Documente Academic
Documente Profesional
Documente Cultură
10.02.04
:
,
, ..
2016
2
................................................................................................... 49
.................................................................................... 10152
1.
....................................................................................... 1073
1.4.
- .......................................................... 4451
1 ....................................................................................... 7173
2.
- ........... 74
2.6.
.................................................................... 8182
3
3.
- ... 83152
3.1.1.
............................................ 84114
3.1.2.
............................................ 115132
3.1.3.
................................................... 133149
3 ..................................................................................... 150152
.......................................................................................... 153154
.......................................................................... 155171
- ()
......................................................... 172172
.......................................................................................... 173175
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, .., 2002; .., 2009; .., 2010;
.., 2005; Amenta S., Balconi M., 2008; Anolli L., Ciceri R.,
Infantino M.G., 2002; Attardo S., 2003; Bryant G.A., 2010, 2011, 2012; Bryant
G.A., Fox Tree J.E., 2005; Cheang H.S., Pell M.D., 2008; Kreuz R.J., Roberts
R.M., 1995; Nakassis C., Snedeker J., 2002; Scharrer L., Christmann U., Knoll M.,
2011; Woodland J., Voyer D., 2011).
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, , ,
, ,
(Mariscal Chicano J.M., 1993: 188).
(yronye)
1502 ,
(ironick).
,
. , 1755
: [Irony is] mode of speech in which the meaning is clearly contrary to
the words (Winokur J., 2007: XIII).
, . , . . ,
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1841 ,
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(The Concept of Irony),
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2007: 14). ,
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15
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, , ,
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. This is an irony of
situation, or an irony of existence; it is as though human life and its understanding
of the world is undercut by some other meaning or design beyond our powers...
(Colebrook C., 2004). , .. ,
, ,
, ( .., 1999). ,
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(Winokur J., 2007: XV).
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17
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(
, 2012).
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, 1985: 505).
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( : , 1979: 98).
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( .., 2013: 10).
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( , 1987).
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18
, .
.. , [] .
(, )
( .., 2000: 7).
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( 4- , 1981-1984: 675).
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20
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21
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:
Our friends are always there when they need us (Martin R., 1992: 81).
.
,
( , 83).
, Heui-Joo Jeoung,
(truth-telling irony) (Jeoung H.J., 2006).
.
, :
.. ;
. -;
. . ;
. . ;
..
.. (1975) ,
, Maxims of
Conversation. ,
(Maxim of Quality),
, , ,
(Grice P., 1975).
, ,
22
, , . ,
, ,
(Curc C., 1995).
.
, . -
(pragmatic insincerity),
,
, (Kumon-Nakamura S., Glucksberg S.,
Brown M., 1995).
, (Pretense Theory) .
. ,
,
; , , ,
(), ,
,
(Clark H.H., Gerrig R.J., 1984: 121).
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(Relevance Theory), . .
(1986/1995), ,
( , )
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(relevance-theoretic)
, ,
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23
, ,
(Sperber D., Wilson D., 1996: 239).
-
(
. . ) (
. . ).
, ,
,
(Wilson D., Sperber D., 2012: 128-129).
, -
,
,
. . ,
,
. ,
,
: Irony is particularly notable for its ability
to forcefully highlight the discrepancy between some reality and what some people
expected or desired (Gibbs R.W., Jr., 2012: 104).
, . .
, ,
,
, ,
(Escandell-Vidal V., Leonetti M., 2014).
,
.
24
(Tinge Hypothesis),
-
,
.
,
(echoic theories of irony),
(Sperber D., Wilson D., 1996; Kreuz R.J., Glucksberg S., 1989).
,
.
(,
, , : How I
love winning!).
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25
,
(Keenan T.R., Quigley K., 1999).
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) (
).
(
, ).
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1.2.
,
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26
..
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( ), .
, ( . contextus ,
, )
(),
, ..
( , 1985: 621).
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( .., 1947: 74).
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27
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( .., 2008). ,
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28
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(Auer P., 1992: 4).
