i.

<

TF]ttrtsOY FRItrND
A JVewMusical Comed2
of the rgzo's

BOOK, LYRICS AND MUSIC BY

SANDY WMSON

PUBLISHED BY

CHAPPELL& CO., LTD.,

50 NEW BOND STREET, LONDON. W.I
 TtuE: 1926

ACT I
The Drawing Room of the Villa Caprice,
Madame Dubonnet's Finishing School, Near Nice.
Morning

INTERVAL

ACT II
The Plage
Afternoon

INTERVAL

ACT III
The Terrasseof the Caf6Pataplon
Night
 " The
Boy Friend " was originally presentedat the
Players' Theatre on l4th April, 1953. The first
public presentation was at $Tyndhams Theatre on
l4th January, 1954,when the cast was as follows:

VIOLETTA
I DENISE HIRST
MARIA CHARLES
JOAN GADSDON
JULIET HUNT
ANNE ROGERS
STEPHEN UTARIOflICK
PIERRE JACK THOMSON
ALPHONSE GEOFFREY WEBB
MADAME DUBONNET JOAN STERNDALE BENNETT
BOBBY VAN HUSEN I-ARRY DRE'JS
PERCIVAL BROIfNE HUGH PADDICK
TONY ANTHONY HAYES
LORD BROCKHURST JOHN RUTLAND
LADY BROCKHURST BERYL COOKE
GENDARME HUGH FORBES
A IJTAITER ALAN DUDLEY
PEPE \ SpecialityJ STEPHEN ITARWICK
L6LITA J t5orrrrt" \
JOAN GADSDON
GUESTS .. STELLA CHAPMAN
ELEANOR McCREADY
ROBERT HARGREAVES
The part of Percival Browne was taken over in
May 1954by Fred Stone

PRODUCEDBY VIDA HOPE

Dancesarrangedby John Heawood

Sceneryand costumesby Reginaldufoolley

 THE tsOY F'RNtrND
MUSICAL CONTENTS
No. Pacr
I Ovrnrunr I

ACT I
" "
2 Csonus or Gtnrs (Wtith Solo-Hortense). Perfect Young Ladies 5
ENsrMsrr (Polly, Dulcie, Fay, Maisie, Girls and Boys) . . " "
The Boy Friend
Meonnr DugoNNrr's ENrntNcr l f

Dvn"r (Bobby anC Maisie) . . " Won't You Charleston? " t4

5 a Rrpntsr (Bobby and Maisie)
" Von't You Charleston? " 19
6 Dunl (Madame Dubonnet and Perciaal) " Fancy Forgetting" 2l
7 MEr-os
8 Dunr (Tony and Polly) " I Could Be Happy Vy'ithYou " z)
9 FrNar-n-Acr I-RspnrsE (Ensemble) " The Boy Friend " 32

l0 Frnsr lHGruussroN 34

ACT II
" "
ll ENsrlasrr: Sur Le Plage 36
tz Dvnr (Tony and Polly) " A Room in Bloomsbury"
SoNc (Horrense wirh Ensemble)
" It's Nicer in Nice " 48
.A3
" ' ' "
SoNe (Madame Dubonnet and Perciaal\ The You-don't-want-to-play-with-mc Blues 56
l5 SoNc (Mar'sie and Boys) " Safety in Numbers " 62
l6 FrNarr-Acr II 68
l6a Dretocur ovrn Musrc 69
l6b Drerocur CoNrrNurs 70
l6c ENo or Acr II 70

L7 SrcoNolNrrnurssrorl 72

l8 OpElrrqc-Acr III 74
l8a Drnrocur ovrn Musrc t)

l8b Drar-ocut CoNrrNurs /o

l8c MELos 1'l

19 Dunr: (Bobbyand Maisie with Chorus) " The Riviera " 77

l9a Rrpnrss " The Riviera " 85
20 ToNy's ENrneNcr 87
2Oa ToNy's DeNcr 87
2l Dunl (Lord Brockhurst and Dulcie) " It's Never Too Late to Fall in Love " 89
..
l.
zta Rrpntsr (Lord Brockhurst and Dulcie) " It's Never Too Late to Fall in Love " 96
..
22 CanNrvar TaNco 99
" "
2i\ Dunr (Madame Dubonnet and Polly) Poor Little Pierrette 101
24 Prrnnor's Exrnawcr r0s'
25 FINarn-Acr lll (Ensemble) 109
25a Frxar Cunrart 113
26 Prnv Our ll3
 r.*j3 THE BOYFRIEIVD
SANDY WILSON

