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Evaluate the lesson plan according to the following Australian Professional Standards for
Teachers. Only standards directly addressed in Designing Teaching & Learning that are
relevant to this assignment have been included. However, this does not mean the other
standards are irrelevant to lesson planning and evaluation more generally.
Evaluate the lesson plan according to the following NSW Quality Teaching model elements.
Evaluation score refer to NSW QTM Classroom Practice Guide for each element
Comments incl. evidence for evaluation score (2 sentences)
1 Intellectual quality
1.1 Deep knowledge
1 2 3 4 Comments: The focus on the Frames of Modernism was not sustained. The
5 tasks and activities gave a general description of the significance of the topic.
1.2 Deep understanding
1 2 3 4 Comments: The tasks drew upon new concepts and linked them to previous
5 knowledge. The lesson plan incorporated elements of critical analysis that
students had been exposed to before.
1.3 Problematic knowledge
1 2 3 4 Comments: The concepts were presented as fact, and little (if no) time was
5 given to describing how the frames were established. Students were not
encouraged to question the Frames and concepts behind modernism.
2.2 Engagement
1 2 3 4 Comments: Varied tasks keep the students engaged throughout. A mixture
5 of group work and individual work prevents engagement stagnation.
2.3 High expectations
1 2 3 4 Comments: The students are expected to incorporate the concepts into
5 their own work. The students are not significantly challenged.
2.4 Social support
1 2 3 4 Comments: Group activities provide positive support. Reluctant students
5 would be engaged through the high levels of monitoring and individual
assistance.
2.5 Students self-regulation
1 2 3 4 Comments: Students are kept on task almost all of the time with high levels
5 of monitoring. The teacher is verbally rewarding the students during the
dialogue section of the lesson plan.
2.6 Student direction
1 2 3 4 Comments: The lesson is very structured and teacher centred. There is no
5 evidence of student direction, except within a structured task.
3 Significance
3.1 Background knowledge
1 2 3 4 Comments: Students prior knowledge of Frames and critical analysis form a
5 strong reference point for further development. The link to art gallery visits
provides out of school knowledge.
3.2 Cultural knowledge
1 2 3 4 Comments: No links to cultural knowledge. No cultural significance to the
5 lesson plan.
3.5 Connectedness
1 2 3 4 Comments: The creation of artworks to be shared creates a bond between
5 the classroom and a greater viewing audience. The concepts contained
within Modernism are relevant to students work as all art can inspire future
art, and therefore connect the past with the present.
3.6 Narrative
1 2 3 4 Comments: though narrative exists within the students mini-series work, it
5 does not relate directly to the lesson and its content. There is very little use
of narrative within the lesson plan.
Identify the two APST standards and two NSW QT model elements you are targeting for
improvement.
APST
1) ICT 2) Strategies for Aboriginal and Torres
Strait Islander Students
QT model
1) Problematic Knowledge 2) Meta-Language
Lesson Plan (Simplified for DTL)
Cross Curriculum themes & General capabilities Explicit subject specific concepts and skills
Lesson Aims:
Do now task- The Frames and
Conceptual Framework match up
(5mins)
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Body Introduction to Modernism Teacher: Describes and
Brief explanation of the word relates the Attributes
Modernism, and how this may be contain within Modernism
problematic (discussion) to the class. The teacher
Relate the term Modernism to also explains that many
Australian Indigenous Art, and other art movements were
hypothesise how the term may or taking place simultaneously
may not apply. Broaden discussion and that some works
to include other cultures. overlap.
Relate definition of Modernism to
other Art movement such as Student: Respond to the
Postmodernism in order to further attributes described by
broaden the relevance and timeline searching internet for
of the movement. relevant artworks, then
Describe some of the attributes of connect the attributes
the movement described to the artwork of
- Time frame which defines the their choice in a guided
movement (1870-1970) discussion.
- Flattening of the picture frame
(Picasso -Weeping Woman) Resources: ICT device
- Lack of depth or perspective and capable of searching the
representation (Jackson Pollock - internet
Blue Poles) Internet connection (School
- Meaning being defined by the WiFi)
artist (Marcel Duchamp
Fountain)
- Value of the work is determined
not on skill but on the
conceptual content (Robert
Rauschenberg White Painting)
- Give examples of each attribute
Students search the internet for
modern art images (find 2) and are
asked to describe how these
attributes relate to the images
found.
