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MICHELANGELO AND MUSIC:
THE FAME OF A POET
195
5
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196 RICHARD FABRIZIO
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MICHELANGELO AND MUSIC 197
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198 RICHARD FABRIZIO
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MICHELANGELO AND MUSIC 199
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200 RICHARD FABRIZIO
p. 116, pp. 416-417; for Richard Trunk see his Von der Ve
Op. 16, part two is a setting for G 21 for male chorus and
also Alfons Ott, Richard Trunk (Munich, 1964), pp. 36-37.
1 All quotations from Michelangelo's letters refer to t
E. H. Ramsden (Stanford, 1963). Festa's composition has not b
For further information on Festa see: Alfred Einstein, The Italian Mad-
rigal, trans. Krappe, Session, and Strunk, 3 vols. (Princeton, 1949), I, 157;
Herman-Walter Frey, " Michelangelo und die Komponisten seiner Madri-
gale," Acta Musicologica, XXIV (1952), 147-198, and Leto Puliti, " Lettera ad
Aurelio," in Aurelio Gotti, Vita di Michelangelo (Firenze, 1875), II, 95-96.
Jean de Conseil wrote two or more pieces using the rime, but they also
have not been discovered. On Conseil see Herman-Walter Frey and Leto
Puliti.
12 Jacob Arcadelt (c. 1505-c. 1567), Primo libro de' madrigali a quatro
voci (Venezia, 1543). G 93, G 147 Part I, and G 147 Part II were scored.
The music for the first has not been found; the others are found in a
modern edition: Tre madrigali di Michelangelo Buonarroti posti in musica
da Bartolommeo Tromboncino e da Giacomo Archadelt (Firenze, 1875).
See also Alfred Einstein, The Italian Madrigal, I, 161-162; Herman-Walter
Frey, "Michelangelo," in Acta Musicologica, XXIV (1952), 147-198; Achille
Lauri, "Madrigali di Michelangelo," in Rivista Musicale Italiana, Anno 50,
Fasc. II (April-June, 1948), 131-134; Achille Lauri, " Nel IV Centenario di
Vittoria Colonna," in Rivista Musicale Italiana, Anno 50, Fasc. II (April-
June, 1948), 124-131 [reprinted in the same magazine, Anno 50, Fasc. I
(April-June, 1951), 142-15,, under the title, " Poesia e musica nella Roma
Rinascimentale "]; Leo Puliti, " Lettera," in Gotti, Vita di Michelangelo,
II, 92-93. See E. L. Ramsden (II, 255) who believes that G 93 was commis-
sioned for a Florentine festival, the feast of St. John the Baptist, which
was celebrated on June 24.
13 For complete information on the cast of the first performance see:
F. De Villars, Notices sur Luigi et Federico Ricci (Paris, 1886), pp. 61-62.
14 For details of Solera's life see: Raffaello Barbiera, Figure e figurine
del secolo che muore (Milano, 1899), pp. 313-399.
15 Felix Witting, Michelangelo und Beethoven (Strassburg, 1916); Giu-
seppe Marchiano, Michelangelo e Beethoven (Milano, 1955); and Albert
Schweitzer, J. S. Bach, trans. Ernest Newman (New York, 1952), II, 161.
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