NEXT THING YOU KNOW

Piano/Vocal
ENSEMBLE
2
LITTLE BAR ON SULLIVAN STREET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

(A dark and dingy bar in New York City. The grime is part of its charm-like the musty basement of your favorite childhood
memories. WAVERLY unlocks the door, flips on a light and hangs her keys on a hook. SHE begins to prepare the bar for the night.)

q = 120
#### 4
6

# n
1 2

& 4
#### 4 ? .
& 4 .

#
WAVERLY:

#### E7
j
/D A7 /C

3 4

& . n
j Set up
####
the bar stools. And run the taps.

j
&
n n
n
? #### j j
J
n

# #b
#### E 7/B
j .
C 7

F 7( 9)
n
B 7sus

5 6

&
####
Check on the li - quor. Wipe off the caps.
j j
& # n
a n # n
? #### j j j
#
j

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 Little Bar On Sullivan Street - [Rev. 9/4/12]

####
E7 /D A9

&
7
j .
8
n
J
#### j
Fill up the mix - ers. Cut up a lime.
j
&
n n
n
n
? #### j j
j n
J n

E 7/B C 7 # #b
F 7( 9) B 7sus # #
G 7/B C #m7
#### j n
9 10 11

& n
####
Make sure my friends are gon-na have a good time. If you want a fan - cy cock-tail that glows

& j j
n
#

# n

#



n


? #### j j j j # j
j
.
# #

# # C #m7
####
D9 A7 E7 G 7/B
24 44 j n #
n .
12 13 14

&
####
up in ne-on blue, then we ain't for you. No. Where New York's twen - ty - some-thing
24 44 j
& n ... n
n . n # # n
? #### n j 2 4 j
J n 4 4 #
#

#### D9 A7 A m6
n

15 3 16

& n n

####
drunks come to meet. At our lit - tle bar, lit - tle bar,

j .
3
& .
n


n # n ..
...
> > j
? #### n j
j . .
3

n .

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 Little Bar On Sullivan Street - [Rev. 9/4/12]
(DARREN enters after a day at the office.

####
HE loosens his tie as he walks in.)
B 7sus E7

17 18 19

&
DARREN: Hey, babe. WAVERLY: Hey, you.
# # # # j n j j .
lit - tle bar on Sul-li-van Street.

j n
&
J n n ..
n
p
? #### j j j j
j .

DARREN: Slow night? DARREN:
E7
####
WAVERLY: Not anymore. You're here. (THEY kiss.) /D

j .
20 21 22

V

Come in the e - v'ning

#### j
n . j
& n
n ..

n

n
? #### j j j j j j n
n

# #
####
A7 /C E 7/B C 7
j .

23 24

V n
at half - past six. Pro - tect my la - dy

# # j
& ## j
n a
n
#
n a
? # # # # j j j

j #

#b F 7( 9) B 7sus E7
####
/D
j .

25 26

V n
from bar - fly dicks. Take in a sin - ger

#### j j j
& # n
n
? #### j j j n
n
Prepared exclusively for Courtney Jones.
Piano/Vocal 4 Little Bar On Sullivan Street - [Rev. 9/4/12]
(Indicating Waverly)
# C 7 #b
####
A9 E 7/B F 7( 9) B 7sus
n j n
27 28 29 3
V n

who sings off-key. When she tends bar I tend to drink here for free. If you

#### j

n j
# n
3
& n
n #
? #### j j j

3
j j j j

# # #
#### G 7/B C m7 D9 A7 E7

. . 24 44
30 31 32

V n
want some friend-ly peo-ple who could care less where you've been, then come on in! Oh!

#### 24 44
& n ... n
# n n .
n #
? #### j j 2 44
#
n 4
# n
# # #
#### 4 33
G 7/B
j n
C m7
#
34
D9 A7
V 4 n
j
To play some darts you put your name on that sheet. At our

# # # # 4 # j
n n j
& 4
- n #
n
? # # # # 44 # j n j j
n
#

#### A m6 WAVERLY: BOTH: B 7sus

. n
35 36

V
n
lit - tle bar, lit - tle bar, lit - tle bar, lit - tle bar on Sul - li - van

####
3 j j
. n
& n .. ....



j
? ####
. . j
.


Prepared exclusively for Courtney Jones.
Piano/Vocal 5 Little Bar On Sullivan Street - [Rev. 9/4/12]

(LUKE enters, already on the prowl. LISA enters behind him carrying an amp.)
# #
####
G 7/B
LUKE:

.
37 38

#
I came here to meet some wo - men.

#### C m

37 38

V
Street.
#### ..
& .. #
# ... J
R

sub. P R
? #### . j
. # . L.H. L.H.

w #w
LISA:
# #
#### E/B F 7/A

39 40

&
I am here to sing a song.

####
& .
... # ..
? #### j j j j j
. # . .
Nw #w

# 7(b 5) # #
# # # # F m
LISA: C m7/G
.
41 42

&
O - kay, who let him in?

# ##
LUKE:

V # j . .
41 42

J
So where you from? Hey, watch it, cu - tie. I could

# #
& # # n ... ..
.
? #### j j j j j j j j

w w

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 Little Bar On Sullivan Street - [Rev. 9/4/12]

#
####
WAVERLY:
F 7 A/B

43 44

&
####
All night long.
LISA:

43 44

&
LUKE: All night long.

#### 43

44

V
do this all night long.

####
DARREN:

V
43
# 44
w
All night long.

####
& ...
# .





N ..
.






? #### j j j j
w
w

####
E7 /D

45 46

&
####
All night long!

45 46

&
All night long! Thanks a lot.

####
V
45 46
J .
All night long! I'll take two whis - keys.

#### 45
46

V
All night long!

#### n
&
J J n
? #### j j
n
n

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 Little Bar On Sullivan Street - [Rev. 9/4/12]

# #
#### 47
A7
n j
/C
48
E7

C 7
&
####
That's se - ven bucks. No, it's not.
47
j 48

&
This song is new.

#### 47

48
j .
V

j
This li-quor's ran - cid.

####
& n n
#

J
? # # # # j j j
j

# 7(b 5)
# # # # F m
49
n
B7
50
E7

/D
&
####
O - kay, that's true.

49 50

&
Point out one.

#### 49

50
j
.

V
The wo-men love me.

#### 49
n
50

V
The food here sucks.

#### n
& n n


? #### j j n
n

Prepared exclusively for Courtney Jones.

Piano/Vocal 8 Little Bar On Sullivan Street - [Rev. 9/4/12]

WAVERLY:

#### 51
A9

E 7/B
52

E 7/D

& j

####
This is as great as our lives

LISA:
j
51 52

&
You're good as done.

#### n
LUKE:

(pointing to LISA)

51 52

V
It's time we met.

####
& n
n n n
n
flj
? #### j j n

n .
J
fl
7 # # # #
# # # # A /C A7 G 7/B C m7

53 54

& n

####
will e - ver get.

LUKE:

V
53
54

If you live life in the fast lane and you

####
&
n # n
? #### j #

#

Prepared exclusively for Courtney Jones.

Piano/Vocal 9 Little Bar On Sullivan Street - [Rev. 9/4/12]

D9 A7 E7 # #
G 7/B #
C m7
#### 55
24 56
44 57

&

####
Yeah!
55
2 56
4 57

& 4 4
Yeah!

#### 55
n . 2 56
44 57
n J #
V 4
want a change of pace. This here's the place. The beer here's bit - ter, but the

#### 55
2 56
4 57

V 4 4
Yeah!

#### j
24 44 # n
& n .. n
n .
n #


? #### j 44 # j
n j . 24
j
n #

#### D9

A7 A m6

58 59

&
#### n
lit - tle bar,

3

V
58

59
n .
wo - men are sweet. At our lit - tle bar,

#### 58

59
n n .
V
lit - tle bar,

#### n
3

j n
& n n .. .
...
n
? #### n j j
w
3

n w

Prepared exclusively for Courtney Jones.

Piano/Vocal 10 Little Bar On Sullivan Street - [Rev. 9/4/12]

# # #
####
B 7sus

G 7/B C m7

D9

A7

60 61 62

&

#### 60

61

62

&
lit-tle bar on Sul-li-van...

#### 60

61

62

V

#### J
60 61 62

V n
j
The fi - nest vod - ka tastes a lit - tle like deet. At our

####
n J
#
n n j
& J J - n
n #
? #### j j j j
j # n n

#

#### 63
A m6

64

B 7sus
b
& n n .
####
lit - tle bar,

b
63 64

&
lit - tle bar,

####
V
63

64
b
lit - tle bar on Sul - li-van...

####
n . b
63 64

V
lit - tle bar,

####
3j j
. n
& n .. ....

b
j
? ####
.
.
. j b

Prepared exclusively for Courtney Jones.

Piano/Vocal 11 Little Bar On Sullivan Street - [Rev. 9/4/12]

b
j
F F 7/A B 7 C 7sus F7 F 9/A

& b
65

66

67


Lit - tle bar, lit-tle bar on Sul-li-van... Whoo!

b j

65 66 67

&
Lit - tle bar, lit-tle bar on Sul-li-van... Whoo!
.
Vb J J
65 66 67

lit - tle bar, lit-tle bar on Sul-li-van... It's get - tin' row - dy.

Vb J
65 66 67

lit - tle bar, lit-tle bar on Sul-li-van... Whoo!

j j b
& b .. ~ ~ ~
..

b
..
. ~ ~ ~ ~~~~ J
. ~ ~ ~
F j
?b j j j
.

j
.

B 7 b /D F7 F 7/A
&b b
68 69

I'm get - tin' through.

&b
68 69

You!

Vb
68 69

Shot!
.
Vb
68 69

The whis - key's flow - in'!

j b 6

& b b b

J
3

?b j j
j

j

Prepared exclusively for Courtney Jones.

Piano/Vocal 12 Little Bar On Sullivan Street - [Rev. 9/4/12]

b
B 7 F7 /A
&b .
70 71

j

We're laugh - in' loud - ly.

&b b
70 71

Te - qui - la too! Yeah!

Vb
70 71

J
Why not? Yeah!

