Sunteți pe pagina 1din 36

ABECEDARUL

MUZICII
I
SOLFEGIU
CL.VII

1
Lecia I. Tonalitatea Re bemol major-Des dur.

Modul major n care sunetul Re bemol este tonic se numete


tonalitatea Re bemol major. Re bemol major are cinci bemoli la
cheie: Si bemol, Mi bemol, La bemol, Re bemol, i Sol bemol.
a) Sunetele din care este format gama Re bemol major:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Armura gamei Re bemol major:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama Re bemol major natural i treptele ei:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I II III IV V VI VII I I VII VI V IV III II I

d)Gama Re bemol major armonic:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

VI VI
e) Gama Re bemol major melodic VI:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

VII VI

2
f) Sunetele instabile i rezolvarea lor n tonalitatea Re
bemol major:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1.Scriee gama Re bemol major natural, armonic, melodic,


mixolidic, cvintele micorate Notai mrimea cantitativ i
calitativ a fiecrui interval din melodia urmtoare:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai la pian n gama re bemol major urmtoarele acorduri:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T S6/4 T D6 DVII7 T D6/4 T6 S SII6 T6/4 S6 T6/4 D7 T


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

S6 D D7 S6/4 T

3
3. Cntai gama Re bemol major natural armonic, melodic,
dublu armonic i micsolidic, ascendent i descendent pe
urmtorul motiv:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

4. Intonai urmtorele trepte:


Des dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I VIII III VI IV II I III VIII VI II I VI III IV VII II


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

VIII V VII IV III V VII I

5. Cntai n tonalitatea Re bemol major natural i armonic


cvintele micorate i trisonul treptei VI; VI6, VI6/4. i
rezolvaile.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

4
6. Scrii dictarea muzical:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA II. Tonalitatea Si bemol minor.

Modul minor n care sunetul si bemol este tonic se numete


tonalitatea si bemol minor, paralela cu Re bemol major. Si
bemol minor are cinci bemoli la cheie: SI, MI, LA, RE, SOL.
a) Sunetele din care este format gama si bemol minor:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Armura tonalitii si bemol minor:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama si bemol minor natural i treptele ei:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I II III IV V VI VII I I VII VI V IV III II I

5
d) Gama si bemol minor armonic:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

e) Gama si bemol minor melodic:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

f) Rezolvarea sunetelor instabile n tonalitatea si bemol


minor:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Stabilii modul i tonalitatea melodiei urmtoare i


1.
cntaio cu vocea i la pian.
2. Scriei gama si bemol minor natural, armonic,
melodic, modul de dominant armonic, cvintele
micorate i cele ale
Treptei -VI; VI6; VI6/4.
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

6
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

3. Cntai la pian n gama si bemol natural , armonic,


melodic , modul de dominant armonic i
urmtoarele acorduri:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t s6/4 t D6 DVII7 t D6/4 t6 s SII 6 t6/4 s6 D DVII4/3

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T6 D7 t s6/4 t

4. Cntai gama si bemol minor natural, armonic,


melodic, dublu armonic i modul de dominant
armonic, ascendent i descendent .

5.Cntai secvenele diatonice:


b moll
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

7
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

6..Intonai urmtoarele trepte:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I VIII VII VI V III VI VII I VI V I VII III I IV V II IV VII V VII II I

7. Cntai urmtoarele acorduri:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t D7 t s6/4 t D6 DVII7 t D6/4 t6 s s6 SII6 t6/4 D


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

DVII4/3 t6 D6/4 t s6/4 t

8. Dictarea muzical:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

9. Analiza auditiv.

8
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA III. Inflexiunile i modulaiile n tonalitile


nrudite.

