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User's Guide (version 4.

2)

VideoCleaner can natively open a wide range of image and video files, including some that normally
require a proprietary player. For all other cases, VideoCleaner includes an optional screen capture
utility (CamStudio) that can dub videos as they play within their proprietary player.

VideoCleaner works best on videos that:


Are extremely dark (e.g. shot at night) or overly bright where the target details are located
Need only a small increase in resolution or focus to see the required details
Have poison noise (e.g. specks or artifacts that are randomly located on each video frame)
Need to be resized, cropped, trimmed, slowed down, or changed to a more common format
Have artifacts from a prior VHS-digital conversion
Depict very faint motion or subtle (e.g. due to distance) color changes
Have compressed (washed out) or incorrect colors, or have incorrect lighting levels
Are suspected of having post-production scene manipulations

VideoCleaner does little to help with videos that:


Are visually perfectly clear, but include noisy audio
Show motion smearing where video details blend into adjacent video details
Require a television crime show's fantasy level of resolution enhancement

ABOUT:
VideoCleaner is the world's most relied upon forensic video enhancement software because it:
Meets the highest evidentiary scientific standards validated by courts and experts worldwide.
Automatically maintains an audit trail of all filters and settings, and generates a metadata log.
Preserves evidence by applying industry accepted filters without altering the original recording.
Opens its source code for scientific scrutiny and is supported by hundreds of programmers.
Provides free unlimited updates and support, and is licensed for any legal purpose.
Is cost-free, ad-free, allows unlimited usage, and never collects any personal information.

With VideoCleaner, you can recover license plates and facial details, illuminate poorly lit scenes,
increase detail clarity, correct the viewing perspective, reverse lens distortion, repair VHS recordings,
improve color contrast, isolate channels, and so much more. VideoCleaner is created under the belief
that clear evidence should be available to all those who need it.

VideoCleaner can be redistributed and/or modified under the terms of each component's relevant
GNU General Public License, available in the VideoCleaner Support folder. VideoCleaner is provided
"as is" without any warranties or guarantees, and VideoCleaner installation or usage constitutes a
unilateral unlimited release of any and all related risks, damages and liability, actual or implied.
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TABLE OF CONTENTS

Topic Page

Cover page ........................................................................................................................................... 1


Table of Contents.................................................................................................................................. 2
Quick Start Guide .................................................................................................................................. 3
Usage Hints .......................................................................................................................................... 4
Main Interface ....................................................................................................................................... 5
Saving Your Work ................................................................................................................................. 6
VirtualDub ............................................................................................................................................. 7
CamStudio ............................................................................................................................................ 8
MediaInfo .............................................................................................................................................. 9
Main Section ....................................................................................................................................... 10
Properties Section ............................................................................................................................... 15
Specialty Features Section ................................................................................................................. 18
Finalizing Features .............................................................................................................................. 20
Final ColorSpace/transparency ........................................................................................................... 22
Forensic - Analysis (explained) ........................................................................................................... 23
Tutorial - Enhancing Sample Files ...................................................................................................... 24
References.......................................................................................................................................... 28
Glossary (definition of terms) .............................................................................................................. 30

Frequently check http://VideoCleaner.com for the latest version update.

This guide is Copyright, Forensic Protection, Inc. 2016


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QUICK START PAGE
Use the computer desktop's "VideoCleaner" icon to launch
the program. You will be presented with the option to Reload
the default settings (choice "Yes", the default) or re-use the
settings from your last session (choice "No"). The "No" option
is useful if you experience a VideoCleaner program crash, or
just want to apply the same settings to multiple video files.

Once VideoCleaner loads, press the computer's F5 key (or Ctrl-O) to load an image or video file.
DO NOT USE THE OPEN OPTION OF THE FILE MENU, AS THAT IS NOT FOR VIDEO FILES.
NOTE: VideoCleaner may not be able to open files who's name contains non-English characters.

Adjust the program sliders rightward to activate filters/features and immediately apply their effect.
Each filters/features group includes an OFF/ON slider to independently activate/deactivate that filter
group. The check boxes at the top of VideoCleaner toggle on/off additional filter/feature sections.

Once optimal video clarity is achieved, use the computer's F6 key to export the enhanced results to
VirtualDub. Within VirtualDub, press the computer's F7 key to save that video as a computer file.
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There are a few computer keyboard shortcut keys worth remembering:


F1 ......... Shortcut help screen. This one key lists all of the other shortcuts.
F2 ......... To access the VideoCleaner settings screen to configure user preferences.
F5 ......... or ctrl-O key to select an image or video to open in VideoCleaner.
F6 ......... Exports the enhanced VideoCleaner video to VirtualDub (VideoCleaner can then be closed).
F7 ......... From within VirtualDub, the F7 key saves the enhanced video onto the user's computer.
ctrl-B ... Bookmark the currently viewed frame (e.g. used with the "Mid Frames" slider option).
alt-B ..... Jump to the Bookmarked frame.
ctrl-S .... Save the currently viewed frame in the type and destination folder of your choosing.
alt-S ..... Save all frames as a sequence of images in the type and destination folder of your choosing.
ctrl-Z .... (hold down the "ctrl" key and touch the letter "Z") to undo the user's last setting change, then
press the F5 key to reload the video with the prior settings (useful after an error message).

NOTES:
If the user's computer configuration prevents a specific VideoCleaner feature from working, an
on-screen message will denote that fact. All other VideoCleaner features will work as expected.
The program shortcut, VideoCleaner fix, resets VideoCleaner back to its installation defaults.
For technical support or feature requests, visit http://www.linkedin.com/groups?gid=2461639

KNOWN ISSUES:
The playback controls can cause viewing/usage glitches if your computer cannot keep up with the
processing demands. Use the right/left arrow keys or navigation bar to jump to a specific frame.

Sometimes, pressing the "F5" (or ctrl-O) key can cause multiple file open windows to appear. This
occurs when Windows thinks that it hasn't yet offered the VideoCleaner file open selection window. If
this occurs, use the "Cancel" button (or the "ESC" key) to close the extraneous file selection windows.

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USAGE HINTS
Need a fast solution to a video enhancement and restoration problem? Here are a few examples,
along with their corresponding VideoCleaner solution (denoted as feature group - specific feature).

PROBLEM .................................................................. SOLUTION


Video details appear fuzzy .......................................... MAIN - TOOLS - Unsharpen, Sharpen Strength
Video details are compressed or expanded ................ MAIN - TOOLS - Video Contrast Strength
Video colors are compressed or expanded ................. MAIN - TOOLS - Color Contrast Strength
Video colors are too subtle or intense ......................... MAIN - TOOLS - Color Saturation Strength
Eliminate glare and steady lights ................................ MAIN - TOOLS - Suppress Brightest Strength
Distracting flashing emergency lights .......................... MAIN - TOOLS - Suppress HotSpot Strength
Video appears extremely dark or overly bright ............ MAIN - TOOLS - Automatic Histogram.
Distant details are lost in the darker areas .................. MAIN - TOOLS - Backlight Compensation
Video is cluttered with tiny random specks ................. MAIN - TOOLS - Denoise
Portions of the scene are out of focus ......................... MAIN - TOOLS - Deblur Lens
License plate, text or logo is hard to read ................... MAIN - FORENSIC - Canny, Sobel & Edge
Movement or color changes are too faint .................... MAIN - FORENSIC - RGBamplifier Strength
Hard to detect moving objects/people ......................... MAIN - FORENSIC - Isolate Scene Changes
Can't read stationary signage or license plate ............ MAIN - FORENSIC - Frame Averaging
Only examine complete frames (iFrames) .................. MAIN - FORENSIC - iFrames isolation
Video's authenticity is suspect .................................... MAIN - FORENSIC - Analysis
Scene is too dark or too bright .................................... MAIN - EQUALIZER & MAIN - CURVE
Scene looks like a mosaic of tiny squares .................. MAIN - DEBLOCKING
Video contains repeated frames ................................. PROPERTIES - DUPLICATE removal
Audio is too quiet or shouldn't exist ............................. PROPERTIES - CORE - Volume
Video plays at the incorrect speed .............................. PROPERTIES - CORE - FPS speed
Only need a range of video frames ............................. PROPERTIES - CORE - Starting & Keep frame
Video plays in reverse order ....................................... PROPERTIES - CORE - Reverse Video
Fast moving objects look jagged ................................. PROPERTIES - FIELDS - Sep/Swap
Video jerks up/down or left/right (after Sep/Swap) ...... PROPERTIES - FIELDS - Nudge & Shift
Enhance stationary objects in an interlaced video ...... PROPERTIES - FIELDS - Horizontal alignment
Only a small portion of the video matters .................... PROPERTIES - CROP
Video is the incorrect size or perspective .................... PROPERTIES - RESIZE
License plate or facial details are too small................. PROPERTIES - RESIZE - SuperResolution
Video needs to be flipped or rotated ........................... PROPERTIES - ANGLE
Remove frames inconsistent with reference frame ..... PROPERTIES - DESEQUENCE
Scene is jerky to watch (e.g. handheld camera) ......... PROPERTIES - STABILIZE
Certain color channels contain greater noise .............. PROPERTIES - CHANNELS
Digitized video tape shows VHS aging defects ........... SPECIALTY - VHS
Video is distorted into a pincushion or barrel shape .... SPECIALTY - LENS
Camera perspective needs to be repositioned ............ SPECIALTY - VIEW
Video overall color is incorrect .................................... FINALIZING - COLORIZE
Need to highlight or pixilate a specific area ................. FINALIZING - ACCENT
Need to add on-screen text ......................................... FINALIZING - TEXT
Need to add frame numbers ....................................... FINALIZING - Apply NUMBER
Need to add a progressive time stamp ....................... FINALIZING - Apply TIMEstamp
Need to know which settings are active ...................... MAIN - List all active features
See what the enhanced version has changed ............ MAIN - All frames / mid frames / subtract
Need to quickly toggle enhanced-unenhanced ........... MAIN - Deactivate all enhancements
Need to compare enhanced to unenhanced ............... MAIN - Compare Original to Enhanced

