Notes&from&Michael&

&
Binky&
written&and&arranged&by&Michael&League&
transcribed&by&Chris&McQueen&
recorded&on&groundUP,&GroundUP&Music&/&Ropeadope&Records&2012&
&
Binky&was&actually&the&first&of&the&batch&of&new&songs&set&to&be&recorded&on&
groundUP.&I&think&it&came&from&the&AfroKbeat&craze&that&had&been&dominating&my&
current&hometown&of&Brooklyn,&New&York&(the&working&title&was&Afropup).&
Everyone&that&was&cool&had&an&AfroKbeat&band.&I&was&not&cool.&I&figured&that&the&least&
I&could&do&was&write&an&AfroKbeat&song,&and&Binky&was&my&attempt&at&it.&As&is&
normally&the&case&with&compositional&intentions,&I&got&distracted&and&the&song&
drifted&out&of&the&desired&direction&into&some&strange&other&realm.&
&
We&rehearsed&it&for&the&first&time&at&Nates&tiny&apartment&in&Denton,&Texas,&during&a&
tour&in&May&of&2011.&It&was&MUCH&faster,&and&listening&back&to&it&now,&feels&a&little&
more&AfroKbeatish&that&way.&
&
One&of&the&most&interesting&things&about&the&recording&of&this&song&on&groundUP&is&
Nate,&Marcelo,&and&Keitas&very&intricate&and&wellKthoughtKout&percussion&parts.&
They&interact&with&the&bass&line&in&an&integral&way&sliding&them&over&even&by&an&
eighth&or&quarter&note&affects&the&groove&massively.&If&you&know&Nate,&you&know&
how&much&he&thinks&about&this&stuff.&
&
Similar&to&the&structure&of&the&song&Flood&on&Tell,Your,Friends,&the&hipKhopKish&
outro&to&Binky&is&a&metric&permutation&of&previously&stated&musical&material.&I&
know&that&sounds&really&nerdy,&but&I&cant&think&of&any&other&way&to&say&it.&Basically,&
the&chords&are&the&almost&the&same&as&the&previous&section&(letters&R&&&S).&The&
section&is&still&technically&in&3/4,&despite&the&fact&that&the&band&is&playing&with&a&4/4&
feel.&To&get&REALLY&nerdy,&do&this.&Take&the&dotted&quarter&note&of&the&original&feel&
(in&3/4)&and&isolate&it.&This&becomes&the&new&quarter&note&of&your&4/4&feel.&In&fact,&
everyone&can&play&the&written&parts&identically&and&if&only&the&drums/percussion&
switch&between&3/4&and&4/4&grooves,&everything&still&locks&in.&Try&it.&Its&pretty&
crazy.&
&
But&just&like&Flood,&no&one&should&know&(or&care)&that&the&outro&uses&previously&
stated&harmonic&material&in&a&metrically&relatedKbutKpermutated&manner.&They&
should&just&want&to&shake&their&butts.&So&if&you&play&everything&absolutely&correctly&
and&nobody&in&the&audience&is&moving,&the&band&is&missing&the&point.&
&
As&for&the&title,&we&used&Afropup&for&a&while&(I&couldnt&think&of&anything&that&made&
sense).&Normally,&song&titles&reveal&themselves&to&me&in&a&natural&way&that&relates&
deeply&to&the&emotion&or&imagery&that&Im&trying&to&convey&musically.&In&this&case,&I&
went&months&of&playing&it&with&no&luck.&I&got&desperate&one&night&in&Birmingham&
(Alabama,&not&UK)&and&asked&people&to&scribble&out&song&titles&on&napkins&at&the&
conclusion&of&the&tune.&There&were&some&pretty&funny&suggestions,&and&there&was&
Binky.&It&just&sounded&right.&Sometimes&you&have&to&go&with&your&gut.&
&
OffKtheKpage&stuff&to&try:&
1) Play&the&whole&thing&at&a&much&faster&tempo.&
2) Change&the&feel&of&the&first&A&section&to&anything&you&want.&The&melody&is&
very&versatile&and&sits&well&on&top&of&loads&of&different&grooves.&
3) Change&the&harmony&for&the&rampKup&(letters&R&and&S),&or&keep&it&static&
(stay&on&C#m)&and&then&revert&to&the&original&chords&after&building&
tension&for&a&while.&
4) Try&a&slow,&halfKtimish&groove&over&section&S&before&building&up&
5) Abandon&the&bass&line&on&the&sax&solo&and&just&groove&in&C#.&It&can&get&
really&open&here.&
6) On&the&groove&section&at&the&end&of&the&tune&(letter&U),&experiment&with&
pulling&each&part&in&and&out,&hipKhopKproductionKstyle.&It&works&nicely.&
7) On&that&same&section,&try&having&the&drums&play&a&more&3/4Kbased&
groove.&
C Melody
Binky Michael League