Ifg I OVERTURE
-

Bright

All rights reserved

Q Colrr:a!'. l[Cll LX by Chappell & Co. Ltd. fnl e rnaliona I Co?t rig h t Securc d
tAScr B : a d S t r e er . L o n d o n . W .t . MADE IN ENGLAND 44762
 !
Valse con moto
G
 g Mod,orato khythmically in 4)

44i62
 ,r
tl
1
i . - t
.-t ,
i i - '

.---
G Moderatoi'not toqfast (in 4)

r I 7I r r
>>

-
i t \ I
\ \
i
\Y B ro a d l y

Faster Gn 2) (in 4)
>

ntollo rit.

44J62
 / ' "
tr-
- j v
J"'-- 5
'
t- ,
- -tl ' Act I
n
!p2 CHORUSOF GIRLS-(with Solo-Hortense)
- , . P E R F E C TY O U N G L A D I E S ' '

.frte- !-t rrrtat, rtse Ptano GnlT) Tlays lrom lsl bar ad tib (utdcr diatogue) litl Cue

Ctc, ; l 3 L S i " 0 f c o o r s en o t t )

Bright tempo Gi r l s

per- fect young

p e r- f e c t young

la - dies Pre - par - ing to take - Our pla - ces a - mong the no
la - dies Who hope to at tract - A hus-band whose cre - dit is

blesse. per - fect young la- dies Pre Par rng to make-
g oo d . (nonrBxsn)You may be young la - dies But why dontt you a c l -

The most of the c h a r m s \t{e Pos sess. Wele be - l n g

The way t h a t a young l a dy should?- Itve o f - t e n

tt?6'3 Chappell
 fin i s h e d ,- And our fam- i - lies' wealth - May be di ished - But al
told you, (GtRts)Pleasedontt t e l l u s a - g a i n . - ( t t o R T . ) l o u g h t t o you -(ctru,s)But you

rall. 7st lrerse onl y b tempo)

Ieast all have . And mak-ing the Our du - ty, you

know would be For be - ing our Your du - ty, y o u

'E (tn*,,)

per - fect young - dies are

per - fect young - dies are (nonr.)Per-fect young la -
z?-\

(crus)Per - fect

Dialogue
44;62 Chappell
Ne 3 ENSEMBLE-(Potly,
Dulcie,Fay,Maisie,Girls andBoys)
D

( I T H EB O Y
FRIEND"

C n e ; ( C l R L S ) O h ,d o t e l l u s a b o u t h i m , P o l l y t

Moderato A little faster

( P O tl Y ) Well, there r e al l y isn't much to tell, I erpect you know how I feel as well as I do.

pp(undc'r dialogue)

P ol l y

An - y girl whots reached the age Of s e v- e n - t e e n o r there- a-bouts Has but one de
.-\

She knows she

need- ing one to crrc a-bout; No-thing else will real - ly

l{?62 Chappcll
A M e n o mo sso
0ulcie

C h i l d - h o o d g a m e sa r e And her heart tckes wing, Hop-ing that it

nyf a tempo

For so drear-y thingcalled the Boy Friend.

P o l l y& G i r l s

We schemea-bout And dream a- bout And we've been known to scream a-bout

Chappell
 G poily

That cer-taln thing called the Boy He real- ly

ty lf you want toget on. And we might as well con-fess

P o l l y& G i r l s

We sigh

(Roys e nler)

glad-ly die-for him That cer-tain thingcalled the Boy Friend.

44262 Chappell
lo D znacHoRUS
Girls

p o o r h e a r t sb l e e d

thing called the Boy Friend.

And slave

thing called the Fri end.

