ART

of Seeing
C R E A T I V E P H O T O G R A P H Y
 4....THE ART OF SEEING 54....Thomas Wiewandt
ALCOVE BOOKS
56....David E. Durbak
930 Dwight Way, #7
Berkeley, CA 94710 57....Dana Grover
6....Stuart Westmorland
www.alcovebooks.net 58....John Snyder
8....Linda Bartlett
info@alcovebooks.net 60....Harold Davis
10....Jeff Carter
510.644.3534 62....Frank Rapp
12....Paul B. Goode
64....Jack Ramsdale
ART of Seeing - 2008 14....Lucille Khornak
Creative Photography 66....Peter B. Steele
15....Doug Beasley
Edited by Tom Palmer 68....Niobe Burden
16....Jamie Rector
and Aileen Kim. 70....Clark James Mishler
ISBN 978-0-9721890-5-X 17....Scott E Sawyer
71....Lyn Smith
18....Mark Francis Gamba
Information is from 72....Kevin Barry
20....Barbara White
sources deemed reliable. 74....Greg DeBre
Publisher assumes no 22....John F. Hill
76....Debra Maddox
liability for loss caused 24....Sara Jorde
by errors, omissions, or 77....Sara Shoemaker Lind
26....Gerry McIntyre
any other cause. 78....Treve Johnson
28....Mark Maziarz
79....Don Johnston
All rights reserved. 30....Matt Lit
80....Kathleen Norris Cook
©2008 Alcove Books. 32....Thomas M. Barwick
Printed in Hong Kong. 82....Gary Crabbe
34....Robert Hall
84....Joseph Holmes
35....Rusty Leffel
Cover images: 86....Tom Kirkendall
36....John Welsh
PREGNANT GRACE 88....Scott McGee
Stuart Westmorland 37....Scott Markewitz
90....Mari Minegishi
HILLS 38....Janet Century
Joseph Holmes 92....Nevada Wier
40....Peter Miller
OLD TRUCK 94....Bernard Wolf
42....Laura Dwight
Drake Sorey 96....Joel Salcido
43....John Dean
PEZ AUDIENCE 98....Paul Swen
44....Ric Moore
Nick Nacca 100....Janet Horton
46....Woods Wheatcroft
QUIET NIGHT 101....Susanne Weissenberger
Kevin Galvin 48....Bill Sumner
102....Steven Barger
MACKINAC ISLAND 50....Gary Wilson
104....Deborah Whitney Prince
Tom Jelen 52....Bill Pielsticker
106....Shoshannah White
53....Paul A. Teolis
107....William B. Folsom 158....Mike Fizer 216....Tom Jelen
108....Dan Neuberger 160....Park Street 217....Bernard Friel
110....Doug Landreth 162....Michael Spain-Smith 218....Carl R. Battreall
112....Chip Hedgcock 164....Ken Ross 219....Russ Bishop
113....Ken & Lois Wilder 166....Paul Pierlott 220....Sid Hoeltzell
114....Tom Kumpf 168....Eric Smith 222....Paul Wiles
116....Kim Kauffman 170....Bill McAllen 223....Jim Yuskavitch
118....Larry Hamill 172....Nick Nacca 224....Yiorgos Konstantinidis
120....Douglas J. Hoffman 174....Jeff Downie 226....Stephen G. Weaver
121....Greg Smith 175....Craig Brown 227....Vida Ward
122....Brandon Cole 176....David Hagen 228....Frederick Charles
124....Cary Cleaver 177....Mike Wasserman 230....Lewis Kemper
126....Clive Champion 178....Jackson Hill 232....Kevin Laubacher
128....David Lubarsky 180....Denton Rbt. Tillman 234....John De Mello
129....Melissa Ireland 182....Olof Wahlund 235....Margaret Lord
130....Wilton S. Tifft 184....John Still 236....Michael Hart
132....Drake Sorey 186....Donna Callighan 238....Jeffrey R Klug
134....Mary Heller 188....David Underwood 240....Noel Greene
135....Anne Howson 190....Max Hilaire 242....Bart Harris
136....Mark Schafer 192....Don Carlson 244....Michael Snively
138....Donna R. Strathy 194....Peter Treiber 246....Michael E. Haritan
140....Frank DiMarco 196....David Lee Thompson 248....Alastair Orpen Finlay
141....Elis. Flynn-Chapman 198....Arthur Levy 250....Vickie Lancaster
142....Mike McMullen 200....Ric Peterson 252....David Halpern
144....Marc Longwood 202....Thaine Manske
146....Mike Kear 204....Phillip Spears 253....GALLERIES,
148....Susan G. Hammond 206....George H.H. Huey CENTERS,
149....Kevin Galvin 208....Gabe Palmer
and DEALERS
150....Richard J. Levy 210....Craig Stocks
152....Sheridan Vincent 212....Thomas R. Fletcher
154....Brad Feinknopf 213....Fred Lee Emmert
156....John Peters 214....John Gregory
 The Art of Seeing

A famous photographer was once asked why he practiced

photography. His somewhat enigmatic answer was “to see
what things look like when photographed.”

This is more than a glib response. For many photogra-

phers it lies at the center of their personal quest for
self-expression through photography. When I have a
camera in my hand the world shifts. I am no longer just
passing though. I am an active participant. Colors are
more distinct, reality more sharply etched. I am more
aware of both the immediate environment and the
actions of people around me.

It also makes me a voyeur. Being able to isolate and

visually dissect my surroundings removes me from being
a participant and turns me into an observer. This creates
a cognitive dissonance. On one hand, being a part of,
while on the other, being removed from. Maybe this lies
at the center of what it means to be a photographer; to
live in a “no-mans-land” where the moment is constantly
slipping past, and yet where we have the power to fix it
forever, a time as well as place.

Do we photograph for ourselves, or for others? If

you were the last person left on earth, would you
practice photography?
Don't answer too quickly. Yes, most photographers seek
recognition. We need an audience. The feedback we
receive becomes part of our raison d'etre. Just the fact
our images exist out in the world in more than just one
copy somehow enhances their reality and provides a form
of permanence to the art that we have created. But now
remove that audience, as desirable as it might be. Does
our work still have purpose? Would we still do it?

The answer to this will vary with the individual. For some,
knowing that our work has reached a wider audience than
just friends and family provides satisfaction. For others,
exposure to a wide audience is intended to lead to either
commercial or artistic recognition and success.

For many photographers though, it may simply be enough

to see what things look like when photographed. But the
sharing of these images with others—discovering how
others might respond to what we have captured and
shown them—provides a satisfaction that cannot be
denied. There is still magic in photography, the sharing
as well as the doing.