A


shakers

congas

11
B


17
C

24
D E

F
36

44

51

G

55

H
59




legato V.S.
Copyright 2012
2 C Melody

I

62

66 J




Open for solos

K

76 Play melody 1st & last x

83
L

4x
M Esus9 Fmaj9 Esus9 Dm9

90

96 N Bsus7 C6 Bsus7 Bbmaj7(#11)

4x
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98 O Esus9

Dm9

P
Bsus7 C6 Bsus7 Bbmaj7(#11)

102

Q

104




legato
 C Melody 3

106

R 1st x only

108

4x - build throughout

S

melody on synth only 1st x

112

115

118

Slower

120 T rit. Swung 16ths Drums

Melody 2nd/4th x

U with

126 Repeat and fade



sass


on repeat

130





B-flat Melody
Binky
A
Michael League

shakers

congas

11 B

19

C

26 D E

40 F





46

G
51

55

H

59




legato V.S.
Copyright 2012
2 B-flat Melody

62 I

64

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K Play melody 1st & last x


68 J

80 L

86

4x

92 M F#sus9 Gmaj9 F#sus9 Em9

96 N C#sus7 D6 C#sus7 Cmaj7(#11)

4x
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98 O F#sus9

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102

104 Q





legato
 B-flat Melody 3


106

R

108

1st x only

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x

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S
112

115

118

120

T
Slower

Swung 16ths Drums

rit.

Melody 2nd/4th x

U Repeat and fade

126

with sass


on repeat

130


Guitar
Binky Michael League

A
shakers

congas

11

B C

27 D

mf

E
33

F
39

45

G

51 Esus9 Fmaj9 Esus9 Dm9

55 Esus9 Fmaj9 Esus9 Dm9

59

H Bsus7

C6


Bsus7 Bbmaj7(#11)
Bsus7 C6



Copyright 2012
2 Guitar

Bbmaj7(#11)

Bsus7
I C#m9 arp chord with open E pull-offs, let ring
62

C#m

66 J





72

K
Open for solos

76 Play melody 1st & last x

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Esus9 Dm9

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98

102 P Bsus7 C6 Bsus7 Bbmaj7(#11)

 Guitar 3
104 Q Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

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107 Bsus7 Bbmaj7(#11) C#m9

109

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S C#m9 melody on synth only 1st x

112

sim.

115

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119 T
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mp

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126

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C#m F#m C#m F#m D

130

Bass
Binky Michael League

A

shakers

mp
congas

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mf
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43 F







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54


Copyright 2012
2 Bass
59 H Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

62 Bsus7 Bbmaj7(#11) I


mp legato

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 Bass 3

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104 Q Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

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mp legato

109


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C#m9 E
F#m C#m9 E A A F#m


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alt changes last time: A E D
120 T

mp

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130









Piano
Binky Michael League

A

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Bass Gtr

congas mp

11 B

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25 D





mf
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35 E






42 F





Copyright 2012

2 Piano
Esus9 Fmaj9 Esus9
G
49

54 Dm9 Esus9 Fmaj9 Esus9 Dm9

59 H Bsus7 C6 Bsus7 Bbmaj7(#11) Bsus7 C6

Bsus7 Bbmaj7(#11) E A F#m

I C#m9
62




bass

mp legato

C#m9 E A F#m C#m

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C#m C#m7

68


Piano 3
C#m6
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C#m
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V.S.

4 Piano

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Bsus7 C6 Bsus7 Bbmaj7(#11)

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 Binky Michael League

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