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UNDERSTANDING THE VIDEOCLEANER INTERFACE:

Script code area: No need to Preview window: Shows the Section toggles: Check a toggle
examine this area unless you video in its current state. Apply box to activate and display the
want to modify or understand filters to make changes. features of that section. The
the VideoCleaner code. program automatically reloads.

Slider and its setting (min, max, current)

Playback controls. Feature description

Frame number. Frame navigation bar

Current frame # Playing time of current frame Color space

Total number of video frames Video resolution and aspect Playback frames per second

If the VideoCleaner sliders are hidden, click on the 3 mini arrows to


restore their visibility. You can adjust the size of the control window
by moving the boundaries guides (see the blue arrows above).

PLAYBACK CONTROLS

The playback bar is located immediately above the status bar, and includes basic playback controls.
However, video playback requires an exceptionally powerful computer and should not be attempted.
Instead, use the computer keyboard right arrow to moves forward a single frame, and the left arrow
moves back one frame. Use the frame navigation bar to move quickly through the video to locate a
specific scene.
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SAVING YOUR WORK

Each time VideoCleaner is closed, your VideoCleaner settings are automatically saved in a file
ending in "VideoCleaner_settings.txt" located in the video's file folder and again in c:\VideoCleaner.
You can open this file using any text editor or the "Fileinfo" slider in VideoCleaner. Each time you
start VideoCleaner, all settings and sliders will be automatically reset to their defaults.

Prior to exiting VideoCleaner, the user will


likely want to save the enhanced video.
Simply press the computer's "F6" key (or
choose "External player" under the "Video"
menu) to export the video into VirtualDub.

To review the enhanced video from within


VirtualDub, use the keyboard right and left
arrow keys to move forward and backward
through that video, just as can be done from
within VideoCleaner.

There are additional free VirtualDub features and filters available through the internet. Unless the
user activates additional filters inside of VirtualDub (located under the "Video" menu), the side-by-side
before-after views of the video will be exact duplicates of the finished VideoCleaner results.

Inside VirtualDub, press the "F7" key (or select "Save


as AVI" under the "Video" menu) to save a copy of the
enhanced video in uncompressed format (a huge file
format that retains 100% of the video details). If a
smaller compressed file size is needed, press CTRL-P
(hold down the "ctrl" key and touch the letter "P") or
select "Compression" under the "Video" menu to
choose a compression Codec, and then press "F7" to
save the video. VirtualDub will ask for the file's name
and where the user wants to save the finished video.

Once the video has been exported to VirtualDub, the


VideoCleaner program can be closed. Once the video
has been saved, the user can close VirtualDub. The
user can relaunch VideoCleaner to work on another
video while Virtualdub is saving the prior video because
the two programs work independently of each other.

To save only a section of video, the user only needs to


select the first and last frames by simply moving to the beginning or ending range frame and then
selecting the relevant icon (see the red arrows above). Only the selected frame range will be saved
(see above for saving instructions). Likewise, pressing the computer's Delete key will remove the
designated range of frames. Pressing the Delete key without selecting a frame range, only removes
the currently viewed frame. If frames were accidentally deleted, pressing CTRL-Z (hold down the
"ctrl" key and touch the letter "Z") will undo the last change. Repetitively pressing CTL-Z will undo
successively prior steps. Alternatively, the user can close VirtualDub, and then use the F6 key while
in VideoCleaner to once again export the enhanced video onto a new VirtualDub session.

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VIRTUALDUB

When a video is open within VirtualDub, use the keyboard's right and left arrow keys to move forward
and backward frame-by-frame through the video, just like what can be done with VideoCleaner.
Unless additional filters are activated within VirtualDub, by pressing CTRL-F (hold down the CTRL
key while touching the letter "F") or selecting "Filters" under the "Video" menu, the side-by-side
before-after views of the video will simply be duplicate views of the open video.
VirtualDub includes dozens of built-in filters. A few specialty filters were installed as part of the
VideoCleaner installation. These include:

Deshaker v3.0
This filter can stabilize the shakiest video
from a handheld camera. The range of
setting options are beyond the scope of
this tutorial, but the user can accept the
defaults and "run video analysis pass"
(located under the VirtualDub File menu)
to allow the filter to auto-calibrate. Then
use CTRL-F to change this filter to
PASS2, and then simply save the now
stabilized video using the "F7" key. As
the file saves, the before and after views
of Virtualdub should show impressive
differences. The rightmost arrows identify
the PASS2 option to automatically fill the
missing visual data using data from adjacent video frames.

Histogram Equalizer -AND-


Easy_Histogram_Equalization_1_0
Activate the filter's Preview window and
adjust the sliders to get the desired results.

Refocus 0.1.3 (Y=Green)


A true optical refocusing filter. This is a
computationally intensive filter (aka slow).

xsharpen
This sharpening filter emphasizes the
luminosity difference between adjacent
pixels. Also available as "Sharpening" in
VideoCleaner's TOOLS feature group.

VirtualDub also makes it easy to export the


video as a series of independent images (first delete any unwanted video frames). The resulting
images can be saved as BMP, TARGA, JPEG, or PNG. For maximum detail retention and computer
compatibility, BMP or PNG is recommended.

VirtualDub's Hex editor (located under the Tools


menu) display's hidden metadata. This example
denotes that the loaded image file was last
saved using the Windows photo viewer.

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CAMSTUDIO

CamStudio can record videos while they are being viewed on a computer screen. This is a simple
method to convert a proprietary recording, as it plays, into a video that can then be saved, and later
enhanced in VideoCleaner. A low-resource using, ad-free version of CamStudio is ready to install
(Choose "Install - Camstudio screen capture", located in the VideoCleaner program shortcuts folder).
Once installed, follow these usage instructions:

Select the CamStudio program


shortcut. Under the "Options"
menu select "Video Options" to
select the desired compression.
In general XVID (http://xvid.com)
provides optimal visual quality in
a very compact file size (the VideoCleaner shortcut
folder also includes the XVID installation). Using "Max
Framerate" can help ensure that no video frames are
skipped or lost, but will result in a larger final file size.

To record a video, select "Window" located under the "Region"


menu, then select the Red record button. Now mouse click on the
proprietary video player's viewing window to select it, and then start playing the proprietary video. A
progress bar will indicate how large the dubbed copy is becoming. When the desired portion of the
proprietary video has finished playing, select the stop button in CamStudio to complete the recording.

Once the user presses the CamStudio Stop button, they will be asked for a file name and save
location for the newly created recording. The recommended name is "Screen.avi" since that matches
the default input of VideoCleaner. Be aware that screen captured recordings, while typically much
larger than the originating video file, they will not contain any additional details.

Once the newly dubbed video has been saved, it can be opened directly in VideoCleaner without the
use of any special viewing software. VideoCleaner can then be used to remove any duplicate
frames, thus creating a more accurate and compact dubbed video.