Michael Reichmann
January, 2008
Stuart Westmorland

6 ICELAND HANDSTANDS. A serendipitous moment in an exotic location

 Mill Creek, WA • 425.225.5733
www.stuartwestmorland.com

PREGNANT GRACE & BEAUTY. A study of light, motion, grace, and beauty 7
 "After thousands of miles traveled and countless
Linda Bartlett images taken, I am still fascinated by the people

8 PADDY AND PAUDIE, IRELAND

I have met. In their faces and expressions—every Washington, DC
untouched wrinkle and line—is the truest beauty.” 202.362.4777

MAIRE KAVANAGH, IRELAND 9

 “Since the late 1940s I have traveled Australia wide, record-
Jeff Carter ing in words and pictures the lives of working class people—

10 THE DROVER'S WIFE. Selenium-toned silver gelatin print

a self-inspired, one-man FSA-type project— Gerringong, Australia • 61.02.42.342.489
resulting in an archive of some 100,000 images.” www.jeffcarterphotos.com

TIME OUT. Selenium-toned silver gelatin print 11

 “A portrait session is a telepathic
Paul B. Goode dance between the photographer

12 DENISE TEPER IN MY STUDIO

and model. An emotional bond is New York, NY • 212.874.0713
formed that can never be broken.” www.paulbgoode.com

AMITY HALL: PALISADES PARK, NJ 13

 New York, NY • 212.593.0933
Lucille Khornak www.lucillekhornak.com

14 SISTERLY LOVE. An unposed moment captures a momentary spat

 St. Paul, MN • 651.644.1400
Doug Beasley www.douglasbeasley.com

SARA. Trade River, Wisconsin. 2007 15

 Los Angeles, CA • 562.587.0979
Jamie Rector www.jamierector.com

16 THE WRITER
 Flagstaff, AZ • 928.226.0404
Scott E. Sawyer www.illuminatedvisions.com

STORM WALK, ARIZONA. Exploring nature with human perspective 17

 “This is part of an ongoing project
Mark Francis Gamba exploring the emotional relationship

18 WOULDN’T YOU RATHER HAVE AN ARTICHOKE? Archival giclée

people have with food—the depth and intensity which Milwaukie, OR • 503.353.9111
often supersedes the sexual, particularly among women." www.markgamba.com

WHO’S MOMMY’S LITTLE CHICKEN? Archival giclée 19

 "My work is about getting to
Barbara White know a Third World area well,

20 MONKS AT ATTENTION, BURMA. Color pigment print

and finding the beauty that lives Laguna Beach, CA • 949.494.2479
there in the midst of hardship." www.barbarawhitephoto.com

DOGON BABIES TOUCHING, MALI. Color pigment print 21

 "I work to reveal the beauty in the world
John F. Hill around us. By showing what might not be

22 RITUAL BEAUTY. Pigment on archival paper

seen, and by sharing visions from across the Easton, CT • 203.545.6069
world, photographic art enriches our lives." www.johnfhill.com

BOUNTY OF THE MONSOON. Pigment on archival paper 23

Sara Jorde

24 POTALA AT SUNRISE. Lhasa, Tibet

 Minneapolis, MN • 612.338.6923
www.jorde.com

WOMAN SELLING BARLEY. Ganden Monastery, Tibet 25

 "Both these images were
Gerry McIntyre taken in early 2007 while

26 JUAN PEREZ. An organic farmer near Salinas practices sustainable agriculture

working on the project Steps Sacramento, CA • 916.640.8888
to a Healthier Salinas." www.gmpdg.com

JULIA OROSCO. A church volunteer takes blood pressure readings 27

Mark Maziarz

28 LAUREN
 Park City, UT • 435.649.0002
www.maziarzpeople.com

CHRISTOPHER 29
 “The decisive moment is the key to my work, whether
Matt Lit capturing it with a Holga toy camera or the latest digital

30 OUR FATHERS - FESTIVAL Santa Fe Plaza, New Mexico. Holga series

equipment. The Holga adds a dream-like glimpse of our Dillon, CO • 970.262.2006
childhoods—a refreshing memory in our fast-paced lives.” www.litfoto.com

OUR FATHERS - COORS FIELD. Denver, Colorado. Holga series 31

Thomas M. Barwick

32 STACY. Digital capture

 Seattle, WA • 206.285.4380
www.barwickphoto.com

AUSTIN. Digital capture 33

 Lehi, UT • 801.673.4510
Robert Hall www.roberthall.com

34 SENSE OF SELF. Images of feminine self-perception from the Mill Series

 Mission Hills, KS • 913.362.9727
Rusty Leffel www.artistsregister.com

MAGICAL BUS, BROOKLYN. Street photography 35

 Jenkintown, PA • 610.357.9076
John Welsh www.johnwelshphotography.com

36 DANCING WITH FIRE. Fire performer in Philadelphia

 Salt Lake City, UT • 801.583.0606
Scott Markewitz www.scottmarkewitz.com

HAND PLANT, BRITISH COLUMBIA. Pushing the boundaries of athletic expression 37

 “The challenge is to capture what lies beneath
Janet Century the surface while photographing only the surface.

38 EMBRACE. Silver gelatin print

Form, light, and composition all define the chosen moment. Cleveland, OH • 216.721.4501
I am moved to capture the connection that binds us all.” www.janetcentury.com

DUDE. Silver gelatin print 39

 “One of my on-going projects
Peter Miller is documenting rural American

40 HILARY AND ALAN'S MAPLE. Toned giclée print

icons. These images first appeared Waterbury, VT • 802.244.5339
in my book, Vermont People.” www.petermillerphotography.com

WILL AND ROWENA. Giclée print 41

 New York, NY • 212.663.8416
Laura Dwight laura@lauradwightphoto.com

42 STARTING WITH A. Lifespan development photography

 Baltimore, MD • 410.243.8357
John Dean www.johndeanphoto.com

KEY HAN, FOUNDER AND CEO, DDMOTION. People on location 43

 "I like to invite people into
Ric Moore my indulgence of symmetry,

44 NEXT MOVE. Portrait of Jo in the Marble Trianon, Versailles

beauty, and the feeling of Dallas, TX • 214.358.4701
all the time in the world." www.ricmoore.com

THE ART OF FENCING. Twilight on the beach at Cannes 45

 “Light is my catalyst. If it's
Woods Wheatcroft there, I use what I see. If it's

46 CALIFORNIA NIGHT #3
absent, I create what I need Sandpoint, ID • 208.255.9412
for an inspiring image.” www.woodswheatcroft.com

FISHING DOCK, BAJA, CALIFORNIA #1 47

 “When photographing in
Bill Sumner Vermont last fall, I realized

48 LEAVES
that what is behind things Miami, FL • 305.994.3241
often matters most.” www.billsumner.com

POND 49
 “Like many photographers, I enjoy the
Gary Wilson exploration of the seen world through

50 ENVELOPED CITY
infrared photography, where it can become Portland, OR • 503.236.3205
a visually transformed and serene world.” www.garywilsonphoto.com