n compoziiile muzicale tonalitiile se mpart n tonaliti


principale i tonaliti secundare. Tonalitile n care ncepe
i se termin lucrarea muzical se numesc tonaliti
principale. Tonalitile n care trecem din tonalitatea principal
se numesc tonaliti secundare.
Trecerea provizorie din tonalitatea principal ntr-o
tonalitatea secundar se numete inflexiune. Trecerea
definitiv din tonalitatea principal n alt tonalitatea secundar
se numete modulaie. De obicei, inflexiunile apar n mijlocul
compoziiilor muzicale, iar modulaiile la sfritul lor.
a) Melodii cu inflexiuni i modulaii n tonalitiile
nrudite.
F dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1.Scriei gama Fa # major natural, armonic, i melodic,


lidic, sextele mari, DVII7, D7, D6/5, D4/3, D2 , i rezolvaiile.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

9
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
_

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai n tonalitatea Fa # major urmtoarele acorduri:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T S6/4 T D6/5 DVII7 T D4/3 T6 S SII6/5 T6/4 D DVII7 D2


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T6 DVII6/5 D4/3 T S6/4 T

3. Cntai gama Fa # major natural, armonic, melodic, dublu


armonic i lidic, ascendent i descendent.
Intonai secvenele diatonice.
10
Fis dur.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

4. Intonai urmtoarele trepte:


Fis dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I V IV VI VII I III VI IV V VII III I VII VI II V VII I

LECIA IV. Rsturnrile septacordului de dominant


i rezolvarea lor.

Septacordul care se construiete pe treapta a cincea a modului


major i minor armonic se numete septacord de dominant.
Septacordul la baza cruia se afl prima se numete septacord
n starea direct.
a) Septacordul de dominant n starea direct n
tonalitatea Do major.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

11
b)Septacordul la baza cruia se afl tera cvinta sau septima se
numete septacord n rsturnare:dominanta cvintsextacord,
dominanta tercvartacord i dominanta secundacord.
c) Prima rsturnare a septacordului de dominant cu tera la
baz se numete cvintsextacordul de dominant D6/5
d) Cvinsextacordul de dominant n tonalitatea Do major.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

D7 D6/5 D4/3 D2

Rezolvarea septacordului de dominant i a rsturnrilor lui.


Rezolvarea septacordului de dominant n starea direct n
tonic necomplet n tonalitatea Do major.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

D7 T; D6/5- T; D4/3 - T ; D2- T;

Construirea septacordului de dominant i rsturnrilor lui de


la sunetul dat.
Pentru a construi D7; D6/5; D4/3; D2; de la un sunet oarecare
trebuie s tim , s inem minte intervalele din care este format
fiecare acord.
D7- este format din 3M+3m+3m.
D6/5 este format din 3m+3m+2M.
D4/3 este format din 3m+2M+3M.
D2 este format din 2M+3M+3m.

12
1.Construii septacordul de dominant i rsturnrile lui de la
sunetele:re; fa, la, do. Aflai tonalitile n care se ntlnesc i
rezolvaile.
Constatai acordurile urmtoare i rezolvai-le n care se
ntlnesc.

1 2 3 4 5 6 7 8 9 10
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Scriei gama re # minor natural, armonic, melodic ,


frigic,sextele mari i D7; D6/5; D4/3; D2; de la sunetul Fa.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

13
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

3. Cntai la pian n gama re# minor urmtoarele acorduri:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t s6/4 t DVII7 D6/5 t D4/3 t6 s SII6/5 t6/4 D D2


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

DVII4/3 t6 D4/3 t D7 t s6/4 t


4Cntai gama re# minor natural, armonic, melodic, dublu-
armonic i frigic ascendent i descendent pe motivul de mai
jos.
5. Cntai secvenele diatonice:
dis moll
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________
__________________________________________________________________________________________________________________________

6. Intonai urmtoarele trepte:

14
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I VIII VII IV VII VIII II III VI VII I V VI II VII I IV VI V I

7.Cntai n tonalitatea re# minor urmtoarele acorduri:

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t s6/4 t D6/5 DVII7 t D4/3 t6 s SII6/5 t6/4 D2 DVII4/3 T6

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

D4/3 t s6/4 t

8. Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA V. Tonalitatea Sol bemol major.