Vb
70 71

Yeah!

b b
&b j b
3

b J

? b j j 6
j j

F 7/C F 7/E b b
B 7/D b b D 7 B 7/D

e
&b
72 73 74

Hey! No one gives a shit 'bout all the shit that we've done. If you

&b
72 73 74

Hey! No one gives a shit 'bout all the shit that we've done. If you

Vb
72 73 74

Hey! No one gives a shit 'bout all the shit that we've done.

Vb
72 73 74

We're ha - vin' fun! No one gives a shit 'bout all the shit that we've done.

j j j
& b b b b b n
J J J
j
?b j
j
j b j b j n j
b b n

Prepared exclusively for Courtney Jones.

Piano/Vocal 13 Little Bar On Sullivan Street - [Rev. 9/4/12]

A7 D m7 E 9b B b7 F7
&b b 24 44
75 76 77

care to spend your e - v'ning like you have - n't got - ta care, then pull up a chair! Hey!

&b b 24 4
75 76 77

4
care to spend your e - v'ning like you have - n't got - ta care, then pull up a chair! Hey!

Vb
75

76
24 77
44
Hey!

2 4
Vb
75 76 77

4 4
Hey!

& b #

n b ... n
. b 24 44

?b j j j
j b
b 24
44

A7 D m7 E 7 b b
B 7
b
B 7( 5)
& b 44
78 79

j
V b 44 # b
78 79

But don't take that one, there's a spring in the seat. At our

& b 44 # n
b ..
j

J b n n # n n
? b 44 j j b n
b .
. n

Prepared exclusively for Courtney Jones.

Piano/Vocal 14 Little Bar On Sullivan Street - [Rev. 9/4/12]

b
B 7 C7
&b b b
80 81

lit - tle bar, lit - tle bar on Sul - li-van...

&b b
80 81

lit - tle bar, lit - tle bar on Sul - li-van...

Vb . . b
80 81

lit - tle bar lit - tle bar on Sul - li-van...

Vb b . b
80 81

lit - tle bar lit - tle bar on Sul - li-van...

j j j j j
&b . b # A
b
b ...
F
? b . j j j
j
.

b
D 7 C+ C
&b
82
b b n
83
b
lit - tle bar, lit - tle bar, lit - tle bar on Sul - li-van...

&b b b . b
82 83

lit - tle bar, lit - tle bar, lit - tle bar on Sul - li-van...

Vb
82 83

lit - tle bar, lit - tle bar on Sul - li-van...

Vb
82
b 83

lit - tle bar, lit - tle bar on Sul - li-van...
j j
& b b b b


.
.. #


n

?b b . b # j j
b . b b .
b . b b .
. #

Prepared exclusively for Courtney Jones.

Piano/Vocal 15 Little Bar On Sullivan Street - [Rev. 9/4/12]

b
D Maj7 b b
A /G
b
G m7( 5) F 13# #
C 7( 5) C/E

&b b .
84 85

lit - tle bar, lit - tle bar, lit - tle bar on Sul - li - van

b b b
&b b
84 85

lit - tle bar, lit - tle bar, lit - tle bar on Sul - li - van

# n n
V b b
b #
84 85

lit - tle bar, lit - tle bar, lit - tle bar on Sul - li - van

b b . n b
Vb
84 85

lit - tle bar, lit - tle bar, lit - tle bar on Sul - li - van
j j j j j j j
& b b b ... #
# # n b
b
b . n
j j j j j
? b n #
b b .
b n
#


b
>

&b w
86 87 88

Street.

&b w
86 87 88

Street.
w
Vb
86 87 88

Street.

w
Vb
86 87 88

Street.
n ?
&b
b #
?b # # ? b . j
& # b

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
LUKE
4
MORNING AFTER OMELET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

b b b b b b b b
b
E 2/A
V b b 44
E E /G A /B E E /G

1 2 3

E b2/G
Capo 1st Fret
In Eb b E b2/G b b A b/B b b
bb
2 E 2/A E 2
4
E
& b 4



b 4
& b b 4
F
? b b 44
[Piano for Rehearsal Only]

E b2/A b b b b b b b b
b
B sus E B /D E 7/D E 7/B
Vb b .
4 5

E - v'ry time a wo - man stays the night, she's
b b b
B sus b b b b
b
E 2/A E B /D E 7/D
& bb |


b
&bb

b


P
? bb b
b

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 Morning After Omelet - [Rev. 9/4/12]

b b b b b b b b
bb j
A 2 F m7( 5)/A E E /G E 2/A B sus
V b . . j
6 7 8

. .
hap - py, and I don't won - der why. I treat her
b b b E b2/G b b
E 2/A B bsus
b
A 2 F m7( 5) E 2
& bb | |



b
&bb
b


? bb b
b

b b b b b b b b b
bbb
E B /D E 7/D E 7/B A 2 A /B G 7/B
V
9

10

J
well, but I don't kiss and tell. Hell, I'm just that kind of guy.
Eb B b/D E b7/D b A b2 A b/B b G 7/B
b
& bb | |

b
&bb
b

n
? bb b n
b

b b
bbb .
C m7 E 7/B F m7
J .
11 12 13

V
She sleeps in. But I get
E b7/G E b7
b
C m7 F m7
& bb b b |
w

b ww
&bb

b w

? b b w
[Piano Enters]
.
w r .
b w w

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 Morning After Omelet - [Rev. 9/4/12]

b b E b7/D b b b
b
B 7 E 2 F m7( 5)

A /C
Vb b . j
14 15 16

J
j

up to start the day, and make her break - fast in bed. She
b b b b b
b
B 7 E 2 E 7 A F m7( 5)
& bb | | | | |
. .
& bbb


b b
. r .
? bb
b
b w

b b b b b b A b/B b
bbb r
E B /D E 7/D B m A 2
. .
17 18

V .
smi - les as she wakes up and is fed my morn - ing af - ter
Eb B b/D E b7/D b B bm A b2 Ab
b
& bb | |

b
&bb


b




? bb b
b

b b
E 2/G b b b
B sus b b
bbb j
E E 2/A E 2 E 2/G
.
19 20 21

V
WAVERLY: You sound like
om - 'let. quite the gentleman. Hmm.
E b2 E b2/G E b2/A b A b/B b b E b2/G
b
E 2
& bb


b
&bb
. . . . .
? bb
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 Morning After Omelet - [Rev. 9/4/12]

b b b b b b b E b7/B b b A b/B b
b j
E 2/A B /D E 7/D
j
B sus E A
Vb b j j
22 23 24

I take my time. No need to rush. Or ru - in it with
b b
E 2/A B bsus b b b b b b
b
E B /D E 7/D A A
& bb | | |


b
&bb
. b
? bb b
b

b b b b b
bbb
E 2 E 2/G E 2/A B sus

25 26

V
haste. With the
E b2 b
E 2/G b b
E 2/A b
B sus
b
& bb



b
&bb
. . .
cue strings
? bb
b

b b b b b b b b b
bbb
E 7/D E 7/B A 2 G 7/B
r
E B /D A /B
V
27

28
.

ten - der twist of my well sea - soned wrist I tai - lor break - fast to her
Eb B b/D E b7/D b A b2 A b/B b
b
G 7/B
& bb | |

b
&bb
b
n
? bb b n
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 Morning After Omelet - [Rev. 9/4/12]

b b
bb
Cm E 7/B
V b
29

30

J
taste. I mix the eggs
b b
E 7
b
C m7 E 7/G
& bb b
w b

b
&bb .
. . b
cue vln
.
? bb w w
b

b b E b7/D b
b
F m7 B 7 E 2
Vb b
31
32
J .
33
. . .
with a touch of milk, some hand se - lec - ted herbs and a sub - tle splash of
B b7 E b2 b
b
F m7 E 7
& bb | | | |
. .
b .
& b b www . b
.
? b b r . . r
play softly, with strings
.
b w w b

b b b b b b b b
bbb
A /C F m7( 5) E B /D E 7/D E 7/B

34 35

V
cream. And with e - v'ry one I'm clo - ser to my dream.
Ab
b Eb B b/D E b7/D b
b
F m7( 5)
& bb | | |

b .. b
&bb ..


b

? bb b
b . J

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 Morning After Omelet - [Rev. 9/4/12]

b b b b
b
A 2 A /B
r
E
V b b . . .
36 37

The per - fect mor - ning af - ter om - 'let.
b b
b
A 2 A
& bb | |



b
& b b
. .
? bb
b

D b/A b
b j b
Vb b .
38 39

For Pam I add - ed ham. For Lou -
E b D b/A b
b
& bb
|.


b b
&bb . b



F j
? bb

b w

Ab b
b . r E 2
. r . r
Vb b
40 41

ise I add - ed cheese. A - ni - ka, pap - ri - ka. She
Ab E b2
b
& bb |. |
(small, high voicing)

b
& b b






wwww

? bb
b w

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 Morning After Omelet - [Rev. 9/4/12]

D b/A b
bb . r b . .
V b
42 43

bare - ly used a fork. For El - la, ba - by bel - la. For
b b
b
D /A
& bb |

b b . r
&bb
[vln]
b




? bb
b w

b b Ab
bbb
A Fm E /G F 7/A
V
44

45
. .

Pep - per, well pep - per. And you can bet I used po - ta - toes for Miss

b
&bb

n
p < F

Rit.
? bb
b n
<

b b
A /B b B A /B b b B b E b B b/D E b7/D b E b7/B b
b
Vb b . .
46 47 48

Mal - lo - ry O' - Rourke. Now I've got it to a sci - ence, but I won -

b
[Violin]
[Gtr.]

& bb . R
b
3
b
b A Tempo

&bb b


P GTR alone

? bb b
b w

Prepared exclusively for Courtney Jones.

Piano/Vocal 8 Morning After Omelet - [Rev. 9/4/12]

b b b b b b b
bb
A A /B E E /G A B sus
V b . .
49 50 51

der a - bout all the eggs and sex. Though it's
b b b
E 2/G b b b
B sus
b
A E 2 E 2/A
& bb
ww
ww

b
&bb ww
w
. . .