F aoy,

de-void- of

Keep them ouT-

Slowly (ht.4)
P o l l y& G i r l s

We're blue- with-out Carlt do- with-out O u r d r e a m sj u s t w o n ' tc o m e t r u e w i t h - o u t

TempoI (;nz)

That cer - tain tbing called the Boy

>

Chappell
tryl atempo
 Ensemble

do- with out w o r i t c o m et r u e w i t h - o u t

N94 MADAME DUBONNET'SENTRANCE

('Cave,
Clre: (MAISIE) g i r t s , h e r e ' s M a d a m eD u b o n n e t t t

M o de ra to (Madantc D, sings ntelodg, toithoul uordsl

l-

N O (
-
DUET (noUUy
andMaisie)
..WON'TYOUCHARLESTON?"
\
\
Cu e : i l t A I S l E . R e a l l y , I d o d t b e l i e v ei t . I r . '

i \ '
Charleston tempo \ Bobby

to my- Worft you come danc-ing with

44762 Chappell
i A
l a i s i e ( a dt i b . )

- ___
ftc
To daoce witb you is thrill - ing to e - go. So, ba- by,

P colla uoce

Say youre will - l"g, Oh,1. (BOBBY)Worit yo;- Charles - ton- with
Worit
2.(N[AISIE) you- Charles - ton- with

Charles - t o n - w i t h
Charles - t o n - w i t h

tt= I F

e
And while band play-ing that old
And while band play-ing that old

iftT

re Chappell

Itlli.
 To - geth- er wd[
A - round we will
To - getb - er wdll
A - round we will

\---- e v -
done . - e v -
done..-

Charles - ton me.

Charles - ton
>

Chappell
DANCE
'\ -flTFF
,tt+

+t'.
[rr ; t9

REPRISE-(Bobbyand Maisie)
t\. '\ ..WON'T YOU CHARLESTON?''

. + +
r f , F rF

U-- +
me? p l a y -i n g t h a t
 To-geth - er we'll show How the - C h a r l e s -t o n - is done.-

Just think what

it's going to I f y o u w i l l C h a r l e s- t o n , C h a r l e s -t o n ,
>
>

If you will

t w
( Drums ad Iib.)

(Dialogue)
44762 Chappell
 DUET- (MadameDubonnetand Percival)
'FANCY FORGETTING"

"iet me see,how did it (/

CLc L*. DLSOIsIiET ;;fi-'? i
. i l
\-'
/

Y:rlse lente' - - -
la r

llme.0ubonnet

aMt Chappell
 - gel

for-get - ting

Percival

g'one, don't
T h o u c' 'h-t^h'e V e a r s g o by, Andour vouth is

j ust I thought you'd re

s o n g t h e yl i n - g e r

Chappeil
44162
 too, Fan - cy, just fan-cy you for - get-ting.
------T----

G D.A,NCE

''he rears go by, A n d o u r y o u t hi s g'one, Mem-o-ries don't die, Like a

a tem7co

lin-ger on. So just when thoughtyodd re mem-ber It too !

A

Chappell
 24

cY' j ust fan - cy you get - ting.

ting.

,l
Diatrogue

I
i
t :
lNs7" \ MELOS
l : , / i : j POLLY'S LETTER
Cu e;(F ottu) "oood-bys:,l1G
i rl s erri'ent)

,-'/
Modef ato k'n 4)
t

(Po I t y t hroztts t et ter) ten, , . 1 - _

b <> f>

< =-_-> < >

Tonlt enlers - Diatogue
44762
Chappell
 2-o
I

DUET-(Tony and Polly)

I
..I
C O U L D - I- J- E H A P P Y W I T H Y O U ' '
\ tl :
"I
Crer(Totty) think you're
terribty'3(rollr)"Yes?" '-;1 / r- ' r ;
1

M o de ra to

?| ,
6 T
t--4
/ar. -

Tony

I don't claim that I am psy - chic, But one look at you and I kick A-

( O r c b . t a c e tV o i c ea n d P i a n o o a l y )

- way ev -'ry scru-ple I learnt as a pu - pil In school, my dear.