Modul major n care sunetul sol bemol este tonic se
numete tonalitatea Sol bemol major. Tonalitatea Sol

15
bemol major are la cheie ase bemoli: SI, MI, LA, RE,
SOL, DO.
a) Sunetele din care este format gama Sol bemol major.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Sol bemol major i treptele ei naturale:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama Sol bemol major armonic:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

d) Gama Sol bemol major melodic:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1. Scriei gama Sol bemol major natural, armonic,


melodic, ascendent i descendent. Scriei D7, D6/5,
D4/3, D2, secunda mrit, i cvarta micorat i
rezolvai-le.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
_______________________________________________________________________________________________________________________________

16
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai la pian gama Sol bemol major natural,


armonic, melodic, i lidic, cvintele micorate, i
urmtoarele acorduri.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T S6/4 T DVII7 D6/5 T D6/4 T6 S SII6/5 T6/4 D D2 T6 D4/3


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T S6/4 T

3. Cntai n tonalitatea Sol bemol major armonic cvinta


mrit, D7, D6/5 D4/3, D2 , i urmtoarele acorduri
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T6 D4/3 T S6/4 DVII7 D6/5 T D6/4 T6 S SII6/5 T6/4


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

D D2 T6 DVII6/5 D4/3 T S6/4 T


17
4.Cntai gama Sol bemol major natural, armonic, melodic, dublu
armonic, i lidic, ascendent i descendent.
Cntai secvenele diatonice:
Ges dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

5Intonai urmtoarele trepte n Sol bemol major.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I V III VII II I VI IV II VI VII I IV VI V VII III VI II V I

6Cntai n tonalitatea Sol bemol major armonic -5mr, iar n cea


natural urmtoarele acorduri:D7, D6/5, D4/3, D2.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

7. Intonai i rezolvai acordurile urmtoare:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

18
8. Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA a VI-a. Tonalitatea Mi bemol minor.

Modul minor n care sunetul mi bemol este tonic se numete


tonalitatea mi bemol minor.Tonalitatea mi bemol minor este paralela
cu sol bemol major i are la cheie ase bemoli: SI, MI, LA, RE, SOL,
DO.

1.Scriei trisonul sexacordului i cvartsexacordului T, S, D, n


tonalitatea mibemol minor. Scriei gama mi bemol minor natiral,
armonic, melodic, i rezolvai treptele ei.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai la pian mi bemol minor natural i varietile ei


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

19
s s6/4 D6 D6/4 D7
i rezolvai-le
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t s6/4 t D6 D6/5 t D7 t t 6 s SII6/5 t D D6 t

3 Cntai melodia urmtoare la pian cu vocea.


4 Cntai gama mi bemol minor natural, armonic, melodic,
dublu armonic, i doric, ascendent i descendent.
5 Cntai secvenele diatonice pe urmtorul motiv:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

6. Intonai urmtoarele trepte

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I VIII V II III VI IV VI V VII I VI III VIII II V I VI VII III II I

20
7. Cntai n tonalitatea mi minor armonic 5mr. i urmtoarele
acorduri
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

D7 D6/5 D4/3 D2
8 Cntai n mi bemol minor urmtoarele acorduri.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t s6/4 sII2 DVII7 D6/5 t s6 sII4/3 D D6 t D6/4 t s sII6/5


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t D2 t6 D4/3 t s6/4 t

9 Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA VII. Gama Fa #major.

Modul major n care sunetul Fa# este tonic se numete tonalitatea Fa


# major. Tonalitatea Fa # major are 6# la cheie: FA, DO, SOL, RE,
LA, MI.
a)Sunetele din care este format gama Fa#major.
21
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Armura tonalitii Fa# major.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama Fa# major natural i treptele ei.