? bb
[Piano Enters]
w
b

b b b b b b b b b
bbb
E 7/D E 7/B A 2 G7
r
E B /D A /B
V
52

53
.
.
been a thrill, would it be bet - ter still if it were slight - ly less com -
A b2
b
& bb b |

b
&bb
b
n
? bb
cello enters

b b

C m7 b
bbb
E 7 F m7
J J
54 55 56

V J
plex? In try - ing to
E b7/G E b7
b
C m7 poco rit. F m7
& bb ww






b

w

b ggg www
&bb .
. . b ggg
ggg

poco rit.
gg ww
cue vl
? bb w w
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 9 Morning After Omelet - [Rev. 9/4/12]

b b gently b E b7/D b b
bb
B 7/A E A 2/C
V b . .
57 58 59

find the one, I've let so ma - ny wo - men walk out the door.
b b b b b b
A 2/C
b
B 7/A E 7/D
b
E
& bb ww ww
w w

b
& b b gggg wwww ggg ggg www
g b
ggg w
ggg g
ggg w
? bb w b .
b .
[Cello Cue]

b
j
F m7(add4)
b . .
F m7 E /G
Vb b . . .
60 61 62

Now I have the per - fect mor - ning af - ter om - 'let. But no one

b
F m7(add4)
& bb w
L ww
w

b
& b b gg ww ggg www ggg www
gg w g
? b b w ww ww ww
cue gtr, vln

b w
[Bs Enters]

b b b b
bbb
E 2 E 2/G
r
A /B
.
63 64

V .
to make that per - fect om - 'let for.
A b/B b b b
b
E 2 E 2/G
& bb www

(fingers)
b A Tempo
& b b g ww
gg w . .
? bb w
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 10 Morning After Omelet - [Rev. 9/4/12]

b b B bsus b b b b b
b j j
E 2/A E 2 E 2/G E 2/A B sus
Vb b . . .
65 66 67

My mor - ning af - ter om - 'let. Hmm,

b b A b/B b b b b b
b
E 2/A E 2 E 2/G E 2/A
& bb
.


b
&bb j .
. . .

? bb
b

b b b b b b b
bbb
E 2 E 2/G E 2/A A /B E

68 69 70

V
om - 'let. E b
b b b b
b
E 2 E 2/G E 2/A
& bb ww .
.
w

Rall. U u
b
&bb ..
[Violin Cue]

. . .

Rall.
? bb U
w
b

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
DARREN
5
AS GOOD AS I GET
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

q = 112 Sitting into the groove

# 4 C
2 G/B A m7(add4)
& 4 .. .. .. .. .. ..
1 2 3

. . . . .. ..
f
? # 44

#
G Maj9/B C2 E m9

V j j j
4 5 6

You say to try. You say to work. You say you're

# j j j j
& .. .. .. ..
. . . .
P
?# w
w

# C2

E m9


7 8

V
sure I could be more than this a - do - le - scent jerk. And I say, "Look,

# j j j j
& .. ..
. .
j
?#

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 As Good As I Get - [Rev. 9/4/12]

#
A m7(add4)
9 .
B m7(no5)
10

E m7
j
V
I've been try - ing e - ver since the day we met. But

#
&
...
j


?# j j j j j j

.
J
# 11
G/F

F Maj9
n 12
J
D sus D
13

V
this a - do - le - scent jerk might be as good as I get."

#
C2
& ... .. ..
. .
?# j n .
n . . .
WAVERLY: I don't buy it, Darren. You're the one who wants to get married and you're giving up before we've even started.
# 14

15

16
j
V
I've let you down.
G Maj9/B
# G/B A m7(add4)

& .. .. .. ..
. . . . . .
?#
w
w

# C
2 E m9 C2
j j

17 18 19

V
It's what I do. I must ad - mit I've pulled some shit that I re -

# j j j j j
& .. .. ..
. . .
?# . j . j
.
.
Prepared exclusively for Courtney Jones.
Piano/Vocal 3 As Good As I Get - [Rev. 9/4/12]

# E m9
j
A m7(add4)
.
J
20 21

V J
gret a time or two. But I may not get much bet - ter, and

# j
& .. ...
.
?# j j j j


.
J
# B m Em n
7(no5) F Maj9
J
G/F D sus D

22 23 24

V
since I'm not there yet, a man who lets you down might be as good as I get.

#
& j ...

?# j
j j n . j . .


.
Expansive

# C2

G/B

.
25 26

V
I'm not say - ing I'm not try - ing. I'm not say - ing I won't try.

#
&

?# .
r . r
w
w

# Am.
7(add4)
j

G/B
V
27

R
28

But if you want ex - tr'or - di - na - ry I'm gon - na come up shy.

#
&

?#
. r .

r

w w
Prepared exclusively for Courtney Jones.
Piano/Vocal 4 As Good As I Get - [Rev. 9/4/12]

# 29
F Maj9
n 30
E m9
. .
V J
I wish I could be bet - ter, but I'm just an

#
& a
a
?# n .
r
n r .

nw w

# 31
G/F
32
. . 33
G/D

D7
j
V J
or - di - na - ry guy, who loves you a lot. And

# ww .
& .
n nw w
?# r

w
nw w

# j
F Maj9
J
G/D G/F
V
34

35

36

may - be that's all I got. It's not i - deal.

# . .
& . .
J J
. w fl
?# nw n . j
n
n >
fl
b
# n .
B Maj7 A m7
V
37
38

J J
At least it's true. Per - haps your

#
& n
? # b r n b . r .

bw w
Prepared exclusively for Courtney Jones.
Piano/Vocal 5 As Good As I Get - [Rev. 9/4/12]

b
# B Maj7
39
b b
40
A m7
a
V J J
man does what he can and comes up short, but still loves

#
& n
? # b r n b .
r

j
j
a
bw w

#
C2
w .
G/B A m7

41 42 43

V
you.

#
&

?# . r . . r . . r .
w w
w
w
# G /B
2 C2 G Maj7/B
j j j
44 45 46

V
You say to leave. I'm good as gone. I'd ra - ther be

# ..
Rit.
. .
& . .
Pw
. ww
? # w
w w

#A m
7(add4) B m7(no5)
.
Em
. .
47 48

V .
up front now than let you down la - ter on. And you might

..
# .
loco

& . .
ww
?# J

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 As Good As I Get - [Rev. 9/4/12]

# 49
A m7
50
B m7

Em
j
51
G/F
j n .
V
have to take a gam - ble 'cause I'm not a sure bet. And there's an ex - tr'or - di - na - ry

# .
& . .
.
j j j j
?# J j
n . j
w J .
nw
# F Maj9
.
C/D
j n N .

52 53

V
>
chance that this or - di - na - ry
> >
# >
&
>
r . j j
?# n
nw
w

# .
C2
. j
J
54 55 56

V J
man who loves you might be as good as I get.

# > > ww ww
& w w

> >

> >r ww
?# . r ?
w &
w

#
j
57 58 59 60

V
It's as good as I get.
WAVERLY: I'm sorry.

# G/B C2 F2 G Maj7

& .. .. .. .. .. .
. . . . . # ..
?#
n . . j
-
Prepared exclusively for Courtney Jones.
NEXT THING YOU KNOW
Piano/Vocal
LISA
8
MANHATTAN BRIDGE
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

.
q = 116 Fluid

# # # 12
8
1 2

&

? # # # 128 J J J J J J J J

# # #

3 4

&

? ### J J J J J J J J

### A
j
G2
j j j j
j
5 6

& j n
2

I can still re - mem - ber that cool day in Sep - tem - ber. My
# # # n
& n n

? ### J J J J J J J J

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 The Manhattan Bridge - [Rev. 9/4/12]

### A
j j
G2 2
j
j
7 8

& j n

first trip on the sub - way a - cross the Man - hat - tan Bridge. I
### n n n
&

? ### J J J J J J J J

### A

G2
j j

9 10

& . . n

### n
looked out - side, and could not be - lieve my eyes. Then I

&

n n

? ### J J J J J J J J

### A
j
G2
j j

11 12

& . n

### n n .
looked a - round, and much to my sur - prise,
..
&

(gtr)

? ### J
J J J J J J J

#
### Bm
j
A/C
j
2
j j
13 14

&

### .
no one else was look - ing at the bridge, the sta - tue,

. . .. ..
& . ..
j j
? ###


w. w.

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 The Manhattan Bridge - [Rev. 9/4/12]

# # # D15
j .
D m(Ma7)
16
. . .
& J
###
the sky.

& w. n www ...

w.
PNO PLAY

? ###
j
. j j a
(vl 8va)

w. n N
w.

# #
### C m7
j F m7
j .
B m7(add4)
j j
E 7sus
j
j
17 18

& J
###
No one else was look - ing, and I could not i - ma - gine

& .. .. ... ..
.
.
? ### . . . .
.

WAVERLY: It happens, Lisa. You get used to things like that here.
### . . . j
j
19 20

& . .
###
why. I

&

? ### j j j j j j

J J

### A
j
G2
j j
j j
21 2 22

& j n

###
sat and stared, un - blink - ing, then got a - round to think - ing that these

& n
n n


? ### j j j j j j

J
J

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 The Manhattan Bridge - [Rev. 9/4/12]

### 23
A
j j 24
G2
j
2

& j n .

###
peo - ple just don't re - cog - nize the view they miss each day. So I

& n
n n

? ### j j j j j j

J J

### A
.
G2
j
j j
25 26

& . n
###
took it in. Then I took it in a - gain. It

& n
n n


? ### j j j j j j

J J

### A
j .
2
G2
j j

27 28

& . n .
###
made me smile. I made a pro- mise then, that the

& .
.
n
? ### j j j j j
J J
J

#
### Bm
j
A/C 2
j j
29 30 2
& . .

###
day that I stopped look - ing at the way it all seems
. . .. ..
& .. ..
j j

? ###

w. w.

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 The Manhattan Bridge - [Rev. 9/4/12]

# # # D31
j .
D m(Ma7)
32
. .
& J J
###
to glow, the

& w. n www ...

w.
j j j
? ### .
w. n

w.

# #
### C m7
j
F m7
j .
B m7(add4)
. j
E 7sus
j

33 34

& J j

###
day that I stopped look - ing was the day that I should

& .. .. ... ..
.
.
? ### . . . .
.

### 35
A
. .
36
. . j
&
.
###
go.
[violin]
j
So

& .
j j


.
? ### j j j . .
. . . . .

b
### C
j
G/B
j j
B
j
F/A
j j
37 38

& n n n
###
e - v'ry day from that day on I took the time to stop and look. I'd

& . . . b . . .
n . . . . . n .
j
? ### n
j
.
n . n b .
b .
.
n .
n .

