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Madison Lewandowski
Mr. Koroshec
21 April 2017
Have you ever seen a flea buzzing around and smashed it with your fingers? Or have you
ever watched a ticking clock as minutes passed? If you have, and thought nothing of it, youre
like most people in this world. Yet, after analyzing two poems, I noticed that both a dead flea
and passing time can portray a similar message, regarding the subject of lustful desire. Both John
Donne in The Flea and Andrew Marvell in To His Coy Mistress articulate a similar speaker
and method to persuade a beautiful lady of their lustful desire for lust through the use of a
The first argumentative method John Donnes speaker of the poem uses, is describing
the flea as a metaphor to convince a beautiful woman of his lustful desire to overtake her
heart. He does this by creatively implying that since the flea has already bitten both him and
her, their blood is mixed inside the fea, which according to the speaker, constitutes a marriage by
Gods definition. Therefore, since their blood is already together as one, there should be nothing
stopping his lover from allowing the speaker to fulfill his lustful desire. In the second stanza,
Donne states, O stay, three lives in one flea spare, suggesting that the flea represents the lives
of him, her, and their marriage of mixed blood inside the flea (ln 10). The flea is clearly the most
important symbol, an extended metaphor that relies on conceit and complex logic, to the speaker
because he is convinced it is responsible for these three lives, including his love for the lady. In
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another attempt to convince his lover not to kill the flea, the speaker says, Let not to that
self-murder added be, And sacrilege, three sins in killing three (ln 17). Through the speakers
eyes, squashing the flea kills all three lives, which he argues are a murder, suicide, and death of a
symbolic marriage. By doing this immoral act, it causes three sins and could be avoided if the
flea is left alone to live, avoiding three lives of three others. Yet, even when she goes against his
advice and squashes the flea with her thumb, the speaker does not give up on his desire for her.
He then furthers his argument by saying, that since she metaphorically has no morals in killing
this flea, there is no reason she should hesitate to give the speaker what he wants. Since she has
In a remotely similar metaphor, Andrew Marvell in To His Coy Mistress uses the
aspect of time to attempt to win over his coy mistress. The speaker refers to the use of time
throughout the poem to argue that time seems to be running out before they both grow old. When
he states, Thy beauty shall no more be found, he is implying that she wont be beautiful
forever (ln 25). As time passes, she will grow old, less beautiful, wrinkly, and weak. Eventually
the speaker and his coy mistress will lose purpose in life and turn to dust, much like his love for
her. This implies that the desire and love the speaker has for her right now will not last forever
and will fade as time goes on. The last stanza makes clear of the speakers desires. He suggests
that both he and his coy mistress are now young, full of passion, and attractive. Therefore, they
should make love immediately in order to not waste any time. Using the symbol of time as
conceit, and his organized argument structure including worlds like if, but, and therefore,
he continues make a strong argument for his coy mistress. He wants to make the best use of his
Another method Donne uses in The Flea to portray his message is through the use of
symbols. One example he briefly places ironically in his poem is the word cloisterd (ln 15).
He states, Though parents grudge, and you, were met/ And cloisterd in these living walls of
jet (lns 14-15). The definition that the speaker seems to be referring to is a religious enclosure,
such as of monks or nuns. Yet, the irony being touched on is that both nuns and monks save
themselves for life and pledge never to give into sexual desire, much unlike the speaker.
Although the word means exactly the opposite of that he wants, it is used in a way that gives the
reader a negative connotation, to imply his disagreement with it. Almost seemingly in a mocking
tone, the speaker clearly dissuades from being cloisterd and only uses the word to show the
Similarly to Donne, Marvell uses a variety of metaphors to convince his Coy Mistress of
his point of view. One simple, yet effective phrase he uses is, Now let us sport us while we
may/ And now, like amorous birds of prey (lns 37-38). The first metaphor here is the use of the
word sport. He uses this word to make the sex appeal seem more playful, fun, and less
aggressive. Sports such as basketball, soccer, and football are generally looked at as games that
people play in their free time for fun. By phrasing the word sport in the way he does, the
speaker is implying that fulfilling the desire for lust is simply a game for fun, and should be
taken lightly to erase any doubts and/or hesitations his coy mistress has. Secondly, he uses the
phrase birds of prey, as a metaphor to emphasize the passion of the act of sex (ln 38). By
relating sex to birds, the speaker is able to detach his humanly desires from the blunt truth of
what he wants. By avoiding to state exactly what hes looking to get from his coy mistress, he
uses symbols and metaphors to paint a picture for her that he hopes will makes her feel more
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comfortable in agreeing to it. Another metaphor he uses later on in the poem is the iron gates of
life (ln 44). The significance of this metaphor is that the iron gates represent a locked door to
her innocence, in which he hopes to obtain the key to unlock her virginity. Again, the speaker is
stating what he wants without spelling it out for her in order to make his plea come across as less
aggressive. He uses this phrase and includes the word life to show how important he thinks
Overall, both John Donne in The Flea and Andrew Marvell in To His Coy Mistress
portray sexually driven speakers who attempted to convince their audience to make love through
the use of an argumentative structure, complex logic, symbolism, and conceit. Although it is
unknown whether the symbols of the flea and use of time have had the effect the speakers
wanted, they both had a similar method of convincing their desires upon their beautiful women
in hopes of the same outcome. These authors, unlike many men in the world today, simply
attempted a unique way to win over a lady they had interest in. Driven by the appeal of sex, they
are not alone in their efforts. Using these poems as examples, we should be cautious of others
intentions and take time to interpret the real meaning behind what theyre saying.
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Works Cited
Donne, John. The Flea. Seagull Reader: Poems, 3rd ed. Ed. Joseph Kelly. New York: W. W.
Marvell, Andrew. To His Coy Mistress. Seagull Reader: Poems. 3rd ed. Ed. Joseph Kelly.