NOTE: If the CamStudio frame rate is set too fast, you may acquire blended frames (hybrids of two
sequential moments in time) that will compromise file accuracy, and VideoCleaner enhancements.
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MEDIAINFO

The first time a video is loaded, VideoCleaner will create one or two new files in the same folder as
that video. One of those files may have a name extension that ends in ".ffindex". If this file exists, it
is a temporary index created by FFDSHOW (the tool that opens most of VideoCleaner's files) to help
locate frames, and speed up future load times for that same video. The other file has a name
extension ending in ".Mediainfo.txt" and contains detailed video metadata and facts useful for creating
reports and analysis. The Mediainfo file may include GPS coordinates, camera settings, date/time,
the creating software name/version, and other identifying information. This file can be loaded directly
using VideoCleaner, or using a text editor. Below is a simple Mediainfo.txt file for example purposes.

The metadata file for your video


recording can be viewed within
VideoCleaner by moving the "File
information" slider (located in the
"Forensics" filter group) completely to
the right. Alternatively, you can
directly open the file ending in
".Mediainfo.txt" using any text or word
processing program to copy the
metadata into your own report.

NOTES:
Be sure to be on the video's first
frame prior to using the rightmost
position of the "File information"
slider. Then use the computer's right
arrow key to scroll through the
metadata file. If you attempt to use
the left arrow, you may get a seek
error (because VideoCleaner has
converted this text file into a video
file). Simply press the computer
keyboard's "F5" key to reload the
metadata file.

If your video is on a read only media


(e.g. a video DVD), you can access
the "Mediainfo.txt" file located in the
"C:\VideoCleaner" folder. That file
contains the latest video's metadata,
but it will be overwritten each time a
video is opened with VideoCleaner.

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SLIDERS AND SETTINGS
Within each VideoCleaner section, are groups of features. Each feature is controlled by sliders. On
the left is the slider's description and its default (inactive) value shown in brackets. To the right of the
slider's name is the actual slider control. The number on the left edge of the slider is the lowest
allowed value. The highest allowed value is listed to the right of the slider. The farthest right number
is the current value of the slider. Mouse clicking on this current value will reset the slider to the value
it had the last time the user pressed their computer's F5 key.
This is a group of sliders and NOT the
MAIN SECTION program's "Tools" drop down menu.

This section is always active, regardless of the TOOLS


other section check boxes. Most video
clarification work will occur in this section. The Apply TOOLS settings (0=no)
first sliders act as master controls. A value of zero (0) disables all features in this
filter group. A value of one (1) will apply all
List all active features (0) active features in this filter group.
When the slider is set to "1", the feature is
active and on-screen text will list the summary Unsharpen Strength (0=off)
name of every active feature group. This is an This filter subtracts a Gaussian blur version to
easy way to know which groups are active at retain the high-frequency details. If set too
any given time. high, object edging can appear exaggerated.

All frames / mid frames / subtract Although the filter's name is misleading,
When the slider is set to "0", all of the video unsharpening not only sharpens the video,
frames are available. A setting of "1" supports but can provide pseudo-focus correction
faster filter testing by trimming the video to the without causing any focus ringing artifacts.
middle 25 frames or, if you press ctrl-B, the 25
frames surrounding that bookmarked frame. A Sharpening Strength (0=off)
setting of "2" subtracts the enhanced version Any value above zero (0) applies a sharpening
from the original to highlight what has changed. filter. Be mindful to not over-sharpen.

The rightmost setting is useful for Video Contrast Strength (0=off)


determining how much a given filter has A value of zero (0) turns this feature off. Any
affected the video (e.g. confirming that other value applies ever increasing or
critical details were not filtered away). decreasing amounts of luminosity contrast.

Deactivate all enhancements (0) Color Contrast Strength (0=off)


When the slider is set to "1", all enhancements A value of zero (0) turns this feature off. Any
will be deactivated. This is useful for switching other value applies ever increasing or
between the original and enhanced views. This decreasing amounts of color contrast.
will not affect any "Properties" section changes.
Color Saturation Strength (0=off)
Compare Original to Enhanced A value of zero (0) turns this feature off. Any
"OFF / Side / Atop / Sweep (0=off)" other value applies ever increasing or
A value of zero (0) does nothing. If the value is decreasing color saturation of the scene.
one (1), the original and enhanced views are
shown side-by-side. If set to two (2), the Suppress Brightest Strength (0=off)
original and enhanced views are stacked. If A value of zero (0) disables this feature. Any
set to three (3), the original and enhanced will higher value mutes a greater range of the
interchange over time in a sweeping motion. brightest pixels. Useful to offset histogram
skewing and to look past window reflections.
Page 10 of 30
Suppress HotSpot Strength (0=off) EQUALIZER (lighting balance)
A value of zero (0) disables this feature. Any
higher value applies ever increasing amounts Apply EQUALizer Histogram settings (0=no)
of hotspot suppression (reduction of bright or A value of zero (0) disables all features in this
flashing lights). filter group. A value of one (1) allows the user
to expand illumination levels. This filter is
Automatic Histogram (0=off) especially useful for extremely dark scenes.
A value of zero (0) turns this feature off. A
value of one (1) will apply an automatic color Equalizer Strength (0=off)
histogram equalization to the entire video. Any value above zero (0) sets the intensity of
illuminating dark areas without blowout of the
Backlight, Denoise and Deblur can take brightest regions. The higher the value, the
several minutes to calculate with every greater the effect.
change in settings, especially when used in
combination. For longer videos, it is Intensity Reduction (0=off)
recommended that the user set the "All Any value above zero (0) reduces the
frames / mid frames / subtract" slider (one of luminosity threshold. The higher the value, the
the uppermost sliders) to the middle lower the maximum brightest level. Useful
position, so only the middle 100 frames are when the resulting difference between adjacent
processed during testing. Return the "mid brightness levels appears too intense.
frames" setting to the "All frames" once the
user is ready to process the entire video. Antiband Strength (0=off)
A value of zero (0) leaves the video untouched.
Backlight Compensation (0=off) A value of one (1) applies light antibanding,
A value of zero (0) turns this feature off. A while two (2) applies a stronger effect. This
value of one (1) will apply automatic back- feature interpolates to soften extreme
lighting correction to the entire video. luminosity transition of adjacent pixels.

Denoise: off / Large / Fine (0=off) Use Darkening Mode (0=off)


A value of zero (0) turns this feature off. A A value of zero (0) leaves the video untouched.
value of one (1) cleans larger sized noise and A value of one (1) inverts the equalizer's effect.
two (2) is for fine details (which is an extremely This mode is extremely useful for videos that
sophisticated degraining process that requires are "washed out" in excessive brightness.
more computer time).

Deblur Lens View (0=off)


A value of zero (0) leaves the video alone. A
value of one (1) will apply automatic lens blur
corrections.

NOTE: Lens Deblur is extremely effective NOTE: In the TOOLS filter group, if either
when details are different distances from the the Denoise or Deblur filter respond with
camera's view. However, this filter has a "Feature not available", just go to the
minor risk of causing in-focus objects to lose VideoCleaner shortcut folder and RIGHT
focus. This feature should be used by itself click on the option for "VideoCleaner fix".
to test its effectiveness, especially since it Choose "Run as administrator" to allow the
can require significant processing time. solution. Since this process is only copying
two files to Windows, it will be instantaneous
and will never need to be repeated.

Page 11 of 30
CURVE (lighting balance) Deblock

Apply CURVE settings (0=no) Apply Deblocking settings (0=no)


A value of zero (0) disables all features in this A value of zero (0) disables all features in this
filter group. A value of one (1) allows the user filter group. A value of one (1) lets the user
to expand brightness contrast levels so details correct the square tiling artifacts found in over
become more visible without causing blowout. compressed videos.

Lowest Lumin in (0) Deblock Model (0=h.263)


A value of zero (0) is pure black and a value of VideoCleaner references ten (10) different
255 is pure white. This sets the darkest level of standardized block models, each using a more
lighting to be retained as being unique. If the aggressive structure. Model zero (0) has been
scene is extremely dark, try a lower value. If optimized for h.263 Codecs and is generally
the scene is extremely bright, select a higher the optimal choice for surveillance video.
value. If the value is set to high, any details
darker than the chosen value will be clipped. Filter Strength (0=lowest)
Higher values strengthen the attack on
Gamma Multiplier (1) blocking artifacts (the blocky boundaries
A value of one (1) is the normal luminosity between each mosaic tile of the video), but
curve. Values above one brighten the scene by does so at the trade-off of potential detail loss.
skewing brightness values upward. Lower
values will make darker regions appear more Adjust this slider until just prior to causing any
pronounced. Unlike brightness and contrast detectable losses in scene details. For testing,
controls, gamma does not cause clipping. set the "All frames / mid frames / subtract"
slider (near the topmost VideoCleaner slider)
Highest Lumin in (255) to its rightmost position "subtract" to view only
A value of zero (0) is pure black and a value of what is changing, and thus confirm that no
255 is pure white. This sets the brightest level significant details are being removed.
of lighting to retain as being unique. If the
scene is extremely dark, try a lower value. If Reference iFrames (0=no)
the scene is extremely bright, select a higher A setting of one (1) only examines "i" frames to
value. If the value is set to low, any details apply deblocking. This slider has no effect on
brighter than the chosen value will be clipped. the end result when iFrames are undetectable.
This feature can take a long time to process.