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 The Manhattan Bridge - [Rev. 9/4/12]

b # o
### F m/A C/G D/F F 7
j j j
39 40

& n
n
###
wake my - self up from a nap. Or take a short break from my book.

& b . n ... n ..
n . .. .. ..
? ### n b . .
b . n . . .
n . # . n .

o b
### A m/E

D /F
j
C/G F m/A Slower, Freely
n
j b .
41 42

& n n
n
###
But to - day, on the sub - way, af - ter fight - ing for my seat. I star-ted

& . n .
n .. .. nn ... b ..
slower
? ### . n . . n .
. b . n . b .

b
### D
j j j
G5
j
2
b b .
43 44

& n n n
,
###
read - ing at De - kalb, and did - n't look up 'til Ca - nal Street.

& gg b b ww .. ggg n n .. ..
ggg b w . gg n . . ,
? ### bw . . ..
b b ww .
. n n .

### 45

46
. . j
&
A Tempo

###
I

&





? ### J J J J J J J J

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 The Manhattan Bridge - [Rev. 9/4/12]

### A
j j
G2
j j j j
j
47 48

& j n

blinked to clear my vi - sion, thought back on my de - ci - sion to
### n
& n n

? ### J J J J J J J J

### A
j j
G2
j
2
j
49 50

& j j n

up and leave the ci - ty the day I missed the view. It's

# # n n n
& #

? ### J J J J J J J J

### A G2
j j
j
51 52

& . . n

###
har - der now than I thought it would have been. Did the

&

n


n n
? ### n
J J J J J
J J J

### A
j j
G2
j j

53 54

& . . n
###
ci - ty break me down, or sim - ply break me in? To -

&

n

.
..

? ### n
J J J J J
J J J

Prepared exclusively for Courtney Jones.

Piano/Vocal 8 The Manhattan Bridge - [Rev. 9/4/12]

#
### Bm
j
A/C
j
2
j j
55 56

&

###
day's when I stopped look - ing at this place like it was
. . .. ..
& .. ..
j j
? ###

w. w.

# # # D j .
D m(Ma7)
. j

57 58

& J

###
all new. To - day's the

& w. n www ...

w.
? ### . . n . a .
w.
w.

# #
### C m7
j j
F m7
.
B m7(add4)
j j
E sus
j

59 60

& J
###
day that I stopped look - ing, so now what do I

& .. .. ... ..
.
? ### .
. . . .
.

#
### F m
. .
A/E
. j j

61 62

& .
### j j
do? Do I
.
expressively

.
& ww ..
.

? ### . rit.
. . . .
. . .
w. w.

Prepared exclusively for Courtney Jones.

Piano/Vocal 9 The Manhattan Bridge - [Rev. 9/4/12]

# b
### D
.
C m Bm
j
B m7( 5)
j j
. .
63 64

& J n
###
stay or do I leave and change up the

& ggg .. ggg ... ggg ... ggg n ....

g . g
.
Freely
..
? # # # .. .
..
. .

### A Maj7
w.
65 66

&
U
###
view?

& ggg ... .

poco rit. U
? ### . .
J J J J . .
J .
.
u p
bass cue pizz.

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
DARREN HOW 'BOUT YOU?
9
WAVERLY [Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
(WAVERLY gets up to get a pitcher and runs into DARREN.)
DARREN: Hey.
WAVERLY: What are you doing here?
DARREN: Beer. Amaretto sour?
WAVERLY: No, thank you.
DARREN: Okay. WAVERLY: So, how've you been?
DARREN: Fine. I mean, (vocal lastDARREN:
V b 44 .. ..
time only)

1 2 3 4

I'm still
q = 92
& b 44 .. ..
p SAFETY

? b 44 .. ..

G m7 D m7 G m7 D m7
r j
Vb . .
5 6

look-ing for jobs, not just a - ny. Or else I'd get one right a - way. And

&b .
..
?b

G m7 D m7 E m7( 5)
b + # A 7( 9)
Vb .
7 8

not on - ly one, I'd get ma - ny. I'd be hold-ing em-ploy - ers at bay. But I

&b .
# #
..
?b #

#
Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
Piano/Vocal 2 How 'Bout You? - [Rev. 9/4/12]

b
B Maj7
A m7 G m7
D m /A
7

Vb
9 10

need a good job where they think it's o-kay that I might take some time off to work on my play. And that

&b .. .
. ...
?b
Gtr, Bs Enter

E m7( 5)
b D m7 C 7 #o D m7
Vb
11 12

pitch to a job can be a real-ly hard sell. My play takes up my time which you know ve-ry well. It can be

&b j j r j


b #

n

. .
?b

. j
j
J . .
GTR
#
GTR
.

G 7 o D m/F E m7( 5)
b + # A 7( 9)
Vb
13 14

hard to make pri-or-i-ties fit. If you re - call that was the rea-son we split, or why you left me real-
r ?
r . .
GTR GTR

&b ...
n
gg n
b #

. gg
gg
g #

?b #
#
j
b

BS

Dm C b
B 7 A7 Dm C b
B 7
V b j
15 16

.

ly. Let's not get all touch-y feel -y. Look where this con-ver -sa - tion
#
#
?b GTR


#





?b j
. .
. . . .

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 How 'Bout You? - [Rev. 9/4/12]

b
A
j B A
Vb
17

#
veered. Let's not dis - cuss our old re - la - tion - ship cause
?b

?b

. .

Dm b A 7(# 9)
G m9 G m7/B
Vb
18 19

#
that might get weird.
A - ny-way. A - ny- way. A - ny-way. How 'bout

?b
j j
# & gg n ...
gg # .
gg
g .

?b j
j j
. . .
WAVERLY: Good. Glad to hear it's going well for you.
DARREN: You seeing anyone?
WAVERLY: It's only been a few weeks.

Dm
Vb j
20 21

you? Cause I'm

&b
#

p
?b
.
. . #
.
. .

G m7 D m7 E m7( 5)
b D m7/F
Vb
22

. . r 23

see - ing some-one, well not see -ing. Just sleep-ing with her a lot. And to be

&b ... ...

. .
?b





BS + GTR

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 How 'Bout You? - [Rev. 9/4/12]

G m7 D m7 E m7( 5)
b + #
A 7( 9)
Vb
24 25

.
ho-nest I find it quite free-ing. I get the milk and the cow is not bought. And she

. r
& b ... ..
# n


. ..
?b



#


#
BS

b
B Maj7
A m7 G m7

7

D m /A
Vb
26 27

can't get e-nough, she just climbs right on top. And from morning
- 'til night we're just fuck - ing nonstop.
- And

&b .. ..
.. ..
?b

.

E m7( 5)
b D m7 C 7 #o D m7
Vb
28 29

I could use a break cause all the sex is e-nough. I wan-na talk a-bout feel-ings cause I'm in-to that stuff. But she'd

& b n
b #
?b r

R


b . n
R

G 7 o D m/F E m7( 5)
b + # A 7( 9)
Vb
30 31

ra-ther get me na-ked in-stead and just re - mind me I'm a-ma-zing in bed, and that I make her de-li-
r ?
&b . gg n
b # ... n gg
gg #


g

?b # n #
j
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 How 'Bout You? - [Rev. 9/4/12]

Dm C Bb A7 Dm C B b
Vb
32 33

3
ri - ous.
Just so you know we're not se - ri - ous. We have-n't said our "I
. b

GTR
?b #

?b j
. .
. . . .

b
A
j BA Dm
Vb
34 35

do"s. We can still see o - ther peo-ple like an ex if we choose. # n
#
#


?b # &

?b
.
. . . .

G m9 G m7/B b # A 7( 9) Dm
Vb
36

.
37
j

A - ny - way. A - ny - way.
j j
A - ny - way. How 'bout you?

&b ?
n ..

# ...
&

? j j
b
j
. .
.
WAVERLY:
b
E 7 b
E 7/G D m/A Dm
&b b j j
38 39

b N
I'm still work-ing. Have - n't quit. I'm still sin - gle. And that's it.

& b b j .
b
r

j
N
j

? b b j j j
b

Prepared exclusively for Courtney Jones.
Piano/Vocal 6 How 'Bout You? - [Rev. 9/4/12]

DARREN:
j Gm D m7/F
r
Vb
40 41

.
So it's awe - some we had this brief meet - ing. Re -

&b

?b



GTR

E m7( 5)
b Dm G m7 D m7/F
Vb .
42 43

minds me of the fun that we had. And al - though it has been a bit fleet-ing.

&b ..
.
?b

b + # b
E m7( 5) A 7( 9)

B Maj7
A m7
Vb
44 45

Be-ing with you's ne-ver bad. I'm gon-na go to the bath - room right there, down the hall. If you re-

. r
& b
# #



..
..

?b #



#
b

G m7 D m7/F E m7( 5) D m7
Vb
46 47

mem-ber we had our first kiss in that stall. And a stall's a weird place to be kissed. But some-thing

&b .. j
..
. .
?b j
.

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 How 'Bout You? - [Rev. 9/4/12]

C #o D m7 G 7 o D m7/F
Vb
48 49

clicked and we could-n't re-sist. So I'll be in the one towards the back. And I'll

&b ... . r
b # . n b # n

?b n
# #
BS

E m7( 5)
b + # A 7( 9) D m7 C b
B 7 A7
Vb
50 51

leave the door o-pen a crack. Not to be weird, but just stat-ing that that is where I will be



#
GTR

r
&b
. gg
gg
n



? #
gg
g #
?b
j


. . .

b +
D m7 C B
j
A 7 G m7 A7
Vb
52 53

.
wait-ing. # So you do what you've got-ta do. If not to-night, then not to-night, but I'll be
#


?b

?
b j
. . . . .

Dm C Bb A G m9 b A +7(# 9)
G m7/B Dm
Vb
54 55

.
3

#
wait-ing. A - ny - way, a - ny - way, a - ny - way. How 'bout you?

?b


&
j

j

# n

#


?b j j
. .
r

.

