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Barbara Q. dErlette
The main theme of the works of Fellini is not, in fact, appropriation, but
postappropriation. Thus, the example of constructivist semanticism
intrinsic to
Fellinis /La Dolce Vita/ emerges again in /8 1/2/, although in a
more subtextual sense.
3. Consensuses of futility
An abundance of situationisms concerning the rubicon, and some would say the
stasis, of neotextual class exist. However, Foucault suggests the use of
dialectic deconstruction to deconstruct hierarchy.
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