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* Critical Analysis (recap) Teacher: Facilitates
Teacher: Throughout this unit thus far Higher-order discussion
we have focused a lot on Critical and understanding.
analysis techniques and being able to Student:
identify and explain the Frames and Participate in class
Conceptual Framework, as well as discussion and class
being able to use this knowledge to activities
critically analyse and interpret Resources:
artworks. I'd like to go over these as VAPD's
we have an Assessment Task coming Student Progress
up, that will require you to critically Tracking Sheet.
compare and contrast two artworks
during the Modernist Period, either by
the same artist or two different artists.
(Recap)- Now who of you can share
with the class five main points to
remember when critically analysing an
artwork? *pause for students to
consider and reflect* Write student
responses on the board, and ask that
students make notes in their VAPD's.
Student response: First reaction,
Description, Formal Analysis,
Interpretation and Evaluation.
The students are then asked to go
through the Steps of the Critical
analysis techniques with the 2
artworks that they have found on
the internet and detail their
analysis in their VAPD.
This exercise should be relatively
quiet, with the teacher circulating
throughout the room, stimulating
and guiding discussion where
appropriate.
During this time the teacher will
record students levels of
engagement on the tracking sheet
Real world Examples (recap) Teacher: Facilitates and T\S
First, students are asked if they can guides discussion
think of any examples of either
graphic representations that may Student: Participates in
resemble the attributes of Discussion and engages
Modernist art style, if no responses with real life examples
then the Teacher gives examples Resources: VAPD
using ICT (overhead or on-screen
projection) Commonwealth Bank
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logo\ Southern cross Constellation\
Australian flag.
Second, the students are
encouraged to share any of their
own encounters with Modern art,
and then asked how they relate to
the lesson. Perhaps they have seen
an exhibition somewhere in which
the Frames and Concepts behind
Modernism were featured.
Students are encouraged to record
any connections in their VAPD.
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Teacher: For the last part of this
lesson I would like to go through the
Assessment Task, and would like you
all to annotate your copies- to make
specific notes on sections of the Task
and what is expected.
*Hand out Assessment Task*
Teacher: Step by step reads out the
Assessment task for the class
explaining the Outcomes, Length,
expectations, Drafting sessions, Handy
Hints and the Marking Guidelines. *As
this happens annotate on an overhead
projector or Smartboard sections to be
noted and important factors of the
Assessment task*
Student: Is to sign and date that they
have received the Assessment task.
Teacher: Answers any questions that
students may have with understanding
the task.
Conclusion Recap/Pack up:
While students are packing up and Teacher: Recaps on the
tidying their areas the teacher briefly lesson, notifies students
recaps on the lesson. that there will be more
Do now task- The Frames and lessons in class where
Conceptual Framework match up. we will be discussing in
Recap on Critical Analysis. greater detail of
Critical analysis exercise: Mini Series. comparing and
Introduction of Assessment 1: Critical contrasting case studies
Comparative Analysis. (Artists/Artworks).
Teacher: Is there any questions Teacher retrieves
regarding Student Assessment
today's lesson that you didn't get a Register.
chance to discuss, now is the time. I will Student: Tidies areas and
also be here 5 pack up. Students listen
Teacher: Recaps on the lesson, notifies to teacher instruction,
students that there will be more lessons and waits to be
in class where we will be discussing in dismissed from class.
greater detail of comparing and Resources:
contrasting case studies Student Progress Sheet,
(Artists/Artworks). Student Assessment
Teacher retrieves Student Assessment Register.
Register.
Student: Tidies areas and pack up.
Students listen to teacher 5
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minutes after class if you would like to
discuss anything with me then also. I am
very impressed with your participation in
class today, and your understanding of
how to critically analyse artworks. We
will be able to discuss the Assessment
Task in our future lessons, and will be
able to have meetings and drafting
sessions also. *Teacher dismisses class*
Have a great day!
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How am I measuring the outcomes of this lesson?