REFLECTED 51
 Lodi, WI • 608.592.4718
Bill Pielsticker www.pielstickerphotos.com

52 PLUNGE POOL. Intimate landscapes, fresh perspectives

 Toronto, Ontario, Canada • 416.346.0149
Paul A. Teolis www.fieldandscreen.com

PENGUIN GRAFFITI. Deception Island, Antarctica 53

 "I blend art and science, focusing on
Thomas Wiewandt extraordinary light, graphic design,

54 ANTICIPATION. Flora collection

the surprising, and the sensuous. My website Tucson, AZ • 520.743.4551
features a searchable image library.” www.wildhorizons.com

SHOWDOWN. Weather collection 55

 Ft. Lauderdale, FL • 561.271.0706
David E. Durbak david@durbak.com

56 SPIDER MUM. Triptych

 San Jose, CA • 408.287.4686
Dana Grover dana@danagroverphotographer.com

ROSES IN THE RAIN 57

 "Looking for extraordinary light, composition,
John Snyder and 'moment' anywhere in the world—the

58 GARDENS OF THE PALACE. Versailles, France

elements of surprise and chance that Moscow, ID
can only be captured photographically." www.johnsnyderphoto.com

SUNBURST. Western New York 59

Harold Davis

60 ALONE I STAND. Post-processed digital photo

 Berkeley, CA • 510.528.9977
www.digitalfieldguide.com

YOSEMITE DREAMS. Post-processed digital photo 61

 "These images are from a
Frank Rapp body of work shot with a 4x5

62 LONE SAILBOAT. Inkjet print

film pinhole camera, digitally Dover, MA • 617.542.4462
output on watercolor paper.” www.frankrapp.com

AQUINNAH TWILIGHT. Inkjet print 63

Jack Ramsdale

64 INTO THE WISSAHICKON

 Philadelphia, PA • 215.236.8840
john@ramsdale.com

MIGRATION 65
Peter B. Steele

66 BEDFORD OAK. Silver gelatin print

 Lafayette, CO • 303.870.1819
www.steelephoto.com

CRACKED WILLOW ICE. Silver gelatin print 67

 “Drawn to the dramatic times of daylight, I seek unique
Niobe Burden perspectives that may not be readily apparent in a scene.

68 TAHOE VOLCANIC SANDS. Limited edition archival digital print

My visual interpretations are meant to be simple, emotional Lake Tahoe, CA • 530.583.9000
images that convey a feeling of calmness and serenity.” www.niobeburden.com

MYSTIC WATERS. Limited edition archival digital print 69

 Anchorage, AK • 907.279.8847
Clark James Mishler www.mishlerphotos.com

70 YOUNG HUNTER WITH SKIN BOAT

 Dubois, WY • 307.455.2204
Lyn Smith www.photographydesigns.com

SHOT UP RUSTY CAR. Found color patterns of an old car rusting in the salt air 71
Kevin Barry

72 SUNGLOW FISHING PIER AT SUNRISE. Daytona Beach, Florida

 West Park, FL • 954.987.9564
www.agpix.com/kevinbarry

SUNRISE REFLECTIONS IN A FLORIDA MARSH 73

Greg DeBré

74 HARVEST MOON
 Miami Lakes, FL • 305.826.1099
www.gsdebreimaging.com

POWERHOUSE FALL 75
 Mill Valley, CA • 415.383.4065
Debra Maddox www.debramaddoxfineart.com

76 MERMAID WITH KOI. Surreal juxtapositions blur lines between painting & photography
 San Francisco, CA • 310.617.5334
Sara Shoemaker Lind www.sarashoemakerlind.com

PEPPERS, SAN FRANCISCO. Glorious natural colors can always surprise the senses 77
 Berkeley, CA • 510.841.0905
Treve Johnson www.treve.com

78 KILLARNEY NATIONAL PARK

 Lively, Ontario, Canada • 705.692.3901
Don Johnston www.donjohnstonphotos.com

HUSHED SNOWFALL, ONTARIO 79

 "As a landscape photographer, my library
Kathleen Norris Cook of imagery includes panoramas, aerials,

80 WINTER DAWN. Pemaquid Lighthouse, Maine

travel, and the environment as it applies to Ouray, CO • 970.325.0700
advertising, books, calendars, and fine art." www.kathleennorriscook.com

DAWN. Le Mont St. Michel, France 81

 "Offering images that highlight magical moments when
Gary Crabbe light and landscape combine to reveal the depth of

82 STORMY SPRING SUNSET AT BRIONES

nature's beauty, and that promote the awe-inspiring Pleasant Hill, CA • 925.288.1461
desire to connect ourselves with something larger." www.enlightphoto.com

SANDSTONE AND REFLECTION, COYOTE BUTTES 83

 "I look for the quintessential faces of North
Joseph Holmes America's natural places, in the hope of helping

84 HILLS. San Benito County, California 1986

to create a sustainable future for us all. My work Kensington, CA • 510.526.4145
is available in fine print form and for publication." www.josephholmes.com

MAPLES AND BIRCHES. White Mountains, New Hampshire 1985 85

 "Hand-crafted silver
Tom Kirkendall gelatin landscape

86 OAK TREE. Los Padres National Forest

images that let you Edmonds, WA • 425.775.3569
catch your breath." www.kirkendall-spring.com

OAK FOREST. Los Osos Oak Reserve 87

 "The true and lasting value of Nature lies in
Scott McGee its ability to inspire and revitalize the soul.

88 AFTER THE STORM, CLEARING STORM. Juneau icefield, Alaska

Through photography, I hope to inspire others to Anchorage, AK • 907.338.4705
seek the value and wonder of nature all around us." www.alaskaphotos.biz

PURPLE MOUNTAIN MAJESTY, CRESCENT MOON AT SUNSET. Juneau icefield, Alaska 89

 “Through capturing fugacious yet evocative
Mari Minegishi moments in nature, I discover the subject

90 GATHERING. Tasmania, Australia 2007. Digital media

of my photography. A journey into Vancouver, BC, Canada • 604.715.4605
the unnoticed, hidden, unspoken.” www.marifotografia.com

UNVEILED. Tasmania, Australia 2007. Digital media 91

 "I am interested in ethnic groups that inhabit the
Nevada Wier more remote regions within countries. I have no

92 CHINDWIN RIVER FOG

desire to mythologize their cultures, but to celebrate Santa Fe, NM • 505.982.0877
the individual spirit of people within their traditions." www.nevadawier.com

Myanmar 2005. Diptych 93

 "I love photographing tree and plant life at night and the
Bernard Wolf effect created during long exposures under available light.

94 NOCTURNAL BOTANICA 1. Lightjet print on Fuji crystal archive paper

No supplemental lighting or filters were added, defining Santa Monica, CA • 310.399.6803
an unusual vision of nature in an urban environment." www.bernardwolf.com

NOCTURNAL BOTANICA 2. Lightjet print on Fuji crystal archive paper 95

 "My photography depicts a Spain of soulful traditions that
Joel Salcido include fiestas and brave bulls; both visually poetic and elegant.