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:
(Gumperz J.J., 1992: 43). ,
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():
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( , . 43-44).
, ,
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29
. , ,
:
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( , . 51).
, ,
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,
,
, (Blommaert J., 2005).
, :
- -
. ,
, ,
. , .
, ,
. , . . : it does
not seem possible at the present time to give a single, precise, technical definition
of context, and eventually we might have to accept that such a definition may not
be possible. At the moment the term means quite different things within alternative
research paradigms, and indeed even within particular traditions seems to be
defined more by situated practice, be use of the concept to work with particular
analytical problems, than by formal definition (Goodwin Ch., Duranti A.,
1992 : 2).
, ,
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30
[]: , ,
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[]
( .., 1999: 92).
.. ,
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( .., 2000: 61). ,
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( , 65).
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( .., 2004: 21).
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uptake (). , . ,
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31
- ,
(Gumperz J.J., 2003: 113).
,
, , .. (1982, 1986); .. (1973)
. (1986, 1989),
( ) ,
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:
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,
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. .. responsive
understanding ( ): , ..
,
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(Bakhtin M.M., 1986: 125).
,
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:
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32
(sentence meaning)
(speaker meaning) ( .. ), .. ,
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(Rahtu T., 2006: 48). ,
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1979). ,
33
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(Rahtu T., 2006: 48),
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( .., 2008).
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() .
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() ,
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( .., 2008).
34
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- ( .., 2008).
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,
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(Katz A.N., Lee C.J., 1993).
,
.
:
,
;
,
;
35
,
;
,
.
.
, (Gibbs R.W., Jr., 1994; Gibbs R.W., Jr.,
OBrien J.E., Doolittle S., 1995) , ,
. , ,
, Standard
Pragmatic Model (Grice P., 1975; Searle J.R., 1985; Temple J.G., Honeck R.P.,
1999),
.
, , Standard Pragmatic
Model, ,
, ,
.
, , direct access,
,
, ..
. ,
,
. , , ,
, , ,
,
36
,
(Gibbs R.W., Jr., OBrien J.E., Doolittle S., 1995).
,
(modular view),
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,
(nonlexical) . ,
, ,
(Fodor J.A., 1983).
.
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, .
(
) .
, ,
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,
(Giora R., Fein O., Schwartz T.,
1998; Schwoebel J., Dews S., Winner E., Srinivas K., 1999). ,
,
.
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37
bank riverside, ,
bank financial institution, ,
,
. , , graded
salience hypothesis ,
- .
, graded salience hypothesis
.
, (),
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, ( ),
.
,
,
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,
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, ,
,
(Giora R., Fein O.,
1999).
, ,
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39
, ,
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1.2 ,
: ,
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40
1.3. -
,
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, , ,
- .
,
,
(.. , .. , .. , .. .).
,
,
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.. ,
(-, , )
, ( . )
( . ) ( .., 2004).
, ..
. ,
-
( .., 2006).
,
,
, -
.
,
(), () ( .., 1998: 214-221)
.
41
, ,
,
,
.
,
,
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,
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, ,
,
.
, . ,
,
.
,
.
,
, , ,
, .. (Fox K., 2004).
, .. ( ..,
2013)
():
;
;
;
;
42
;
..
,
, ,
:
;
;
;
( .., 2013).
, , ,
,
. , , , ,
. ,
, ,
. ,
, , (Fox K., 2004).
, ,
. , . . , ,
The 100 Words that Make the English, ,
default
conversational mode ( ).
. , , , ,
(Thorne T., 2011). , ,
,
.
43
,
:
,
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- ,
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.
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.
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.
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, ,
. , . ,
, (Fox K., 2004: 65). ,
,
44
. .
, . , .
, (Fox K., 2004: 65).
, . , , , ,
,
, : Its like a kettle to us [the
British]: its always on, whistling styly in the corner of our daily interactions
( 1).
,
, .
, . :
, , ; ,
(Fox K., 2004: 65).
, 1.3
. ,
,
.
