Universitatea Babe-Bolyai, Cluj-Napoca

Facultatea de Istorie i Filosofie

Anul universitar 2016-2017
Semestrul II

Informaii generale despre curs

Titlul disciplinei: Istoria artei contemporane

Locul de desfurare:
Programarea n orar a activitilor: mari 16:00-20:00

Informaii despre titularul de curs

Nume, titlul tiinific: dr. Voica PUCAIU

Informaii de contact: voicapuscasiu@gmail.com
Ore de audien: mari 16:00-20:00

Descrierea disciplinei

Arta contemporan se refer la producia artistic ncepnd din anii 1960 i pn azi, fiind
caracterizat de o ruptur fa de tradiiile Moderniste, multe lucrri renunnd chiar la mediile
artistice uzuale n favoarea unei abordri mai efemere sau colaborative, iar rezultatele sunt uneori
ndeprtate de o preocupare pur estetic. Arta contemporan nu trebuie vzut ca o niruire de
stiluri artistice ci ca o serie de chestionri culturale, sociale i politice care vor fi examinate n
cadrul contextele lor istorice pe parcursul acestor uniti. Temele alese vor aborda strategii
artistice variate, astfel nct la finalul cursului studenii vor putea identifica nu doar artiti i
opere relevante ci vor i putea interpreta cele mai importante aspecte ale artei contemporane n
direct legtur cu contextul social al acestora.

Bibliografia obligatorie:

Hal Foster, Rosalind Krauss, Yves-Alain Bois, Art Since 1900: Modernism, Antimodernism,
Postmodernism
David Hopkins, Art after Modern Art, 1945-2000
Brian O'Doherty, Inside the White Cube: The Ideology of the Gallery Space.

V. Materialele folosite n cadrul procesului educaional specific disciplinei:

Cursul se bazeaz cu precdere pe expunerea unui material vizual bogat din banca de imagini a
catedrei de Istoria artei.

VI. Planificarea/Calendarul ntlnirilor:

- 28 februarie 2017: Expresionismul abstract. Modernism vs. Postmodernism

Ingo F. Walther: Art of the 20th Century. Kln: Taschen, 2000. cap. 11.
 Erika Doss: 20th Century American Art. Oxford: Oxford University Press,
2002. cap. 5-6.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 362-367.
https://www.theguardian.com/artanddesign/2008/sep/13/damienhirst.art
https://www.theguardian.com/artanddesign/2008/sep/14/damienhirst.art

- 07 martie 2017: Minimalism. Land Art. Environmental Art.

James Meyer (Ed.): Minimalism. Phaidon. pg. 193; pg. 195. [Biblioteca UAD
a III 4163]
Jeffey Kastner (Ed.): Land Art. Phaidon. Earthworks i A Radical
Dislocation, pg. 23-30; pg. 199-200. [Biblioteca UAD a III 4165]
http://www.telegraph.co.uk/culture/art/3606332/A-terrifying-beauty.html
http://www.artnet.com/magazineus/features/drohojowska-philp/phenomenal-
at-san-diego-museum-10-27-11.asp.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 409-410.

- 14 martie 2017: Arta conceptual. Artistul curator.

Sol LeWitt: Paragraphs on Conceptual Art, in Artforum, 1967.
http://www.corner-
college.com/udb/cproVozeFxParagraphs_on_Conceptual_Art._Sol_leWitt.pdf
https://www.artsy.net/article/artsy-editorial-if-you-don-t-understand-
conceptual-art-it-s-not-your-fault.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 367-372; 545-553.

- 21 martie 2017: Dincolo de obiect Peformance Art. Corpul artistului i Body Art.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 373-375; 450-454; 464-469; 564-569.
Tracey Warr, Amelia Jones: The Artists Body, Phaidon [Biblioteca UAD].
https://blogs.uoregon.edu/marinaabramovic/category/rhythm-series/.

- 28 martie 2017: Fluxus.

http://arthistoryunstuffed.com/fluxus-in-europe/.
https://www.artsy.net/article/artsy-editorial-fluxus-movement-art-museums-galleries.
Michael Rush: New Media in Art, Thames&Hudson, pg.21-35.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 456-463; 480-485.

- 04 aprilie 2017: Feminismul n art.

Tracey Warr, Amelia Jones: The Artists Body, Phaidon [Biblioteca UAD].
 Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 500-504; 570-575.

- 11 aprilie 2017: Spaiul muzeului i al galeriei. Rolul pieei de art. Bienala de la Veneia.
Documenta.
Brian ODoherty: Inside the White Cube. The Ideology of the Gallery Space, Cap. I
Notes on the Gallery Space, pg. 13-34.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 554-559.

- 25 aprilie 2017: Activism i art. Arta n spaiul public.

Kelly Grovier: Art Since 1989, Thames&Hudson, pg. 179-196.
Anna Moszynska: Sculpture Now, Thames&Hudson, pg. 194-207.
Anna Wacawek: Graffiti and Street Art, Thames&Hudson, pg. 10-41.
Harriet Senie: Richard Serras Tilted Arc Art and Non-Art Issues n Art Journal,
Vol. 48, No. 4, pg. 298-302.

- 09 mai 2017: Fotografie. Art video. New Media Art.

Michael Rush: New Media in Art, Thames&Hudson, pg. 82-123; 150-179; 213-222.
Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 580-583; 654-658.
Edward Lucie-Smith: Movements in Art Since 1945, Thames&Hudson, pg. 247-258.

- 16 mai 2017: Rentoarcerea la obiect. Instalaii. Pictur.

Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 612-616;
Anna Moszynska: Sculpture Now, Thames&Hudson, pg. 167-193.
Edward Lucie-Smith: Movements in Art Since 1945, Thames&Hudson, pg. 176-191;
273-285.

- 23 mai 2017: Concluzii i consideraii finale. Noi direcii n art.

Hal Foster, Rosalind Krauss, Yves-Alain Bois: Art Since 1900: Modernism,
Antimodernism, Postmodernism, pg. 596-599.
Kelly Grovier: Art Since 1989, Thames&Hudson, pg. 133-153; 198-211.
Nikos Stangos (Ed.): Concepts of Modern Art, Thames&Hudson, pg. 271-290.