96 TAURUS. Archival pigment print on rag paper

These images were meant to be painted but instead became Austin, TX • 512.291.9961
photos. May Spain remain forever odd, precarious, and precious." www.joelsalcido.com

TORO OBSCURO. Archival pigment print on rag paper 97

 "My main goal as an artist is to
Paul Swen communicate with the audience by

98 OUR HANDS. Adolescent Western Lowland gorilla, Gabon

sharing brief moments in time that stand Houston, TX • 713.667.4448
as symbols for our shared experiences.” www.paulswen.com

SILVER BACK ALPHA MALE. Western Lowland gorilla, Gabon 99

 Issaquah, WA • 425.313.3060
Janet Horton www.agpix.com/janethorton

100 MALE PILEATED WOODPECKER, WASHINGTON

 Half Moon Bay, CA • 650.773.2847
Susanne Weissenberger www.whitemountainphotography.com

PROUD PEACOCK. Colors of Nature: Blue 101

 "My images showcase the beauty found in
Steven Barger nature, from striking landscapes such as

102 FIERY SKY. Kokerboom tree at sunset, Namibia

the mosaic color of an African sunset to Cincinnati, OH • 513.460.6091
the graceful ballet of eagles in flight." www.bargernaturephotography.com

AERIAL BALLET. Bald eagles in flight, Homer, Alaska 103

 "Sharing moments and a
Deborah Whitney Prince deep connection to nature

104 SPIRIT DANCER. Monument Valley. Transparency print

often brings out a sense of ethereal Santa Rosa, CA • 707.528.9057
power only a lens can reveal." www.dwprincephoto.com

FLEETING TRANSFORMATION. Northern California. Digital media 105

 Portland, ME • 207.332.6048
Shoshannah White www.shoshannahwhite.com

106 MOTH. Photographic print on watercolor paper, encaustic, wax, and oil paint
 McLean, VA • 571.213.8696
William B. Folsom www.wfolsom.com

GRAY HAIRSTREAK. Sun on my wings, sun at my feet 107

 "Santorini is so breathtakingly beautiful
Dan Neuberger even a chimpanzee could come up with

108 SANTORINI CAT

great images. I thought I had died Rochester, NY • 585.482.1976
and gone to paradise. Perhaps I had!" www.imagecityphotographygallery.com

SANTORINI TERRACE 109

 “I have always loved the patina of
Doug Landreth aging and so I meticulously composite

110 NO LIFEGUARD ON DUTY. Digital pigment print

photographs of textures with scenes or objects Seattle, WA • 206.343.7118
to create a more expressionistic collage.” www.douglandreth.com

BLUE ULYSSES. Digital pigment print 111

 Tucson, AZ • 520.325.4241
Charles Hedgcock www.charleshedgcock.com

112 CENTIPEDE. Finding jewel-like, sculptural beauty in nature

 Southbury, CT • 203.267.1090
Ken & Lois Wilder www.wilderimagesonline.com

TULIP QUINTET. Harbinger of Spring in black and white harmony 113

 "Our world is full of constantly changing
Tom Kumpf images. Because of this, I see, the shutter

114 BURREN PONY. County Clare, Ireland. Silver gelatin print

clicks, and something of strength, beauty, Boulder, CO • 303.926.0378
truth, and understanding is created." www.tomkumpf.com

CUBA SI. Havana, Cuba. Silver gelatin print 115

 "My photo collages are inspired by my love of
Kim Kauffman gardening and associated reverence for the

116 MANTRA. Photo collage from multiple scans of original objects

natural world. They study forms nature repeats across Lansing, MI • 517.321.2815
all living things and we humans mimic in our designs." www.synecdochestudio.com

NATIVE DANCER. Photo collage from multiple scans of original objects 117
 “Laying tiles, one at a
Larry Hamill time digitally, offers a way

118 MY EYE
of seeing via one of the Columbus, OH • 614.444.2798
oldest art forms—mosaic.” www.larryhamill.com

HORNBILL 119
 Kihei, HI • 808.879.0260
Douglas J. Hoffman www.douglasjhoffman.com

120 ENLIGHTENMENT. Black and white portraits reflect the beauty and mystery of the sea
 Bluffton, SC • 843.757.6557
Gregory Wrenn Smith www.imediasmith.com

PEOPLE WATCHING IN A MAY RIVER MARSH. Pictures with stories—naturally 121

Brandon Cole

122 PARROTFISH
 Spokane Valley, WA • 509.535.3489
www.brandoncole.com

HUMPBACK WHALE BREACHING 123

 “My images capture a moment in time, an
Cary Cleaver intersection of form and light. Applying oil

124 VIEW FROM MONT ST. MICHEL. Silver gelatin print

colors by hand imbues a mood and Atlanta, GA • 770.949.5351
invites the viewer into the photograph.” www.carycleaver.com

VIEW FROM MONT ST. MICHEL. Hand-colored silver gelatin print 125
 "These recent images are from the series
Clive Champion The Botanical Palace. They were inspired by

126 MID-DAY FOUNTAIN. Parque del Retiro, Madrid

the elegance of 18th and 19th century gardens Toronto, ON, Canada • 416.532.7304
and garden architecture in the UK and Spain." www.championphoto.com

PASSAGE TO PARAGUAY. Parque del Retiro, Madrid 127

 New York, NY • 212.505.1720
David Lubarsky www.davidlubarsky.com

128 STORMY COMMUTE, FAIRFIELD, CT. Digitally-enhanced cell phone camera image
 Cerrillos, NM • 505.577.3255
Melissa Ireland irelandmelissa@hotmail.com

RELIGIOUS NATURE 129

Wilton S. Tifft

130 FOG AND CHAIR. Ellis Island registry room

 East Smithfield, PA • 570.596.4940
www.tifft.com

STAIRWELL. University of Chernivtsi-Ukraine 131

Drake Sorey

132 MINOT FOOD. Minot, North Dakota

 McLean, VA • 703.534.7575
www.drakesorey.com

OLD TRUCK. New Mexico 133

 New York, NY • 212.737.6039
Mary Heller www.maryheller.com

134 BULGARIAN COURTYARD. An expression of loneliness and mystery

 San Francisco, CA • 415.409.1112
Anne Howson funston@aol.com

WENDY'S MEADOW. Looking towards what is possible 135

Mark Schafer

136 MALIBU PIER. California

 New York, NY • 212.691.9034
www.markschafer.com

30 ROCKEFELLER CENTER. New York 137

 “I prefer to find images, not contrive them—
Donna R. Strathy photographing what is significant to me in

138 LUNCH IN VERONA, ITALY

the real world. Discovering and distilling meaningful Seattle, WA • 206.366.8151
moments in life directs my photographic approach.” www.strathyphoto.com