1.4.
-
,
, , , .
, , ,
, , .
, ,
.
45
, M. Selting E. Couper-Kuhlen,
, , ,
, (Couper-
Kuhlen E., Selting M., 1996).
. ,
, .
,
, . ,
. ,
,
: , ,
, .
.
, .
, .. ( .., 2011: 136) ,
:
, ,
. , - ,
,
, , (Crystal D., 2008: 393).
(Roach P., 2009)
, .
, , ,
46
(Vassilyev V.A., 1970: 290).
, , ,
(pitch),
(loudness) (tempo). ,
( .., 2005).
,
;
, ,
.
,
.
. ,
, (Rise)
(Fall) .
(High Fall),
(Low Fall), - (Fall-Rise),
(High Rise), (Mid-Level Rise),
(Low Rise). ,
( .., 2005).
,
,
:
;
;
;
- ();
;
48
-;
.
,
-
(attitudinal) . ,
.
. , , ,
( ),
( .., 2005).
,
,
.
, .. ,
, ,
,
( .., 1996).
,
- , ,
..
.. , ,
, ,
( .., 1990). ,
, .
.. . ,
( .., 1964).
49
- , .. ,
,
.
, :
() ()
,
( .., 1964).
,
(Wells J.C., 2007).
,
. ,
-
. ,
,
, .
,
,
( .., 2011: 148).
, .. ,
, ( , 149). ,
, , ;
, .
, ,
, .
- ,
,
.
,
,
50
,
.
,
.
, ,
.. ( .., 2011: 150), :
;
,
;
.
, ,
,
,
. ,
.
, ,
- ( attitudinal meanings)
,
. . ,
- .
(Roach P., 2009: 227).
51
, ,
,
.
, ,
1.5.
1.5.
, , ,
,
.
, , ,
,
,
(Harada T., Itakura S., Xu F., Lee K., Nakashita S., Saito D.N., Sadato N., 2009).
,
(Winner E., Brownell H., Happ F., Blum A., Pincus D.,
1998).
,
, , . ,
52
, ,
, ,
, .
,
, ,
,
..
, , ,
,
. .. :
,
.
,
-
( .., 1997: 10).
,
,
(, ,
) (Kreuz
R.J., Glucksberg S., 1989; Gibbs R.W., Jr., 1994; Kumon-Nakamura S.,
Glucksberg S., Brown M., 1995; Utsumi A., 2000).
. . ,
,
-
(discourse context)
(target statement) (Ivanko S.L., Pexman P.M., 2003).
53
,
,
. ,
, . ,
, ,
. , . (2005)
. (1990) ,
(Bryant G.A., 2002;
Capelli C.A., Nakagawa N., Madden C.M., 1990).
. . ,
, ,
,
,
. ,
. ,
?,
? (Nakassis C., Snedeker J., 2002).
,
.
,
, ,
.
,
,
,
54
- , ,
. ,
,
(Bryant G.A., Fox Tree J.E., 2002, 2005).
(. 1.2)
. , ,
,
. , ,
, , ,
,
(Couper-Kuhlen E., Selting M., 1996: 13).
, , ,
( ). , P. Auer
,
(Auer P., 1992).
,
,
.
, Lisa Scharrer,
(Scharrer L., Christmann U., Knoll M., 2011).
, -
(,
, )
(, , -
), (,
)
(, )
55
.. .
.. ( .., 2002)
. ,
:
) ,
;
)
-;
)
;
)
.
,
, ,
.
,
(Bryant G.A., 2010; Scharrer L., Christmann U.,
Knoll M., 2011).
, ,
(,
(pitch peaks), (pitch range),
(average pitch), (e.g., intensity
range, average intensity) (e.g., average, main syllable duration, ).
,
.
57
-
, ,
.. ( .., 1969).
,
: , ,
.
,
. ,
,
, .
, ,
,
(D. Brazil, D. Crystal, .. ).
. ,
How Important is Intonation?, :
?
. ,
. ,
RP ( ) ( .., 2005: 76).
