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Diana Childress
Mrs. Smith
AP English IV
9 November 2016
Dressage
Over the course of many centuries, the art of dressage has been seen as being beneficial to the
horse and rider in more ways than one. The bond created alongside rigorous training leads to the
enhancement of the horses maneuverability and agility while being ridden. Consequently, the use of
dressage movements while riding enables the horse to carry themselves more efficiently. When a horse
and rider connect with one another, the pair is not only able to ride more efficiently in the dressage
discipline, but they also enhance their riding ability in other various disciplines.
The origin of horseback riding begins in wartime thousands of years ago with the Greek
philosopher, Xenophon in the city of Athens. Being in the cavalry, Xenophon began implementing his
own thoughts on horsemanship on the battlefield and compiling them into a treatise titled On
Horsemanship. Within the treatise Xenophon discussed the necessity of training horses to trust humans
while teaching the horse to enjoy itself when achieving the complex cavalry maneuvers. During
combat in the early modern era, officers during battle would use dressage maneuvers to navigate the
battlefield with ease. Movements such as the capriole (a leap) and levante (a sudden halt) subsequently
The use of horses in combat led to the initial creation of a military test. The horses were tested
on their ability to maneuver and respond to their riders commands during battle. The intensity of the
military test evolved over many years, eventually incorporating the horses ability to jump over
obstacles. For instance using the movement, capriole to jump over small barriers or clear lines of
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infantry (The 15th Hussars). As the military test became included in modern Olympics, by 1912 the
test itself had diverged into the modern disciplines of Dressage, Jumping, and Eventing. All of which
competition, the increased knowledge and enthusiasm led to the creation of the United States Dressage
Federation founded in 1973 by Lowell Boomer (USDF). The United States Dressage Federations
Modern competitive dressage has nine progressive levels incorporating multiple tests in each
level. Horses are judged on their rhythm, regularity, relaxation, contact, impulsion, straightness, and
collection. In order to properly perform a dressage test a rider must be balanced and have proper
position in the saddle to be able to use their aids (leg, seat, hand). From the side, proper position would
have the riders shoulder in line with their hip and heel. A rider with proper position is able to shift
his/her weight and use other aids to enact certain movements required in a dressage test. The tests
themselves are a way to see a horses progress as they move up in training levels. Dressage arenas are
primarily 20x40 meters or 20x60 meters, allowing just enough space for the horse and rider to
complete their dressage test. Certain places in the arena are marked with letters (K, F, V, P, E, B, S, R,
H, M) to signal where a rider needs to complete certain actions depending on the particular dressage
The United States Equestrian Federation (USEF) takes its role as a governing body over
equestrian events very seriously to ensure the safety and wellbeing of the horse and rider, The object
of dressage is the development of the horse into a happy athlete through harmonious education. As a
result, it makes the horse calm, supple, loose and flexible, but also confident, attentive and keen, thus
To help ensure the wellbeing of the horse and rider, as well as adequate judging during the
dressage test, a judge must be licensed by the USDF for all recognized dressage horse shows. In order
to become a licensed dressage judge a person must complete an L program sponsored by a Group
Member Organization (GMO) of the USDF. During the training program, the judge must pass multiple
exams and evaluations. Participants that score an 80 percent on the practical exam are designated as
graduates with distinction, they must then apply for entry into a judging program and meet fourth
level riding proficiency. The judge must then be promoted in order to judge higher-level dressage
horse shows. Those who do not meet the requirements and take the L program are allowed to judge
at schooling shows. United States Equestrian S (senior) judge Peter Lert states the tasks one must
complete in order to become a licensed dressage judge, While the process to become a judge and to
be promoted may seem cumbersome to some, it is necessary to ensure quality judging (Lert).
The training level test is the foundation for the following tests in the later levels. The test
includes 20-meter circles and standard transitions (walk, trot) along with free walk, showing that the
horse is able to reach towards the ground and stretch. Until the rider is able to successfully pass the
training level test, it is best to not continue on to the next level due to the advanced movements. Every
horse is unique when it comes to their mental progression during training, pushing a horse past the
point where they are comfortable can cause psychological damage and consequently set their training
behind. Within the first dressage level, the 20-meter circles from the training level become 10-meter
circles and require more advanced movements of the horse and rider. The judges begin to look for a
horse that is beginning to reach for the bit and show connection, while having controlled impulsion
from behind. The second level requires the rider to have collected movements with impulsion from the
horse's hindquarters, while remaining supple and relaxed into the bridle. Levels three and four tests
expect the horse to have all of the skills required in previous tests, as well as straight and energetic
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advanced movements such as half passes and flying lead changes, while still relying on the bit and
remaining supple and collected. As the levels increase, so does the difficulty. The movements required
to complete the first level tests are built upon to create the more difficult movements in the higher
levels. For example, despite the differences in the movements, throughout all levels of dressage the
judges look to see if your horse is supple and relaxed while completing the movements required for the
test (Church)
Riders that compete in international competitions (fourth level and higher, controlled by the
FEI) must be able to do more complex movements such as: piaffes, passage, tempi changes, pirouettes.
