Just One. It is not ubiquitous, nor Synopsis perfect, nor logical, nor continuous, Playful portrait of a group of men nor finished. We know nothing about trying to build an impossible object. reality except, perhaps, that it is multiple and subjective, but not About anymore polarized between observer 1 and observed: they seem, more often The film comes out as a free-form, than not, to be smashed in some sort openly manipulated and misguided of polymorphic tuxedo that no one is observation of a polish shipyard, wearing, dismantling the whole playing with the opposition between Western metaphysical project. To this a group of people and the gigantic, extent, the classical idea of realism elusive object they have been or neorealism in cinema is today entrusted to build (ungraspable by unthinkable (films that are primarily the mere sum of its parts), gliding concerned with their inherent between a twilight zone episode and responsibility of representation of a tatiesque observational reality) and the nearest might be in documentary . work of the likes of Apichatpong All of this slowly builds up into some Weerazeetakul, Carlos Reygadas, or kind of dadaist sacrality, metafantasies like the Act of Killing, all onomatopoeic, that through of them trying to respond to this something as a subsidiary polymorphic reality (self-referential but consciousness, an informed free of judgment), making an effort to naivety, tries to create a link it together through associations, mythological body for perception, to parallelisms, and by materializing the restore an assembly of imaginary subjective into the objective and back. beings (if it really is that God must They often turn, therefore, come back, he shall do it in the shape mythological in more than one sense. of a small and colorful plastic toy, a Mythologies that, though initially might cheap miniature racing car or a be rooted in the cultural grounding of poorly fabricated plastic velociraptor). each film, tend to overcome that The present project is a lighthearted, relative identity films using similar dadaist comment, on this new deities devices from radically different cultural that artistic practice must build in backgrounds, like anthropological order to keep an actual relation with documentaries that come out as reality, something to glue it together, mystical cowboy road-movies or to make it domestic and common- sensory-horror documentaries on a grounded. fishing boat, for example (Sweetgrass and Leviathan from Lucien-Castaing Taylor, US). Cast & Crew
Cast Workers from the
Shipyard of Gdynia. Script & Directing Gabriel Herrera