Reference Colors too (0=no)


By default, deblocking is determined by the
luminosity channel, which generally yields the
best results. A value of zero (0) does nothing
to the video. A value of one (1) includes the
color channels. In most cases, the difference
between these two modes will be undetectable.

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FORENSIC (iFrame can be slow) simply fades away. This filter is only intended
for use with fixed position cameras.
Apply FORENSIC settings (0=no)
A value of zero (0) disables all features in this Frame Averaging Radius (0=off)
filter group. A value of one (1) activates them. A value of zero (0) leaves the video alone. A
larger value blends that number of preceding
Canny Edge Strength (0=off) and following frames together to produce a low
Any value above zero (0) applies Canny edge noise image for every video frame. Not
filtering in an ever increasing hysteresis range compatible with the other Forensic filters.
for the gradient threshold magnitudes.
iFrame isolation (0=no)
Canny Noise Sensitivity (0=min) A value of zero (0) leaves the video alone. A
The higher the value, the less Gaussian value of (1) removes any frames that are not
blurring that is applied, and thus the greater the iFrames. If the frame count does not change,
filter's sensitivity to image noise and artifacts. A then all of the video frames are iFrames, or
value of nine (9) disables Gaussian blurring. iFrame extraction is not supported for the
current video. iFrame isolation is time
Sobel Edge (off/Luma/Chroma/both) consuming, and thus the resulting file should
A value of one (1) applies Sobel edge filtering be saved, to then be re-opened in a new
on only the Luma channel. Two (2) uses the VideoCleaner session to then apply any
Chroma channels. Three (3) uses all channels. additional filters.

Sobel Saturation (0=max) Analysis (off/Noise/Motion/VELA/DCT)


Each value above zero (0) reduces the A value of zero (0) leaves the video alone. A
saturation limit of the edge mask used for the value of one (1) subtracts a Gaussian blur,
Sobel filtering by an additional 10%. leaving the noise profile which is amplified for
easy viewing. A value of two (2) generates
Edge Filtering Mode (0=off) motion vectors, which is only useful if the
Any value above zero (0) emphasizes edges capturing camera had a fixed view. A value of
using different algorithms: three (3) performs VELA, which tests for
1=Inverse spatial differentials cropping as well as the addition, removal or
2=Spatial differentials relocation of content. Read page #23 for more.
3=Differentials A value of four (4) isolates the AC component
4='Y' channel of spatial differentials from the DCT (Discrete Cosine Transform).
5='Y' channel intensities Use the TOOLS or CURVE sliders to improve
6='U' channel intensities results view-ability.
7='V' channel intensities
File information (0=off)
RGBamplifier Strength (0=off) A value of zero (0) leaves the video alone. A
Any value above zero (0) sets the strength to value of one (1) displays the video's luminance
emphasizes each pixel's variance from that waveform, which changes with each frame to
same pixel's average RGB values among the display the allocation of luminosity intensities.
preceding and following 25 frames. A well balanced scene will median at the
horizontal center line. A value of two (2)
Isolate Scene Changes (0=no) displays a Vectorscope of the color allocations
A value of zero (0) leaves the video alone. A using a color wheel. A value of three (3)
value of one (1) suppresses all pixels which displays the summary Metadata (a more
remain unchanged in the preceding and expansive version is in the "Mediainfo.txt' file
following 25 frames. Subtle actions become located in the video's file folder, and also in the
obvious and, when something stops moving, it "Support" folder of C:\VideoCleaner).

Page 13 of 30
PROPERTIES SECTION

CORE Settings DUPlicate frame removal

Apply CORE settings (0=no) Apply DUPLICATE Removal (0=no)


A value of zero (0) disables all features in this A value of zero (0) disables this filter group. A
filter group. A value of one (1) will apply all of value of one (1) lets the user remove frames
the active features in this filter group. that replicate successive frames.

Volume (0=ignore 1=mute) Removal Threshold Strength (0.1)


A value of zero (0) leaves the audio alone. A This setting is the percentage of difference
value of one (1) mutes the audio and higher (threshold) between successive frames for
values result in higher volumes. This is a each frame to be considered unique. For
convenience feature since VideoCleaner does forensic purposes, the default value of 0.1 is
not play audio. The user will need to press F6 the suggested testing value.
to export and hear the audio using VirtualDub.
Auto-adjust Framerate (0=no)
FPS Speed (0=same) A value of zero (0) leaves the video's framerate
A value of zero (0) leaves the playback speed unchanged. If duplicate frames were removed
as is. Any other value sets the value as a new the video will then play over less time. A value
frame rate. Frame rates below 1 frame per of one (1) reduces the framerate so that the
second are not supported. video plays over the original time, even though
it will now have fewer video frames to display.
FPS Millisec (DVD=29.973)
Use this value to set the millisecond portions of It is recommended that you perform
the playback speed. The value of this slider is duplicate frame removal by itself, and
added to the value of the previous slider. For save the results to a new video. Open
example, if set to 500 the playback frames-per- the new video to apply additional filters.
second rate will end in .500 (a half second).

Starting Frame (000=all)


Set the frames (in thousands) to trim from the
beginning of the video. If set to two, the first
2000 frames of the input video will be ignored.

Starting Frame Num (0=all)


The value of this slider is added to the value of
the previous "Starting Frame" slider.

Keep Frames (000=all)


Sets the number of frames (in thousands) to
retain. If set to two, only 2000 frames of the
current video (beginning from the Starting
frame number) will be retained.

Keep Frames (0=all)


Set the frames to retain. The value of this slider
is added to the value of the previous slider.

Reverse Video (0=no)


A value of 1 reverses the video's play direction.
Page 14 of 30
FIELDS Retain Which Fields (All/Even/Odd)
A value of zero (0) leaves the video untouched.
Apply FIELDS settings (0) One (1) retains only the even numbered fields,
A value of zero (0) disables all features in this while two (2) retains the odd numbered fields.
filter group. A value of one (1) allows the user Useful when one field set is blurrier than the
to change the video's interlacing. other.

Fields: off/Separate/Swap (0) Display Alignment Overlay (0=no)


Each frame of an interlaced video is composed Displays an overlay to assist the user with the
of two interlaced fields, thus representing two "Horizontal alignment" slider. Vertical lines will
independent moments in time in one image. A become thinner as the alignment improves.
value of zero (0) leaves the video alone. A
value of one (1) separates ("deinterlaces") the Restore Original Size (0=no)
fields, thus creating a half height video with A value of zero (0) leaves the video untouched.
twice as many frames. A value of two (2) works A value of one (1) will use bicubic resizing to
the same way, but swaps the field pair order. restore the deinterlaced video's height to its
size prior to the field changes.
Hint: Use the keyboard's right-left arrow keys
to advance through the video and, if the
movement seems to oddly jerk forward- ANGLE
backward, try a slider setting of two.
Apply ANGLE settings (0=no)
Nudge Fields (off/Up/Down) A value of zero (0) disables all features in this
A value of zero (0) leaves the video untouched. filter group. A value of one (1) allows the user
A value of one (1) nudges the even numbered to change the viewing angle.
fields, of the now deinterlaced frames (requires
the prior slider), upward a half-pixel. A value of Turn: Off/Right/Left (0)
two (2) will nudges half a pixel downward. A value of zero (0) leaves the video alone. A
value of one (1) turns the video 90 degrees
Use this slider is the video slightly alternates clockwise and a value of two (2) turns the
up/down as you use the computer right-left video 90 degrees counter-clockwise.
arrow keys to advance through the video.
Flip This Video (0=no)
Nudge Fields (off/Left/Right) A value of zero (0) leaves the video alone. A
A value of zero (0) leaves the video untouched. value of one (1) flips the video horizontally.
A value of one (1) will shift the even numbered This can be required when a video Codec
fields, of the now de-interlaced frames, leftward incorrectly determines the video's left edge.
one-half pixel. A value of two (2) will shift the
even numbered fields rightward half a pixel. Rotate Video Angle (0)
A value of zero (0) leaves the audio alone. Any
Horizontal alignment (0=off) other value rotates the video clockwise by the
A value of zero (0) leaves the video untouched. value's number of degrees. The video is
A positive value shifts the fields from the cropped to retain the video's dimensions. This
center, with even fields moving rightward. A can be used with the "Turn" filter to create a
negative value shifts in the other direction. vertical flip.
Higher values will invoke a greater shift.
Add Rotation Borders (0=no)
A value of zero (0) leaves the video alone. A
value of one (1) adds borders to the image size
so the rotated video is still visible without the
need to rescale the video pixels.
Page 15 of 30
CROP RESIZE

