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Manchester
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Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London:
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boyd, danah, and Kate Crawford. Critical Questions for Big Data. Information,
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Charles Goodwin. Seeing in Depth. Social Studies of Science 25.2 (1995): 237274. Web.
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Chikha, Chokri Ben, and Karel Arnaut. Staging/caging Otherness in the Postcolony:
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Claire Bishop. Antagonism and Relational Aesthetics. October 110 (2004): 5179. Web.
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---. On Vrit to Virtual: Conversations on the Frontier of Film and Anthropology. Visual
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Correia, Alice. Interpreting Jeremy Dellers The Battle of Orgreave. N.p., 2006. Web.
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Davies, Colin, and Monika Parrinder. Limited Language: Rewriting Design: Responding to a
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Day, Gail. The Fear of Heteronomy. Third Text 23.4 (2009): 393406. Web.
Deger, Jennifer. Seeing the Invisible: Yolngu Video as Revelatory Ritual. Visual
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Diana Taylor. A Savage Performance: Guillermo Gmez-Pea and Coco Fuscos Couple in
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Downey, Anthony. Towards a Politics of (Relational) Aesthetics. Third Text 21.3 (2007):
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Drobnick, Jim. Body Events and Implicated Gazes. Performance Research 13.4 (2008):
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Edwards, Steve. Commons and Crowds: Figuring Photography from Above and Below.
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Eshun, Kodwo, and Ros Gray. The Militant Image: A CinGeography. Third Text 25.1
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Fardon, Richard, ed. The SAGE Handbook of Social Anthropology. Los Angeles: SAGE, 2012.
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Flores, Patrick D. Delicacy and Danger. Third Text 27.1 (2013): 95107. Web.
Fujitani, Takashi, Geoffrey M. White, and Lisa Yoneyama. Perilous Memories: The
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Gail S. Thakur and Andr Singer. The Art of Visual Anthropology: An Interview with Andr
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Getino, Octavio. The Cinema as Political Fact. Third Text 25.1 (2011): 4153. Web.
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Gloria Flaherty. The Performing Artist as the Shaman of Higher Civilization. MLN 103.3
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Print.
Griffiths, Alison. Knowledge and Visuality in Turn of the Century Anthropology: The Early
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Issa, Rose, and Sheila Whitaker. Life and Art: The New Iranian Cinema. London: National
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JACQUELINE ADAMS ,. WHEN ART LOSES ITS STING: THE EVOLUTION OF PROTEST ART IN
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Jay, M. Cultural Relativism and the Visual Turn. Journal of Visual Culture 1.3 (2002):
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Kassabian, Anahid, and David Kazanjian. From Somewhere Else. Third Text 19.2 (2005):
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Kester, Grant. Lessons in Futility: Francis Als and the Legacy of May 68. Third Text 23.4
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---. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham,
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King, John. Magical Reels: A History of Cinema in Latin America. New ed. Critical studies in
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Kirsch, S. Anthropology and Advocacy: A Case Study of the Campaign against the Ok Tedi
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Landau, Paul Stuart, and Deborah D. Kaspin. Images and Empires: Visuality in Colonial and
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Larkin, Brian. Theaters of the Profane: Cinema and Colonial Urbanism. Visual
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Leach, James. The Self of the Scientist, Material for the Artist: Emergent Distinctions in an
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Lecointe, Franois. The Elephants at the End of the World: Chris Marker and Third
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Lupton, Catherine. Chris Marker: Memories of the Future. London: Reaktion Books, 2005.
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MacDonald, Scott. American Ethnographic Film and Personal Documentary: The Cambridge
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Macdonald, Sharon, and Paul Basu. Exhibition Experiments. New interventions in art
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Martin, Stewart. Critique of Relational Aesthetics. Third Text 21.4 (2007): 369386. Web.
McLagan, Meg, and Yates McKee. Sensible Politics: The Visual Culture of Nongovernmental
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Medina, Cuauhtmoc. Francis Als. Third Text 11.38 (1997): 3954. Web.
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Michael Taussig. The Beach (A Fantasy). Critical Inquiry 26.2 (2000): 248278. Web.
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Mitchell, W. J.T. Showing Seeing: A Critique of Visual Culture. Journal of Visual Culture 1.2
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Miwon Kwon. One Place after Another: Notes on Site Specificity. October 80 (1997):
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Mookerjea, S. Allegory, Stereotype, and the Local Mode of Construction: Calendars Filmic
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Orrantia, Juan. Where the Air Feels Heavy: Boredom and the Textures of the Aftermath.
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