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The task we had been set for our Unit G324 Advanced Portfolio was
to produce a short film in its entirety, lasting five minutes, which
would be a dramatic thriller, together with:
A poster
A film magazine review page
Codes can be split into two types; technical and symbolic. Technical
codes are ways in which technology and equipment within a media
text are used to shape the narrative. For example, cinematography
and mise-en-scene are used to create and help tell the story.
Symbolic codes are what lie beneath the surface of certain aspects
of the film. For example, the use of sound to connote what a
character is feeling through certain pace and instruments. However,
many aspects can be seen as both technical and symbolic, for
example sound.
Conventio
The storyline ns of a Jump
will be designed cuts of
Theme
Typical
so the props
audience conflict
think that it as
such can Tension
drugs and
happen to them music
phones
Conventio A form of
ns of a realisation at
the end of
the film
Structured with
climaxes and anti-
climaxes to keep
the audience
emotionally Close-up and
attached and the extreme
tension on going close-ups
Setting/Location:
The main location used within our production was the park. This sets
up the film for the audience and gives the narrative time to build.
The strong contrast between this location and the interior settings
for the other scenes helps the audience to identify the drama genre.
We conformed mostly to the convention of low-key lighting to
highlight the thriller genre, as this was important in portraying the
theme of mental illness within our production. Due to the time
stamps on each scene, the audience are able to distinguish between
the settings, therefore making the narrative much clearer.
Costume/Props:
Editing:
As director, I had to make sure that the editing clearly reflected our
hybrid genre of a dramatic thriller with psychological undertones. To
do this, I believed that we would have to conform to conventional
editing of both drama and thriller films and combine them both. Our
transitions between scenes were slow paced in order to highlight the
drama genre. This gave the audience time to reflect on the events
that had occurred in the previous scene, conforming to the
conventions of the drama genre. The theme of conflict portrayed
within the production is a significant convention used within drama
films. We included this within the conflict between Myles and Emel
and Eves conflict with herself due to her battle with mental illness
and this is eviedent through the scene in which Eve is in her room
and begins to get frustrated so throws the mirror in her room
around. To allow the audience to feel more immersed in the scene,
we incorporated direct address in which Eve held the camera and
looked into it while shaking it.
At the beginning of the film, our title is shown across a medium shot
of Eve walking down the path in the direction of the couple she first
encounters. The quick flash of the title connotes the theme of
mental illness, which is also shown through the use of flashbacks
within the production. The white colour for the title against the low-
key lighting of the shot and her black clothing connotes a sense of
vulnerability within Eve even among the dark situation she finds
herself in. At the end of the film, we used the same font but did not
put it in bold like the title in order to stick with the calming feel that
is created at the end of the film when Eve takes her pills. This
conforms to conventions of dramatic thriller films such as Seven
(1995) where the titles are representative of the equilibrium that
occurs at the end of the films.
Sophie Laxton
Music/Voiceover:
The main music used within our production was score music. We
carefully selected music that would compliment the scene and
highlight certain emotion changes. This was important in the
understanding of the theme of mental illness within our short film,
as there are sudden changes of emotions. Certain instrumental
tracks such Farewell Life and Cold by Jorge Mendez assisted in the
build of tension in multiple scenes throughout the film. For example,
Eve is seen in close-ups crying, and the score music builds a bridge
between the audience and the character, allowing them to connect,
heightening the emotions of the audience in relation to our
production. We decided to use voiceover, as it was a clear
convention of the drama genre in which we incorporated within our
artefact. We wanted the audience to have a clear understanding of
our confusing narrative and believed the best way to do so was to
have the protagonist explain her story. This allowed us to create
direct links from her behaviour to her mental illness through when
Eve says, A scientific anomaly is what I am and thats all I am.
Almost like split personality disorder but much more