Apply CROP settings (0=no) Apply RESIZE settings (0=no)


A value of zero (0) disables all features in this A value of zero (0) disables all features in this
filter group. A value of one (1) allows the user filter group. A value of one (1) allows the user
to zoom in by cropping the viewable video size, to resize the video in multiples of four pixels.
rounded to the nearest multiple of four pixels.
Preserve General Aspect Ratio (0=no)
Crop by Percentage (0) A value of one (1) automatically changes the
A value of zero (0) uses pixels to define the video's height based upon the selected width,
following values. A value of (1) changes the to best preserve the video's aspect ratio.
following values to a percentage of the video's
original dimensions. Snap to a Common Size (0=no)
A value of one (1) lets VideoCleaner select the
From Left (0) closest common video size relative to the
A value of zero (0) leaves the video alone. Any user's selected New width and New height.
other value trims away the designated portion
of the left edge of the video. New Width (0=same)
A value of zero (0) leaves the video alone. Any
From Right (0) other value resizes the width to the closest
A value of zero (0) leaves the video alone. Any allowed even value.
other value trims away the designated portion
of the right edge of the video. New Height (0=same)
A value of zero (0) leaves the video alone. Any
From Top (0) other value resizes the height to the closest
A value of zero (0) leaves the video alone. Any allowed even value.
other value trims away the designated portion
of the top edge of the video. Add SuperResolution (0=off)
Applies a demo watermarked (diagonal lines)
From Bottom (0) version of Infognition's SuperResolution. A
A value of zero (0) leaves the video alone. Any value of zero (0) leaves the video alone. A
other value trims away the designated portion value of one (1) increases the video resolution
of the bottom edge of the video. by 50% in both dimensions. A value of two (2)
doubles the resolution. Visit HERE to read
more or purchase your own license. Click
HERE once you have purchased your license.

NOTE: You are under no obligation to use


SuperResolution or purchase a license. This
enhancement feature is offered solely
because it produces extremely clear results.

Page 16 of 30
DESEQUENCE CHANNELS selector

Apply DESEQUENCE settings (0=no) Apply CHANNELS settings (0=no)


A value of zero (0) disables all features in this A value of zero (0) disables all features in this
filter group. A value of one (1) allows the user filter group. A value of one (1) allows the user
to remove inconsistent frames, including those to specify which RGB channels should be
from a sequenced video. retained.
NOT INTENDED FOR PANNING VIDEOS.
Due to the way videos are recorded, noise
Frame to use as the reference (e.g. random tiny specs, distracting artifacts,
Set this to the first frame that shows the scene etc...) can exist more prominently in specific
that you wish to retain. The range is 0 to 99. color channel. VideoCleaner provides the
ability to ignore a given channel. Any color
Retention strength (15=default) corrections can be adjusted later using the
The higher the number, frames with greater "Colorize" filter (in the "Finalize" section).
variance will be retained. A value of 15 is a
good starting point. Turn Red OFF (0=no)
A value of zero (0) leaves the video alone. A
value of one (1) disables the RED color
STABilize channel.

Apply STABILIZE settings (0=no) Turn Green OFF (0=no)


A value of zero (0) disables all features in this A value of zero (0) leaves the video alone. A
filter group. A value of one (1) stabilizes the value of one (1) disables the GREEN color
video with user controlled settings. channel.

Fill Borders (0=no) Turn Blue OFF (0=no)


Stabilizing reduces rapid jerky motion by A value of zero (0) leaves the video alone. A
centering the scene. This causes black borders value of one (1) disables the BLUE color
to appear since the scene is not repostioning channel.
as fast as the original scene. A value of zero
(0) leaves the video alone. A value of (1) Convert to Grayscale (0=no)
replaces the black borders with blurred colors A value of zero (0) leaves the video alone. A
from the video's visible edges for a less value of one (1) converts the video to
distracting viewing experience. monochrome.

Adaptive Zoom (0=no) Convert to a Negative (0=no)


A value of zero (0) leaves the video alone. A A value of zero (0) leaves the video alone. A
value of (1) applies a 1.05 zoom to help value of one (1) inverts all active color
remove the borders caused by stabilization. channels, thus creating a negative.

TIP: Videos that are extremely bright


or extremely dark can often be easier
to analyze in their negative form.

Page 17 of 30
SPECIALTY FEATURES SECTION

VHS Toolbox LENS Fish Eye Barrel Correction

Apply VHS settings (0=no) Apply LENS settings (0=no)


A value of zero (0) disables in this filter group A value of zero (0) disables all features in this
while one (1) applies the active features. These filter group. A value of one (1) will apply all
filters are effective with digitized VHS tapes, active features in this filter group to correct lens
without any benefit to other types of videos. distortion in the originating video, and apply
automatic resizing to pixels locations that are
Repair Chroma Lines (0=no) either expanding or contracting.
A value of zero (0) leaves the video alone. A
value of (1) applies automatic Chroma repair Lens Curve (0=off)
and applies line strength. A value of zero (0) leaves the video alone. A
positive value applies a barrel lens effect (to
Lines Strength (0=off) undo fish-eye lens distortion), while a negative
A value of zero (0) leaves the video alone. Any value applies a fish-eye lens effect (to undo
value above zero (0) sets the strength of line barrel lens distortion).
repair.
Focal Curve (0=off)
Jitter Size (0=off) A value of zero (0) leaves the video alone. Any
A value of zero (0) leaves the video alone. Any other value pulls or pushes the center point.
value above zero (0) sets the strength of scene When inversely used with the previous slider,
jitter correction. three dimension distortions can be corrected.

Threshold (0=off) Zoom Factor (0=off)


A value of zero (0) leaves the video alone. Any A value of zero (0) leaves the video alone. A
value above zero (0) determines the sensitivity positive value pushes the center of the scene
threshold required to incur scene correction. farther away, while a negative value pulls it
closer. The effect on the video is nearly
Synch Signal Width (0=off) indistinguishable from the 'Focal' filter settings.
A value of zero (0) leaves the video alone. Any
value above zero (0) proportionally shifts the Axis ratio (0=off)
video synch horizontally. A value of zero (0) leaves the video alone.
From my testing, so does any other value.

Page 18 of 30
VIEW Perspective changer

Apply VIEW settings (0=no)


A value of zero (0) disables all features in this
filter group. A value of one (1) allows the user
to change the video's viewing perspective.

Top Left (X) 0=default


The default value (0) leaves the video alone.
Any other value moves the viewable area away
from the top left corner along the horizontal (X)
axis. The resulting view will be the exact same
size, but from the new perspective. Resizing is
used to expand the remaining pixels to fill the
screen.

Top Left (Y) 0=default


Same as above, but referencing the top left
corner's vertical (Y) coordinate.

Top Right (X) 100


Top Right (Y) 0
Bottom Right (X) 100
Bottom Right (Y) 100
Bottom Left (X) 0
Bottom Left (Y) 100
These six slider all work in a similar manner to
the previous sliders on their respective corner
coordinates. Each slider name ends with the
default value for that specific slider.

Page 19 of 30
FINALIZING FEATURES

COLORize section ACCENT an area

Apply Colorize settings (0=no) Apply ACCENT settings (0=no)


This feature adds a translucent color layer to This feature highlights an area by brightening
adjust the overall image colors. A value of zero or darkening a user defined region and/or the
(0) disables all features in this filter group. A remaining area. A value of zero (0) disables all
value of one (1) will apply all active features. features in this filter group. A value of one (1)
will apply all active features in this filter group.
Filter Strength (10)
Sets the visibility of the color overlay. A value Use an Oval (0=rectangle)
of zero (0) effectively disables this entire A value of zero (0) keeps the highlighting
feature group. This filter defaults to ten (10). accent shape as a rectangle. A value of (1)
changes the shape to an oval.
Low Tones Strength (10)
Sets the visibility of the color overlay's affect on Highlight Inner (0=neutral)
the contrasted muted levels. A value of zero (0) The default value of zero (0) leaves the video
effectively disables this feature. alone. A positive value lightens the highlighted
area while a negative value darkens the
Add/Subtract Red (0) highlighted area.
A positive value adds a red tint while a
negative value reduces red. Pixilation Strength (0=off)
The default value of zero (0) leaves the video
Add/Subtract Green (0) alone. A positive value reduces the highlighted
A positive value adds green tint while a area's resolution. Higher values invokes a
negative value reduces green. more intense level of pixilation.

