Documente Academic
Documente Profesional
Documente Cultură
Imagine a violin bow brushing across the strings. The notes cannot run
together like a chord and it is good to start with a couple strings at a
time and then add 3 strings, 4,5,6. (Also check out A closer look at
sweep-picking for more basic exercises -Ed.)
The examples I will be showing you are from my latest DVD "Creative
Speed-Building Picking Techniques" Ok, let me show you some
examples...
Ex.1: In our first example, we have a 3 string arpeggio run in the key of
E min moving up the chord scale (Em, F# dim, G, Am, Bm, C, D). The
right hand picking pattern is the same through the whole run, down pick
the first note, then pull off, down pick the second string and the up pick
the last three notes consecutively. You must lift each finger off every
note after you pluck them:
Ex.2: This is a 4 string pattern based off the E min pentatonic scale
(E,G,A,B,D) following the 5 main scale patterns. The right hand uses the
same pattern all the way through, 4 down strokes then 3 upstrokes. Be
sure to follow the fingerings playing this one, start slow and then build
up speed:
Ex.4: This is a line constructed with 4 extended arpeggios. The first one
is C 6/9 (C,E,G,A,D), then Bm11 (B,D,F#,A,C#,E). Move the same
shape down 2 frets to Am11 (A,C,E,G,B,D) and finally F 6/7 (F,A,C,D,E).
The first 3 notes of each arpeggio are alternate picked, for the rest I use
sweep picking. Be sure to follow the proper fingerings, start slow and
then build speed:
Ex.5: Let me show you some arpeggios going across the neck. Here we
have 2 arpeggios Am (A,C,E) and G (G,B,D). The first 3 strings I use
sweep picking and then I alternate pick the rest. Be sure to use the
fingerings supplied and experiment with other arpeggios moving across
the neck:
Hear Mike play the example