1-1 t---]

l+

I m not one to make pre - dict - ions, But I've thrown off all re - strict-ions And

I
-:pyrryht
Q, ilClIILIY by ChapVetl & Co.Ltd.,5O Neu Bond Slreet' London,l4/.1
I i: d:l C h a p p eI I
d o r i t m i n d-rrc o n - f e s s - i n g I t h i n k i t ' s a b l e s s - i n g T h a ty o u are here.
,r--?----. l-gr-- r-o-l

T h o u g hI ' m p r e - p a r e d t o

A 0{ottoofast)

we be - long be

nyf\gr"61a tempo
 ral I.

clre. - As long as you were there? Skies may

b blue, But one thing clear as

Tony

know that I could be hup- Py with you, My

E o th

lf you could be hap py with me.

haP- Py with

Chrppell
 you could

;r \ 3lrr-f-
..-

What would I As long as y o u w e r et h e r e ?

Skiesmay one thing

ngf a tempo

ri t.
Both

I know that I could hap-py with You, My

44262 Chappell
 you could be hap py with me.

S ile nt

C h a p p eI l
 P o l.vf A

I know that hap - Py Jou r My

A A A

know hap - pv Jour My

>
A

(Segae
aJtu applause)
ENCORE
Rather faster (dnz) ,tl,\''

\
 \[-hat would

i c u \ l e r ct h e r e ? S k i e sm a y not al-u'ays blue, Rut one thing ls

know that I could be hap - py with

tcs. My darl- ing, If you could be haP py with

Diu.logue
Chappell
 t ,
3 2 'i a /l
N99 \_ FINALE- ACT I
" i
.\ REBRI-S! (Ensemble)
" TIIE BoY FRIEND"
'POLL\) "He's
Curt really arriverl!tt

Moderato Gi r l s

11'e plead- to have \\'e need - to have ln

poor hearts bleed to have the Boy

Ensemble

And slave

4|J62
 with - out us rs im-poss - i - ble And of

Keep them ouT-

Slowly Gna)

Were blue- nith-out do- q'itb-out O u r d r e a r n sj u s t

r : n t c o m et r u e u i t h - o u t That thingcalled the Boy Frieod.

E n do f A c tI
i{;62 C h a p p eI I
 (

\st INTERMISSION
GMe

v,rT''' <
l zl ) c
e
>
 36
Act II
N9 11 ENSEMBLE
..SUR
LE PLAGE''

Tempo di Ma,rcia Ensemble

What a

1 r + i6 2 Chappell
B o ys

you may y o ur bath

>

are

C h a pp . l l
 B Ensemble

l. There's no know ing Who you are go ing To

2. There's no say ing Who may be Play ing With

Oufcie Q$fimcl

Pl age. You may run up a - gainst a

Plage. (BoYs) A knightwho's left be - hind his

ilancy (Rothtincs)

Ra Or may - be wilt
charg May call ]ou Won't

Q Ensemble

poor man. Sal or Can not be choos For

luck - y1) In the You'tl find e mo May

41262
 39
Girfs

here love's- a g u e s s- l n g game Sur le Plage -

play y o u- a fun - ny game Sur le Plage -
>

I Ensemble

Sur Plage Ev - try - one looks -

Sur Plage

trP

+
3a:.e Ev - try - one looks- the, E v - 'ry - one looks
>

the, E v - try - one looks- the

>z--.:

C h a p pe l l
DANCE
 E ns e m b l e

l o o k s- Ev-try - one

>

the

t.

Chappell
3r5:
42

l{9 12 DUET - (Tony aradPci.lly)

-
((A
ROOM IN BLOOMSBURY,' I

I
C n a ; ( T o t l y ) " H o t " r i p p i n g- S o a n I t "
(ri ( i '-'

Moderato

f
l'-- |
t 1

rT

Polly

@ CoVyright IICI{lIY b y C h d p p e l l & C o . l , t d . , 5 0 , N e w B o n d S t r e e t , t r o n d , o n , W .l

44762 Chapp eI I
 - 4 3
r0 n y

T
r

de - signed

i t rnf

dear?
44
B a lempo

r (ToNY)All I want a Blooms

z (rolr,y)atl wewant a Blooms

ntf a tenpo

J u st a room that will For and One

Just a r o o mt h a t w i l l For and Itll

-nough for usr Though on the toP Life may

cov - ers for Two c o - s y arm - Neigh - bours
,--\

B u t its trou - bles wetll On

We s h a l l l a u g h a t a l l (rouv)wtrtte

44i62 Chappell
 night Iil light a fi re. I shall do
book. (nollv)l'll cook a stew. a plum duff