Add/Subtract Blue (0) Highlight Outer (0=neutral)


A positive value adds blue tint while a negative The default value of zero (0) leaves the video
value reduces blue. alone. A positive value lightens the non-
highlighted area while a negative value
darkens the non-highlighted area.

Unless an Inner or Outer highlighting value


has been set, no changes will occur or be
noticed (except for pixilation).

Percent from_Top (0)


Any value above zero (0) defines the
percentage from the top of the video that is to
be ignored by this filter. Thus allowing the user
to target what area is to be affected.

Percent from_Bottom (0)


Percent from_Left (0)
Percent from_Right (0)
Similar to the above slider, and only affect their
respective boundary when defining the area to
be accented.

Page 20 of 30
NUMBER Frame Numbers
TEXT Annotate
Apply NUMBER settings (0=no)
Apply TEXT settings (0=no) This feature places an incrementally increasing
A value of zero (0) disables annotation while a frame number on the left edge of each video
value of one (1) activates this filter group. frame. A value of zero (0) disables all features
in this filter group. A value of one (1) allows the
This feature annotates the video with the
addition of frame numbers.
exact text listed in the file named
'VideoCleaner.txt' located in
Percent From Top_(0)
C:\VideoCleaner folder. The default
The value defines the percentage from the top
annotation word is "Target".
edge to place the frame numbers. The default
is zero (0) the top left corner of the video.
Relative Size (0=smallest)
The larger the value, the larger the relative size Starting Number (0)
of the text annotation. Depending on the size of The value is the starting frame number to be
the target video, the default value of zero (0) used. This is especially useful if the current
may make the text too small to even see. video is a brief continuous portion of a much
longer video.
Percent From Top (0)
This value defines the percentage from the top
edge of the video that the annotation is to be
placed. The default is zero (0) the top edge of
the video.

Percent From Left (0)


The value defines the percentage from the left
edge of the video that the annotation is to be
placed. The default is zero (0) the left edge of
the video.

Text Color (0-white)


The available options range from zero (0) to
nine (9), which each value representing a
different font color. The default is zero (0)
which shows white text. Select the most
readable color against the background video.

Angle (0=horizontal)
A value of zero (0) leaves the text horizontal. A
positive value rotates the annotation text
clockwise, while negative is counter-clockwise.

Page 21 of 30
Add a TIMEstamp

Apply TIMEstamp settings (0=no)


This feature places an incrementally increasing
timestamp on the left edge of each video
frame. A value of zero (0) disables all features
in this filter group. A value of one (1) allows the
addition of timestamps.

Percent From_Top (0)


The value defines the percentage from the top
edge to place the timestamps. The default is
zero (0) the top left corner of the video.

Starting Hours (0)


The value is the hours in 24 hour format to
begin the timestamp. A value of zero (0) will
display a starting hour of zero.

Starting Minutes (0)


The value is the minutes to begin the
timestamp. A value of zero (0) will display a
starting minute of zero.

Starting Seconds (0)


The value is the seconds to begin the
timestamp. A value of zero (0) will display a
starting seconds of zero.
--------------------------------------------------------------------------------------------------------------------------------------

FINAL ColorSpace

Convert to YUV (0=no) Enhancement transparency (0=none)


VideoCleaner works in RGB colorspace. If this VideoCleaner displays the enhanced video, but
slider is set to one (1), the final colorspace is there are times when some details become
changed to YUV, which significantly reduces weaker as the critical details become stronger.
saved file size. It is common practice that, if the As this slider value increases, the enhanced
originating video was in YUV colorspace, so video layer becomes transparent and the
should the resulting enhanced video. original video layer becomes more visible.

Page 22 of 30
FORENSIC - ANALYSIS (off/Noise/Motion/VELA)

Since surveillance video is always first saved with destructive compression, which results in
compression artifacts, the continual absence or inconsistency of noise and motion vectors (the first
two tests of the Analysis slider) over any portion of a video is a strong indicator of post-production
editing or blurring at that portion of the video. If both of these tests have validated the existence of
compression artifacts, then the results of the rightmost slider position "VELA" become meaningful.

Since the Noise and Motion tests prove prior destructive compression of the video, if the file being
tested is currently destructively compressed, then we can expect any post-production manipulations
(including cropping) to have undergone one fewer total iterations of destructive compression. VELA
(at the rightmost slider value of 3) stands to Video Error Level Analysis. The logic is to destructively
compress the test file, and then subtract that result from the test file.

VELA results depicting scene manipulations will appear as a different brightness and/or color, when
compared to other scene areas of similar contrast. The color patterns of the VELA results can also
provide some guidance as to the software that performed these manipulations, but that library has not
matured enough to serve as reliable evidence. If a file has been heavily compressed, and/or
compressed multiple times after tampering, it may be impossible for VELA to be effective. Keep in
mind that none of these ANALYSIS tests are designed to be definitive, and they should only be used
as compelling evidence. Being trained in Noise, Motion and VELA analysis is strongly recommended.

WHAT YOU MUST DO!


VELA testing requires that a re-compressed version of the test video already exist for VideoCleaner's
VELA feature to work. First, be sure that you have already installed the XVID codec (there is an
"Install - XVID Codec" shortcut in the VideoCleaner shortcut folder). This installation only needs to be
done once on your computer, but there is no harm in repeating this step if you are unsure. The XVID
Codec installation is nearly instantaneous and displays only a momentary on-screen message.

Open your video within VideoCleaner and, without using any sliders, press F6 to transfer the video to
VirtualDub. Do not close VideoCleaner. In VirtualDub, press CTRL-P and select the XVID Codec,
and now to the right you will see a "Configure" button. Select that and, in the third box down labeled
"Target quantizer" enter the number "8". Select OK to save your selection, and click OK to commit
the XVID Codec. Now press F7 to save the video. Use the default name of "VideoCleaner.avi" and
save the video in the C:\VideoCleaner folder. Using any other file name or folder will prevent the
VELA slider setting from working as expected. Close VirtualDub once the file save is complete.

Move the VideoCleaner ANALYSIS slider to value three (VELA). If it was already on 3, then move
the "Apply FORENSIC settings" slider to the left (0) position and then back to the right (1) position.
Be aware that any saved VideoCelaner.avi file will be automatically deleted the next time you start
the VideoCleaner program. As such, you should save or review your VELA results before exiting.

Analysis tests are based upon prior peer reviewed public domain research: NOISE (Niabot, Djembayz, and
Waithamai), MOTION (Laurent de Soras and pavelsx2), VELA (kastn, George Chernilevsky, Dr. Neal Krawetz, and
Doug Carner), and DCT (N. Ahmed, T. Natarajan, and K.R. Rao). All test results should be deemed compelling.
Page 23 of 30
TUTORIAL (Enhancing sample files)

The "VideoCleaner" folder on the user's computer includes a sub-folder named "Samples" which has
three practice files. Each file is listed below along with the recommended enhancement steps to
apply. First, use the desktop icon to launch the VideoCleaner program. When VideoCleaner loads,
the user presses their computer's "F5" key to load the desired file to work with.

Remember that, if more than one "OPEN" sub-window appears, only the last one remaining will have
any effect. The user can now close any extra sub-windows by selecting the "Cancel" button or
pressing their computer's "ESC" key.

Also, it is recommended that the user install the Xvid Codec and Lagareth Codec, both of which are
listed as links in the VideoCleaner program shortcut menu on their computer.

Dark.jpg
Open the image file named "Dark" (or "Dark.jpg" depending on the computer configuration). It is so
dark that it is almost impossible to see anything, so first activate the TOOLS filter group by moving
the slider named "Apply TOOLS settings" rightward.

This is a very dark scene, so first lets balance the lighting and color levels. To do this, activate the
HISTOGRAM filter by moving its slider to the right. Since the text appears faint, move the Video
contrast Strength slider rightward to about "14" to emphasize the luminosity differences between
adjacent pixels (screen dots). Next, you make subtle improvements by moving the Backlight,
UnSharpen, or Deblur sliders all the way rightward to improve clarity. We suggest applying them all.

NOTE: The Deblur filter can take minutes or even hours to process a video (which is why you should
always test it with the "MID FRAMES" mode setting, see the top sliders). Since "Dark.jpg" is just an
image (a one frame video), the Deblur results will be nearly instantaneous.