Prepared exclusively for Courtney Jones.
 Piano/Vocal
WAVERLY 10
DON'T SAY ANOTHER WORD
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN
LUKE: Don't you want to know anything about me?
WAVERLY: Nothing.
LUKE: Not one little thing?
WAVERLY: I'm upset I even know your name. Let's go.
LUKE: You're a very confusing woman. And I feel like I have a pretty good grasp on women, but this is unlike anything

q = 136-144
F Maj7 b B 2 F Maj7 b B 2

&b 44 j j j j
1 2

3
j j j j
4

ww
ww
w J
w J
Piano
?b 44 . .
AC. GTR

. w . w

F Maj7 B 2 b F Maj7 b
B 2
j j j j
&b j j j j
5 6 7

You've got that quir - ky smile.
You've got that charm -

& b j j j j
ww
j

j j j j
w
Pno
? b . w .
. .

F Maj7 b
B 2
j
& b j j j j j j
8 9 10

ing stare. You've got that way
you talk
says you

& b ww


j j j j
ww J
j
w J w
Pno
? .
b w . w

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

 Piano/Vocal 2 Don't Say Another Word - [Rev. 9/4/12]

F/A Bb Dm
j j j
& b j . j j
11 12 13

could be from a - ny - where. No, I don't know

&b j j j

gtr strumming
Pno
?b j
w w
w

C/E F/A B b
& b .
14

15
j j j j
16


ex - act - ly
j
where you've been.
j
&b j

j
Pno
? b j j j
.
w w
w

Gm F/A B b
j j j j j j j j
&b
17 18 19

J
I don't know a - ny de - tails, so I'm fil - ling them all in.

&b j j j

Pno
? b j j j

w w w

Tempo II, slightly slower

C sus F
&b j j
20 21

Don't say a - no - ther word. Don't ru - in the sur - prise.

& b


...
Pno
.
?b
gtr groove

.

Prepared exclusively for Courtney Jones.

 Piano/Vocal 3 Don't Say Another Word - [Rev. 9/4/12]

Gm B b
& b . .
22 23

I don't want to know the se - crets that are ly - ing in your eyes.

& b ..
. . ... .
Pno
?b .
.

C F

&b .
24 25

I don't need to see the an - swers. I pre - fer my vi - sion blurred.

&b
...



.

Pno
? b . j j
. w

b
j j
F/A B
j j
&b
26 27

J
Don't move. Don't speak. Don't breathe.
& b

j
?b .
Pno

w w
LUKE: There's gotta be one thing
E 2 b Tempo I
you want to know about me. I ran the

j
600-meter dash in high school.
&b
28 29

Don't say a - no - ther word. F Maj7 b
B 2

&b j j j j
ww w
Pno
[violin]
? b bw .
.

Prepared exclusively for Courtney Jones.

 Piano/Vocal 4 Don't Say Another Word - [Rev. 9/4/12]

F Maj7 b B 2

& b ww j j j j
30 31 32

ww
Pno
w J w J

?b w . w
.

F Maj7 B 2 b F Maj7 b
B 2
j j j j
&b j j j j
33 34 35

You think I'm in - sin - cere. I have a guar -

& b j j j j
ww
j

j j j j

Pno
w
? b . w .
. .

F Maj7 Bb
j
& b j j j j j j
36 37 38

ded heart. You think the things
you want,
but just

& b ww


j j j j
ww J
j
w J w
Pno
? .
b w . w

F/A B b Dm
j j
& b j j j
39 40 41

don't rush the great - est part. And I know

&b j j j


Pno
? j
gtr strumming

b w w
w

Prepared exclusively for Courtney Jones.

 Piano/Vocal 5 Don't Say Another Word - [Rev. 9/4/12]

C/E F/A B b
& b .
42

43
j j j j
44


ex - act - ly
j
how you feel.
j
&b j

j
Pno
?b
j j j .
w w
w

Gm F/A B b
j j j j j j
&b
45 46 47

J
But some - times what you i - ma - gine can be bet - ter than what's real.

&b j j j


Pno
? b j j j

w w w

Tempo II, slightly slower

C sus F
&b j j
48 49

Don't say a - no - ther word. Just let me take you in.

& b


...
Pno
.
?b
gtr groove

.

Gm B b
& b . j .
50 51

We'll have to fi - nish some - time, we get one chance to be - gin.

& b ..
...

. . .
Pno
?b .
.

Prepared exclusively for Courtney Jones.

 Piano/Vocal 6 Don't Say Another Word - [Rev. 9/4/12]

C F

&b j .
52 53

Find beau - ty in the si - lence and al - though it sounds ab - surd,

& b

...
Pno
.
? b . j j
. w

b E 2 b
j j
F/A B

&b
54
j j
55
56
j
J
don't move. Don't speak. Don't breathe. Don't say a - no - ther word.

& b




ww

Pno
?b j .
w bw
w

b
B sus2
j
Dm C/E

&b j j j
57 58 59

Right now. Right here. There's just this mo - ment be - tween

&b j j . j

j
..
j
..
j
..
Pno
?b

spacier gtr groove
j j j
w
w w

j
F/A Dm C/E

&b j
60 61 62

you and me. No past. No fear. This can be

& b .. j
.. j j
.. j

Pno
j j j
?b
w w w

Prepared exclusively for Courtney Jones.

 Piano/Vocal 7 Don't Say Another Word - [Rev. 9/4/12]
b
#### #
B sus2 C sus N.C.

&b
63

64
# # # #

#### #
what we want it to be. Don't say a - no - ther word.

& b .. j #

j
?b w
Pno
#### #
#

F# #
#### #
G m

# j . j
65 66

&

# # # # #
Don't whis - per in my ear. Don't try to make up some -

& #

Pno
? #### #
chorus gtr groove

# . w
. w
#
#### #
B C

# .
67 68

&

j

# # # # #
thing that you think I want to hear. 'Cause I've heard it all be - fore

& #
Pno
? #### # . w
#
. w

F# # #
#### # . j
F /A

& #
69
r 70
j j

# # # # #
and I was hurt by what I heard. Don't move. Don't speak.

& #
Pno
? #### #
# w .
w .

Prepared exclusively for Courtney Jones.

 Piano/Vocal 8 Don't Say Another Word - [Rev. 9/4/12]

#### # j
B Maj7 E2

# . j

71 72

& J
# # # # #
Don't

breathe. Don't say a - no

-

ther word.

& #

Pno

? #### # w nw n .
# nw
w

F# #
#### #
G m

& #
73
74

. j
J
# # # # # Don't
try to make up some
Don't whis - per in my ear. -

& #
Pno
? #### #
# . w
. w
#
#### #
B C

& # .
75

76
.

# # # # #
thing that you think I want
to hear. 'Cause
I've heard it all be - fore

& #
Pno
? #### # . .
#
. .

F# # #
#### #
F /A

# J
77 78

&
# I was
and hurt by what
I heard. Don't move.
Don't speak.
# #
& # ##
Pno
? #### #
# . .
. .

Prepared exclusively for Courtney Jones.

 Piano/Vocal 9 Don't Say Another Word - [Rev. 9/4/12]

#### # j
B E2

# j

79 80

&
J
# # # # # breathe.
Don't Don't say a - no - ther word.

& # ww
w
n ww
Pno
? #### # w
#
w
# # # #
#### #
D m C /E F

# j . .
81 82 83

&

#### # . ww
Don't say a - no - ther word.
w
& # .. w w
j j j
Pno
? # # # # # w j j . .
w w
#

# # #
#### #
B Maj7 D m C /E

# j . j
84 85 86

&
j j
#### # .
Don't say a - no - ther word.
j

& # g ww
ggg w . w
ggg j
Pno
? # # # # # gggg www j j . .
# g w w

# # # #
#### #
F /A F /B C (no3)

#
87 88

&

#### # j
& # .. ggg ww
gg w
Pno
? #### # j
poco rit.

# . ww
w

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
LUKE
AND I BREATHE 13
q
[Rev. 9/4/12] Lyrics by RYAN CUNNINGHAM

b b Music by JOSHUA SALZMAN

b . r
D 7
V b b b b 44
Driving D
. b
A 1 2

So I pro - mised her I'd quit, yeah, this time for real. She
? b b b 44 w w
bb bw

? b b b 44
bb

b b b b
b j .
V b bbb
G /D G m/D

3 4

w ww
did - n't make me. I just of - fered. Hey, it's no big deal. So that's it.
? bb b w w
bb

? bb b
bb
Db
b
V b bbb b
5

I'm done. No turn - ing back. But I real -

? b b b ww
bb
cresc. poco a poco
? bb b
bb
>
b
bbbb
D 7
V b
6
b
ly should fi - nish up this pack. I could quit
? b b b b ww
bb

? bb b
bb
> Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com
Prepared exclusively for Courtney Jones.
Piano/Vocal 2 And I Breathe - [Rev. 9/4/12]
b b G /D
b
V b bbb
7

? b b b ww
if I want. That's what it's real - ly a - bout. So take the

bb

? bb b
bb
> > > >
Groove Relaxes, Breathes
b b G Maj7b F m7 B m7 b F b/C b

b
G m/D
bb
Vb b b
8 9

cel - lo - phane off
AndI ..
and pull that ci - ga - rette out.
breathe and I hold it in 'til I feel
? bb b .
bb J & ... .. b b

. .
P
sub.

? bb b
bb

j
b
> > > > > >
G b/B b B G b/A b G bMaj7
#
b b b A
F 7( 9)/A
.
F7

Vb b b
10 11

that tin - gle 'neath my skin. And I have to smoke it now be - cause it's
bb j
& b b b .. . b b b
. .. .... b ....
n
? bb b j
bb n
b n
b o b b b b o b
A 5 b
b
B m G F /C G /B G /E
b .
V b bbb b
12 13

lit. Then I put it out. I'm done. I'm good. I

b
& b b b b . j
j
b b b ... .. j ?
.. n n ...
fl
? b b b j b
bb n n n b
n b n

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 And I Breathe - [Rev. 9/4/12]
b b
Driving

r
D D
b
V b bbb
14 15 16

.
quit. So I don't smoke for a whi - le. Yeah,
? bb b . w
bb J
poco accel.
? bb b
bb .
j

b
D 7 b b
j >
G /D
bb .
Vb b b
17 18

w
that's good for me. Then I start to bite my nails and
? b b b b ww w
bb

? bb b
bb

b
G m/D b D b
bb
Vb b b b
19 20

? b b www
light - ly bounce my knee. I mean I smoked for ten whole years be - fore. Would it kill
ww
bbb
cresc. poco a poco
? bb b
bb
>
b
D 7
b
V b bbb b
21

me to have on - ly just one more? So I'll

? b b b b ww
bb

? bb b
bb
>

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 And I Breathe - [Rev. 9/4/12]

G /D b b
b
V b bbb
22

w
have a - no - ther then I swear that's it. I get my
? bb b w
bb

? bb b
bb
> > > >
G m/D b b
bb
Vb b b
23

ci - ga - rette out and my ligh
- .. ter

lit. And
I
? bb b .
bb J &

? bb b
bb

> > > > > >
Groove Relaxes, Breathes
b F m7 b
B m7 b b G b/B b B G b/A b
b b
G F /C
bb
Vb b b
24 25

breathe. And my vi - sion clears. And that itch in - side here dis - ap - pears. And I
bb
&bbb ... b b ... .. b b ...
. ... . . b
P
sub.