A STREET IN FLORENCE, ITALY 139

 Portland, OR • 503.358.8119
Frank DiMarco www.dimarcogallery.com

140 COFFEE IN THE RAIN

 Richmond, VA • 804.377.7747
Elisabeth Flynn-Chapman chapflyn@aol.com

PATTERNS IN WOOD AND STONE. The ordinary as an aesthetic abstraction 141

 “My images are the product of light, film,
Mike McMullen and traditional darkroom techniques. What

142 CLASSIC MEETS MODERN. Nelson-Atkins Museum, Kansas City, Missouri

the camera sees is refined to convey the unique Shawnee Mission, KS • 816.582.3506
textures, shapes, and shadows of the subject.” www.mikemcmullenphoto.com

WIND AND WHEAT. Montezuma, Kansas 143

 "Color, shape, texture, form, scale, light...
Marc Longwood I seek out these elements of art, scattered

144 SILLAS DE GUGGENHEIM. Bilbao, Spain 2006. Digital media

secretly about in daily life, such that I Sacramento, CA • 916.635.0652
might see into the trees within the forest." www.longwoodpro.com

CASA DE ZORRO. Anza Borrego, California 2006. Digital media 145

 "My fine art urban landscapes have an emphasis on structure
Mike Kear and form, often playing with scale and humor, enabling the

146 MAN MO TEMPLE, HONG KONG. Inkjet print on aluminum. 7' x 7’

viewer to experience the subject from a new perspective. London, UK • 44(0)7753.930.678
I undertake large-scale international commissions." www.mikekear.com

EMPIRE STATE THROUGH THE MANHATTAN BRIDGE. Inkjet print on aluminum. 7' x 7’ 147
 Hackettstown, NJ • 908.852.4204
Susan G. Hammond www.susanghammond.com

148 TYLER'S HEAD. A head created with bricks, sits stoically in the cement landscape
 South Wellfleet, MA • 508.349.6001
Kevin Galvin www.kevingalvin.com

QUIET NIGHT. The Latin Quarter, Paris. Found images from Europe 149
 “I am a fine art, award-winning,
Richard J. Levy, AIA, APA architectural photographer. I create

150 MERV GRIFFIN THEATER (now Schwabs), circa 1936. Hollywood, California
images of structural, historic form found in the land- Los Angeles, CA • 213.250.0100
scape for corporate fine art and commercial use.” www.archphotodesign.com

HOTEL PADRE, circa 1963. Red Mountain, California 151

 “It is my pleasure to capture an image,
Sheridan Vincent manage it to print, and ultimately produce

152 SYMMETRIC ANGLES. Kodak Endura Metallic print

a desirable print to share what I saw. What Rochester, NY • 585.472.2005
a wonderful time to be a photographer!” www.sheridanvincentphotography.com

REFLECTED ANGLES. Kodak Endura Metallic print 153

 "My work deals with how a piece of
Brad Feinknopf architecture evolves and changes, both

154 BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING

interiors and exteriors, throughout different Columbus, OH • 614.225.0414
times of day, weather, and even season." www.feinknopf.com

BARD COLLEGE, CENTER FOR SCIENCE AND COMPUTATION BUILDING 155

John Peters

156 CREAM
 Buffalo, NY
716.961.0857

ICE CREAM 157

 "As an aviation specialist over the last
Mike Fizer twenty years, I never stop appreciating

158 EMBRAER ERJ 145 OVER SOUTHERN CALIFORNIA

the combination of grace and power of aircraft, Wichita, KS • 316.832.1022
nor how function influences aesthetics." http://mikefizer.com

BOMBARDIER LEARJET 60 OVER THE SALTON SEA, CALIFORNIA 159

 "I create art to match my client’s need,
Park Street with twenty years of experience providing

160 WATERSTREET 1
imagination to corporate, advertising, Austin, TX • 512.477.3572
and architectural clients." www.parkstreets.com

WATERSTREET 2 161
Michael Spain-Smith

162 UNTITLED
New York, NY • 917.494.1500 Philadelphia, PA • 215.755.7500
Miami, FL • 251.840.4500 www.michaelspainsmith.com

UNTITLED 163
 “I offer travel and
Ken Ross location photography,

164 TRIBAL CHIEF. Eastern Highlands, Papua, New Guinea

with stock images from Scottsdale, AZ • 602.319.2974
eighty-seven countries.” kenrossphotography.com

BLUE CROSS. Black Day, New Mexico 165

 "Factories panoramic: pipes, valves, wires, huge rooms
Paul Pierlott of iron mysteries, the unseeable made seen. Bacteria on

166 MELISSA
a pin, E. coli on a seed, portraits and events to recall. Philadelphia, PA • 215.836.2717
Yet we still see the soft smile and the ragweed wall." paul.pierlott.photo@verizon.net

RAGWEED WALL 167

 “Photographs of real life are moments gone as
Eric Smith soon as they happen. A compelling image is when

168 SPONGE BOB. New York 2006

all of the elements come into balance and one’s Huntington Wood, MI • 248.705.1035
response to the image is immediate and visceral.” www.ericsmithphotography.com

MACY’S PARADE. New York 2006 169

 "I enjoy shooting environmental
Bill McAllen portraits. I am producing a book

170 FRED RASMUSSEN AT GREEN MOUNT CEMETERY

featuring citizens of Baltimore in Baltimore, MD • 410.499.4131
their favorite spaces and places." www.mcallenphotography.com

DUFF GOLDMAN AT MOUNT VERNON SQUARE 171

 "For me it’s all about the light. Blending,
Nick Nacca shaping, and sculpting with light is at the

172 OIL & GLASS

center of my process, creating images San Diego, CA • 619.280.9900
that stand out in a world of clutter.” www.naccaphoto.com

PEZ AUDIENCE 173

 Cleveland, OH • 216.426.9090
Jeff Downie www.kpphoto.com

174 GREEN BUCKET

 Cleveland, OH • 216.426.9090
Craig Brown www.kpphoto.com

NYMPHAEACEAE 175
 Cleveland, OH • 216.426.9090
David Hagen www.kpphoto.com

176 TOMATO
 Cleveland, OH • 216.426.9090
Mike Wasserman www.kpphoto.com

SMALL ARCTIC, BLUFF 177

 “These photographs are from a
Jackson Hill post-Katrina series taken entirely

178 TWO DREAMS: THE SECRET OF LIFE

and literally from images New Orleans, LA • 504.524.0200
revealed in two dreams.” www.southernlights.com

THE DEATH OF PHOTOGRAPHY 179

Denton Robertson Tillman

180 THE PAINTER

 New York, NY • 212.255.2977
www.dennytillman.com

RIVA'S BRUSHES 181

Olof Wahlund

182 FERNS. Pigment print

 New York, NY • 212.929.9067
www.olofwahlund.com

ROCKSCAPE ONE. Pigment print 183

 "I use digital and analog capture and
John Still compositing in my still-life works to