de (poi,ly)you'll be s i t - t i n g ( r o u v ) . e , n Oyou'tt And

for (norn)In our at - tic be As

con - tent be dear lit - tle room Blooms- bu

birds up- tree. want is a room B l o o m s- b u

r{;62
Chappell
 46
D DANCE

IC staccato

marc.la melodi>J

All wewant is a room in Blooms-bu

\:
Tony hand in ltocket for hey
Chappcll

I
 Mime Chorus

mpt a liltle slouer

i
/

8...._..;
Dialogue
C h a p pe l l
 \t /'
4 8 t , t ,
I
I
N9 13 SONG_ (Hor tense) with il ll
l l
-
" l r ' s N I C E RI N N \ '

N o t e : - T h e o r c h e s l r a lp a r l s a r e i n 2 , . 4t i m e

C f l a , ( H o R T E N s E ) , r A n d I ' m r e r y p r o u do f i t , t o o J t , .
1

Con vivo (in 2)

Hortense

44i82 C h ap p e 1 l
 or Si - &ttlr

I'll stay ex I They

Chappell
 $ a tempo

dy's in Vi en trdr But

Young la
say itts love - ly when But
To go to Bue - nos Air es
-
peo plets one de - sire

In Am- ster-dam or
c er , much ni - cer in Nice,
laws are ra - ther
The
cer, much ni - cer in Nice'

mus-cles,But theYtre ni - cer, much ni - cer

B r u s- s e l s The men have great big
hag- en But theYtre ni - cer, much ni - cer
vague in The town of CoP - en

I . tal - ians Are ve - rY fond of

Itve heard that the Cal
f lut - ter In Bom-baY or
And some may like 4

Chappell
44' 782

i-
 dal - liance, And they're aI so But what -
- cut - ta, But they might have oh, Oth - er

they may This where I much

may be But all is much

I
I
Chappell
 D o r"rrpo

\
t
 53

H o r tn
es e

Tho'

p col 'uoce 1f a tempo

{{;62 C h a p p eL I

:ita!:!t-11:!:.
.::
,.t:t::::t::::
:::.
.,..i::,,:::::.

:'.:.::::.::::::
 somemay like a flut -ter In Bom-bay or cut - ta, 8ut they might have

some may like a In Bom-bay or Cal - cut - ta, But they might have

Oth - er pla- ces may be fun, But when

trou-ble with the Oth- er pla- ces may be But when

44?82 C h a p p el l
 much

Dialogue

44.i62 C h a p p eI I

@
:tll::

:.::'
 I' , r ) i ' ,
56 \ \.'-l
N9 14 SONG-(MadameDubonnetand Percival)
- "
THE' you-DoN'T-wANT-To-pl,Ay-w I TH-ME' BLUEs"
"Yes,
Cue: (PnRcIvAL) nost definitely"

Blues tempo
Mme. 0ubonnet ( s p o k e na d l e ' b )

Per Please have

''f, l- (Piano)

a lentpo (9ung)

-
fir.
Why must you al - ways be so sad and gloom-y? Whv can't vou be a

l,o.*.j
a lentpo

fot ro"rl I

(n ltnpo)

When I am try-ing to be brightand jol - ly It is- ntnice to be so an - cho

It
+l
44262 Chappell

L.

,:t::,
.::l:r,
.:ll:1,
::l:::
,:u:1,
::l:l:
 T + ' ' ' I
dear, I ve got the you - don't-v/ant
- to - p l a y - w i t h - m e blues.
Percival

(a tempo)

ll

-play-with-me blues.

I
/

v -------'-/
- : : " - r - w i t h - m eb l u e s .
_ good

Dorit-want-to - stay.with-me b l u e s .
,---:

t J ha p p e l l
 At sprea+ingmirthand

With such Tb play the gametheoth- er

v-=----/

fel-lowsall choose: Be-oauseyoual-ways re-fuse.

P e r ci Y a l

Chappell

L
:..::..

:i:::
\

faster
D Per cival

Yorrdorit-want-to-play-wittrmeblues.
theyoudorit-want-to-

- p l a y -w i t h - m e blues.
c le a r
Gi r l s

Donl-want - to - play-with- me blues.

I've got the you - don't-want - to stay-with-me blues.