? bb b j b
bb
b

b # b o
.
G Maj7

F 7( 9)/A F7

B m G
b .
V b bbb
26 27

have to smoke it all, it's my last one. Then I

b j
& b bbb b j j
....
n ...


n


fl
? bb b j j
bb n n j n
n n

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 And I Breathe - [Rev. 9/4/12]
b b b b o b
A 5 b b
b
F /C G /B G /E D
b
V b bbb b
28 29

put it out. I quit. I'm good. I'm done. I'm gon - na

b
& b b b b b b .. .. j ? .
b . n ... J J
? bb b b
bb n b
b n
b
G 7 b b
b b
D m/F
b
V b bbb
30 31

b > .. I'm b > .. I'm

b
quit. That's for sure. gon - na quit be - cause of her. gon - na
. b .
? bb b
bb J . J .
F
? bb b
bb b
w bw
D Maj7 b
E 7 b
b
A
b .
V b bbb b
32 33

J
n > ... .
.. ...
quit. It won't be hard. I'll throw this pack out in my yard... right

>
? b b b n # # J . b
bb

? bb
bbb b
n
nw . J >
j j
Dm D m/C

Vb
34 35

.
w af - ter I have a - no - ther. And may - be
ww
one more on se - cond thought.
? b ww w
P sub.

?
b
w w

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 And I Breathe - [Rev. 9/4/12]
b
B 7

G/B

Vb n bbb
36 37

J J
n www b A
Oh man. I'm gon - na miss this a lot. And how
?b
J & bbb

? b n j
A bbb
nw A
b
b
Cm C m/B
b
Vb b
38 39

j
dare she claim it's not her I'm quit - ting for. It's for
b # n
&bb . ...
... . >
F f
? bb
b
w w
o A 7b b C 7
b b
A
b
Vb b
40 41

us. How can that be? It's for us? Well, it's not for me. So
b
&bb .. b ... b ...


b ....
.
? bb b
b n b
nw b . b
J
Cm C m/B b
b
Vb b
42 43

I'll have one more. Just one more. But one more is one more
b
& b b













P
meno mosso

? b b j j j j j j j j
cresc. poco a poco

b
w w

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 And I Breathe - [Rev. 9/4/12]
o A 7 b b
C 7