The objective in higher-level dressage is to show physical, mental balance and development enabling
the horse to carry out the exercises with ease and showing the complete development of impulsion
Although dressage tests are seen as the basis to all disciplines of riding, horses are very
unpredictable when it comes to having a human on their back. Every action a rider makes is a
judgment call and can not be dictated by a rulebook, so the rules applied during dressage tests do not
always accurately reflect the rider or horses ability. Yet, the communication and development of a
partnership between the horse and rider during training goes beyond the assessment a judge might
have. In order to accurately depict the progression a horse is making, a judge must also be aware of the
situations the horse and rider face outside of the arena, which makes it practically impossible to
Compared to other riding disciplines, such as showjumping and eventing, dressage does not
allow the use of extra training devices (martingales, boots, etc. ) because the goal of dressage is to
show how efficiently the rider and horse connect without the use of those items. The horse is
traditionally shown in a simple snaffle bridle to show an absence of other training devices that might
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enhance the riders aids, paired with a white square pad. The horses mane is usually braided down its
length and the tail is often left down with a sharp, banged cut to it. Traditional attire for the rider
includes light colored breeches, white or black gloves, black or navy show coat, shad bellies, black tall
boots, and requires long hair to be worn in a hairnet underneath the helmet.
Although helmets are required in all USEF competitions, the Fdration Equestre
Internationale competitions allow riders to wear top hats instead. The tradition for men in dressage is
to wear a top hat instead of a helmet. Recently, with multiple riders having accidents resulting in brain
injuries, a majority of riders are tossing this tradition out of the window and are making safety a
While watching dressage the less you see the rider do, the better, because the goal is to show
that the horse is extremely attentive to the rider. The absence of using a whip, spurs, or voice shows
the connection between the horse and rider. For the riders that choose to use their voice to
communicate during a dressage test, points are deducted. Within any dressage test, the lines and circles
completed must be true to their geometrical shape and the horse should have a consistent tempo in all
of their gaits (walk, trot, canter). Success in showing consistent tempo and straightness during a
dressage test indicates that the horse is progressing in their training and is ready to move on to the next
test (USDF).
The suppleness and collection learned by training in dressage can be beneficial in other
disciplines such as show jumping and cross-country. Dressage is considered flatwork (not jumping or
work in between fences) and if a rider is unable to have successful flatwork they will not be able to set
their horses up correctly to go over an obstacle, for example in showjumping. Dressage teaches the
horse to be more obedient to the riders commands and the training allows the horse to develop
stronger hindquarters for them to push off of when going over a jump. USDF gold medalist, Beth
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Glosten explains how learning dressage can benefit riders in other disciplines, By moving precisely
with the horse at each gait, the rider can then influence the gait, i.e., increase or decrease or steady the
tempo or increase or decrease ground cover. Riding then becomes more refined on the flat or over
fences (Glosten). Practicing dressage movements, such as shortening or lengthening strides, while
training over fences allows the rider to hone their skills of seeing distances to fences in a jump course.
By being able to properly lengthen or shorten their horses stride, the rider is able to make difficult
distances work well. The smooth transitions necessary in dressage tests can also be implemented on a
jumping course, including flying lead changes to lessen the amount of time on course (in jumpers, the
less time you have on course, the better the score you receive). Dressage is the foundation of training
for horses and once the horse is more attentive to the riders aids, other disciplines become much
easier. The USDF also states that dressage is beneficial to both the rider and the horse in their training,
Dressage can help improve any horse's performance because the goal of training is improving the
For those looking to get involved with dressage, finding a barn or trainer in close proximity is
the first thing a person can do to get involved. Learning about dressage and volunteering at events
helps the rider understand the basics of dressage, and once a person has begun to ride with an
instructor they can begin practicing training level dressage tests with assistance from the instructor.
After attending a dressage show, the judge writes on the scorecard what the rider has done wrong
during the test and what they need to improve on. By attending dressage shows and practicing the
dressage tests, the rider is able to eventually move up in the levels of dressage.
In conclusion, dressage has revolutionized they way people have communicated with horses
over multiple centuries. The heightened communication skills developed between the horse and rider
over the course of their dressage training, leads to a better ride in the other disciplines as well. When
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Xenophon first wrote on how the bond between horse and rider affects their performance, ...the horse
should enjoy himself in his work, otherwise neither the horse not the rider would be able to give an
elegant performance, not many people understood how much these words would ring true in modern
dressage.
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Works Cited
Church, Terry. "Dressage Levels for the Everyday Horseman." DRESSAGE LEVELS FOR THE
EVERYDAY HORSEMAN, PART I. N.p., n.d. Web. 27 Oct. 2016.
Church, Terry. "Dressage Levels for the Everyday Horseman." DRESSAGE LEVELS FOR THE
EVERYDAY HORSEMAN, PART II. N.p., n.d. Web. 27 Oct. 2016.
Church, Terry. "Dressage Levels for the Everyday Horseman." DRESSAGE LEVELS FOR THE
EVERYDAY HORSEMAN, PART III. N.p., n.d. Web. 27 Oct. 2016.
The 15th Hussars. "Dressage." Dressage - How It All Began. N.p., 2014. Web. 18 Dec. 2016.
Glosten, Beth. "How Do I Make Dressage More Appealing?" Ask the Experts | Dressage Today. N.p.,
n.d. Web. 18 Dec. 2016.
Lieser, Sara, and Ann Glavan. "Tradition vs. Safety: The Helmet Discussion Continues At The U.S.
Dressage Festival Of Champions." The Chronicle of the Horse. The Chronicle of the Horse, n.d.
Web. 18 Dec. 2016.
http://usdf.org/