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I II III IV V VI VII I I VI VI V IV III II I

d) Gama Fa# armonic.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

e) Gama Fa# major melodic.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

f) Sunetele instabile i rezolvarea lor n Fa # major.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

g) Trisonul tonicii, subdominantei i dominantei n tonalitatea


Fa # major.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

22
1. Transpunei melodia urmtoare cu o tera mai sus.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai la pian gama Fa# major natural, armonic, i


melodic ascendent i descendent. De la sunetul do#
construii D7, D6/5, D4/3, D2, constatai tonalitile n care
se ntlnesc i rezolvai-le.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

3. Cntai gama fa# major natural, armonic, melodic, dublu-


armonic i lidic, ascendent i descendent.
4. Interpretai secvenele urmtoare.
Fis dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

23
5. Intonai urmtoarele trepte.
Fis dur.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I V IV VI VII I III VI IV V VII III I VII VI II V VII I

6. Cntai n tonalitatea Fa# major natural i armonic 6M i


urmtoarele acorduri: D7, D6/5, D4/3, D2 i rezolvai-le.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

7. Cntai n tonalitatea Fa# major natural i armonic 6M, i


urmtoarele acorduri.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T D6 D6/5 T D6/4 S SII6/5 T6/4 D D2 T6 SII7 DVII6/5 D4/3 T S6/4 T

8. Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA VIII-a. Gama Re diez minor.

24
Modul minor n care sunetul re# este tonic se numete tonalitatea re#
minor. Tonalitatea re# minor este paralel cu Fa# major.Tonalitatea re#
minor are 6# la cheie-FA, DO,SOL,RE,LA, MI.
a) Sunetele din care este format gama re#minor.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Armura tonalitii re# minor.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama re# minor natural i treptele ei.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

d) Gama re#minor armonic


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

e) Gama re#minor melodic


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

f) Sunetele instabile i rezolvarea lor n re#minor.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1. Transcrii melodia de mai jos i facei urmtoarele operaiuni.


Constatai tonalitatea i msura, punei barele de msur i grupai
corect notele.

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

25
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

2.Cntai la pian gama re#minor i varietile ei ascendente i descendente,


cvartele mrite i urmtoarele acorduri i rezolvai-le :
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

t D6 t D6/4 t6 s s6 D D7 t D6/5 DVII7 D6/5 t t6 SII7 DVII6/5

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

D4/3 t

3. Cntai gama re# minor natural, armonic, melodic, dublu-


armonic i frigic ascendent i descendent.
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

4. Cntai secvenele diatonice.


dis moll
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

26
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
_________________________________________________________________________________________________________________________

5. Intonai urmtoarele trepte.


___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

I VIII VII IV VII I II III VI VII I V VI II VII I IV VI V I

6. Cntai n tonalitatea re# minor natural i armonic sextele mari


i urmtoarele acorduri:D7, D6/5, D4/3, D2, de jos n sus i de sus
n jos cu vocea i rezolvai-le.
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

D7 D6/5 D4/3 D2
7.Cntai n tonalitatea re#minor natural i armonic 6M, i
urmtoarele acorduri.
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

t s6/4 D6 D6/5 t D4/3 t6 s sII6/5 t6/4 D D2 t6


___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

t s6 D7 t

8 Scrii dictarea muzical.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
______________________________________________________________________________________________________________________________

27
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA a IX-a. GAMA CROMATIC.

Gama major sau minor format numai din secunde mici se numete
gama cromatic. n gamele cromatice secundele mari snt completate
cu secunde mici vecine.
Ortografia gamelor cromatice.
n gamele majore cromatice ascendente se urc toate treptele care se
gsesc n raport de secund mare, n afar de treapta a VI-a, n locul ei
se coboar treapta a VII-a. n gamele majore cromatice descendente se
coboar toate treptele care se gsesc n raportde secunda mare n afar
de treapta a V-a n locul ei se ridic treapta a IV-a.
n gamele minore cromatice ascendent se urc toate treptele care se
afl n raport de secund mare, n afar de treapta I, n locul ei se cobo-
ar treapta a II-a .n gamele minore omonime se coboar toate treptele
n raport de secunda mare, n afar de treapta a V-a.
a) Gama Do major cromatic ascendent:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Gama Do major cromatic descendent:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

c) Gama la minor cromatic ascendent:


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

28
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1. Scriei gama Mi bemol major -i fa#minor cromatic


ascendent i descendent i nsemnai treptele alterate.
Scriei n tonalitatea Si bemol major tonalitile nrudite.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

2. Cntai la pian gama Si major natural, armonic,melodic,


4p i rezolvai-le i urmtoarele acorduri:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

S6/4 T DVII7 D6/5 T D6/4 T6 S SII6/5 T6/4 S6


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

29
D D2 T6 SII7 DVII6/5 D4/3 T S6/4 T

3. Cntai cu vocea gamele Re major i si minor naturale,


armonice, melodice,cromatice, dublu armonice i respectiv
mixolidic i frigic, ascendent i descendent.
4. Constatai tonalitatea melodiei urmtoare i nsemnai
treptele alterate.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

5. Cntai secvenele diatonice.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

6. Intonai urmtoarele trepte


D dur
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

30
I VIII VII III VI V II VII I IV VI V III VIII VI II VII I IV II V VII I
h moll
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________
___________________________________________________________________________________________________________________________

I VIII V III VII I IV VII VI VII V VII IV II I VII VI VII I VII I III V I

7. Cntai n tonalitatea Re major i si minor naturale i


armonice 7M i urmtoarele acorduri: DVII7; D6/5; T de
jos n sus i de sus n jos cu vocea i rezolvai-le.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

8.Cntai n tonalitatea Re major i si minor natural i armonic 7M i


urmtoarele acorduri.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T S6/4 DVII7 D6/5 T D4/3 SII7 DVII6/5 D4/3 T D7 D6/5 T S6 SII43 T6/4 D7 T

8. Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

LECIA a X-a. Tonalitile egale enarmonic.

31
Tonalitile care sun identic, dar au nsemnri i denumiri diferite se
numesc tonaliti egale enarmonic.
n practic se folosesc trei perechi de tonaliti majore i trei perechi
de tonaliti minore egale enarmonic.
a) Tonaliti egale enarmonic.
Si major
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Do bemol major
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Do#major
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Re bemol major
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Fa #major
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Sol bemol major


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

b) Tonalitile minore egale enarmonic: La #minor 7#-Si bemol


minor 5bemol
32
La #minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Si bemol minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Sol#minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

La bemol minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Re#minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

Mi bemol minor
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

1. Transcriei melodia urmtoare i nlocuii-o enarmonic.


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

33
2. Cntai la pian gama sol# minor natural, armonic, melodic,
doric i cromatic 2mr, i 7m, i rezolvai-le, i urmtoarele
acorduri.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

t D6/5 t s6 D7 t D6/4 t6 s SII6/5 t6/4 D D2 t6 SII7 D4/3 t s6/4 t

3. Cntai cu vocea n tonalitatea Si bemol major i sol minor


armonice 7m, iar acordurile urmtoare: DVII6/5, D4/3, T n
tonalitile naturale i armonice, de jos n sus i de sus n jos, cu vocea
i rezolvaile.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

4. Cntai n tonalitile Si bemol major i sol minor urmtoarele


acorduri:
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T D6 D6/5 T D4/3 T6 S S6 SII4/3 D7 T SII7 T6 S SII6/5


________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

T6/4 D2 T6 D4/3 T S6/4 T

5. Intonai urmtoarele trepte.

34
B dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I V III VII I VI II IV VI III V IV VII III I V II IV V I III VII VI V I

G moll
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

I V III VII I VI V II IV III VI VII I V VI VII III V VII VI IV V I

6. Cintati gama Si bemol major i sol minor naturale, armonice,


melodice dublu armonice i respectiv-lidic i doric, ascendent i
descendent.
7. Cntai secvenele diatonice:
B dur
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

G moll
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

9. Dictarea muzical.
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

35
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

10. Analiza auditiv a intervalelor i acordurilor.

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________
________________________________________________________________________________________________________________________________

36

S-ar putea să vă placă și