184 EASY AS. Digital multiple exposure

explore and connect themes of time, Newton, MA • 617.527.9911
motion, perception, and synchronicity." www.johnstill.com

DREAMS TAKE FLIGHT. Digital photo composite 185

 “Series of work includes Foggy
Donna Callighan Florals, Seeds, Trees, Weeds,

186 BUBBLES #273

S.O.S., and Earth Balls. I am currently Stamford, CT • 203.348.7997
working on The Language of Trees.” www.donna-terra.com

FROM WHICH WE GROW 187

 “My composite photographs expand the
David Underwood language of single-frame photography,

188 CACTUS, WINDOWS, AND DOORS. Composite stapled color and silver gelatin photograph
exploring varied possibilities of deconstruction, recon- Jefferson City TN • 865.471.3572
struction, content, editing, printing, and presentation.” www.underwoodartworks.com

PLEASE KEEP OFF LAWNS. Composite stapled color and silver gelatin photograph 189
 “My photography
Max Hilaire encompasses fine

190 CIRCLES
art, architecture, still-life, New York, NY • 212.953.1986
and global images.” www.maxhilaire.com

BLUE WALL 191

Don Carlson

192 HEADS UP. Digital photograph

 Richmond, CA • 510.410.7833
www.rudedesigns.com

CHAIN LINKED. Digital photograph 193

 "The art of steel-making is dramatic and
Peter Treiber beautiful, but it is also hot, dirty, and

194 FLAME CUTTING, PRESS FORGE #2

extremely dangerous. It was twenty-four years Bethlehem, PA • 610.867.3303
of magic as I photographed this art in action." www.ptphoto.com

CASTING IN IRON FOUNDRY 195

 "I work with a variety of imaging
David Lee Thompson processes to create emotionally

196 MOON FLIGHT. Digital capture with Adobe processing

evocative and moving images Tampa, FL • 813.902.9816
of the heart, mind, and soul." dltphoto@aol.com

INTO THE FUTURE. Digital capture with Adobe processing 197

Arthur Levy

198 ASPEN FIREWORKS. Vivid, natural colors of an explosion of fall’s beauty

 Boulder, CO • 303.443.8473
acg47@aol.com

HOT DAY. First light of a hot summer day 199

Ric Peterson

200 HULL #1
 Seattle, WA • 206.334.5308
www.ricpeterson.com

TASHA 201
 "I search for artistic ways to create images
Thaine Manske that evoke strong emotions, incorporating

202 CATTLE ROUNDUP

the subtle interaction of color, texture, and Houston, TX • 713.988.0615
movement with the simplicity of good design." www.thainemanske.com

1945 SINGER SEWING MACHINE 203

 "This work is inspired by my affinity
Phillip Spears for the beauty, scale, and achievement

204 COGEN 1
inherent in the industrial Fayetteville, GA • 678.481.8842
and man-made landscape." www.phillipspears.com

HERREKNECHT 1 205
George H.H. Huey

206 WATER AND SANDSTONE. Zion National Park, Utah

 Prescott, AZ • 928.445.6800
www.georgehhhuey.com

LAVA DETAIL. Hawaii Volcanoes National Park, the Big Island 207
 “My vision is to reduce a scene or an object to its basic,
Gabe Palmer graphic form; the play of line, color, or shape. I do not

208 GRACE. Part of a continuing series exploring plants and flowers

take many variations, or many pictures, but spend most Pownal, VT • 800.872.1410
of my time just observing before I record an image.” www.palmerkane.com

SILENT PRAYER. Part of a continuing series exploring plants and flowers 209
 “I began my professional
Craig Stocks career in the 1970s in the

210 MOON FLOWER. Digital capture and post-processing

world of film, but the digital world Delavan, IL • 309.244.9684
has set my creativity free.” www.craigstocksarts.com

JEKYLL ISLAND SUNRISE. Digital capture, minimal post-processing 211

 Cowen, WV • 304.226.5435
Thomas R. Fletcher www.proseandphotos.com

212 SOLITUDE. Misty spring woodland, West Virginia

 Santa Ana, CA • 714.435.1700
Fred Lee Emmert www.airviews.com

FOGGY WIG ROCK. Nature creates art, but timing is everything 213
 "Landscape is about capturing light, shadow,
John Gregory and color that evokes the feelings of wonder,

214 TREE IN MEADOW. Great Smoky Mountains 2007. Digital

awe, and serenity. Color and texture explodes from an Libertyville, IL • 847.650.5421
emerging sunrise and fades into the subtleties of dusk." www.johngregoryimages.com

RIPPLED HORIZON AT SUNSET. Great Smoky Mountains 2007. Digital 215

 Village of Lakewood, IL • 847.287.7936
Tom Jelen www.tomjelenvirtuals.com

216 MACKINAC ISLAND FLOWER GARDEN

 Mendota Heights, MN • 651.454.3655
Bernard Friel www.wampy.com

RED BARN MINNESOTA. Winter’s contrasts 217

 Anchorage, AK • 907.646.1075
Carl R. Battreall www.battreallphoto.com

218 GLOWING ICE AND STREAM. Byron Glacier, Alaska

 Ventura, CA • 805.647.8056
Russ Bishop www.russbishop.com

MONO LAKE, CALIFORNIA. Natural imagery with a sense of detail and drama 219
 "Film transitioned, captures
Sid Hoeltzell turn digital, the eye remains

220 KOKI BEACH SUNRISE, MAUI. Archival giclée limited edition

the same...always sharp, hungry, and Miami, FL • 305.573.0175
never satisfied until it is ink on paper." www.sidhoeltzellphoto.com

LEAF #064. MAUI ZEN SERIES. Archival giclée limited edition 221
 Eugene, OR • 541.342.7304
Paul Wiles www.paulwilesphotography.com

222 WILD & SCENIC PORTION OF THE MCKENZIE RIVER, OREGON

 Sisters, OR • 541.549.8914
Jim Yuskavitch www.agpix.com/jimyuskavitch

DAWN, KLAMATH MARSH, CALIFORNIA 223

 "My inspiration comes from my
Yiorgos Konstantinidis struggle to communicate with

224 AUTUMN CREEK. Mount Pieria, Greece. Limited edition print

Mother Nature; witnessing all she has to offer, Thessaloniki, Greece • 0030.6972776466
hidden under a leaf, a rock, or a fierce sky." www.standinlight.com

KERKINI LAKE. Greece. Limited edition print 225

 Colorado Springs, CO • 719.389.6954
Stephen G. Weaver www.earthsystemsimaging.com

