NORTHEASTERN ILLINOIS UNIVERSITY

FINE ARTS FACULTY

MUSIC PERFORMANCE

SUBJECT:
REPERTORIE SEMINAR

PRESENTED BY:
PABLO EDUARDO TOBAR MANZO

CHICAGO ILLINOIS
2017

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NORTHEASTERN ILLINOIS UNIVERSITY

FINE ARTS FACULTY

MUSIC PERFORMANCE

SUBJECT:
REPERTORIE SEMINAR

PRESENTED TO:
DR. ROSE SPERAZZA

PRESENTED BY:
PABLO EDUARDO TOBAR MANZO

CHICAGO ILLINOIS
2017

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 1. Level One
ENSEMBLE REPERTOIRE

Title: Seora Santana

Genre/Rhythm: Chocoan1 Foclore
Composer: Anonymous
Arranger: Fredy Mauricio Pinzn A.
Format: Clarinet duet
Formal Analysis:
A Theme B Theme
m. 1 8 m. 9 16

Grade Level
Meter: 1
4/4
Key signature: 1
C
Tempo: 1
92 bpm
Note/Rest value: 1
Half and Quarter
Rhythm: 1
Simple eight, unison
Articulation, timbre changes: 1
Basic attack
Range: 1
Limited normal range
Musical Needs: 1
Simple 4 bar phrase
Total 1

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Pacific zone from the Colombian coasts, most of the population are afro-decedents, they develop them
owns rhythms and songs

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SUGGESTION FOR PLAYING THE PIECE:
This piece is specially designed to the beginners players because its technic level is simple, the
arranger suggests to be careful with the breath points marked in the music, if the student doesnt reach
those points its necessary increase the tempo. The A theme is unison so its perfect to start working
at the beginning in the concept of tuning.

FREDY MAURICIO PINZN AGUILAR:

Colombian clarinetist, graduated in music education, Educational management specialist and music
magister focused on clarinet performance in the Universidad Simon Bolivar, Venezuela. He studied
with professors like Carlos Parra, Hector Pinzn, Luis Rossi, Valdemar Rodriguez and Jorge
Montilla. Like arranger and compositor he was won the first places in national band contests like
Paipa, Tocancip, La Vega and Anapoima. He is founder and artistic director of the Semana
internacional del Clarinete (Tunjas Clarinet International Week). Currently work like Tunjas
School of musics clarinet teacher and arranger. (Aguilar, 2017)

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Title: Duerme ya
Genre/Rhythm: Arrullo
Composer: Neivo de Jesus Moreno
Arranger: Fredy Mauricio Pinzn A.
Format: Clarinet trio
Formal Analysis:
A Theme B Theme
m18 m 9 - 16

Grade Level
Meter: 1
2/4
Key signature: 1
F
Tempo: 1
100 bpm
Note/Rest value: 1
Half, quarter and few eights
Rhythm: 1
Simple eight, unison
Articulation, timbre changes: 1
Basic attack
Range: 1
Limited normal range
Musical Needs: 1
Simple 4 bar phrases
Total 1

SUGGESTION FOR PLAYING THE PIECE:

The arranger suggests first to play the F major scale to prepare the students to this key, in the measure
9 the first clarinet do another different rhythm against the second and the third one, so, is suggested
to be careful with the dynamic and highlight the lead voice

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 METHODS

Title: Mthode Complte de Clarinette (1st Volume)

1. The elements of the mechanism
2. First scale studies and registers, articulations, expressions, ornaments,
arpeggios.

Composer: Hyacinthe Klos

Year: 1843
URL: http://www.el-atril.com/partituras/Klose/Clarinete-Klose-completo.pdf
Exercises: 1 65 (pgs. 28 39)

Grade Level
Meter: 2
Common 4/4 but 3/4 and 2/4 too and
one exercise in 6/8
Key signature: 2
C (Chromatist exercises too)
Tempo: 1
Doesnt say and specific tempo but
preferable slow
Note/Rest value: 1
Half, quarter and few eights
Rhythm: 1
Simple eight, unison
Articulation, timbre changes: 1
Basic attack
Range: 1
Limited normal range
Musical Needs: 1
Simple 4 bar phrases
Total 1,25

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SUGGESTED WAY TO USE THIS METHOD:
The first 27 pages are a introduction to the clarinet and how it works (I suppose that introduction its
was used by Klos to present the new Boehm mechanism that he designed with Louis-Auguste Buffet
in 1843) the teacher should have the capacity to synthesize those pages in the best way to the student,
because generally this method is used to the kids.

HYACINTHE KLOS (1808 1880):

Was a French educator, composer and clarinetist who develop a huge activity like clarinet professor
in the Paris conservatory and clarinet musician in the Thatre italien de Paris, was one of the
references to develop the clarinet Boehm system that helped to eliminate cross fingerings and make
it easier to play it and contributing to the clarinet modernization, like composer he create one of the
most popular beginner music methods to the clarinet and the saxophone: Mthode Complte de
Clarinett and 25 exercices journaliers pour le Saxophone.

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Title: The A, B, C of the young clarinetist (1st Volume)
Composer: Guy Dangain
Year: 1992
URL: http://www.clariperu.org/DangainABC1.pdf
Exercises: pgs. 13 41

Grade Level
Meter: 1
Common 4/4 but 3/4 and 2/4 too
Key signature: 2
C (Chromatist exercises too)
Tempo: 1
Doesnt say and specific tempo but
preferable slow
Note/Rest value: 1
Half, quarter and few eights
Rhythm: 1
Simple eight, unison
Articulation, timbre changes: 1
Basic attack
Range: 2
Whit in normal range
Musical Needs: 1
Simple 3, 4 bar phrases
Total 1,25

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Bibliography

Aguilar, F. M. (2017). Universidad de Caldas. Obtenido de Universidad de Caldas:

http://www.ucaldas.edu.co/portal/wp-content/uploads/2015/11/Rese%C3%B1a-Fredy-
Pinz%C3%B3n-Corta-1.doc

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