieg (Cxgnay for plano} Ate en com An Be fe fe fe Eeyereneeye B = = Ser ai by ONO OG COMERATON ‘Ca ore pe Paes MARCH OF THE DWARFS: ftom Lyric laces, Op. 54 Edvard Grieg {ena for ano) Allegro moderato ore Sees 8 & yg oi ono Pi en COmPERATN ‘senow Copp nem hese1 a Si aie ey a ona rs comonsTion ‘ter Cpmtn Sees A hg see MORNING trom Peer Gynt Sov o hp ena Psa comeERATON StS SerpnSee sears Edvard Grieg184 PIANO CONCERTO IN A MINOR, Op. 6 | First Movement Theme Edvard Grieg Agro moderate da 5 an Em an Heteogea rn, SSS 4 RSS (Perera tra Sat Ses Saas hn ae roy peter AO rR Ay pg i ona conor (rotten Cone ‘SOLVEJG'S SONG trom Poer Gynt Edvard Grieg (atropine nota F * Dn AT ANS G the gelesen = leet 6 acaca Sop eS St‘THEME FROM NORWEGIAN DANCE NO. 1 Edvard Grieg {erga or pana) Modesty Ce o Adm ngewe a Leona putin comroraTon Side Cmte ee WALTZ.IN A MINOR ‘rom Lyric Pleces, Op. 12 {ecg fe piano) Moderato an a an 5 ae Ae Da? Fin Ea SSS one erate ena zon rosin conronsTon ‘endo Cergaanee Rg108 WEDDING DAY AT TROLDHAUEN 5 ‘from Lyric Pleces, Op. Edvard Grieg tet as ; eee SSSA qi Sanaa Pepe Capa ob Ota Pu CHMERATN aS Sr ese hoses = . AIR ‘rom Water Music (orchestral sulte) George Frideric Handel ‘Andante FRA oC oF PA Come Gm cre SEMIS Says Seta107 ALLEGRO MAESTOSO from Water Music (orchestra sue) George Frideric Handel Abegre sucsso DOr A DOD A DoD A ACh A DOOM A act A Dm tse a HWA Hin HHA On EnG Em EGA > oon DDR n FlovA Fh FiaiA ba EmGEn Ene a DNC Bnd Bn BaD e ME ACL A ACE > 0 ng be Bn EnGen A be Emo A . Fla HA Fin cape ny Ure men comORATEN ‘Soioe Couscsces tahoe108 AWAKE MY SOUL, STRETCH EVERY NERVE (hymn) George Frideric Handel SS SS SSS (a SS SSS ayo Pn COFORATON eae Ceuta ahaa tee BOURREE {rom Wator Music (orchestra suit) George Frideric Handel eft © FORE F Dea bm CEF CAN Om 1b Gm mith ¢ CTE F_FIK BY Om pets pectaphteatt tpt ttf topets CoM An OG F RAR CF CRC OF FAC Dn ch CECT F RARCC F carat i cE BSN CORFORATON ES pt nage COMFORT YE, MY PEOPLE trom Messigh (oratorio) George Frideric Handel {cay rte an res ane fl “= = — : 26 te oe ite 2 es = aS +S eel ee ee ee 5 BG AWE Atm [SSS My ee ih your Oo com fon ye apes ey cua mune cntenaTen Seri Sep cocees tinge Ronee189 FOR UNTO US A CHILD IS BORN rom Messiah (oratorio) George Frideric Handel {exginaty for orehaeta) Andantcon men Breen wee 2 Se pean rer) Ant DIL Gus 6 oC orn uaa seam eEL te 1 fe fs A De Dear 6 fe sons be snd the goverment al Ye pon Hi soa Der AG DA pe Ad Em fer, he gov - erent sal be ups on Miao a aS So epree Hs shea er and Mis Name sll be all = a ta See rei (Cor, ‘TeMiph-y God, The Bee er Uta ing Fas the, The Price of Pane ete ee acteoorpneamacowonren190 HALLELUJAH from Messiah (oratorio) George Frideric Handel {xin for chor and orchestra) al eet Mal Medak abl tpl, Hable jo, Mate = Mah, es ooh al eo jah He to- jah He ej Halle = = ph Far te Lad God Omi = 0 tet A DA Da Da DA NC = p= ik, Hales jo, He lu- jh, Halle kt er the La Gattmaip ~ 0 tn bp oD so oo oo AD G mA D eee ler staejeh,HiBelu-joh, Hable tosjnh, Hable pl For he Lard GolOmnip = 0 tet Aue aD A me AD fA mer A DOA G DOM OD reign = 00, Fae Lon) Gad Omnip » 0 teat rege chk The Kig-dom of vo Ag D > D AyD ATD GhimA 0G Fes DNC. 55 = ES ome he Kingdom of out Lard aad of His Chri, anda Hk Chris and He sh i po aie oa ae a t wen foro ind He sal ign for cy er de ee King ol ing, reverand