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former British Prime Minister John Major how London has come to embrace tall
buildings in the city despite earlier objections from Londoners, including
Prince Charles. How has London successfully blended high-rise buildings into
the urban fabric of London with heritage landmarks? Mr. Major responded to
my query in a similar way with our conversations with Peter Wynne Rees,
planning officer for the city of London. This was at another conference called
Height and Heritage, organized by the Council on Tall Buildings and Urban
Habitat (CTBUH).
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World heritage buildings are not limited in the past. There are new monumental structures in
the 20th and 21st centuries as well. The Empire State Building in New York and the Petronas
towers of Kuala Lumpur are looked upon as icons of the booming economies. The Burj Khalifa
marks the rise of the city of Dubai as one of the new global gateway cities. It is said that our
heritage preserves our identity. It is a reminder not just of who we were and where we are
going, but also that our present buildings do not lose their dialogue with the past and the
future.
In an effort to preserve these heritage structures, there are various ordinances worldwide
regulating the height and bulk of buildings as not to block the view of these sites. In New
York, Neogothic churches stand side by side with skyscrapers and integrate them as part of
the urban fabric. Similarly, a tall blue glass building in Boston enhances a historical church by
reflecting the image of the church and making it visually larger. In Denver, the Holy Ghost
Church sold part of its churchyard to a high-rise building developer. The lowest four floors of
the building were left vacant so that it does not visually overpower the church. Also, the
vacant ground space can accommodate a spillover from church-goers and can also be
allocated for emergency vehicles in times of emergencies.
One of the first issues to address is establishing the height limit of buildings in certain areas,
such as the famous case in Istanbul and in St. Petersburg. Laws in the building code such as
floor area ratios and height, establishing visual corridors, can be modified depending on
specific areas that are identified through progressive urban planning, urban design, and
architecture. There could also be ordinances regarding transportation routes and usage in
certain areas, with car-free and pedestrian-friendly zones.
In the CTBUH conference in London in 2013, the British architect Terry Farrell emphasized
that tall buildings should include holistic place-making extending well beyond the main
building itself. In a manner of speaking, a tall building should not just reach for the sky but
it should also meet the ground. He also added that a tall building should include a variety of
uses, including public or open space, and should always keep the pedestrian in mind through
transport improvements. As a mixed-use building, the structure becomes more sustainable
because you allocate a vertical space to a whole urban district instead of creating an urban
sprawl. Also, by allocating public or open space, a tall building does not disrupt visual
connection to the heritage sites.
In London, the tall buildings blend very well with heritage structures within the larger urban
context. The tall buildings are allowed and encouraged to be built, provided the ground floors
and top floors are accessible to the public. Furthermore, these tall buildings must respect
visual corridors established by the City Planning of London, like respecting the views of the
Big Ben, the Parliament, the Tower of London, and the dome of St. Pauls Cathedral.
London has successfully integrated height (tall buildings) and heritage (historical landmarks)
through progressive and comprehensive urban planning -- bringing London well into the 21st
century as still a leading global gateway city.
London established visual corridors that must be respected by all proposed tall buildings
before planning and building permits are approved. Landmarks must not be blocked visually.
The challenges of building tall in a historic urban fabric are addressed through urban
planning, urban design, zoning, and architectural controls. Those new iconic tall buildings
like The Shard, 20 Fenchurch Street (a.k.a. Walkie Talkie), or The Gherkin have to respect all
the visual corridors designated by the City Planning of London. The first two floors and the
top floors must be accessible to the public, but security must also be ensured.
We can also consider retrofitting buildings and integrating them with other establishments so
that it can be used as modern-day offices while preserving its original form. Heritage
buildings, where appropriate and applicable, can have adaptive reuse and be transformed
into museums, fine dining and retail establishments, and hotels. Tax incentives can be given
to those who comply with the retrofitting concept.
We need to preserve our cultural heritage because it is a reminder of our identity, evolving
through time. We should not lose sight of our uniqueness and who we are. It is important
that we have a clear approach, with clear guidelines through urban planning, zoning, urban
design, and architectural control before development approvals and building permits are
given -- not after the high-rise structures are already built. All these can help us determine
how we should preserve and enhance these landmarks to appropriately transition well into
the 21st century.
Felino A. Palafox, Jr. is the principal architect and urban planner of Palafox Associates and
president of Palafox Architecture Group. He is the country representatve of the
Chicago-based Council on Tall Buildings and Urban Habitat.
http://www.bworldonline.com/content.php?section=Opinion&title=how-tall-buildings-and-
heritage-can-blend-into-historic-urban-fabric&id=111030
Contemporary Architecture
Contemporary architects create designs that embody all the differences in styles, making the
buildings of modern times masterpieces. Cutting away from the Modern architectural designs of
the late twentieth century, todays architecture features eco-friendly whimsy and creativity.
