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This chapter discusses the basic visual language and framing techniques used in filmmaking. It introduces the three main shot types - medium shot, close-up, and long shot - as well as the extended family of nine shot types that range from extreme long shot to extreme close-up. The chapter also notes that a camera's format and aspect ratio determine the active recording area and shape of the frame.
This chapter discusses the basic visual language and framing techniques used in filmmaking. It introduces the three main shot types - medium shot, close-up, and long shot - as well as the extended family of nine shot types that range from extreme long shot to extreme close-up. The chapter also notes that a camera's format and aspect ratio determine the active recording area and shape of the frame.
This chapter discusses the basic visual language and framing techniques used in filmmaking. It introduces the three main shot types - medium shot, close-up, and long shot - as well as the extended family of nine shot types that range from extreme long shot to extreme close-up. The chapter also notes that a camera's format and aspect ratio determine the active recording area and shape of the frame.
1. Visual grammar or lm language is understood around the world.
2. The format of your camera initially determines the shape of your frame. 3. The aspect ratio describes the dimensions of your active recording area. 4. The three basic shot types are the medium shot, close-up, and long shot. 5. The extended family of nine shot types ranges from extreme long shot to extreme close-up.