.
. ,
,
(Bryant G.A., 2010). , . ,
(.. , )
( ).
58
, - ..
,
( .., 1969).
, ..
: , ,
, ,
( .., 2002).
,
,
, .
.. ,
, ,
:
. , ,
,
, ,
.
,
,
. ,
( .., 2009).
..
,
-
- ,
( .., 2010).
, ,
,
,
59
(Bryant G.A., 2010).
(Cutler A., 1976),
,
, (Nakassis C., Snedeker J., 2002).
,
, ,
(nasal, stressed intonation) ( ) ,
.
,
.
. , ,
, , : Great way to
start the day, , - ,
: I really appreciated waiting for you on the street corner
for an hour.
,
,
(positive tone of voice) (Winner E., 1997).
,
.
(, ).
, ,
, .
, (),
, , ,
, , ,
60
(speech rate). . ,
,
: Slowing down speech gives the listener more time to process the
relatively higher proportional load often contained in verbal irony, compared to
literal interpretations of the same utterances (Bryant G.A., 2010: 556).
, ,
( )
, ,
,
(Bryant G.A., 2011; Scharrer L., Christmann U., Knoll M., 2011).
,
. ,
,
, ,
,
.
, , ,
. , ,
,
.
, ,
.
61
, .
-
(form-function approach)
,
,
, ,
()
(Bryant G.A., 2011: 294).
-
, ,
,
. H.S. Cheang M.D. Pell
,
(by harmonics-to-
noise ratio), ,
. ,
, , ,
(Cheang H.S., Pell M.D., 2008).
, ,
-,
- .
, (.. )
,
(Morton E.S., 1977).
. ,
62
, ,
(Anolli L., Ciceri R.,
Infantino M.G., 2002).
, , ,
,
,
,
.
:
;
;
().
, ,
, ,
(Attardo S., 2003).
, ,
(Bryant G.A., 2011; Smoski M.J., Bachorowski J.A., 2003), ,
, :
1) () ( ) ;
2) .
(Williams J.A., Burns E.L., Harmon E.A., 2009). , .
,
( ).
. :
, , ,
, , ..
(Stanel T., 2006).
63
, ,
,
.
,
,
.
,
.
1.6.
,
,
, . :
,
,
, (Molini G., 1992: 180).
, .
, ,
, ,
,
.
-
, ,
. ,
64
:
, ( .., 2015).
,
, , ,
, . , -
,
, , ,
, ,
, ,
(
.., 2015: 284).
,
.
.. ,
,
,
:
, , , , ,
, , , ,
.. ( .., 2000: 4, 16-17).
.
, . ,
, (tenor of
discourse) ,
(Halliday M.A.K., 1978).
.. ,
,
( .., 1987: 60).
65
,
, , (
) ( )
( .., .., 2011: 104).
.. ,
,
: ,
, ,
( .., 2009: 304).
, , ,
, -
,
( ). ,
, ,
, .
, ,
, , .
,
(Gregory M., Carroll S., 1980).
,
. ,
,
, ,
..
66
,
,
,
.
,
,
XIX XX
, .. : ,
, , , ( ..,
2000).
.. , ,
, ,
. ,
,
, , ,
..
:
( .., 1989: 140).
,
,
,
( .., 2009: 305).
.. , ,
.
: 1) /
, 2) / , 3)
/ , 4) /
, 5) / , 6) /
.
67
, ,
, , , , ,
, , , ,
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, ,
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68
, ..
,
( .., 2009).
, ,
, :
;
;
,
,
( .., 2015).
,
- , ,
. ,
,
(small talk),
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1.4
(KNOCKS ON DOOR)
Cameron Foster: Come \on. oCal oMcCaffrey, | Yvonne \Shaps, olegal
e\xecutive.| As from ~now,| Yvonne will be |making all my \headline decisions
ofor me.||
Yvonne Shaps: \Nowhere onear otrue.||| \Im here to a\void us printing
ma\terial that invites more |writs than \readers.|| Ive with\drawn the aoppeal
against the in\junction.||
Cal McCaffrey ( MC): Oh, great ofirst ~move. (!) (High Pre-Head
+ Sliding Head + Rise-Fall-Rise)
Yvonne Shaps. ,
97
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1.8
Stephen Collins: Dan Foster. What, as in Cameron Foster? Your dads the
editor? ( SC 1) So all this was laid on a plate to you, eh, Dan, working for
Daddy?
