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*Paraphrase and/or record devices and parallels across *Repeat select examples
significant quotations. Use the dramas) themes/motifs as often as *Consider
appropriate citation (Act, scene, *Consider highlighting your drama necessary adding/discussing
line) for each. terms/texts for easy studying at the images and/or video clips
conclusion on Part III of the drama on stage
Act I
But you must know your father Shines through the contrast between Death (the way in which
lost a father, That father lost, lost Hamlet and his world in which he Hamlet doesnt
his, and the survivor bound In doesnt comprehend the callousness understand death, or
of others toward death understands it
filial obligation for some term
differently than others)
(I, ii, 89-91)
In my minds eye, Horatio (I, ii, Hamlet is speaking about seeing his Madness (ghosts,
185) father, but only in his imagination imagination)
(connection to the ghost?)
Act II
If it will please you / To show us This moment really shows that Twisting love into
so much gentry and good will / Gertrude only wants to help her son, something vengeful (can
As to expend your time with us and doesnt have any alternative be seen also with
awhile / For the supply and motives (unlike Claudius) Ophelia)
profit of our hope (II, ii, 21-24)
Conception in is a blessing, / Another hint at Ophelia possibly being Pregnancy In one play, Hamlet
but, as your daughter may pregnant with Hamlets child points to the stomach to
conceive- friend, look / to t (II, (recurring throughout the play) further drive this idea of
ii, 76-78) pregnancy
Then are out beggars bodies, Hamlet once again showing the Death (Hamlets need to
and our monarchs / and correlation between rulers and show the equality in
outstretched heroes the beggars commoners, and taking away the death)
shadows (II, ii, 248-249) power by giving it to the other
I am but mad north-north-west. Another hint at Hamlet not truly being Madness (control of
When the wind is / southerly, I mad, or having control over his madness?)
know a hawk from a handsaw madness
(II, ii, 351-352)
Out, out, thou strumpet Taking of the power from a woman, Oppressed Power and
Fortune! All you gods / In which can be seen with Ophelia and Womanhood
general synod take away her her wit being drowned from her, and
power, / Break all the spokes the Queen whose voice is stamped out
and fellies from her wheel, /And by the King
bowl the round nave down the
hill of heaven, /As low as to the
fiends! (II, ii, 456-460)
Act III
Get thee to a nunnery. Why Once more hinting at the fact that Pregnancy In this scene, in one of
wouldst thou be a / breeder of Ophelia may be pregnant with the plays, Hamlet is very
sinners? (III, i, 121-122) Hamlets child aggressive and angry
with Ophelia which can
I think nothing my lord (III, ii, Ophelia acting once more as what a Oppressed Power really show his hatred
106) men expects from her (mindless) for the child they could
possibly have together
Our thoughts are ours, their Foreshadow that one cannot escape
ends none of our own (III, ii, the fate set out before them
202)
Sir, I lack advancement (III, ii, Hamlet knows he will die before this
305) all over (situational irony?)
Do not forget. This visitation / Hamlet is being swayed by his guilt Madness (madness
Is but to whet thy almost blunted from his cruel words to his mother, seeking revenge
purpose (III, iv, 112-113) and his father is here to remind him corrupting the mind)
to only think of revenge instead of
pitying these people
Act IV
Ay, sir, that soaks up the kings Hamlet is isolating himself from his Madness and isolation
countenance, his / rewards, his friends, believing that they are far
authorities (IV, ii, 15-16) more evil than they actually are (they
dont know Claudiuss orders, and so
only think theyre helping) and this is
portrayed with him calling them
sponges (soaking stuff up, only to be
wrung out and left to dry later on)
Diseases desperate grown / By Claudius hinting that Hamlets Madness (born from a
desperate appliance are relieved, madness was born out of desperation need for revenge)
/ Or not at all (IV, iii, 7-9) to understand his fathers death
Your fat king and your lean Once more Hamlet is hinting that, in Death (equality of it)
beggar is / but variable service - death, everyone becomes the same
two dishes, but to one table (IV, (using maggots this time as the ones
iii, 23-24) who dont choose which bodies to
decompose)
Two thousand souls and twenty This conversation, I think, was only Womanhood
thousand / ducats / wIll not put in here to show that (on a larger
debate the question of this scale) Hamlet understands that
straw. / This is th imposthume fighting over one small issue will only
of much wealth and peace, / That lead to many deaths and no
inward breaks, and shows no resolution. In contrast, he cannot
cause without / Why the man understand how his own act of
dies (IV, iv, 24-29) revenge will not turn out in his favor
So would I a done, by yonder Ophelia once against highlighting the Oppressed Power
sun, / An thou hadst not come to double standard of men and women in
my bed (IV, v, 65-66) this world, also I think this song is a
way for Ophelia to tell the love story
between she and Hamlet (in which
they had sex, and as seen earlier in the
drama, he says he doesnt love her and
tells her to go to a convent)
But long it could not be / Till Its interesting that Shakespeare chose
that her garments, heavy with Gertrude to tell of Ophelias death, but
their drink, / Pulled the poor I think it had to do with the fact that
wretch from her melodious lay / theyre somewhat foil characters in
To muddy death (IV, vii, the sense that both are woman of wit
180-183) and intelligence, but are
overshadowed by the men in their
lives. Gertrude also makes this suicide
seem one of beauty and release
(slowly engulfed by the water) rather
than the violent act of killing oneself.
Act V
Very strangely, they say (V, i, Pertaining to Hamlet going mad, this Madness (choice of
135) further points out that Hamlet went it/control of it)
mad very suddenly, which can be
connected to his need to find reason
in his fathers death.
Dost thou think Alexander Hamlet once more pointing out that, in Death (equality)
looked o' this fashion i' th' death, all of us are on equal playing
earth? (V, i, 173-174) fields
I loved Ophelia. Forty thousand This is the only true validation Ophelia Womanhood
brothers/ for not with all their gets throughout the entire drama, and
quantity of love/ Make up my the sway she has over others. Of
sum (V, i, 247-249) course, it is only used as a way to
further fuel the fire between Laertes
and Hamlet, taking her death away
from her.
What, what a king is this! (V, ii,
67) Horatio is disgusted by the madness Madness (need for
that has taken hold of Hamlet, and revenge)
how this madness has twisted him
into killing two of his longest friends
Was t Hamlet wronged Laertes?
Never Hamlet. / If Hamlet from Hamlet is finally acknowledging that Madness (control of it)
himself be ta'en away, / And he knows theres something wrong
when hes not himself does with him, and in a way he is showing
wrong Laertes, / Then Hamlet that he has no guilty conscious
does it not. Hamlet denies it. / because its his madness that is
Who does it, then? His madness. making him act in such a cruel way.
Ift be so, / Hamlet is of the This further shows that Hamlets
faction that is wronged. / His hamartia is not his madness, only
madness is poor Hamlets because he uses it as a weapon (and
enemy (V, ii, 220-226) an excuse) when it comes to his need
for revenge.
Even while mens minds are
wild, lest more mischance / On Further drives in the point that all
plots and errors happen (V, ii, these acts of vengeance were made
395-396) out of quick thinking, not rational, and
that the true warning of the drama is
to always think before you act on
something.