Apakah periode romantisisme berakhir ? tidak ? ya. Menurut salah satu tokoh budaya.

Kematian
atau kehilangan adalah salah satu kehebatan dari bayangan romantisme. Romantisisme
merupakan sesuatu yang sudah ditakdirkan, masih secara terus menerus diperbaruhi sepanjang
waktu
In Prometheus Unbound written by Shelly completely different idea of Byron with wonder and
with horror , shelly prefers stating the idea as a symbol and sign to mortals of fate and force,
including doomed, enduring, and most impressive of all
It explains how the clarified mind can gain its liberty without a truce with ruling power.
The Shellys and Byrons ideas about forgiveness, love, and hope have different imaginations of
Prometheus as well informs us about their different Romanticism
It is around 1935 seemed the Romanticism finished, at least as dominant cultural and pedagogic
formation.
Why in the world one think it might be finished ?but actually it is not when it is viewed in
different point. The novel Disgrace (1999) by J.M Coetzee shows that the book is organized
around the ultimate dialectic of the Romantic Movement in England. In the novel develops
interpretation of Byron and interpretation of European Romanticism. Especially to locate the
traditional Romantic thought in Euro-African context,
The reviewer, Ranti Williams remark the book obviously analogy to Byrons life. The Byronic
allusions, the analogy seems to be the Byrons notorious despair. The entirety of the Byronic
legnd, in terms of Byrons devotion to animals which often interpretive in the nineteenth century.
The role of Byronic analogy is clear, the analogy suggests a reinterpretation of the Byronic
legend. The novel uses the Byronic materials, however the reinterpretation is inevitable.
The Byronic representations never strays far from the book which involved the Byronic Hero
In Coetzees book is a great measure a satiric investigation of a wide Romantic ideologies from
Wordsworthian sincerity to Byronic intellectual flamboyance on the other.
Two advantages come from taking the procedure of measure Romantic ideologies. First, because
Byronic satire is confessedly a spoilers art a critical engagement with error undertaken from a
complicit point of view. The second, a corollary of the first, gives a local habitation and a name
to that world elsewhere (the readers world).
The Romantics figure writes poetry and puts the reader to a test of their own minds and ideas.
We call it consciously rhetorical poetry
In the respect of Romanticism on Coetzees way with Byron is a skeptical one. It has too much
common, with the aesthetic practices of Romantic artists. If Romanticism is perpetually
doomed and perpetually self-renewing, the reciprocities draw on a common energy source :
imaginative skepticism.
Romantic imaginations are restless and self-critical, constructing and reconstructing forms of life
in order to examine and establish their limits.
The romantic scepticism cast as benevolent apprehensions. When the apprehensions grow dark
and fearful, the impulse To strive, to seek, to find, and not to yield may turn to question and
perplexity, but it does not lessen Byrons Promethean defiance takes a skeptical stand toward any
given order of the world.
Romantic Scepticism is the most impressive whn it turns upon its own resources.
To Summarize Romantic Ideology in this way barely does justice to the movements artistic
achievements. Nonetheless, we monitors of culture make these summaries all the time by put
critical work in peril of choosing forms of worship from poetic tales