A
b bbbbb
Vb b J
44 45

and one more and more and more and more and more. So I've
b b b n bbbbb
& b b b




b


poco accel.
? bb j j j j j j bbbbb
b n b
nw b

b b b
D 5
b b
D sus/C

bbbb
46 47

V b

.. .. .. ..
got - ta let 'em go. Man, I'll real - ly miss you guys. But there's

bb . . . .
&bbb

? bb b
bbb
w bw

b b b
Groove Relaxes, Breathes
b
A

b
G /B
b b
/A

V b bbb
48 49

one thing that I know, I can't go home and see those eyes. When she just
.. ..
bbbb . . ~~~ J
~
& b
~
~~~
n b
(black note

? bb b j j
gliss)

bb n b
w n
b
G Maj7 F m7 B m7 b F b/C b G b/B b b b
b
b
A G /A
b .
V b bbb
50 51

breathes. Just a lit - tle sigh. That is all I need to won - der why I
b
& b bbb
....
... b b ... .. b b ...
. . b
P
sub.

? bb b j b
bb
b
Prepared exclusively for Courtney Jones.
 #
Piano/Vocal 8 And I Breathe - [Rev. 9/4/12]
b B bm7 o b
b
G Maj7

F7
. .
F 7( 9)/A G G 7

V b bbb b . n
52 53 54

could-n't up and quit a day a - go. I did-n't think I'd still besmok - ing when I was
b j
& b bbb b j j
....
n ..
.

n .
b ..


..
.
fl P
? bb b
bb n
j
j j
n A
n n
D m/Fb b E 7b
bb b n b . .
Vb b b
55 56

twen - ty eight years old. But it's a - ma - zing how these ti - ny lit - tle
b
& b bbb .
b .. ...


n ... ..
.

? bb b
b b b

b b
G 7
b
D m
bb b J b
Vb b b
57 58

J
bas - tards take their hold. And why can't my god damn bo - dy
bb
&bbb . .. .
b .. . b .. ...

? bb b
cresc. poco a poco

bb

b b E 7 b A 7 b
b .
D m/F
b .
V b bbb J n b
59 60 61

just do what it's fri - ckin' told? So the

b
& b bbb . . .. .. b b
j ? b

..
b .. .. n ... . . n ..
f fl
? bb b j
b b b b
fl

Prepared exclusively for Courtney Jones.

Piano/Vocal 9 And I Breathe - [Rev. 9/4/12]

Dm D m/C

Vb
62
63

.. .. .. ..
next time that I feel the itch. And my pin - kie fin - ger starts to twitch. And the feel -

?b
J J
P
?b
w w

B 7 b
.
G/B G

Vb
64
65
.
66
n #
,
. ing starts
to roll
at. me like a
b ..
gi - ant
fu - cking bus.
.. n ...
I'll just breathe.
? . .
b
Rit.
, p
? b n . .
b w
nw bw

A7

D m/F E sus
. N
Vb
67 68 69

. n ww . w
n # ww
Not for her. Not for me. But for
? b .. #

? b . .
w w w

D5 (audible exhalation with button)

Vb
70 71 72 73

, gw
us.
w n b ggg ww
?b w w g
A Tempo Rit. ,
?b
w
w
Prepared exclusively for Courtney Jones.
NEXT THING YOU KNOW
Piano/Vocal
DARREN
14
IF SHE WERE COMING HOME
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

q . 72 - 76
# # (vocal 2nd time only)

V # 128 .. . j .
.
1 2

# # # 12 .
If she were

& 8 . .. .. .. .. . . . . ..
. . . .
n
? # # # 12 .. ..
8 w. w.

### j . j
.
3 4

V . .

###
co - ming home, I would - n't have a - no - ther drink. If she were

& .. .. .. .. . . . .
. . . .
? ###


n
w. w.

### . j .
.
5 6

V J
###
co - ming home, I'd do the dish - es pi - led in my sink. And I'd

& .. .. .. .. . . . .
. . . .
? ###


n
w. w.

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 If She Were Coming Home - [Rev. 9/4/12]

### j 6 128
. j
7 8

V . 8
###
hang up all my shirts and pick my dir - ty socks up off the

& ww .. 68 128
..

? ### . 68 128

w. .

# # # 12 . . .
J
9 10

V 8 J
# # # 12 w .
floor. But she's not co - ming home a - ny -

& 8 # www ... .. ...

. n .
# n ...
? # # # 128 # . .
w. .

### j . . . j

11 12

###
more. If she were

&
? ###
Strings
n
w. w.

### . . j
.
13 14

V .
###
co - ming back I would ti - dy up the place. If she were

&

? ###
w. w.
n

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 If She Were Coming Home - [Rev. 9/4/12]

### .
.
15 16

V J
###
co - ming back there's a chance I might e - ven shave my face. And I'd

&
n
? ###
w.
w.

### 6 12
j j
17 18

V 8 J 8

###
throw on that co - logne she gave me at Christ - mas time last
68 128
& ww .. ..
? ### 68
128

w. .

# # # 12 19
. 20
. . .
V 8 J J
# # # 12 w .
year. But she's not com - ing back, not

& 8 # www ... .. ggg n ....

. g
# .
n ....
[Cello]
? # # # 128 .
.
#
. .
w. . .

### j
A Maj7
j
G

. .
21 22

V J

###
here. It is - n't like I need a wo - man to make me do
j j .. .
& . n .. n # ...
J
? ###

n
. . n . .

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 If She Were Coming Home - [Rev. 9/4/12]

#
### F m9

G/D
.
23 24

V J
###
e - v'ry sin - gle chore. I just need some - one to do all those lit - tle things
. # ..
& # ww .. n .. .

? ### . n . .
w.
w.

### E sus
. j j
j
25 26

V J
###
for. If she were on her way, I'd pop that cham -

& www ...

? ###
w. w.

### j j
j
27 28

V
#


pagne we have on ice. If she were on her way, I'd get our kit - chen
##
&

? ### n
w. w.

### j
29

V J

###
ta - ble look - ing nice. And I'd

&

? ### n
w.

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 If She Were Coming Home - [Rev. 9/4/12]

### 68 128
j
30 31

V J

###
make her fav - 'rite meal or what - e - ver it would take to make her
w. 68 .. 128
& w. .

? ### . 68 128
.
w.
.

# # # 12 . . . .
32 33

V 8 J J
# # # 12 w .
stay. But she's not co-ming home.

& 8 # www ... .. ...

. n .
#
n ..
.

.
[Cello]
? # # # 12
.
.
# .
8 .
.
w. .

###
J . j . j j

34 35

V
U
### ..
And she's not co - ming back. And she's not on her
n U .
# . .. ggg ...
& .. . gg
ggg U
. . . ggg ..
? # # # .
U .
. . .. gg n ..

###
. . .
36 37

V
***

###
way.

& ggg ... .

gg .
? ###
.
w. .
*** The ending in measures 36-37 is for performance of the song outside the context of NEXT THING YOU KNOW.
When performing the entire show, the word "way" in measure 36 should overlap with the accompaniment in the first measure of
"I Wish There Were A Reason."

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
WAVERLY
15
DARREN

I WISH THERE WERE A REASON

[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

#### 4 1

2

3
n
& 4
j j j j
j . . n .
? # # # # 44 w w w

#### 4

5

6

& j

#### n
I wish there were a rea - son.

(sihn)
&
j j j
. j . .
? #### w w w

####
j j j
7 8 9

&

#### n
I wish I could say why. I wish that he had chea - ted or

& n




j j j
n . . j
? #### w w w

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 I Wish There Were a Reason - [Rev. 9/4/12]

#### j
10 11 12

&

####
had - n't been sup - por - tive or I'd caught him in a lie.
. . w w #
& J J
. j
? #### w nw
w

#### 13
j j 14

15
j
&
#### w
But there was - n't a rea - son. At least, not that I re - call.
w ww
& ww # ww w

? ####

j

#
w
w w

#### j j j j

16 17 18

&

####
So I stand here, all a-lone, for no good rea - son at

& # www ww
w
? #### ww ww
w

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 I Wish There Were a Reason - [Rev. 9/4/12]

####
D 2(add6)
w
19 20 21

&
####
all. And I

& w
j j ..
? #### j . .
w w

j n
nw

#
####
j j
C m

22 23 24

&
3
J
####
don't i - ma - gine he's per - fect. And I

& ww ww ww
w
? #### j n j
j

nw w w

#
# # # # D 2(add6)
3 C m
.
25 26 27

& J J

####
still re - mem - ber the way he can be.

& w w ww
ww w
? #### j n j n j .

nw nw
w

####
G
.

28 29 30

& J J J

####
I'm just look - ing for the part that caused this

& b www
n n
? ####
j n n n
nw Nw
w

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 I Wish There Were a Reason - [Rev. 9/4/12]

#
#### E 3 C m A m9
n j
E m6/G
n
31 32 33 34

& J
####
lone - ly a - ching heart. May - be the rea - son is

& ww ww w n www
w w n n www w

? ####
n ww n ww
w w
w nw

#### 35
E m/F5

36

37
j
38

&

####
me. I wish I could ex - plain this.
+ gtr

& ww ww
j j j
. .
? # # # # n n ww ww w w
nw w

#### j j
39 40 41

& . j

#### n
I wish I on - ly knew how love that was im - pas - sioned could

& n
j j j
. j
? #### n .
w w w

#### j
42 43 44

&

####
quick - ly come un - ra - veled and there's no - thing you can do.
. . w #
& J J w
. j
? #### w nw
w

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 I Wish There Were a Reason - [Rev. 9/4/12]

#### j

45 46 47 3 48

& j

#### w
I wish I had an ans - wer, some - where to go. Some - thing to say.

& ww # www ww
w # ...

? # # # # j # ww
w w w

#### 49

50
j j 51

&

####
May - be I will, but not to - day.

V
J
# # # #
But she's not
ww
& ww
j
? #### w j .
w

#### 52

53

54
j
&

####
There's no rea - son. E - v'ry - thing has

V
J
####
com - ing home. And she's not com - ing back.

& n n
j j j j
. . .
? #### w w w

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 I Wish There Were a Reason - [Rev. 9/4/12]

#### j

55 56 57 58

& .

####
changed. I want it all to stay.

V j .
j

####
And she's not on her way.
www www ww
& w w w

w
[Gtr.]

? #### w
w
w

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
LISA
16
YOU CAN'T BE EVERYTHING YOU WANT
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

Freely
b
A m7
b
& b b 128 . . j .
1 2

b j

I know what you wan - na hear. I
b
& b b 128 gg b b www ...
g
? b 12 b ww ..
bb 8 w.

b A m7b bC 7
bb
E /G
& b
3

.
4

b j

know what you want me to say. There's con-ver - sa-tion's like ours in all New York bars e - v'ry
b
& b b gg ww .. ggg b b ... ggg ...
gg w . g
? b w. b .. b ..
b b ww .. .

b b
E 7/B b #o F 7/A
bbb
A
. j
N .
5 6

&

bbb b j b j n ..
day. And e - v'ry - one's got the same at - ti - tude, share an emp - ty cli -
j
&
b . gg ... gg n ...
g g
? bb w. . # .
b w. . n .

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 You Can't Be Everything You Want - [Rev. 9/4/12]

b b G 7/B C m7 F7
b j 44
E /B
&bb A
7 8 2

2
n N
che or an o - ver-used pla - ti-tude. But you caught me in the right mood.
j
USo at the

b j n 44
2

& b b g .
2

ggg .. ggg n ... ..

.. ggg b ... ggg n ...
g . g .
? b . . U . 4
b b . n . . 4
.
3

Tempo q = 144 q q q e =

b
A m7 b
B 11 b F 7/E b A bm7/E b
b j
& b b 44
E

9 10 11

b
b n b
U
risk of sound-ing rude... There are - n't plen-ty of fish in the sea, you can take

b j
& b b 44 g b ggg n j

j
gg g n b b
U j j
? b b 44 b
cue strings

b j j

b
A 9(no3)/B b b C 7 b F 7/E b
bbb j
E
b b j

12 13 14

& J
b n
j
it from me, they're en - dan - gered spe - cies. And I don't see a great fish -

b b
& b b
b ....







? bb
b j b j j j j
b

A m7/E b b b
A 9(no3)/B b G 7/B
& b bb b j

15 16 17

b
b J
- er - man here. Look at the girl in the mirror, and tell me what she sees.
b
&bb b .
n
b b



n ...
? bb
b n j j j j n j
n

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 You Can't Be Everything You Want - [Rev. 9/4/12]

Cm + G 7/B b b E /B F/A
b j j
&bb
18 19 20

She's see - in' the face of some-one run - ning in place. My friend, can't you see
b
& b b
n n n
? b j . j j
bb n . j b . n
. n b .

b b b
b b j
Fm A m7( 5) A /B23
& b b .
21 22

you can't be e - v'ry - thing you want.
b
& b b ww
ww .. n b

? bb
b
3

n
n
b F 7/E b b
A m7/E b b
A 9(no3)/B b
b j
E

&bb
24 25 26

b
n b b
j
Your life won't al-ways work out for the best, e - v'ry trial's not a test, nor each loss
b j j j
& b b j j ... ...
j .
... b b ...

n n . b b b .
? b j j j b j
bb
J J J J

b C 7 b F 7/E b
b j
E
& b b J b
27
j
28 29

n b

a les - son. Don't buy the stuff 'bout a half - way filled cup, life will carve
b j j j j j
&bb . ... ...
b ... n n . b b b
? bb
b b j j
j
J j J J
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 You Can't Be Everything You Want - [Rev. 9/4/12]

b
A m7/E b b
A 9(no3)/B b G 7/B + G 7/B
b
Cm
&bb b j
30 31 32

b
b
j
you right up like a de - li - ca - tes - sen. So stop re - peat - ing the line

b bb j .
& ... .
b ..
. b . n ... n
? b b j J n j
j n j
bb j
n
b b E /B F 9/A
b j j
&bb .
33 34 35

3
that e - v'ry - thing will be fine. Come on, lis - ten to me,

bbb n n
3
&


n n n n
? bb n j b j j n j
3 3

b n b
n b

F m7 b
A m7( 5) A /B b b +
G 7/B
b b j
Cm

&bb J
36 37 38

you
j can't be e - v'ry- thing you want. When you dream you can be
b
&bb
n n
3

n
b

? b j n . j . j
bb n
n ..

b b
bbb j
3
j
E /B 3 F/A

39 40 41

& .
a - ny-thing. But you can dream with - out e - ven show-ing up.
b 3

& b b b w

3
n
n ww
? b b j
3 j
3

3

b n n

n . w 3

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 You Can't Be Everything You Want - [Rev. 9/4/12]

b
bb
j F m7 E /G
j
F/A
b
42 43 44

& J
So stop dream-ing and be some - thing cause hey, that's
b
& b b j j
n ww
w
j j
? b
b b . .
j j

.
. n j n
3

b b b b b b
straight eighths swing eighths
F 7/E A m7/E
bbb j
A /B E

45 46 47

&
n b
grow-ing up. Don't think I'm tel - lin' you what you should do, cause it's all
b ..
& b b A ... . n ..
.
b b


w 3 . . b
? bb w .
b

b b b F 7/E b
b j
E sus/B E
&bb b j
48 49 50

b J
b n
j
up to you. This is your de - ci - sion. You pick a path, then the o -
b ..
& b b ...
. n
.
? b .

J

J .


bb J

b
A m7/E b b b G7
b
E sus/B
&bb
51

52

b b
53
j
b b J
- ther one's gone, but you get to move on with a clear - er vi - sion.
b
& b b ... b b

..
.

.
n ..
b

b
? bb
b
. n
.
J
j

Prepared exclusively for Courtney Jones.

Piano/Vocal 6 You Can't Be Everything You Want - [Rev. 9/4/12]

+ G 7/B C m/B b
b j j
Cm
&bb
54 55 56

We've been wan-d'ring for years, but now we're fa - cing our fears and fin - 'lly mo - vin' a - long.

bbb
3
[Gtr] 3

& j
.. n
n

. n
? bb .. j
b n . n b . n

b b
b
F/A
j Fm E /G
j
A m
& b b . j b
J
57 58 59

bb
3 Me, I'm head - in' to Ca - li - forn - ia. You,
3
b n
3
& ww
ww n



b

? bb j n .
j j
b .

b b
bb b
E /G
j j
F m7 E /G
& b
60 61 62

don't say that I did - n't warn ya. You choose things e - ven by
b
&bb
b
? b j j j
bb

b b
b j j
A m E /G
& b b J J b
63 64 65

J J
not choo - sing. Hey, it's on - ly your life you're lo - sing.
b b b
&bb
b
b
? bb j j j
b

Prepared exclusively for Courtney Jones.

Piano/Vocal 7 You Can't Be Everything You Want - [Rev. 9/4/12]
F m7 E /Gb Cb
b
& b b j
66 67 68

Make a choice. Don't look back then you're free 3 3 to be
b b b
3

& b b ww ww
3

w w b
j b
? b
b b . J j

b b b F 7/E b b
A m7
b j
A /B E
&bb
69 70 71

n
b
..
a - ny - thing you want. Da da mm da ba da da ba da ba da ba da
bb j n
j
& b
J J .. n .. b b b
. J J
? b b j j
b j j
J J

b
A 9(no3)/B b b
bbb
E
&
72

b
73
b j
b J


b b ..
ba da ba da ba da da da
b . j
& b b ... .. b
j
J J

? b b j
bb J j

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
DARREN
18
WAVERLY

ALL THAT I WANT IS YOU

[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

DARREN: Waverly, I want to be with you.

WAVERLY: I'm taking the job. Full-time.
DARREN: Okay.
WAVERLY: Are you sure you want to be with a working stiff with some stupid job?

#
j . j
C 7
j
A D B Bm
q = 88 . .
### 4 1
2
# 3
# ..
4

& 4
### 4 j j j j
& 4
# .
w

b + b
# # # B m
7( 5) B m7( 5)
j
A A D
j j j j
5 6 7

V # j

### w
All I wan - ted was wri - ting to start off my days. And then

& n ww
