Riverbank

Garden (used as
Alleyway abandoned land)
Shot List
For my A2 F634 portfolio, I have completed an essay on how the representation of protagonists has differentiated in the superhero genre, I have
finalised a script for my short film, written a synopsis of the plot, developed a health and safety risk assessment, reported on the locations I will be
using and have considered the actors for my creative artefact. In this document, I will be developing a shot list, which will help me when filming my
short film entitled Red Hood. I will be using this shot list for future reference so I can perform the shots to the best of my ability.

Shot Locatio
Shot Description Framing Action Dialogue Actor(s) Prop(s)
No. n
Insanity isnt dependant Sam Willmore
on how you handle the
1 Pitch Black people around you its
about how the people
handle you
A man with a hooded top,
wearing a BACKPACK WALKS
2 Long shot
across the riverbank, hands in
pockets and walking slowly.
He PULLS DOWN his hood,
I Jason Peter Todd
revealing his face while still Handheld
3 Low-angle medium shot would know that better than
walking this is JASON TODD movement
anybody.
(20), the protagonist.
When a bad person is
4 Long shot employed by a mentor to
do something good after a Backpack,
treacherous youth the Hood
Handheld inner rage, the turmoil,
5 Jason continues to WALK, with Close-up which builds up inside of
movement
his hands in his pockets. you, kept together and
under control by the people
you looks up to the most,
Long shot (Jason walking sometimes just explodes
6
towards camera) and results in mass
destruction.
He TURNS AROUND, wary of Medium shot (from Handheld
7
his surroundings, cautiously. behind) movement
8 JASON then stops and opens Over-the-shoulder shot Explaining yourself isnt Backpack,
 his BACKPACK inside is a
RED CLOTH MASK. This easy either. I was always
covers his identity as a ruthless put under a set of
vigilante operating in GOTHAM guidelines that I never
CITY, known as the RED wanted to follow.
HOOD.
Hood, Red
JASON begins to CHECK his It restricts your freedom. It
9 Long shot Cloth Mask
surroundings again. restricts your personal
He TURNS AROUND slowly, judgment on what you think
10 continuing on across the Over-the-shoulder shot is right what should be
riverbank punishable by such actions
putting the RED MASK back POV shot (in the and what you should just
11
in his bag slyly. backpack) let slide away.
Now Im free. I can do Sam Willmore, Hood, Mask,
JASON is now on the streets of
whatever I want. Clearing Jordan Burnett, Gun, Knives
GOTHAM CITY, adopting the
up the vermin for good George Sicobo
persona of the RED HOOD. He
instead of putting them
12 wears a BIKER JACKET and Long shot (continuous) Dolly track
back into Arkham, only for
the RED MASK. Using his
them to break out and
pistols, SHOOTING, KILLING
commit the same crimes
criminals.
again, or worse
After killing all the criminals
13 except one, RED HOOD drops Medium shot
a card
it has a JOKER, covered in a
14 HAND-DRAWN RED BAT Close-up
SYMBOL.
The last remaining criminal
15 Close-up
attempts to CRAWL away
but his effort are worthless.
JASON PULLS out a PISTOL Handheld
16 Low-angle shot
towards the remaining criminals movement
head, but PAUSES.
A set of FLASHES appear on
Flashes
screen THE JOKERs face. He Close-up (JOKER and
17 (post- *giggling*
is GIGGLING hysterically, JASON)
production)
looking directly at the viewer.
18 JASON begins to BREATHE Close-up
19 Side-shot
HEAVILY. The flashbacks they
20 Close-up
STARTLE him.
21 Extreme close-up
THE JOKER emerges from the Sam Willmore, Crowbar
22 darkness and laughs Medium shot *giggling* Billy Gravestock
hysterically.
He TAPS a CROWBAR in his
23 Close-up
hand.
JASON whimpers on the floor
24 High-angle shot *whimper*
as

because when people

are back on the streets of
Gotham, and set out to
destroy everything in his
THE JOKER brutally HITS
POV shot (flashes of life thats when others
25 him repeatedly with the weapon,
JOKERs face) get caught in the
LAUGHING and GIGGLING.
crossfire. People who
you considered family
become distant.

*laughing*
JASON is still in excruciating
26 Extreme close-up *giggling*
pain.
The clown RACES towards
27 Long two shot You know
JASONs face.
28 He mutters to JASON. POV shot I see potential
29 He steps back Long two shot
PATTING the CROWBAR
30 Close-up
between his gloved hands.
but its a shame youre
THE JOKER slowly looks up
31 Close-up working with the Bat. And I
again at JASON
dont like the Bat!
32 ZOOM IN - to the shadow of the Long shot (continuous) Dolly track *screeching laughter*
wall behind it, THE JOKER is
continuously POUNDING his
CROWBAR against JASON
TODDs body. His laugh RISES
 even more, SCREACHING with
JOY.
The ECHO of THE JOKERS
33 laugh continues to ring in Extreme close-up *giggling*
JASONs head.
JASON has his GUN still
pointed at the criminals head.
34 Low-angle close-up
His head is FACING DOWN,
trying to regain himself after the
hallucinogenic flashback. But it High-angle close-up (on
35 isnt enough. criminal) Sam Willmore, Hood, Mask,
JASON raises his head, LOOKS Jordan Burnett Gun, Knives
directly into the criminals eyes
36 Extreme close-up *shout*
and SHOUTS in an episode of
rage and anger combined.
The trigger is pulled. The GUN
Extreme close-up (on
37 is SHOT at the last remaining
gun)
criminal.
JASON stands like a statue. He
38 Long shot Dolly track
is emotionally wrecked.