Documente Academic
Documente Profesional
Documente Cultură
ASTURIAS
R e v i sed and f inger ed
by
Eythor Thorlaksson
www.eythorsson.com.
-2-
ASTURIAS
Rev. and fingered by
Eythor Thorlaksson Isaac Albeniz
Andante q = 92
p i p m pi pm p i p m
1
# 0
3 0 0 0 0 0
4 4
& 3 1 3
4
1
4 5
5
4
# 0 0 0 0 0 0 0 0 0
& 1 1
4
3
4
3 4 3 1
4
4 5 4
5
7
# 0 0 0 0 0 0 0 0 0
0 0 0
& 4 1
1 3 4 1 3 4
3
4 2
1
4 5 5
6
6 4
10
# 0 0 0 0 0 0
0 0 0 0 0 0
4 2
& 1
1 2 1 3
1
3
4 3
1
4 5
6 5
13
# 0 0 0 0 0
0 0 0 0 0 0
0
& 4 1
2 4
1 1
3 4 1
3
1 1
5
4 4
6 6
3 3 3
4 4 4 4 4 4
16
# 0 0 0 0 0 0
0 0 0 0 0 0
m m m
1
& 2
4 1
2 1
3 i 1 i i 3 1
0
3 5 3
4 5 4 5
0 p 4 3
4 5
f p
p
18
#
&
4 4 4 4 4 4
20
# 0 0 0 0 0 0 0 0 0 0 0 0
& 3
3 1 1 1
3 1 1 1 5 3 0
1 3
0 4 3
4
22
#
&
VII
4 4 4 4 4 4 rasg.
24
# 0 0 0 0 0 0 ^ 0 0
#
& 3
i m
3
1 1
3
4 1 4
3
1 1 p
4 5 5
4
dim. F
VII VII
26
^
#^
# # 0 0 n
& 1
4
1 2
3
4
5
28
# ^ 0 0
#
2
& 1 3
1 4
3
3
4
5
30
#^ ^ 0 0
# # n
& 4
1 2
1
3
4
5
1095
-4-
rasg.
32 ^
# 0 0 0 0
1 0
2 2 0 1
& 1 1
4 2 1 2 4 1
2
5 J
4
5 4 5 4 . 4
5 4 5
34 ^ ^
#
&
J J
. .
VIII
^
1
36 2
#
0 0
# 4
& 4
3 3 3
4
1 2 1
2 3
VIII
38 ^ ^
#
# #
&
VII
2
1
1
^
40
2
#
#
#
4
& 1 4 1 3 3 3
3 1 3 3
VIII VII
1
42 ^
#
2
^
#
# 4 #
& 3 3 3
3
VIII VII
1
44
^
^
# 0
#
#
4
& 3 2 3 4
5
4
1095
-5-
1
46
# 0
& 2
2
2 4 4 3 4 4
3 3 2 3
4 4
4 5 5 5
1
48
# 0 0 0 0 0 0 0
& 4
4 3 1 3
4
2
3 2
0
2
1
5
5
dim. 6
p
4
6
50
# 0 0 0 0
& 1
1 3
4
1
4 3 4
3 4 3 4 1
3 1 1
4 2
4 4
4 5 5 5 cresc. 6
VII
3 3
3
53 2 0
# 2 1
#
2
#
& 3
4
3 4 1 3 4
3 0
H. 3 H.
1 J 4 1
J 4 3 4
5
F6 6
VII
55 2 0
# 2 1
#
2
# 1
& 3
4
3 4 3 4
0
H. 3 3 H.
1 J J 4
1
VII
57
2 1
#
# #
# #
& 3
4 4 3
4 4
3
3
H. 3 3 3
1 J
dim.
arm. 19
U.
59 pizzicato
1
# fi
2 4
# 4 1
# 2 # 2
1
3 2 1 0
& 2 3 3 1
# 4
3 #
4 3 2 1 4
5
6
accel.
pulgar p 6
1095
-6-
Andante tranquillo
II
arm. 8va
1
U 1
63 . 1 .
#
4 #
. 3 . .
& 3 2 . 3
1 .
F 4
p 4
espressivo u
II
4 arm. 8va 1
arm. 8va 1 1
U
70 U #
1
#
4
.
4#
0 3 .
0 . # . 2 .
& 0 . 3 3
3 1 .
3 . p
f 4 4
5
u u
IV
4
1 II 4
1 3
76 1
1
#
# 0 4# . i
4
. 3 3
# # 3
2
2 . . 0
. 2 3 . 0
& 3
3 3 1 1 . 1 1
1
4 4
4 5
F
II
>
82
0 0
# 0 0 0
2 2 1 4 4 #
# n
1 3 2 # 3
& .
I # . .
3 2
3 1 2 2 . 1
5 accel. 1
rit.
Moderato II II IV
88 0 0
# 1
2 4
4 # 4 # 4
4
1
3 3
&
4 2
4
2 4
1 2 1 2 1
0 1 0 F
F p
V
VI II
93 4 3 4 2
1 2 4 3 4 2 1
# 1 2 2 n
4 #
# n 2 3 1
# n n
&
4 5 4
. 1 3
5 4
rit. 1 3
accel. a tempo
f 6
V Andante
1 4
97
4# 1 4# 0
# 0
m 2 n 0
m 0 1 0 0 0
# 3 0
a a 0
1 3 1 1 3
i i 1
&
p 3#
5 p 3 5
. 3
4 1
.
0 3 2
5
p poco rit. F a tempo
V
4
2
1 4
102 2 4 2 4 i 4 3
0
2 4 1 2 #
# 4 2 n
3 3 3
3
# 2
0 0 #
2
& 2
0 0
3 0
1 0
1 1 1 dolce poco rubato rit.
1095
-7-
2 4
2 4
V VII
106
4
#
1
2 # 1 3 2 #
3 0 3 0
3 1
& 1 3
. .
0 2 #
2 4
1 1
6 a tempo 6
VII II
U 2
1
111 1
# 2
2 #
0
3 #
1
& 4 3
3
3 3
# 1
. 3 3 3 3
4
1
rit. a tempo
4 1
114
0
.
#
2
# .
0
&
4 3
3 1
0
1 1 3
4
f 6
II
arm. 8va
U 1
^ II
118 1
#4 .
# . 0 4 #
.
3 2 # 3
& 2 . 3 3 2 .
1 . 1 1 .
4
p
u D. C. al Coda
I
123
CODA
# 1 n .
0 0 b
0 1 2
0 .. 4 3 0 . 1 2
1 0 .
3
0 . 2 3
& .
0
1
3#
.
2 0 4
4
3
3 . 0 . p
4 .
p f
6
II Quasi andante
129 0 4 U
# n 4 .
. # 0 0 0
. 1 . 0 1
. 0
& 3 3 3
4
4
3 1 4
1 . 1
5
5 pizzicato
133
U 3 3 3
#
0
2
&
a # a
1
p i p i
3
u 1
6
accel.
arm. 12
135
0 1
# . .. 2
..
& 3 . 5
#
. .
1095