Turn ON the FORENSIC filter group (by moving Apply Forensic settings slider to the right) and set
Sobel to position "2". This filter will automatically locate and emphasize edges. Since position 2 is
for Chroma, and the image is nearly black/white, the resulting image takes on a green hue. To
remove the color, you need only turn ON the CHANNELS filter group and move the Convert to
Grayscale slider to the right.

Now let's save the finished result by holding the CTRL key down while pressing the letter "S".
Alternatively, the user can press their computer keyboard's "F6" key to send this image into
VirtualDub, where it can be saved in a wider range of image (FILE --> EXPORT --> IMAGE
SEQUENCE) or video file formats.

Page 24 of 30
XVID.avi
The "XVID.avi" video demonstrates an extremely dark video from a stationary camera. For this video,
you will need to have previously installed the XVID Codec. If this was never done, there is an
installation shortcut in the VideoCleaner program shortcut folder to resolve this issue now.

Load the "XVID.avi" video, which is located in the Samples folder of VideoCleaner on your
computer's C drive. As you play or scroll through this video you will see nothing except darkness.
We can fix this by turning ON the TOOLS filter group (by moving the slider named "Apply TOOLS
settings" rightward) and move the "Automatic Histogram " slider to the right to activate the feature.
Now moving through the video we see a license plate, but each frame is not very readable due to
noise.

Since this noise is random, we can average the video frames to suppress their effect. To do this, turn
ON the FORENSIC filter group (by moving the slider named "Apply FORENSIC settings" rightward),
and then move the "Frame Averaging Radius" slider to its rightmost position, "50". Immediately the
random noise is suppressed. Since this setting will average the prior and succeeding 50 frames,
advancing the video to frame number 50 will maximize the effect.

You will find that additional VideoCleaner settings will provide even greater results. For example, just
turning ON the DEBLOCK filter group (by moving the slider named "Apply DEBLOCKING settings"
rightward) will apply a subtle effect that leads to a clearer result.

You can also move the "Video Contrast Strength" slider, located in the TOOLS filter group, to a
position of "10" to gain additional subtle improvements, and move "Color Contrast Strength" to a
position of "10" to give the image a more visually pleasing appearance. That is the power of having
access to such an extensive toolbox.

Now let's save the finished result. Under the "Video" menu option (or simply right clicking on the
enhanced image), select either "Save image as" (which saves the image as a lossless BMP or TIF
file) or "Copy image to clipboard". Alternatively, the user can press their computer keyboard's "F6"
key to send this video into VirtualDub, where you can use the "F7" key to save your enhanced video.
If you use the Control-P (or "Compression" option under "Video" menu) before the F7 Save, you can
choose a compression option to save file size..

There is a slider named Deactivate all enhancements located above the Tools filter group. Move
that slider to the right to see what the image looked like prior to the applied enhancements.
Alternatively, the user can use the transparency slider located at the bottom, or the OFF / Side /
Atop / Sweep near the top to compare the before and after results.

Page 25 of 30
Noise.avi
Open the "Noise" video file. We can see that there is a lot of distracting noise in the Red and Green
color channels. Before we turn off color channels, we will need to ensure that the luminosity levels
will remain balanced. Turn ON the TOOLS section (by moving the slider named "Apply TOOLS
settings" rightward) and activating the Histogram feature (by moving its slider rightward).

Move down several filter groups to locate and turn ON the Channels filter group (Apply CHANNELS
settings) and within that group turn OFF (move the slider rightward) both the Red and Green
channels, leaving a blue channel image. In this same filter group, activate Convert to a grayscale
by moving that slider Rightward. The image should appear much clearer but upside down.

In the Properties section is the ANGLE filter group. Turn this group on (Move the Apply ANGLE
settings slider rightward) and then change the Rotate video angle to a setting of "180". The image
has a pattern noise created by the scanner. Change the rotation value to "181" and notice how the
resulting interpolation reduces this patterns effect. We can clean this up further by adjusting the
image's resolution using the RESIZE filter group. Turn ON that group (also in the Properties section)
and adjust the Width to "1024" and Height to "692". This can be improved upon setting Denoise
(located in the TOOLS group) to setting "1" (large) to remove the remaining large noise.

At the top of all the sliders, mouse click a check mark to activate the Toggle "Finalizing" Section and
be patient while the new feature groups load. Turn ON the COLORize feature group and set Filter
strength to "12", Low tones strength to "9", Add/Subtract red to "5", Add/Subtract green to "-3",
Add/Subtract blue to "5". These settings restore a more natural color to the image.

We can use the ACCENT filter group to define an area for highlighting (set the Use an oval to "1",
Highlight inner to "9", Highlight outer remains at "0", percent from_top to "60", percent
from_bottom to "24", percent from_left to "33, and percent from_right to "37") and the TEXT filter
group to place the word "Target" on the image (set the Relative size to "6", Percent from top to "55",
Percent from left to "27", Text color to "4", and Angle to "-18"). The actual text word (defaults to
"Target") is stored in the "VideoCleaner.txt" file located in the C:/VideoCleaner folder.

Just to familiarize yourself with VideoCleaner's power, you might wish to go to the top of all the sliders
and mouse click a check mark to activate the Toggle "Specialty" Section. Move down to the LENS
Fish Eye Barrel Correction section and use the top slider to turn this filter group ON. Now play with
the settings to see their effect. You can also try the VIEW section to change the perspective (set the
Top left (x) to "2", Top left (y) remains at "0", Top right (x) remains at "100", Top right (y) to "4",
and all other settings remain at their default).

You may wish to experiment with additional effects to see if the final results can be further improved.
Since this video is only one image long, as with the prior sample, the user can "Save image as" listed
under the "Video" menu or simply right clicking on the enhanced image.

Page 26 of 30
DCT.jpg
In nearly all circumstances, when a video or image is compressed the method is lossy, meaning that
details are discarded and error artifacts are introduced, while the perceived visual accuracy is
generally preserved. Each successive resave introduces additional compression errors. As such, a
manipulated scene section will contain different error artifacts from the remaining untouched scene.

Open the "DCT" image file (located in the C:\VideoCleaner\Samples folder) to see a lab station at our
Forensic Protection facility. The picture appears normal, but it has been manipulated. Turn ON the
FORENSIC filter section (by moving the slider named "Apply FORENSIC settings" rightward) and
then move the "Analysis (off/Noise/Motion/VELA/DCT)" slider to its rightmost position to use the
DCT (Discrete Cosine Transform) filter feature. DCT reduces the variable differential from the
scene's energy level, and this is how most image and video files are compressed. In VideoCleaner,
the DCT filter only displays that variable component, which is where most compression errors reside.
As such, once the DCT filter is applied, the resulting scene may appear strange and quite dark.

Turn ON the CURVE section (by moving the slider named "Apply CURVE settings" rightward) and
then move the "Gamma Multiplier" slider to its rightmost position to skew brightness. Notice that the
area above the three chairs is devoid of noise, as are the three desktop monitors. These are the
altered portions of the scene. For a more pleasant view, set the "Enhancement Transparency" (the
second to last slider in VideoCleaner) to about 4.0 to blend the before and after results. In practice,
DCT is highly effective at detecting in-painting, which is the most common type of video manipulation.

DCT.jpg (the suspicious scene you are given) The original unaltered image

VideoCleaner's DCT and VELA are powerful


tests for common types of visual manipulations.
However, extreme post-production compression
and sophisticated tamper methods can prevent
manipulation detection. As such, a lack of
tamper detection is not proof of file authenticity.

The VideoCleaner DCT test results depicting the manipulations (wall picture and desktop monitors).