P2: explores the roles and Students Record the connections between the
relationships concepts contained in the lesson in their VAPD. Real
between the world examples are to be noted by the teacher during
concepts of artist, classroom discussions.
artwork, world and
audience
P3: identifies the frames as Varied forms of expression are recorded in the
the basis of students VAPD as well as their Assessment work for
understanding the Mini-series.
expressive
representation
through the making
of art
Reflection
What have I learned about the teaching and learning process when preparing this lesson?
Bloom's Revised Taxonomy
Cooperative learning
Critical Thinking
Social Support---------------
What I learned from adjusting this lesson plan was that when presenting students with new
concepts and Frames, these must be connected to the students own work, and experiences of
artwork within the outside world.
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Academic Justification
Upon analysing this lesson plan, I noticed that there were some fundamental connections
that were being missed. The content of the lesson was not being linked to the students work, and
the explanations of the lesson content was also lacking depth. The BOSTES (2016) Visual Arts
Stage 6 Syllabus outcomes P2 (H2) and P3 (H3) have also been included for relevance to the
students work.
The Australian Professional standards for Teachers (AITSL, 2016) for Information and
Communication Technologies (ICT) was largely missing. Standard 2.6 not being used at all is a
simple yet important oversight on the teachers part, as this resource could easily have been
utilised in order to enhance the lesson, and to engage students in the digital world that they are
increasingly finding themselves immersed. This oversight then leads to Standard 4.5 also being a
very low score as this relates to the safety, responsible and ethical use of the Information and
Communication Technology. I therefore felt that this Standard was an important reference point
in order to improve upon the framework of the lesson, enabling students to interact with the vast
A greater understanding of the lesson topic Modernism could also have been seen
through a wider and broader examination of the term itself, leading to include BOSTES visual arts
Stage 6 Syllabus Outcomes P2 and P3 (as well as H2 and H3 which relate more directly to the
incorporating the concepts into their own artistic work processes). By including a broader
definition of the term, giving examples of important works and then discussing them in depth,
students are able to explore(s) the roles and relationships between the concepts of artist,
artwork, world and audience (BOSTES, 2016). The original lesson plan did not seem to go into
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great depth with its explanation, and could potentially leave students unaware of the complexity
and importance of the Modernist art movement, as well as potentially losing the ability to connect
Classrooms are a mirror for society. Egan (1978) outlines the ever-evolving use and
evolutionary flow by the inclusion of ICT. Egan (1978) points out how concern with methodology
in education moved, slowly at first and then with accumulating speed (p .68), and the inclusion of
Information and Communication Technology within this lesson plan would parallel movement
described. The activity I have included in this Lesson plan brings elements of not only technology,
but real-world elements in real time. This allows for a flow of information that the students can
curriculum within this lesson plan, it signifies a broader pedagogy also. Simply using the
technology without a structured plan towards achieving the listed outcomes would be an
oversight. Considering HOW we use this resource was also incorporated into the lesson plan. We
know as Gore (2007) suggests, that Imploring schools and teacher education institutions to do
better has rarely been out of public and educational discourse (p. 15), and linking outcomes with
activities relevant to these outcomes with the use of technology is one way that the education
system can in fact do better. With this in mind I have amended the lesson plan to use technology
in such a way that the students feel engaged, whilst being guided towards achieving the listed
outcomes.
A single lesson can rarely meet all of the requirements of the Professional Teaching
Standards, yet this lesson was falling short in the ways described above, and I have attempted to
remedy this. I have also used the NSW Quality Teaching model as a guide in order to broaden both
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the outcomes listed in the lesson, as well creating direct links between the conceptual content of
the lesson and the creative work of the students. This work should therefore reflect the outcomes
References
BOSTES. (2016). New NSW Syllabus Learning Across the Curriculum. Retrieved from
http://www.boardofstudies.nsw.edu.au/syllabus_hsc/pdf_doc/visual-arts-st6-syl-
amended-2016.pdf
Gore, J. (2007). Improving pedagogy: The challenges of moving teachers toward higher levels of
quality teaching. In J. Butcher & L. McDonald (Eds.), Making a difference: Challenges for
teachers, teaching, and teacher education (pp. 15-33). Rotterdam, The Netherlands: Sense
Publishers.
http://rogermlee.weebly.com
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