Doritwant-to - stay-with-me b l u e s .
----.G\-

:*?6?
Cheppell
 0ubonnet

At spreadingmirth and

Percival

With such a

Theoth - er
Girls

To play thegame the oth lows all choose

r'-\

Cheppcll
4478?,
 0ubonnet

What is a girl to

With such

Y o u - d o n ' t - w a n-t l o - p l a y - w i t h - m e

You- don't-want- to - play-with-me

Dialogue
14'J62
Chappell
 -f /
" i i t
, /
t /
t 4'
, ' i .
'
,
:-- : ! .x,'

62 ,/
___/ ;
N9 15 SONG-(Maisieand Boysf
..SAFETY
IN NUMBERS''

Nole..- The orches! rul lurl_s..ure in I lio,e

Cue: BoBsY) "Listen to me"

''
El4lhlly (rors) "Listento au of us"

Youtre

PIER

t
 ---=---l

// ttaisie

list - en,

Spokenl(BOYS)"Youloveus all?"
8 1 t o A 'nel ( M A I S I E )" Y e s , Il o v ev"(Sun.s
o ua l l l "
il Maisie

learned

no fool - W h e r e l o v e ' s c o n - c er n e d ,- stick to this rule,There's

#
C Bn,ttime-

safe what I-
high- wake-

kiss.- Therets ry_ b e r s-

Chappell
 Valso moderato 6n c) EDAN0E
EOYS

I
t
b e r s- And the more
>

)--

Dialogae
C h ap p e l l
 ' , /
68 . { .

N916 FINALE-ACT II
C u e ; G O L L Y )" W h a r d i d I s a y ? "

Andante moderato
Tony

I could be hup- py with you,

where.- What would I care-

Tony
r\_P \_r
you were there? Skies may not be

8ua;"'---"---""
 69

rr r Eoth

one thing ts as can be, I know that I could

{>

haP - py with dar -ling, tf you could be py with .

(Dial,oguecontinues)

N9-]E?
\\
"A
Cue: eoLtY) thief ! oh,nol'

Andante moderato

p? (undcrllitoEue\

(Diu.Iogue
continues)

44762 C h a p p e lI
,1O
N9 16b
-=--
Crrz,(xoRrElsnr " I think I can explainll
"'."That rnen-w*s- Mo"rr;;r... (POLIY) No! Hortense!Youpromised! (Mne.DUB) But what is it
Polly?"
lro

I1P(under dialogue )

( P 0 t t Y ) I t ' s n o t h i n g , M a d a m e ,I ' m j u s t a l i t t l e d i s a p p o i n t e dt h a t l a l l . Y o u s e e , I s h a r i t b e g o i n g t o t h e O a l n r v a lB a l l

{"\
I

I
t,t"t 'r*:u'
\1
I
N9 1 1 , /l \ / 1 1
{', t4',^
P ol l 1 l \
) :

be h^P - Py rvith If )ou tould be

Ioco

a n - y r v h e r e- \l'hat could I As long as y o u w r e t h er e ?

<.-. a-.'-.
A

44162 Chappell

:::=.::
Ensemble
nyf

-\----,.-
S k ie s blue

clear as can b", I know that I eould be h a P ' PY with

bJhJ J J J ) )

Lento

\,/
My If you could be haP PY \l ith Hap-pv with

J e
:-_z-
tr' J a. J

r-Tl_l
: > > >

E n do f A c tl l
Chappell
 2ND INTERMISSION , 1,,,
In Bright 4 4

fi^p.,1ff

t.?
(n.n)/rl

Chappell
C Fast ftn 2)
 ''
I ,-.
/ l
/ t . ' !
74 .
\
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/,' \ |
i '
t

\ ' /
N9 18 OPEIV'TNGACT I
:
B(pnd ttme)
F o x tro t te rn p o a e ryste ( r dy

?(,'odtr Eiut

llz-

"Regardez,
+
Stop ul Cre:(PtnRRr) r e g a r d e z , . . .M m e .D u b o nn e t
44762 Chappell
 75
N
-
9 18a
Cue:(LORDf ,)'tUatia familiarword"
Va l s e mo d e ra to

lryOnder dialoguc)

Fade al Cue: (M,aI.DUBONNET) "Have someChampagne"

1E- . ,--\r ^8;"''t ,
. : A
 \ / , /
Valse moderato

IH(under dialogub)

ra/1.

