JAZZ PIANO/prof. Jaime Jaramillo A. /UCALDAS.

DOMINANT CHORDS VOICINGS

TWO HANDS.

#11, b13, 13 b9, 9, #9

R.H. b9, 9, #9 R.H. #11, b13, 13
b7 3
3 b7
L.H. L.H.
F F

R.H. Intervals (starting on the b7): R.H. Intervals (starting on the 3):

1. X13 : 3/7 1. X13 : 4/b7

2. X7(#9)b13 : 4/b7 2. X7(#9)b13 : 3/7
3. X13(b9) : b3/7 3. X13(b9) : 4/6
4. X7(b9)b13 : b3/b7 4. X7(b9)b13 : 3/6
5. X9(#11) : 3/#5 5. X9(#11) : 2/b7
6. X9(b13) : 3/b7 6. X9(b13) : 3/b7
7. X7(b9)#11 : b3/b6 7. X7(b9)#11 : 2/6
8. X7(#9)#11 : 4/b6 8. X7(#9)#11 : 2/7
 SIMPLIFICATION OF SYMBOLS FOR THE RIGHT HAND INTERVALS
(SIMILAR TO CLASSICAL THROUGH BASS).

CONSIDERATIONS:

* Every term group indicates a 3 notes chord.

* If only one term appears, the major third interval is added.
* The lone flat alteration (b) below a term indicates the existence of a minor
third.
* The intervals start on the 3 or 7 of the V chord.

TERMS SIGNIFICANCE:

$ major seventh.
4 perfect fourth.
7 minor seventh.
3 major third.
b6 minor sixth.
6 major sixth.
2 major second.

R.H. Intervals (starting on the b7): R.H. Intervals (starting on the 3):

1. X13 : $ 1. X13 : 4*4

2. X7(#9)b13 : 4*4 2. X7(#9)b13 : $
3. X13(b9) : $/b 3. X13(b9) : 6/4
4. X7(b9)b13 : 7/b 4. X7(b9)b13 : 6
5. X9(#11) : + 5. X9(#11) : 7/2
6. X9(b13) : 7 6. X9(b13) : 7
7. X7(b9)#11 : b6/b 7. X7(b9)#11 : 6/2
8. X7(#9)#11 : b6/4 8. X7(#9)#11 : $/2

TO ACHIEVE A FULL FOUR NOTES VOICING IN CLOSE POSITION, ADD THE FLAT FIVE (b5)
TO EVERY TERM GROUP.