Contemporary A rchitecture
Unlike modern architecture, which is defined as the building style during the early to
mid-twentieth century, Contemporary architecture refers to present-day building style. Because
todays architecture styles are numerous, it is difficult to come up with a formal or precise
definition of contemporary architecture. Contemporary architects take into account the stark, clean
lines and utilitarianism of Modern architecture and seek to design more personal buildings. New
architecture makes use of oversized windows to invite an abundance of natural light and large
open spaces, providing a sense of airiness. The buildings frames veer from symmetry, often being
given unique shapes. Contemporary architects focus on eco-friendly designs that are energy
efficient and incorporate recycled materials. It is becoming common to see plants adorning the
roofs of buildings for increased energy efficiency and improved outdoor air quality. Natural
materials are being used inside todays edifices, and blending buildings with the natural
surroundings or repurposing existing buildings are also common themes. The use of concrete can
no longer be classified as Brutalism. Architects have realized the value of reinforced concrete in
Contemporary structural design. Concrete can be shaped in almost any way imaginable to make
aesthetically pleasing buildings, and its economical. Once its reinforced with a material like steel,
it can be erected in ways other building materials cant. Concrete can be mixed with recycled
materials, such as broken glass to give it texture and sparkle, and it can be pigmented for subtle or
vibrant color. From bridges to skyscrapers, concrete is versatile enough for the job.
Computer-aided design sets Contemporary styles of architecture apart from previous styles. It
allows architects to test fantastical designs for stability, efficiency, and durability. Computer
software was used to create the unusual curves and shapes of the Guggenheim Museum built in
Bilbao, Spain, in 1997. The museum is the work of Contemporary architect Frank Gehry, who has
also been commissioned to design and build the Guggenheim Museum in Abu Dhabi in the United
Arab Emirates. The exciting building in Bilbao brings together limestone, titanium, and glass to
form a structure that almost seems to move. Gehry is using computer-aided design to bring his
daring creation to life in Abu Dhabi. He believes the open tracks of landscape combining desert
and ocean afford the opportunity to create a building that would not be possible in Europe or the
United States, and computers are helping him bring his plans to fruition. Another fine example of
todays architecture is the new Musee du Quai Branly in Paris. Designed by architect Jean Nouvel,
the museum rests beside the Eiffel Tower and features mismatched buildings and Asian, African,
and Oceanic art. Its a refreshing sight nestled in a beautiful exotic garden on the Seine River. A
glass wall was erected to separate the garden from the traffic on the other side, and one building is
wallpapered in plants. Nouvels masterpiece almost breaks Parisian rules but instead gets rid of
the rules altogether, just as all Contemporary architecture seems to do.
http://blog.art.com/artwiki/~/contemporary-architecture/
Building standards
17.64.040 Parking.
Each dwelling unit in any community apartment project, condominium project, and stock cooperative project
shall have two covered parking spaces, one of which shall be a garage. There shall be one guest parking
space provided for each four dwelling units or fraction thereof. (Ord. 3-94 1(part), 1994).
Three bedroom unit: one thousand two hundred fifty square feet;
Each additional bedroom over three: one thousand two hundred fifty square feet plus one hundred square feet
each additional bedroom. (Ord. 3-94 1(part), 1994).
B. For vertical condominiums, where structures average two stories or less, four hundred square feet per unit;
where structures average between two and three stories, three hundred square feet per unit; where structures
average three stories or more, two hundred square feet per unit;
C. Each vertical dwelling unit shall be provided with a minimum sixty-square-foot deck. Horizontal dwelling
units shall be provided within a one-hundred-fifty-square-foot minimum deck or private open space. (Ord. 3-94
1(part), 1994).
B. Fire Walls. Fire walls shall be installed in accordance with the standards contained in the Uniform
Building Code as adopted by the city at the time of the project application.
C. Sprinkler System. Installation of a sprinkler system, fire alarms and other fire protection devices, when
required, shall be in compliance with the Uniform Fire Code adopted for use at the time of construction as a
project, or at the time of the conversion application. (Ord. 3-94 1(part), 1994).
17.64.100 Insulation.
Energy conservation insulation shall be installed in all buildings including common ownership structures used
for assembly purposes, in accordance with Title 24 of the California Administrative Code. (Ord. 3-94 1(part),
1994).
You already have a space (or spaces) for the office and you want to
design it.
You are designing completely from scratch and need to decide how much
space to dedicate to office spaces in your home and where to locate
them.
We'll be using the House Plans Helper activity based design process which
takes you through a series of questions to get the requirements for your
home office.
Grab a piece of paper, go through this page and at the end of it you'll have a list
of requirements. Then you can have a look at the other home office pages.
See the home office floor plans page or the small home office design page for
some ready made layouts. You might find one that suits you.