Documente Academic
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Documente Cultură
Wendy Zhou
Pollack is an experienced filmmaker who has made over 16 films and has over 50 years
of experience in the film industry. In The Way We Were, a document about popular media and
American values, Pollack claims American movies are consumable products made purely to earn
profit. He also posits movies should reflect modern day values. To influence an older audience,
the author appeals to pathos to stir the audiences feelings of anger, and appeals to ethos to build
credibility; he also appeals to logos by introducing an analogy that compares the Medicis, a
banking family who funded the Sistine Chapel, to the financiers of the modern fine arts industry.
Pollack argues movies are commodities that should reflect modern day values because these
movies are the ones that financiers are willing to invest in.
devoted to entertainment. The production and making of movies is expensive, so financiers will,
without doubt, expect a profit in return. Pollack claims that a movies success may be measured
by their ability to attract and engage moviegoers, and what attracts moviegoers are films that
challenge peoples ideas. Therefore movies produced will likely mirror audience demand for
progressive themes. However, the more conservative audience at his conference believes movies
should reflect traditional values such as less sexually involved love and idealized marriages.
Pollack argues the purpose of movies is to entertain rather than to reinforce old values because
Pollack introduces an appeal to logos to allow his audience to understand why movies
need financiers. He uses an analogy to show how arts were sponsored centuries ago, as compared
to how it is financed today. Pollack emphasizes, We have no Medicis here. It takes two distinct
entities, the financiers and the makers, to produce movies Financiers are not in the business of
The Purpose of Movies 3
philanthropy (Pollack, n.d. Para.12). The Medicis was a banking family during the Renaissance
period who financed the Sistine Chapel without expecting a profit in return. They were not
market driven as compared to the film industry today. Although the Medicis and the financiers of
movies are in similar positions as patrons of fine arts, it is ultimately a financiers job to bring
movies to the film market, whereas the Medicis funded fine art because they appreciated its
inherent value. Pollack brings up the Medicis to argue that no one in the modern era will sponsor
creativity without expecting financial returns. If there were not financiers in the film industry,
Pollack appeals to ethos by citing his experience as a filmmaker, and argues movies
should reflect contemporary values instead of trying to install old values into the audience.
Pollacks audience believes American values are disappearing from American entertainment
(Para. 2). For example, Dances With Wolves, which is a movie from the 90s is about Western
soldiers invading and taking Native American land. This movie reflects old Westerner values,
but Pollack argues that inserting such ideology into peoples lives will not necessarily improve
society. Todays film business works as a system of supply and demand; moviegoers are not
demanding movies that reflect traditional values, therefore financiers will not invest in them. As
an experienced filmmaker who made 16 films, Pollack argues that the purpose of movies is not
to teach, or better the world, but to challenge the ideas of the audiences ideas of truth (Para.25).
With over 50 years of experience in the film industry and being surrounded with common peers,
he asserts that their, ...obligation is not to bore people; it isnt to teach (Para.25). Pollack also
points out that he tries, to discover and describe things like the motives that are hidden in day-
to-day life (Para.24). The audiences values are shaped over decades, therefore movies made
The Purpose of Movies 4
today should allow the general audience to be able to relate to them instead of forcing traditional
Pollack appeals to pathos by provoking his audiences distaste towards Russians, thus
making his argument more memorable. Pollack elaborates his claim that movies do not
necessarily need to teach by citing Russian filmmaking. He explains, Most of Russian films
made under communism were soporific because their intent to do good as it was perceived
by an all-knowing party was too transparent (Para. 26). By referencing Russians and
his audiences emotions of dislike toward Russians. Utilizing their feelings of disapproval
towards the Russians, Pollack emphasizes that the reason Russian films are boring is because
their movies are made with the intent of teaching moral lessons (Para. 26), therefore American
movies should not be made to serve educational purposes. Following Pollacks reference to
Russian filmmaking, the audience begins to feel aversion towards movie making that reflect
traditional values because this is a Russian practice. Pollack successfully utilizes his credibility
in the film industry and his audiences distaste to reason why American movies should not be
Throughout the conference, he asserts movies are mainly profitable products of the
entertainment industry and should not be educational in their form because these types of movies
do not attract moviegoers. Pollacks argument opposes his conservative audiences views in that
he believes movies should reflect modern day values rather than traditional ones. Pollacks claim
about how movies are profit driven commodities that attract moviegoers can widely affect the
References
Pollack, S. (n.d). Movie Making and Criticism. The Way We Were. Retrieved from bCourses.