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two
dance
passages
by
different
composers
and
write
in
detail
about
each.
Refer
to
melody,
rhythm
and
metre
and
use
of
instruments
as
appropriate.
The
Farmer
and
the
Cowman,
Oklahoma
The
Dance
at
the
Gym,
West
Side
Story
Melody
Fanfare-like
melody
in
the
voice
evokes
Semi-tone
motif
in
the
opening
melody
creates
connotations
of
joy,
merriment
and
incredible
suspense,
generating
immense
tension,
ultimately,
celebration,
informing
audiences
almost
becoming
reflective
of
the
troubled
that
past
conflicts
have
undergone
relationships
of
the
opposing
Jets
and
Sharks
resolution.
gangs.
The
entirety
of
the
orchestra
doubles
the
Heavy
melodic
chromaticism
further
builds
melody
line,
which
simply
allows
the
tension,
but
ultimately
evokes
the
Blues
centred
prevalent
music
to
become
incredibly
introduction
through
intended
blues
notes
prominent.
Looking
in
more
detail,
however,
additions.
the
similarity
between
the
voice
and
Melodic
tremolo
builds
suspense,
intriguing
orchestra
symbolises
the
community
unity
listeners,
and
never
once
forgetting
the
dramatic
and
sense
of
togetherness
within
the
musical
fate
that
waits.
at
this
point.
The
overall
melody
line
itself
Call
and
Response
idea
builds
momentum,
but
forms
a
significant
chorus,
which
emphasises
also
becomes
symbolic
of
the
diversity
between
overarching
friendliness.
the
Jets
and
the
Sharks
and
their
opposing
Chromaticism
adds
melodic
interest,
opinions.
heightening
the
excitement
further,
allowing
Simultaneous
playing
of
both
dominant
melodic
listeners
to
stay
connected.
The
repetition
themes
almost
instils
polyphony,
creating
and
basic
similarities
of
the
melody
further
dramatic
impact
within
the
music.
help
listeners
to
become
engaged
and
participate
within
the
arrangement.
Rhythm
Prevalent
Oom-Pah
accompaniment
relates
Syncopation
of
the
cluster
chords
also
serves
in
to
the
farmer-like
origins,
reminding
creating
the
Blues
feel,
as
well
as
further
audiences
of
the
style
of
dance
and
also
syncopation
in
the
Mambo
section
driving
the
serving
as
a
frequent
narrative
device
that
Latin-American
feel
and
generating
intense
sets
the
Oklahoma
scene.
momentum
vital
for
a
dance
number.
Metre
2/4
metre
bears
reference
to
a
hoe-down
12/8
opening
metre,
serving
as
compound
time,
feel,
emulating
the
origin
of
the
musical
and
is
a
very
regular
and
common
jazz
metre,
its
American
South
derivatives.
emulating
the
opening
Blues
section.
Instruments
Brass
instruments
play
interjections
in
Heavy
brass
influence
in
the
Blues
section,
adding
between
the
vocals,
not
only
to
add
new
to
a
brassy
big
band
feel
and
creating
dramatic
ideas
to
the
repetitive
structure,
but
to
emphasis,
which
heightens
excitement.
heighten
the
drama
and
excitement
of
the
Inclusion
of
the
Bongos,
Timbales
and
Cowbells
dance
number,
all
in
all.
become
reflective
of
the
South-American/Latin
The
woodwind
section
play
semi-quaver
American
feel,
reminding
listeners
of
the
passages,
adding
further
ideas
to
the
prominent
character
roots.
composition,
but
they
allow
momentum
to
The
purposeful
muted
trumpet
provides
be
withheld
a
feature
critical
for
success
versatility
within
the
brass
section,
altering
the
within
a
dance
number,
helping
to
evoke
the
melodic
effect
and
creating
a
distinct
sound,
energetic
feel.
creating
excitement,
as
often
trumpets
are
used
The
chordal
instrumentation
at
the
Meno
for
fanfare
celebration.
Its
very
high
melodic
Mosso
manipulates
the
mood
to
create
writing
allows
the
instrument
to
become
contrast,
assisting
the
melody
in
word
dominant.
painting
reflective
of
the
wise-centred
text.
Improvisation
within
the
brass
section
becomes
the
very
pinnacle
of
the
building
of
tension,
pushing
it
to
its
extremities,
highlighting
finality
of
the
brash,
thrilling
dance
section.