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This uncut manuscript - long considered to be from the Han - was in the end securely dated to the Tang by an analysis of the painting of the ruffs on the two corncrakes depicted. The power of the poem, suggesting the circle of Tu Fu, has impressed scholars ever since; and MB of Princetown, who organized the restoration of the fragment, has commented warmly on 'its very high level of poetic impulse and eidetic line'.
This uncut manuscript - long considered to be from the Han - was in the end securely dated to the Tang by an analysis of the painting of the ruffs on the two corncrakes depicted. The power of the poem, suggesting the circle of Tu Fu, has impressed scholars ever since; and MB of Princetown, who organized the restoration of the fragment, has commented warmly on 'its very high level of poetic impulse and eidetic line'.
This uncut manuscript - long considered to be from the Han - was in the end securely dated to the Tang by an analysis of the painting of the ruffs on the two corncrakes depicted. The power of the poem, suggesting the circle of Tu Fu, has impressed scholars ever since; and MB of Princetown, who organized the restoration of the fragment, has commented warmly on 'its very high level of poetic impulse and eidetic line'.