Page 27 of 30
REFERENCES

Legend
A. Anil. K. Jain, Fundamentals of Digital Image Processing, Prentice Hall, 1989
(isbn:0133325784)
B. Marcus Weise & Diana Weynand, How Video Works, 2nd edition, Focal Press, 2007
(isbn:0240809335)
C. Vlado Damjanovski, CCTV Networking and Digital Technology, 2nd edition, Elsevier
Butterworth-Heinemann, 2005 (isbn:0750678003)
D. Bernard Grob & Charles E. Herndon, Basic Television and Video Systems, 6th edition,
McGraw-Hill, 1999 (isbn:0071163093)
E. Nosratinia, Enhancement of JPEG-Compressed images by re-application of JPEG, Journal of
VLSI Signal Processing, vol. 27, 2007 (issn:0922-5773)
F. J. Canny, A Computational Approach to Edge Detection, in IEEE Transactions on Pattern
Analysis and Machine Intelligence, vol. 8, no. 6, 1986 (issn: 0162-8828)

Feature References (in order of their appearance within VideoCleaner)


Subtract......................... A. pp. 240 ...................... B. pp. 57 ............ C. pp. 47 .................D. pp. 241
Unsharpen .................... A. pp. 249
Video Contrast .............. A. pp. 49, 51, 120, 235... ........................... ................................D. pp. 51
Color Contrast ............... A. pp. 235, 262............... ........................... ................................D. pp. 51
HotSpot ......................... A. pp. 240 ...................... ........................... C. pp. 202 ...............D. pp. 82
Suppress Brightest ........ A. pp. 240 ...................... ........................... C. pp. 202 ...............D. pp. 82
Automatic Equalization . A. pp 241-244, 344, 396 B. pp. 268
Backlight Compensation A. pp. 234-241 ............... ........................... ................................D. pp. 86
Denoise/Degrain ........... A. pp.273
Deblur Lens................... A. pp. 322 ...................... ........................... C. pp. 58
Equalizer Histogram ...... A. pp 241-244, 344, 396 B. pp. 268
Curve ............................ A. pp. 240 ...................... ........................... C. pp. 202 ...............D. pp. 82
Deblock ......................... ....................................... ........................... ................................E. pp. 69-79
Canny Edge Filtering .... ....................................... ........................... ................................F. all
Sobel Edge Filtering ...... A. pp. 347-357
Edge Filtering ................ A. pp. 71 & 234-241 ...... B. pp. 57 ............ C. pp. 47 .................D. pp. 241
RGBamplifier................. A. pp. 234-241 ............... ........................... C. pp. 197
Isolate Scene Changes . A. pp. 522 ...................... B. pp. 167
Frame Averaging .......... A. pp. 234-241 ............... ........................... C. pp. 197
iFrames ......................... A. pp. 485 ...................... B. pp.166
Analysis......................... (see the bottom of page #23 of this guide)
Duplicate Removal ........ A. pp. 521
Framerate ..................... A. pp. 521 ...................... B. pp. 127 .......... ................................D. pp. 41
Trim ............................... ....................................... B. pp. 218
Crop .............................. A. pp. 253
Resize ........................... A. pp. 255 ...................... B. pp. 123, 145 .. C. pp. 205, 479 .......D. pp. 51
Fields ............................ A. pp. 81 ........................ B. pp. 19, 126 .... C. pp. 112, 265 .......D. pp. 45
Angle ............................. A. pp. 255, 320
Desequence .................. A. pp. 521
Page 28 of 30
Channels ....................... A. pp. 234-241
Grayscale ...................... A. pp. 71
Negative ........................ A. pp. 238
Chroma ......................... A. pp. 65 ........................ B. pp. 257 .......... C. pp. 241
Jitter .............................. A. pp. 81, 93 .................. B. pp. 268
Synch ............................ A. pp. 81 ........................ B. pp. 26 ............ ................................D. pp. 44
Lens Fish Eye / Barrel ... A. pp. 320
Perspective ................... A. pp. 320
Colorize ......................... A. pp. 234-241 ............... B. pp. 57 ............ C. pp. 48 .................D. pp. 52
Annotate........................ ....................................... B. pp. 223 .......... ................................D. pp. 479
Frame Number .............. A. pp. 521 ...................... ........................... ................................D. pp. 479
Color space ................... A. pp. 60, 73 .................. B. pp. 109 .......... C. pp. 172 ...............D. pp. 329
Metadata ....................... ....................................... B. pp. 147
Sharpen ........................ A. pp. 249
Deshake ........................ A. pp. 81 ........................ B. pp. 268
Refocus ......................... A. pp. 276-284
Dubbing ........................ ....................................... ........................... ................................D. pp. 368

SCIENCE, MATH and CODE (continued reading)


Additional and optional components (AviSynth, CamStudio, Codecs, Lagarith, VirtualDub, xvid)
Color and luminosity (AutoGain, Histogram Adjust, Histogram Equalize, RgbAmplifier)
Edge detection and analysis (Canny, Sobel, VELA, DCT)
Opening a file (DGDecode, Direct Show Source, ffms2, MPEG2Dec3, Rawsource)
Perspective filters (DeBarrel, Rotate)
Sharpening filters (LSFmod, Unsharp, Sharpen)
Spatial noise filters (Chroma Shift, Remove Grain, SmoothD2, Vague Denoiser)
Specialty tools (3dFourier, Debanding, Dejitter, Deshaker, Subtitler, VideoCleaner)
Support tools (ExpLabo, GScript, MaskTools, Mvtools, Mvtools2, Nnedi2, RT_Stats)
Temporal noise filters (3d, Degrain, Denoise, Smoother, Wavlet)
Demo license filters (SuperResolution) {purchase a license here and activate here}*

*The development team of VideoCleaner is not compensated in any manner for the inclusion of filters
with a demo license. These filters do not include any advertising or tracking, are fully functional in
their demo mode, and are included solely because they deliver proven superior results.

VideoCleaner filters are always applied in this order:


DUPLICATE, FIELDS, ANGLE, CROP, RESIZE (except SuperResolution), CORE,
DESEQuencer, CHANNELS (except negative), DEBLOCK, TOOLS (except contrast &
sharpening), STABILIZE, FORENSIC, EQUALIZER, SuperResolution, contrast, CURVE, VHS,
LENS, VIEW, COLORIZE, ACCENT, TEXT, NUMBER, TIMEstamp, sharpening, negative, FINAL

ACKNOWLEDGEMENT:
VideoCleaner would not be possible without the selfless open source efforts of others. If you
appreciate their work, consider donating to the respective programmers (see the SCIENCE, MATH
and CODE sections above). Doug Carner and Forensic Protection are not financially compensated,
and do not accept donations or pay, for any aspect of VideoCleaner, but gladly accept accolades.

Page 29 of 30
GLOSSARY (definition of terms)

Codec - An abbreviation of the words Compression Decompression, and it defines (in computer
code) how a given video is to be saved and later reconstituted. Nearly all Codecs are lossy;
meaning that details are irreversibly discarded to reduce file size. These losses can appear as
muted brightness, an out-of-focus appearance, strange artifacts, and tiling (when the video looks
like a mosaic of tiny rectangles). VideoCleaner provides the option to save files uncompressed,
which preserves the available file details, thus creating very large file sizes. The noted defects can
be suppressed using VideoCleaner's Tools and Deblocking sliders.
Color space - There are different standards to record visual luminosity and color values. The
color wheel is based upon RGB (Red, Green, Blue) where each value is that color's contribution to
a given pixel. If all the RGB values are zero, the pixel appears black. If all the RGB values are at
their maximum, then the pixel appears white. Television, and thus nearly all security cameras, use
a planar color space, where pixel brightness is one value, and the color values are often shared
with their neighboring pixels. YV12 is the most common planar color space used with surveillance
video. The 2nd to last VideoCleaner slider transforms the enhanced video into YV12 color space.
Contrast - Linearly expand or contract the value difference between adjacent pixel. If the critical
details blend together, then VideoCleaner's video contrast (luminosity) and color contrast
adjustments can expand the subtle differences to make the visual details easier to recognize.
Adjust contrast with caution because, as contrast is increased, details located in the darkest or
brightest areas of the video can become clipped as they try to exceed the allowed values. Videos
that lack both very bright and very dark areas will benefit the most from contrast adjustments.
Histogram equalization - Non-destructively increases the global contrast of the entire video by
more evenly distributing the intensity differences between adjacent and overall pixel values.
Videos that are extremely bright (e.g. details are washed out) or extremely dark (e.g. a nighttime
video with insufficient lighting) will benefit the most from this process.
iFrames - Frames that contain the entire scene and thus are the truest to what the camera saw.
All other types of video frames are composites made by adding or subtracting pixels from the
closest iFrames. Depending on the video Codec, non-iFrames can introduce additional visual
defects. VideoCleaner's Forensic tools includes an option to isolate iFrames.
Interlaced - When video broadcasting was invented (over 70 years ago), images from two
consecutive but independent moments in time (called fields) where simultaneously displayed as
one frame by interlacing these fields in a vertical weaving pattern. While newer systems use
progressive systems that avoid this (e.g. 1080i for interlaced and 1080p for progressive), most
security systems still record interlaced video. When those systems use proprietary playing
software, that software will often deinterlace (undo the interlacing) by blending both moments in
time, which creates distortion and a false set of facts. VideoCleaner's Field filters (located in the
Properties section) can isolate the interlaced fields and correct for their proper alignment.
Pixel - A video or image is actually displayed as a grid of dots called pixels. Each pixel is denoted
by values that, depending on its format, may include details about luminosity (brightness), color
and transparency. VideoCleaner uses 32-bit RGBa color space to retain maximum pixel details,
and the status bar seen below the video displays the relevant values for the pixel located under
the current computer mouse pointer position.
Document version: November, 2016 Page 30 of 30

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