ee, bile ph, Walle-tajphand laetof Lan, reverand eve, Hable jah, Hable ne cop ao ap 4p xe EAE pea SSS esa And Lin of Lads, freer King of Kings forever ant ever, Hale a a) bn XG, Ag AE AR FL art eer, Hole joh, Holle-laojh, King ot Kiggh focecer and ove, Hale, Halley rand Lor of o wae a im D GD 47D AwAD OD : ne a ee o - epg ya ena ren comonaron Sales Sorrsnee stone191 HORNPIPE ‘rom Water Music (orchestral suite) George Frideric Handel pp —— ===: = f See pa et piste PSEE ES c BFA Gz F De BA Dm Gn CF Bh CG Am Dm DmFF An? Dm An D7 DIL Ge mth a ORF MA mh oc Ok epg tm coma ruin commen ‘nina Corp Sct Mg Ret 'KNOW THAT MY REDEEMER LIVETH ‘rom Messiah George Frideric Handel (orignal for soprano and orchestra) Taree Oe Co 1 tow tty Re. em «Wek Ce NCL 0b es EO Ne cine ‘de He shh nda te BA 8 NG our hE 7 I f t frase ae Ear oA mm eB NC 1 tow tht ny Re deem eet eh, and mt He tal stn BOLE BNC, NCEEBBTIABIOE NC Sf BIFEAE BID ETA 1 = aoe day ponte fam aan te BNC Ech BME BNC AChRA ech NC BGERFLE BD NC. satagtin 4mm the ca, me not cin eA 8 on day he eam apc192 ‘THE HARMONIOUS BLACKSMITH George Frideric Handel cea! za res mrss tenes LET THE BRIGHT SERAPHIM from Samson (oratorio) George Frideric Handel Cte ete a ne fal es $= SS Shee Sees Het be ff pars tat eater fe fey oe 3 = = i rea ape thee ood — a AyD ERGORED ACHE ACE aap Wied an et um. pet How, NEE LS > Man vical tacos 2] ce pinislitg iat DAGBACED NC. eer Rte EeceeeepeesCit SSS SS eee SS a etd Sey aan Ree"LARGO" 193 (Ombra mai fu) from Serse (opera) George Frideric Handel {eriginally tor tenor or soprano and orchestra) Lane F on cm ® Gn F © ons FA SS == F c De FA Am oh F Doce bo Mee ae me om eke a te om = % Bowe ee Re ae mek we ph Cie FIA oF c 7h FA CF mM a ¢ caaue i ya .cnNGD Pons conroRITON Sra Sires sng LASCIA CH'IO PIANGA from Rinaldo (opera) George Frideric Handel (ogy for open andres ane cn ou ¢ o pore SS. us = ea oe jn re ow f SS ‘SEs moe Re194 (OH, HAD | JUBAL’S LYRE from Joshua (oratorio) George Frideric Handel (cia or voprano and eres) ‘ego Ne A Dot oA nek poA gies. = SSS OM ET ie bs ty, OF Mican's_ tes fal voi: On ME ale Ie, Or To sms the woul as ite te sounds eT wend ate ge Sop the tes ole, E Boe Eot ARE EGH EVE EA BB BOE joe ao Me tee ie, ppt eo rR saccORPORION FESS ayeersaee ningutonnee PIANGERO LA SORTE MIA {rom Guilio Cesare (opera) George Frideric Handel {orginal to soprano and orchestra) toneaS Foe owe wl REJOICE GREATLY from Messiah (oratorio) George Frideric Handel euneeaeetees = a er 2 : be ee Frrehm eh dhs of Zion! ee, o co FA eee. co ett erat F oa oer, BOTA Ce FD c » c Cm OBA CT Da Gar ‘ f — ptr of em = ste te ~ ft, hy King co-meh n= ee, on oF cof oe CF om Gah ocr OF tee, cometh a= 0 te: te td, he King cometh wn ‘age en UFO FuRUGNGCOMPORATON ‘Sond Cees 8ndSOUND AN ALARM ‘rom Judas Maccabeus (oratorio) George Frideric Handel (ergy fr tnor and oreheta) Ne. DOM AD om AD we DG Soa le Sood ae mr sheet pas = aaa ear =e = rm acl ead A cm acl eet A e SSS] SSS a a The we Te te Ado ape A HS ats SS SS sss ao ana fe 3 aT As os D Ago» 47 Om AD 4 chane ort act vom call Be bave a te tee . ae om o med A > foto tae od cage ab EO Sd CONRAN SESS aeytices tanner THINE BE THE GLORY (hymn) {om Judas Maccabous (oratorio) Edmond L. Bubry, trans. by R. Birch Hoyle George Frideric Handel DDR Ciim > ont Tie bee Beso Claws OF AswsAT AT bm nb