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MJ Smith
Gabriel Carter
English 101
22 October 2017
Theatre is a place of release and escape, stories told on the stage meant to entertain and
take the audience away to a whole other dimension. As Heinrich observed, a prominent
Broadway director, the theatre is without a doubt a pillar in any society Within four months of
its foundation, for the first time in history the state recognized the drama as one of the sinews of
the national soul, and this was the most important thing that had happened to the British theatre
since the birth of Shakespeare (61). These well-known truths about the theatre, while true, are
only a fraction of the full picture. There is so much more to the theatre than the audience member
knows about, this lack of knowledge leading me to my hunch, the untold story of the actor; that
the theatre is an escape, and that once on the stage in some ways it becomes a trap, the invisible
pressures of the audience creating a place where it is easy to hide and avoid the reality of life.
The actor holds the most forgotten and scrutinized role in the theatre. In an article
analyzing the everyday life of the actor, Conrad states I am an actor and I live in the world of
pretend in my working capacity (111). The theatre is as much an escape for the actor as for the
audience. Although the actor is working, there is an experience, an exchange between the people
sitting in the audience and those standing on stage that is rarely acknowledged, causing actors,
especially on the stage to feel alone and left to deal with personal problem they have in the dark
shadows where no one can see. There is a disconnect today where society views actors as
something other than people, disassociating them from just another person who has feelings and
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emotions too. This is a serious issue that needs to be dealt with, for the work of an actor is taxing
and giving so much of themselves leaves nothing left afterwards, which results in a decrease in
the value of their personal life which leads them to escape on the stage even more, a never-
ending cycle.
Bringing up this idea of the decreased value of the personal life that all actors experience,
aside from the theatre there is a whole other life the audience never sees the actor live. The
layered lives of actors are never really discussed or deemed appropriate for conversation. Society
needs to see that, yes performers place all of themselves on that stage for the audiences
entertainment but they also seek acceptance and understanding, something that when searched
for in our past is almost never found. This escape to the stage is so dangerous for the actor
because of this pressure that actors feel to not deal with what is wrong in their lives and just
perform. Wilshire wrote of theater as a fictive variation of existence (170). The interviewed
actors spoke of living in the world of the play (Wilshire 170). It is that pressure that the
audience places with their naivety that forces the actor to push things down and to present this
perfect presentation of themselves when underneath they are anything move farther from being
Of course, there are always two sides to every argument. It is easy to find theatre
professionals who say that there is no disconnect and that if there is a disconnect the advantages
of theatre outweigh any damage that the disconnect places on the actor. Recently, a study
involving 50,000 audience members conducted by the Huff Post showed that both an active and
feelings of wellbeing and happiness; revealing that participation was associated with good
satisfaction with life, low anxiety, and low depression in both genders (Huff Post.com).
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Although this may be a true statement, it does not warrant the ignoring of an important part of
the theatre world. To say that it is not a warranted statement is to say that basically the ends
In conclusion, there is so much to the theatre that is never seen. Yes, it is a beautiful
exchange of stories from the hands of the actor to the audience, but there needs to be a
realization of the role the theatre plays for the actor as well. When we really stop to acknowledge
that the actor uses the theatre as much for escape as the audience, only then can progress be
made to lift the actors up instead of trap and push them down. Sitting in the theatre looking at
the curtains, rarely does the audience realize the duty of the curtains; they both protect what is
behind but at the same time they sustain the hope that what is secret behind them might be
revealed at any moment. That is also in a way the responsibility of the audience, to allow the
actors to express and tell the stories, but also to protect and support them in their endeavors,
Works Cited
Corr, Katy. Save Our Souls: Why Theatre Is Good For You. HuffPost UK, HuffPost, 30 July
2013, www.huffingtonpost.co.uk/katy-corr/why-theatre-is-good-for-
you_b_3139412.html.
Doyle, Charlotte I. Multiple Realities: The Changing Life Worlds of Actors. Journal of
Heinrich, Anselm. Theatre in Britain during the Second World War. Cambridge University
Leffel, Gregory. The public of a missiology of public life: Actors and opportunities.