St o! at C.ue: Wlne.DIlBol(NEr)..||I-qi'ai4'l '-

8""""i
 .J
.r . 77
I

N9 r89
t , I
"Yest
Cue: (PERCIVAL) I'm beginning to remet\er"
)
Valse modorato

N9 19 DUET- Gobby and Maisie)with chofus

..THE RIVIER,Af' \
Cna: (BOYS)"How?"
(BoBBy) "we car _ _

Bright tempo
D.nieAll*yesttr
Bobb & M a i s i e

When trou$le trou-bles you, The on-ly thing to do- Is

BOB

} 1 AI
dance, you sim-ply got- ta dance.

44762 Chappel I

!!l:::,
!4::::.
!!::,,,
!4:::
!!=:,,
!=l::,,
q::::
 B o y s& G i r l s

And if

you sim-ply got-ta

the South of France They'vegot new

It's quite the cut - cst dance In- vent - ed do s t ep .

Chappcl)
44262
Wrig-gle your and uP h e e ls , You'll be sur-prised how love_ly fee I s.

Boys

Wig-gle your fin-gers wag-gle toes, how start - ed no-bod - y

C h ap p e l I
 their lit

tak - en to it
maid - en ia-dies who wear lorg - nettes Have

shake off

Chappel I

r1762
 DANCE

give out the news. This is the wav to

s h a k eo f f t h e b l u e s . Ev -'ry - bod-y's -
do-ing the Riv- i - a!_
>

11J62
Cbeppcll

..
::.:lj@ ..a=-=:

r ::t::
 Get on the dance floor, get the time

'ry-bod-y's

Clap-a yourhandsand on yourthighs, Grin like a goon and uP your eyes,

44762, Chappel I
 All the bright young their bright young beaux do it.

>

Ev - en duch-ess - s and theirgig-o - los Have tak - en to

Y o u g o t - t a d a n c er i g h t you drop.

Ev-'ry- bod-y's do-ing the - er

\

44762 Chappell
DANCE

(SegueaJteraPt'lause)
 85

N9 19? REPRISE
..THE
RIVIERA''

L'istosso
,"TT,1_r,

Get on thedancefloor, get the swing, This is the time for hav-ing a f ling.

Ev-'ry-bod-y's do-ing the Riv - i et

Clap-a yourhandsand slap on yourthighs, Grinlike a goon and roll up your eyes,

Ev-'ry-bod-yts do- ing

11762 Cheppell
 the bright young things and their bright young

their gig -

Aint it - ic? Airit the top? Y o u g o t - t a d a n c er i g h t on till you drop.

Ev -'ry-bod-yts do-ing
(Chord for

(Almost Segue)
44762 Chappell
 87

N920 TONY,S ENTRANCE

Cuez (nonTENsE)(.oht Champagne!"

N9
-
20? TONY'S DANCE
Cae: (UoBTENSB) 3'g1s may lot corne at all,, (Esit)

n!/f ;
(Piano only)

Chappel I
 ( P i a n oo n l y )

> >

-
>

(Dialogue)

44762
 89

N9 21 DUET-(Lord Brockhurstand Dulcie)

"IT's
NEVERToo LATE To FALL IN LovE"

Cue: &oRD B R O C K U U R S T")Y e s , l i k e m e f o r i n s t a n c e "

Colla voce
L ordB ro ckh u rst 0 ul ci e LondB.

may be too old to run e Run a mile?Yes, run a mile, But

,,y "o,)o\o""
( P i a n oo nl y )

there's one

there's one thing at which I

(R
lf t
1l
IE
4\
\-/ CoVyngftt l{CMLIV by Chappell & Co,.Ltd,,50, New Bond Street,Iondon,W.l
4tL 7 6 2
Cheppcll
 rall.
0 ul c i e // Lord8.

it when Well, what do you saY?