226 WILLOWS AND ASPEN, WYOMING

 Portland, OR • 503.231.7622
Vida Ward www.pixelpoint-artistry.com/ward

SHELTER FROM THE STORM. Remarkable Rocks, Kangaroo Island, Australia 227
 “Exploring every nuance of weather,
Frederick Charles documenting the splendor of change,

228 THE SEASONS PROJECT: A YEAR IN THE LIFE OF AN ORCHARD

standing witness to the power of the earth’s natural Dobbs Ferry, NY • 914.674.4044
cycle; I was humbled before the sublime.” www.fcharles.com

One year, one camera position, forty-seven days of photography 229

 “There is nothing better then when light, color,
Lewis Kemper form, and nature all come together. I try to find

230 ERODED HILLS, DEATH VALLEY NATIONAL PARK. Ultrachrome pigment print
the extraordinary in the world around Sacramento, CA • 916.974.7200
us and to share it with my audience.” www.lewiskemper.com

GHOST TREES, YELLOWSTONE NATIONAL PARK. Ultrachrome pigment print 231

 "The serendipity of the moment has always
Kevin Laubacher been my mantra. At times by placing

232 PARKING LOT SENTINEL

together these singular impulses I can tell a broader Portland, OR • 503.706.8845
story and tap into the deeper feelings of the viewer." www.kevinlaubacher.com

FOREST SENTINELS 233

 Honolulu, HI • 808.521.3560
John De Mello www.johndemello.com

234 HALONA BEACH. East O`ahu, Hawai`i

 San Rafael, CA • 415.499.8096
Margaret Lord calilord@msn.com

MAISON GARDEN, LOUISIANA. Polaroid transfer 235

Michael Hart

236 EMERGENCE
 Houston, TX • 713.271.8250
www.hartphoto.com

MILLENNIUM BRIDGE, ST. PAUL’S 237

 “My photography
Jeffrey R. Klug is like nature—

238 MOON AT POINT LOBOS

always and never Hubertus, WI • 262.628.1255
the same.” www.klugsphotoworld.com

LEAF ON ALGERS FALLS 239

 "I always try to capture the ‘other side’
Noel Greene of the image. These types of images

240 GRAND CANAL, VENICE

only present themselves for a mere second Ferney-Voltaire, France • 0033.67.7179842
and in my view can never be recaptured." noelgreene@gmail.com

REFLECTIONS AT LA FENICE OPERA HOUSE, VENICE 241

 "For the first forty of my more than fifty
Bart Harris years in photography, I referred to myself as

242 MICHIGAN AVENUE, #1

a photographer. With the advent of Photoshop and digital Chicago, IL • 773.975.0070
photography, I finally consider myself an artist.” www.bartharris.com

MILLENNIUM PARK, #1 243

 "Light is my muse, the photograph
Michael Snively my poem, creating an expression of

244 TIDAL PASSAGE. Archival carbon pigment print

timelessness and beauty. These images Littleton, CO • 303.520.7329
are from the Forgotten Dreams series." www.intimatemuse.com

REST IN PEACE. Archival carbon pigment print 245

 “This series pays homage to the similarity
Michael E. Haritan and beauty of the landscape and

246 PETERS LAKE PARK. McMurray, Pennsylvania, 2007

bodyscape. As nature adorns itself for Pittsburgh, PA • 724.941.2002
us, so does the human but for itself.” michaelharitan@verizon.net

NAVEL ADORNMENT. 2007 247

 "My observation of my photography is a
Alastair Orpen Finlay form of satire—a comment on a period

248 WORLD FINANCIAL CENTER. New York, New York

of time. Time is a consequence. It can demean and love New York, NY • 212.252.9667
consecutively. By which we are humbled in the end." www.alastairfinlay.com

DISPOSABLE. Houston Street, New York, New York 249

Vickie Lancaster

250 FISHING BOAT. Vancouver, British Columbia

 Portland, OR • 503.860.3684
www.vickielancaster.com

MOUNT HOOD AT CHRISTMAS 251

 Tulsa, OK • 918.742.8978
David Halpern www.davidhalpern.com

252 BEAR’S TOOTH CAVERN. Antelope Canyon, Arizona 2007

GALLERIES, CENTERS, Camera Obscura Gallery David Gallery
1309 Bannock Street 5797 Washington Blvd.
and DEALERS Denver, CO 80206 Culver City, CA 90232

Afterimage Gallery Camerawork Gallery Deborah Bell Photographs

2800 Routh Street #141 515 Center Street 511 W. 25th Street #703
Dallas, TX 75201 Scranton, PA 18503 New York, NY 10001

Alan Klotz Gallery Candace Dwan Gallery DSA Fine Arts

511 W. 25th Street #701 27 Katonah Avenue P.O. Box 1120
New York, NY 10001 Katonah, NY 10536 Beacon, NY 15208

Andrew Smith Gallery Catherine Edelman Gallery Edwynn Houk Gallery

203 W. San Francisco Street 300 W. Superior, 2nd Fl 745 Fifth Avenue
Santa Fe, NM 87501 Chicago, IL 60610 New York, NY 10151

Ansel Adams Gallery Ctr. for Fine Art Photography Etherton Gallery
Village Mall, Box 455 201 S. College Avenue 135 S. 6th Avenue
Yosemite N. Park, CA 95389 Fort Collins, CO 80524 Tucson, AZ 85701

Ariel Meyerowitz Gallery Charles Hartman Fine Art Fahey/Klein Gallery

4720 Center Blvd. #2005 2625 NE 26th Avenue 148 N. La Brea Avenue
Long Island City, NY 11109 Portland, OR 97212 Los Angeles, CA 90036

Art Source L.A. Charles Cowles Gallery Fay Gold Gallery

2801 Ocean Park Blvd. 537 W. 24th Street 764 Miami Circle
Santa Monica, CA 90405 New York, NY 10011 Atlanta, GA 30324

Atlanta Photography Group Charles Isaacs Photographs Flatfile Gallery

75 Bennett Street, NW, B-1 25 W. 54th Street #5C 217 North Carpenter
Atlanta, GA 30309 New York, NY 10019 Chicago, IL 60607

Barry Singer Gallery Charles Schwartz Ltd. FL Msm. of Photographic Arts

7 Western Avenue 21 E. 90th Street 200 N. Tampa Street
Petaluma, CA 94952 New York, NY 10128 Tampa, FL 33602

Bonni Benrubi Gallery Cichon Photography Gallery Fraenkel Gallery

41 E. 57th Street 133 Bent Street 49 Geary Street
New York, NY 10022 Taos, NM 87571 San Francisco, CA 94108
G. Gibson Gallery Howard Greenberg Gallery John Stevenson Gallery
300 S. Washington Street 41 E. 57th Street 338 W. 23rd Street
Seattle, WA 98104 New York, NY 10022 New York, NY 10011

