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SEN RODUCTION ge of the most common questions I arn asked by students is, “What kinds of things do you do ‘warm up before u concert” Over the years, in many master elasses une! workshops around the ‘world, I have demonstrated the kind of daily workout I put myself through, and there has always been a lot of interest in the process. This book is a first attempt to address this area in a more detailed way. To me, warming up is an essential part of every spend af least an houe with the instrument in hand focus is improvisation, I have always searched the spontaneous creation of harmonic and improvisation involves without actually “ What [wind up doing is different every time. “These ctudes are my actual transcriptions from a: Base & concert tour in Taly inthe summer of 2010. Basically, | placed asm and just did what L always do, These picces are ull improvised, gel one moving all over the instrument, and Essentially, my method is to take ideas that Ido through keys, and just sort of Tet them spin out. either a natural conclusion, or to make 2 link to improvising in concert, but with a different set of aesthetic values. dd be to walk out on stage warmed-up, prepared, and ready to 20 ght” of any purticular idea, 0 that the fist solo of the first tune is really Tam fully engaged the more narrative type of playing that | aspa ‘Hopefully these transcriptions will acco ey provide a good workout (encouraging movement all over the i offer some idexs about ‘how to generate your own set of material | ‘same thing every time. ‘ EXERCISE 1 EXERCISE 2 EXERCISE 3 EXERCISE 4 EXERCISE 5 EXERCISE 6 EXERCISE 7 EXERCISE 8 EXERCISE 9 EXERCISE 10 EXERCISE 11 EXERCISE 12 EXERCISE 13 EXERCISE 14 Reet ey sana SS 4a aE sazlie 5 puereertectitec Piet * ou,eurs 2 = ae sls aoe ra epee re oe Pa | Be pase salaes za? 5 ere we | tetttrelictereree— | 1 EXEgCISE 2 (Benen) 10 , re oe b PTR) epee! here be ict eeper rary eee rte Shere te abe SS : a 5 Hebe tities » the cirbe bree : 5 seats 4 z = bet bs roe ogy Pee ee = $F + tthth ester Tpit sree rae = ben bss te the» oer $ ¢eese Mele ites bos a> aaa 7 ve piete chek, € poe tees | thse ida] Bhi tert ee eee te pers bas ’ ; 7 E + s & — areas t + te 1 state bt TTT ep er ere | 2-444 ols t ee) see 5 : > if Pte 05 te te ter rere ae j¥aee = fe Estes tie fle® = Gescsei) ia) h Se (pomeetht tee “> 4+ ate ys * re ‘ — TE ett the, a — Ves zat Say —— ea Bi bere Pea ay ptEreer, titer te, ™ ATeNTH PR, HR H, Mee wot poiaerctcttitt coset treet ery wees gus pon ao aD pilf Stee ete ter Leff eet ite ieee Se See — . ues fs $42 as ras 6 : ; p52 8 ‘ + SSS ees ps gs eeepese iq . yor pp Leti titer Eat Fteer Pep eeee: oo a Lo ous z oe oe i ot 4 z eeest ey 4 be Cot Stersieeitectitere cettiterteae pplesssttl Leese et erro EF Pepeteet, per Looper [eereeth fprpertlileerere pete Ee ee pees ep se a et ‘ & peker coppice t) fees . a# decir coer COPE Etles fice phe ght SEE ep ete pe ertrerier = a trie peers sO tore uy bree ‘ 2 a ttepipeerp sete ded Ie rope [s j. re vreee a] » at Sereda cars eet a. bP er thiee Et tres 5 7 +a z s # ao ob & cy botthtcemiseir crew ip ty b FTL ptrtesretet tities tit — f= — ef 3 5 fine ey, & é + aia a. ee gee Stern Pit erer ieee p ee Er hete tite TTD Ade dete Tap | Geserad ertrtf firrecer fEeeeeth tterrees = = - a8 be os bees t oh eee Py sy ss A eee reve eles bees bs raja Petitioneqecn feet e Edd tye beeeesloe paeelss bees rs eeselas & See eee 4 at —y ee = 7 == as 4+ BF nea jaereeee = +3 aE S Ow 5 es pulang p2tss ppp eee eet tee pao BP, P Eo E EE Spada 4] pecesrerarleteeceeee eeeeee tte tESt Eire ee ae . eet Eriretes, Bere piece BEPeFEet, 7’ peesseus ee | 4 4“ eee oe = Saat ss Bs pisses gi 18s vera 10 nnavany phat arte ret SSS ancien BW tines “po S= Ss —p 6 Heeler etictl apatite | a * (iS SSS + = * 2 2 eo eT Re S — _—_{--— SSS ee ; ——— == : * = oe “ . ity eae ul Exegcise ii (Pesesea) Al be eptteerlept i tterinet terpieet teers Bw + oe je Doerr err itr itt EXERCISE 42 a pple Steen etree Seer rior er wut I 6 ol (plete See eererrpeeeict re eeee ou su peace einen t a gictireterietrreterietrrprreletepees. . tamer eo 3 ss : or (hae SS ee aS atte tee eee i eae ge tg th toy Pope) = : a Saati oo ies b)cctr Cterteeer trent rere tier Te Pawar + et 7 © © oles orlraos toad (SS aaa ee : BR Faas Ses 5 be sepsee ede 5 , a a 1 bY peepeeriertpertriceir eee or ctr _ ‘ * oo s—t-4-1-7+-+ = Te cas & ait 33 = St teas | B Ho | iM a a Tae el : = = = ae ae = ays = Ceres = pipe i: SS ———— — bi pefteee ber acter tres Io pores rid — pelea ey pW panache rp eecehitter ae B Eee feper fteeeers deter e 5 a oe 1a oe = sane biiers: ee 4tae at ay He wu Te] gop yt: faite = cee rerett pe Coe or iciert tre! tosses ss besset 1 aaeeae = = a ae Etieee re sitter ier ieee eT) a) |sa22s300 BHD ed ee 4eee eaten? ey ar ef! EeeE teres pete fii rte peer pete terete Eferles ef cs sseaees ‘ Otitis ae a3 a= proctiererieetteere es +e ee Ww ae aa sean ‘ ae cas eee eetritpeeety Par an ea <= 14 GUITAR ETUDES TO HELP LIMBER UP, a aT sare Cesta Ua eae aga LS lee

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