--

Rhythmic
a tc rillro

fling, For Au - tumn is just

'{orrhe.tr"
enters)

Chappell
 0ulcie

Boop-a-doop, Boop-a doop, Boop- a

t
wink an ], Iil do it un the d"y

B o o p - a - d o o p ,B o o p - a - d o o p , B o o p - a - d o o p .

nev- er too Iate

I
C h a p p eI I
 0ulcie

DUL.

that's tastes rnuch

gent - le- man nev - er feels too weak To pat a pink arm or pinch a c h e e k ,A n d
a.-.--:

DUL.

Lord B.

44262 Chappel I
to - geth-er

\lhack- a

C ha p p el l
late to

Whack-a - do, Whack-a -

 m a s- t e r !

Segue after af/lause

Chappcll
96

N9 2 1 4 REPRISE
" IT's N E V E R T O O L A T E
TO FALL IN LOVE''

-r-
L istesso tempo

...:::::
''':-
Chappell
 0ulcie Lord 0ulcie

yo"'tt

Lord 8 . Both

late beau, Er- rr - ence And

(Dialogue)
Chappell
 99
N9 22 CARNIVAL TANGO
--:- ,,.-.....-
C u e , f i , L D yn n o c r ( i u n s r ) r , R e v o t t i n g t , ,
)

Slower

44762
Chappell
 ,c
3/r.s.f .

0;ilogue)
44262 Chappell
 i ' : 1
\ . t " i
tot
N9 23 DUET-(Mudg_rtr
Dubqnet andPolly)
..POOR
LITTLE PIERRETTE''
,l
C u e ' ( M m e D U B 0 N N E T )" Y e s ,I t h i n k s o " l\
, , , 1r .

--r''
/,
1!Ioderato

pocora/1. -

Mme.0ubonnet

ntp colla uoce

(Piano only)

Ev - 'ry night the ers meet Just as the clock strikes nine

@ Copgright ilCMLMT C h q p ? e u & C o I l d . , 5 0 , t r l e o8 o n d S l r eet , L o n d o n , W .I

7
I t
44762
Chappell
 fate - ful night

Awitt feelin (not too slout)

tle Pier r et t e , Pier - rol?

rt47B2 Chappell
 Polly Qna vcrseortl

Ah-
poco rall.

But in-stead Yo'r hang your head And try

'+4'762 C h a p pe l I
a lcntpo

r et t e , You must- ntt show Your dream of

i'r|.
t.t keep on danc
.
.r gr*

Just keep on danc - ing

He may come back

Mmc
DUB

44762 C h a p pe l I
 =
:

=
:
=
:
-

E
E
--
:
You should be E
:
::
=
F
E
F
E
e
F
=

*-t
C :
E
's-

poco rall

But in-stead hangyour head

He may

ral/

back

DialoFue
(almost triegae)
Chappell
t08

N9 24 pirnnol'S ENTRANCE
Cna.'(une. D U B oN N E T ) " P i e r r ohta s n o t f o r g o t t e na f t e r a l l "

M od e ra to

pp (unrl.erdialogue)

('4rp. trem.) pp

U-
>

Stop at C ue:
Tony kisses Poll y

Dialogue
L4782 CheppclI
 to9
N9 25 FINALE-ACT III (Ensemble)

Cue: (BOZW ) "Swell- now how about that Charleston?,,

A Ensemble

not_ to have t h i n g c a ll e d

.{nd we've been

k n o w n t o s c r e a ma _ b o u t That cer-tain thingcalled the Boy

 with- out us lm-poss - I And de - void - of

blue- with-out, do- with-out, Our dreamsjust *on't come true- with-out

That cer - thing called Boy Friend.

44782 Chappell
 Moderato

r l r C
l\/-l
l\_->
,

live an- y - What would I care -

44762
 As long as you were there? Skies may not

J J

Broader

one thing IS b", I know that I could be h"P-Py w i t h

) )J J )4 )

v \:/
you c o u l d b e haP with me.
a A
) J e
l^,
'L
I
).
I

v
A

(Segueafter afplause)
44'i62
 tL3

N9 25a FINAL CURTAIN

-

Dat X (page IIt)

al Fine

N9 26 PLAY OUT
In Bright 4 7.
:>

-
(ctltri,b.)r
r

T,?
(n.n.y /lJ
 GModerato,not too fast (t" a)

Pilnled In GredtErtdrn b! Hobbs the Prnlcrs of Soulhdnrpton

44762