. # . . n .
### ?
& ww

+ #7
### A A D

B7

A
jCj j
j j j j #
8 9 10

V # J j J

###
lunch with my a - gent who pitch - es and pays. In the e - v'ning I'd drop in on

# #
&
. . . .
? ### . # .

Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.

All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 All That I Want Is You - [Rev. 9/4/12]

o
### D
j
B

Bm B E sus

11 12 13

V J n

###
one of my plays. And the next day start it all a - gain. We would
n
& .

. # . .
j .
j
j
? ### n w

+ b +
### A A D
j
B m7( 5)

A A
j j j j j j j j
14 15 16

V # j #

###
move to a brown - stone the door pain - ted white, where we'd live like the Cos - by's, our

& a n
#
? ### j j j n j j j
# #

#7
### D

B7

A
j Cj j D
j
B

#
17 18 19

V J j J J

###
kids would be bright. We'd all
j
ga - ther
for board games
j .
on
j
Sa - tur - day night. But the
. .
&
#

? ### j
j j j j j

# # #

o b
### Bm B A Maj7 D B m7( 5)
j n
20 21 22

V n j

###
child - ren are tucked in by ten. I fi - gured out all of the de - tails that

j j
& .
. n ..
j j j j
? ### n j n
w

Prepared exclusively for Courtney Jones.

Piano/Vocal 3 All That I Want Is You - [Rev. 9/4/12]

### A D Dm E
j n
23 24 25

V j j
.
###
mat - tered. Next thing you know, that per - fect pic - ture was shat - tered. All I

vln
& .. ..
j

j j
? ### j n w .
w

+ b +
### A A D
j
B m7( 5)

A A
j j j j j j j j
26 27 28

V # j #

###
wan - ted was my name u - pon a mar - quee, and a quaint post - war walk - up two

& #
j j j n j j j
? ###
# #

#7 #
### D

B7

A
jCj j D
j
B/D

#
29 30 31

V J j J J

###
blocks from the D. All the things that I wan - ted, I wan - ted for me. And I

#
& #

? ###

j j j
j j j
# #

b b
### B m7 B m7( 5)/D A D B m7( 5)
j n
32 33 34

V n j

###
ne - ver ques - tioned why. Just when. You can de - sign a per - fect pic - ture to
ww
& n w

j j j
? ### n j j n

w

Prepared exclusively for Courtney Jones.

Piano/Vocal 4 All That I Want Is You - [Rev. 9/4/12]

###
D
j
Dm E


35 36 37

& n j

###
Next thing you know, you learn it's who's there be - side you. All I
A
V

###
guide you.

ww
& n w.
j j j
? ###
w
w
+ b
### A A D
j
B m7( 5)

j j j j
38 39

& # j

###
wan - ted were pas - sions and dreams to pur - sue. So the

&
? ### j
cello
j
j
j



# n

+
### A A D

B7

j j j j
40 41

& # J j

###
mo - ment I woke up I'd know what to do. Now there's

###
Now there's

& #

j
? ###
j
#
j
j #

Prepared exclusively for Courtney Jones.

Piano/Vocal 5 All That I Want Is You - [Rev. 9/4/12]

# o
### A
j C 7
j j j D
j
B

Bm B


42 43 44

& # J n

###
one thing I need for my dreams to come true. Now the on - ly thing I want...
j
V J J J J J
Now
at last
you're
n
###
one thing I need for my dreams to come true. back a - gain.
#
& #

? ### j j j j j
#

#7 F #7 +
# # # C m
B m7
j n j
G 7/F A A D D m/A A


45 46 47 48

& J w
###
Next thing you know, all that I want is you.

V j n j w
J
j
# # #
Next thing you know all that I want is you.
.
#
* # .
& gg n J JJ

gg
j j # j n
n n
Rit.
? ###

* Optional Ending when performed out of context of "Next Thing You Know"
When performed in the context of the full musical, the word "you" is sung with
the downbeat of m1 of "Next Thing You Know Finale"

Prepared exclusively for Courtney Jones.

NEXT THING YOU KNOW
Piano/Vocal
ENSEMBLE
19
NEXT THING YOU KNOW
FINALE
[Rev. 9/4/12]
Lyrics by RYAN CUNNINGHAM
Music by JOSHUA SALZMAN

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LUKE:
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A A/G D/F B/D

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1

2

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Next thing you know you find you're run - ning round in cir - cles and al -

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Gradually building to tempo
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D m6 B m7( 5)/F
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A/C E sus E/G

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though you're sor - ta ti - red you're not pre - pared to staigh - ten out. Next thing you know.

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LISA:
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A A/G D/F D

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5 6

Next thing you know you need a sub - tle change of scen - 'ry. So you

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Copyright 2012 by Joshua Salzman Publishing and Ryan Cunningham Publishing.
All rights reserved. Unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright.
Infringers are liable under the law. To request a performance license, visit www.NewMusicalTheatre.com
www.SalzmanAndCunningham.com

Prepared exclusively for Courtney Jones.

Piano/Vocal 2 Next Thing You Know Finale- [Rev. 9/4/12]
b
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D m6 A/E B m7( 5)/F E sus E

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7 8

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pack up your be - long - ings and you plan a dif - f'rent route.

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DARREN:

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And

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no, no no this does - n't mean your jour - ney's done.
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Tempo
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WAVERLY:

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means a chap - ter's end - ed and a new one has be - gun.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 3 Next Thing You Know Finale- [Rev. 9/4/12]

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oh, oh, oh no - thing's e - ver meant to stay. Some chan - ces

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D m7
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WAVERLY: E sus
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slip and go a - way. Which ones, are left for you to say. Next thing you know.
LISA:
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Which ones, are left for you to say. Next thing you know.

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LUKE:

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Which ones, are left for you to say. Next thing you know.

DARREN:
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Which ones, are left for you

to say.
Next thing you know.
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And it is - n't how you planned it.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 4 Next Thing You Know Finale- [Rev. 9/4/12]

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D2 Dm A 2/C

19 20

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And it is - n't how you dreamed.

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B m7 A 2/C

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But could it be the life you ne - ver thought you'd want is e - ven

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A/D E sus E

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DARREN:

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bet - ter than it seemed.
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So hold on.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 5 Next Thing You Know Finale- [Rev. 9/4/12]

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LISA:

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D C m7 B m7 WAVERLY:

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25 26 27

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LUKE:

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DARREN:

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It's o - kay.
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Hold out. It's not the life you planned on.

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WAVERLY:
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D/E E B B /A

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28 29

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like it a - ny - way. Next thing you know.

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28 LISA: 29

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Next thing you know.

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LUKE:

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LUKE:

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Next thing you know. Next thing you know you think you've

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DARREN:
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Prepared exclusively for Courtney Jones.

Piano/Vocal 6 Next Thing You Know Finale- [Rev. 9/4/12]

b E m6 b b
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E /G C/E B /D

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30 31

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found that per -
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fect per - son, but she feels a lit -
j
tle dif - f'rent. So you
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C m7( 5)
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F sus B B /A

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32
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start the search a - gain. Next thing you know.

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DARREN:

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b .. j Next thing you know you learn your

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per - fect week - end e - v'ning is - n't spent u - pon a bar stool but tucked
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Prepared exclusively for Courtney Jones.

Piano/Vocal 7 Next Thing You Know Finale- [Rev. 9/4/12]

C m7( 5)
b #o
F (Ma7) G m7
b
F sus LISA:

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36 37

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But no, no, no that does - n't

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in with her by ten.
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F m7 B 7 b b
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B /D

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mean you've got it made. It just means you found some com - fort where you
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C m7 #o
F (Ma7) G m7
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F sus WAVERLY:

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And oh, oh, oh, you star - ted
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used to be a - fraid.
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Prepared exclusively for Courtney Jones.

Piano/Vocal 8 Next Thing You Know Finale- [Rev. 9/4/12]

F m7 b
B 7 b
E Maj7 C m7( 5)/E
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42 43

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frigh - tened and per -plexed and now you're ask - ing what comes next. Dear God, please
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Dear God, please

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Dear God, please
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tell me what comes next! Next thing you know.
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tell me what comes next! Next thing you know.

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tell me what comes next! Next thing you know.
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tell me what

comes next!
Next thing you know.
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Prepared exclusively for Courtney Jones.

Piano/Vocal 9 Next Thing You Know Finale- [Rev. 9/4/12]

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B B/A E/G C 7/E
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Next thing you know.

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Next thing you know. Next thing you know.

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E m6 C m7( 5)
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B/D F
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Next thing you know. Next thing you know.

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Next thing you know. Next thing you know.

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Next thing you know.

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Next thing you know. Next thing you know.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 10 Next Thing You Know Finale- [Rev. 9/4/12]

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B B/A E/G C 7/E

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Next thing you know.

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Next thing you know.

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B/F C m7( 5)/G F F (Ma7)

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Next thing you know. Next thing you know.

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Next thing you know.

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Next thing you know.

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you know. Next thing you know.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 11 Next Thing You Know Finale- [Rev. 9/4/12]

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F m7 C m7
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B7 E m6
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G m E B/F
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Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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rhythmic hits on guitar body / underside of piano
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F F (Ma7) G m

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Oh. Oh. Oh.
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Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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Prepared exclusively for Courtney Jones.

Piano/Vocal 12 Next Thing You Know Finale- [Rev. 9/4/12]

# B7
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F m7 E m6
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Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh.

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Oh. Oh. Oh. Oh. Oh. Oh. Oh. Oh.
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Prepared exclusively for Courtney Jones.