Gallery 19/21 Howard Schickler Fine Art Joseph Bellows Gallery

9 Little Harbor Road P.O. Box 49227 7661 Girard Avenue
Guilford, CT 06437 Sarasota, FL 34230 La Jolla, CA 92037

Gallery for Fine Photography Illustrated Light Gallery Kathleen Ewing Gallery
241 Chartres Street 1 Old Town Square #103 1609 Connecticut Ave. #200
New Orleans, LA 70130 Fort Collins, CO 80524 Washington, DC 20009

Gallery Luisotti Iris Gallery of Fine Photoghy. Keith de Lellis Gallery

2525 Michigan Avenue A-2 47 Railroad Street 47 E. 68th Street
Santa Monica, CA 90404 Great Barrington, MA 01230 New York, NY 10021

Gallery Sink J.J. Brookings Gallery Laurence Miller Gallery

2301 W. 30th Street 330 Commercial Street 20 W. 57th Street
Denver, CO 80211 San Jose, CA 95112 New York, NY 10019

Gary Edwards Gallery Jan Kesner Gallery Lee Marks Fine Art
1711 Connecticut Ave. N.W. 164 N. La Brea Avenue 2208 E. 350 North
Washington, DC 20009 Los Angeles, CA 90036 Shelbyville, IN 46176

Gerald Peters Gallery Janet Borden Gallery Lewis Lehr, Inc.

2913 Fairmont 560 Broadway #601 444 E. 86th Street
Dallas, TX 75201 New York, NY 10012 New York, NY 10028

Gitterman Gallery Janet Lehr Inc. Lisa Sette Gallery

170 E. 75th Street 891 Park Avenue 4142 N. Marshall Way
New York, NY 10021 New York, NY 10021 Scottsdale, AZ 85251

Hans P. Kraus Jr., Inc. Joel Soroka Gallery Michael Dawson Gallery
962 Park Avenue 400 E. Hyman Avenue 535 N. Larchmont Blvd.
New York, NY 10028 Aspen, CO 81611 Los Angeles, CA 90004

Hasted Hunt Gallery John Cleary Gallery Michael Shapiro Photographs

529 W. 20th Street, 3rd Fl 2635 Colquitt 49 Geary Street #208
New York, NY 10011 Houston, TX 77098 San Francisco, CA 94108
Monroe Gallery of Photoghy. Photogenesis Gallery Santa Fe Photoghy. Center
112 Don Gaspar 100 E. San Francisco Street P.O. Box 2483
Santa Fe, NM 87501 Santa Fe, NM 87501 Santa Fe, NM 87504

Msm. of Contemp. Photoghy. Photographs Do Not Bend Scheinbaum Russek Ltd.

600 S. Michigan Avenue 1202 Dragon Street #103 369 Montezuma #345
Chicago, IL 60605 Dallas, TX 75207 Santa Fe, NM 87501

Msm. of Photographic Arts Prakapas Gallery Scott Nichols Gallery

1649 El Prado 1 Northgate 6B 49 Geary Street #415
San Diego, CA 92101 Bronxville, NY 10708 San Francisco, CA 94108

Newspace Ctr for Photoghy. Ralls Collection, Inc. Silver Eye Photography Ctr.
1632 S.E. 10th Avenue 1516 31st Street N.W. 1015 East Carson Street
Portland, OR 97214 Washington, DC 20007 Pittsburgh, PA 15203

Open Shutter Gallery Robert Klein Gallery Silverstein Photography

755 E. Second Avenue 38 Newbury Street, 4th Fl 535 W. 24th Street
Durango, CO 81301 Boston, MA, 02116 New York, NY 10011

Ordover Gallery Robert Koch Gallery Society for Cont. Photoghy.

1788 El Prado 49 Geary Street, 5th Fl 520 Avenida Cesar Chavez
San Diego, CA 92101 San Francisco, CA 94108 Kansas City, MO 64108

Pace/MacGill Gallery Robert Mann Gallery SOHO Photo

32 E. 57th Street, 9th Fl 210 Eleventh Avenue, 10th Fl 15 White Street
New York, NY 10022 New York, NY 10001 New York, NY 10013

Patricia Laligant Robert Miller Gallery Southeast Msm. of Photoghy

150 W. 28th Street #1702 524 W. 26th Street P.O. Box 2811
New York, NY 10001 New York, NY 10001 Daytona Beach, FL 32120

Paul Kopeikin Gallery Rose Gallery Staley-Wise Gallery

6041 Wilshire Blvd. 2525 Michigan Ave. G-5 560 Broadway, 3rd Fl
Los Angeles, CA 90048 Santa Monica, CA 90404 New York, NY 10012

Peter Fetterman Gallery Sandra Berler Gallery Stellar Gallery

2525 Michigan Ave. A-7 7002 Connecticut Avenue 40982 Highway 41, Suite 1
Santa Monica, CA 90404 Chevy Chase, MD 20815 Oakhurst, CA 63644
Stephen Daiter Gallery
311 W. Superior Street #404
Chicago, IL 60610
Stephen L. Clark Gallery
1101 W. 6th Street
Austin, TX 78703
Steven Kasher Gallery
521 W. 23rd Street, 2nd Fl
New York, NY 10011
TARTT/Washington
1711 Connecticut Avenue
NW, Washington, DC 20009
The Collected Image
806 Monroe Street
Evanston, IL 60202
The Illustrated Light Gallery
# 1 Old Town Square #103
Fort Collins, CO 80524
Throckmorton Fine Art
145 E. 57th Street, 3rd Fl
New York, NY 10022
Van Deusen Photography
6951 Tomahawk Road
Prairie Village, KS 66208
Vernacular Photography
4718 Springfield Avenue
Philadelphia, PA 19143
Verve Gallery of Photography
219 East Marcy Street
Santa Fe, NM 87501
Vintage Works, Ltd.
258 Inverness Circle
Chalfont, PA 18914 ART
Wach Gallery
31860 Walker Road
of Seeing
Avon Lake, OH 44012
Watermark Photography A working tool
3503 Lake Street for American
Houston, TX 77098 photographers,
Art of Seeing
Weinstein Gallery
908 W. 46th Street offers a succinct
Minneapolis, MN 55419 way to reach
creative buyers,
Wessel + O'Connor Fine Art
111 Front Street #200 photo galleries,
Brooklyn, NY 11201 stock houses, and
collectors.
Weston Gallery, Inc.
P.O. Box 655
Carmel, CA 93921 The submission
deadline is
William Floyd Photographs November 1st.
16 E. 77th Street
The publication
New York, NY 10021
date is May 1st.
Yancey Richard Gallery See our website
535 W. 22nd Street for details.
New York, NY 10011
Yossi Milo Gallery ALCOVE BOOKS
525 W. 25th Street 930 Dwight Way #7
New York, NY 10001 Berkeley, CA 94710
Zabriskie Gallery AlcoveBooks.net
41 E. 57th Street, 4th Fl 510.644.3534
New York, NY 10022