Documente Academic
Documente Profesional
Documente Cultură
re
co
Susanna Payne-Passmore
rs
rfo
se
po
m
Clarinet in Bb
4
&2
w w
p ppp p ppp
.
only just pushing through the texture ~W
re
Violoncello
? 4 ~W
2
co
p ppp p ppp
smoothly 3 3
rs
4
&2 # J J
fo
Piano p
3 3
4
& 2 b j
j
{
se
r b
w
b
po
3
3
m
Cl. &
w bw w bw <#> n
co
p ppp mp
w
? ~W
ct
Vc.
w~
ta
3
3
p ppp mp mf
on
j
& #j
<n># n w w
C
J Jw w w
Pno.
3
{
& b
<n>
nw
w
w
mp
w
?
Copyright 2017
3
6 poco accel.
# # 2 b #
Cl. & n 2 n 42
3
# b n J b
#w
p mp mp p f
#
Vc.
? w 2 # w b 2
2 4
.
mp mf p
re
3:2h
co
& b b #w
2 2
2 4
bw
rs
mf
Pno.
mp
w
fo
2
{
?
2 w
se
r
#
b
2
4
po
A
10 q = q; soaring, exuberant
m
Cl.
2
&4 #
co
Vc.
? 2<b>
4
ta
on
2
&4 > >
# #
C
Pno. f
11:8x 12:8x
? 2 bn n
{ 4
11:8x
4
13 >
>
Cl. &
>
Vc.
?
.
re
> > >
& #
co
Pno.
rs
11:8x 11:8x 11:8x
? n bb
b
{
fo
r
se
po
m
co
16
#
ct
Cl. &
ta
on
Vc.
? b
C
>
&
b b b
Pno.
12:8x 11:8x 11:8x
? b b
{
b
5
19
Cl. &
mf
>.
?
Vc. bb
.
re
&
b b b # b b #
co
Pno.
11:8x 11:8x
b b
{
? n b
rs
r fo
se
po
B
molto rit. a tempo, h= 40, reective
m
21
U 4
Cl. & 2
co
ct
? U 4
Vc. b 2
ta
on
U
b b
4 b
C
& b # 2
3
pp
Pno.
? b b
11:8x U
{
&2
4
.
* mf
b.
.
.
* Delay re-depressing pedal slightly so as to just catch part of the sounded note, imitating
a cello pizz. Return to normal pedaling in m. 27.
6
24
& bJ b b
Cl. #
n mp sub. p
pizz. b
? B b # b
Vc. # #
.
pp mf
re
co
bJ b b
& #
rs
Pno.
fo
{
&
b .
.
b.
.
b.
.
se
r # .
.
b.
.
po
m
27 >
co
# # # <n> n
Cl. & # # n
>
ct
mp 3 mf mp
ta
#
B # b b
Vc.
on
n
C
bw n bw
&b w bw
w #ww w bw
w
mp
Pno.
{
& nw
#w
nw
w ## ww
<n> w
w
<n> w
w
7
30
C subdued, languorous
3 3 #J
j
#
Cl. & # #J nJ
p
arco
sweetly
Vc.
B W
W bW
p
.
re
w w 3 3
& w
co
<n>
Pno. mp
rs
3 3
{
& b bj j W b # W
fo
mp
r
se
po
m
n
co
33
Cl. &
J J b bj J #w <n>
J
ct
mf p mp
3
ta
Vc.
B w W # w
on
C
b W
& bw
#W
3
Pno.
3 3 3 3 3
{
&
w
# #
##
#
8
36 3
>
#
n w w 2
Cl. & b w 2
mf n mp
3 w
B bW ?
w B
2
Vc.
2
.
3
re
mf p mp
co
w 2
& w w
w w
ww b bw
2
bw
rs
mp
Pno.
# bw
fo
{
& <n>w
?
W
se
r 3
w
2
2
po
m
co
poco rit.
39
ct
Cl.
2
&2 w
3 # 3 4 j 3
2 2 # 2
ta
3
mf mp p
on
# 3n w b
B2 ?4 b 3
Vc. 2 2 2 2
C
3 3 3
mf p
2
& 2 b
3 4 U 3
b 2 w 2 2
Pno.
bW
?2 w 3 w 4 WU 3
{2
2
2
2
9
42 b - w
Cl.
3
& 2 nj
b 4
2 J b 42
J
f
? 3 bw b w # 4 b bw n 2
Vc. 2 2 4
mf
.
re
3
& 2 b
4 2
w bw 2 bw n 4
co
Pno. mp
? 3 bw 4 w 2
{
rs
2 2 4
r fo
se
po
m
D
45 q = q; soaring, exuberant
co
Cl.
2<b>
&4
b b
ct
mf
ta
? 2 #
on
Vc. 4
C
12:8x
>
n > b b n> >
2 n n #n#
& 4 b b > b b
Pno. #> poco cresc. > 12:8x
12:8x
?2
{ 4
10
48
Cl. &
<b> <n>
? #
Vc.
.
> b 12:8x
b
re
bb n
<#> # nn > >
& nb
> bb bb
co
b>
12:8x
Pno.
rs
12:8x
b
{
?
fo
r
se
po
m
co
51 E
ct
Cl. &
# # #
ta
f
? #>.
on
Vc.
f
C
# #
? #
&
bb nb
3 3
Pno. mf
12:8x 12:8x
? b b # # #
{
#
#>
sfz
11
54
Cl. &<#> j j
# # # #
mp
? # #>. #
#
Vc.
mp
.
#
co
re
? # # ##n ##
&
3 3 # #
3 3 p
Pno.
rs
?
{
fo
r
se
po
m
61 poco rit.
co
mp
ta
on
Vc.
? # # 4
&
# 2 # n
>
C
>
mf p
###
#
#n 4 bw
& n 2b w n
mp
Pno.
4 #w b
{
? 2 w
12
F
66 h = 48, subdued, but invigorated
Cl. & # 42
b
b w
mf p ppp
.
Vc. &
re
> mf mp p ppp
co
smoothly 3 3
4
rs
& bw
w #n ww bw
w bw
w &2 #
p
Pno. b
fo
? nw
w ##ww <n>w <n>w
{
w
se
r
4
2
J
J
po
m
69
co
Cl. &
w w bW
ct
p ppp p ppp
ta
? ~W ~W
on
Vc.
w~
p ppp p ppp mp
C
j j j
& b n b #j
n <n>b
J Jw
3:2q 3:2q
Pno.
b <n> n w w
? w
{
3
13
72
3 # #
Cl. & n
b <#> n #w 3
mp
p mp mp
3 w
w #
Vc.
?
3
.
mf mp
re
3:2h
co
& w w b #w
w w b
rs
mf
Pno.
w w mp w
{
? ?
fo
mp
r
se
po
m
co
poco accel.
74
b b J b w
& # n b J b
ct
Cl.
b n
ta
ff
on
? # w # #
Vc. gliss.
n> g lis
s.
C
ff
b bj bnw
ww
& bw w
bw w
Pno. ff
bw
{
?
w
#
14
h = 52
76 <b> #w #w
Cl. &
n mf n
3:2q
? b n
3:2q
Vc.
# & n #
n # J J
3:2q > 3:2q
.
>
re
mf ff mf
h = 52
co
<b> ww
& w nn
rs
Pno. 3
#
? #
{ #
fo
W #W
W
r
se
po
m
co
molto rit. q = 44
78
3:2q 3
& # J J #
ct
Cl. w
mp
# <n> <n>
n
ta
on
pizz.
Vc. & # w # j j
C
b
p mf
& #W
W
Pno. p
? bbWWW
{ bbW
W
-