beim ‘toe o'er deuh ast won ek. fh bi meld he ane sap, ‘Sime Co Sou tng Rsaaisp Se D Pony 2 en cane qe. So ‘THE TRUMPET SHALL SOUND from Messiah (oratorio) (Cclgnally for bas, trumpet solo, and orchestra) op, agro Ne. J, act The tm petal sau, om 8 7 Be ACH DAE (S55 Bm AWA EGE BT Ea nd te dad tall te AchAT DO AKED AD ete gh hein DFE Ass AT wer dexh Tn won George Frideric Handel tn wot he Ged Se GmACH DANCED ADA a ne. A ta aed we all be chang ACh A RGHE um pt sill. sond A Ghee 4 ep we all te = Ee = — # = te ce ve hale amg198 WHERE'ER YOU WALK {rom Semele (opera) George Frideric Handel {egy tortor ae rches arg plane per to Gm Ce Fo S10 B16 DaFOmts Eom F Foie _Feanora F ‘Woer = er yon walk, cool piles shall ane glade Tees, wee yor sh sa Fb Blt C i Fo FA BD BC ron owe os ate, ‘Tee whee yous sell cond =. + sate ccm hp * =a == = ee efit + Wet = eer jonah, eal gies tl fn ep ao BFAD © Co Trea, wee yous, al cows SS ao 1 oo 6 wer —_—_ = ae Ir tyr Tes, wee yor st a Sond nw ee Sopetemimeccomorncome coors BECAUSE (ey or vote and ao) Edward Teschemacher Guy d’Hardelot wit aught seve Ta “cher o 7 5 Baim or " » Tocote Bo, a es i viee, Be = cause, God made thee mine, | Instrmersal ce n or B Be = come you yeh mene coms oe, " Fed ess waking mad my fe, att am ke ho tae joy 10 on oe cat " marae ie, Be = came yon agak oe Cnt FT pgacome . oe Bm) Can ar Toh — $i199 © SACRED HEAD, NOW WOUNDED Hans Leo Hassler (choral) Baim? in in) fin eo ome er moe ont DarG CO An aw bin co F +— has Da A Dw a > 6 pce coo oe re 4 = bine and scr! How ns hat in = age fan = uh which ome was Wight as capitis Pusan CORPORATION bnnatboh ennai a GYPSY RONDO Franz Joseph Haydn {rom Plano Trio No. 1 Ne G m6 an AIC} 0 ——_DIC GB DIC GB EVD AnC END Am ote TT GR DNC GB FID Amc ED Ame Fe meae nae aeDeeres capt ano nu eco busin coreORATEN Fee Sea aes200 (GERMAN NATIONAL ANTHEM Franz Joseph Haydn == SSS F & BG & BS BORIS GWA BG RU BT = SS aye oi ou PRN CFPORATON SRI rte nena ‘THE HEAVENS ARE TELLING ‘rom The Creation (oratorio) Franz Joseph Haydn {orginal for chorus, sollss and orchestra} Alero ¢ « coor oe Ra Te hav ems we l= lag me go of Goh cd OrckaDC cme fF coo Cc GF ce op c ‘The wonder of SB work a paysite Fem ment crac ac FCG att wn ter of We wok dis = plays te fr = c oF Ce CDG c 6 c F cm fig, The eh hate gone towing ght The Meay ane well = ing te o © GF G FAGBC Dn FG Am ANG DMF COG? C Be = 17 of Gok, The woneder of be wink The wonder of his work Gt plays the r= ma ~ me agg mo coo eu omVERATON SENOS Sas patosPIANO SONATA IN D MAJOR First Movement Theme Franz Joseph Haydn Aer cone 2 oA de (iret feo iets ie 9 EON LNG CORPORATION SERRE Canteens “SURPRISE SYMPHONY" ‘Second Movement Theme Franz Joseph Haydn BS SS= ag i EO Pam NG CORPORATION ‘Seto Cag sesh od ST. ANTHONY CHORALE attributed to Franz Joseph Haydn SS Ge Cath OIF FFB Ss or , = SEES ice ste202 STRING QUARTET NO. 18 Serenade Franz Joseph Haydn c Be peas ee: a) > Bt > DIR G D o . o on, o no Da Fe ow 2S ae Sa sees (hoe corgi: sonoma corenaren ‘item Cong Sere Mara ee ‘TRUMPET CONCERTO IN E> MAJOR First Movement Theme Franz Joseph Haydn BB 5 Nc 8 we 8 mc Saas #10 a B70 Bm wie on % 0 Edin? = Bbdin? in? » Bae & rite feerete Lereeerer, “te ie seeps ite % BD G/OALCEIG Ab Fa Bib BT BS ESMLANCE20 A Fm GDh TT oh pee atryatetap ezegne eta eomnaumsoma corsnuren (Sittin Coron Sees tegen