Dan Foster: Cal McCaffrey sent me on this cause Im good.
Stephen Collins ( SC 2): \Yeah,| ~sure.|| (!)
Dan Foster: My dad doesnt agree with that which is why it took me five
years to get a job there.
108
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Smith and >Brown| sophisticated \ance/stry.|||
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2.3
Cal McCaffrey ( CM 1): \Anyway,| how \sad| is managing a
\record store| at your \age?|| ( CM 2) I >bet| six |years doing
geoopolitics came in /really \handy,| \didnt it?||| (!)
(Cal McCaffrey), ,
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121
Cal McCaffrey: I >bet| six |years doing geo\politics| came in \really handy,| \didnt it?|||
, ,
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302 164
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2.4
. 12.
Well, Im mainly here for you. And then, you know, performing on X-Factor
Nicole Scherzinger: >Well,| Im mainly here for ~you...| And >then,| you know,|
per|forming on >X-Factor.|||
124
(. 12),
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14. ( 2.4)
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and then,
you know..., ,
125
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,
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128
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I bet six years doing geopolitics came in really handy, didnt it?
But then I wouldnt have a TV show, would I?
132
,
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133
3.1.3.
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134
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Graham Norton Show
. ,
-.
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,
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.
, ,
,
.
3.1
Graham Norton: And, you know, were thrilled we never thought this day
would come.
Maggie Smith: \No,| neither did \I.||
. 14 ,
,
. 4,7 ,
.
146 . no had
135
-1,51/50 -0,53/50 ,
. .
, ,
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136
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3.2
Graham Norton: And was Alan Bennett there the whole time?
Maggie Smith: \Yeah.|| So it was \creepy.| There were so \many of them.||
They were \everywhere.||
. 15.
Yeah. So it was creepy. There were so many of them. They were everywhere.
Maggie Smith: \Yeah.|| So it was \creepy. | There were so \many of them.|| They were
\everywhere.||
137
, . 15,
(yeah)
(3,6 ), (53 ).
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.
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(3,6 12,6 )
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. ,
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,
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,
. , ,
.
3.3
Graham Norton: Cause its quite a starry street, isnt it? Its quite...
Maggie Smith: I othink \thats owhat they osaid.|| I kinda didnt
>notice.|| I was >just...| I was in the ~van.||
138
. 16.
I think thats what they said. I kinda didnt notice. I was just... I was in the van.
Maggie Smith: I othink \thats owhat they osaid.|| I kinda didnt >notice.|| I was
>just...| I was in the ~van.||
.
(. 16),
. 10,6 ,
.
200 . (-1,23/50 ).
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. ,
139
,
.
,
.
Harry
Porter, . ,
,
, ,
. , ,
,
,
. , ,
,
,
.
,
.
.
3.4
Graham Norton: But the thing is you have had this extraordinary career, you
know, I mentioned the Oscars in the introduction and things, but Harry Potter,
weirdly... But that did change your life in a way...
Maggie Smith: >Well,| \yes,| a lot of very |small opeople >kind of| oused
to say \hello to me| and that was \nice...|| It was a whole |different |lot of
\people.||
140
Maggie Smith: >Well,| \yes,| a lot of very |small opeople >kind of| oused to say \hello
to me| and that was \nice...|| It was a whole different lot of \people.||
| |
, . 17, ,
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.
, (574 )
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141
-0,77/50 , .
- .
,
,
Harry Potter,
,
. , ,
, , ,
, .
3.5
Graham Norton: Yes, but also its weird that they only know you for that
one thing, like youd never existed before.
Maggie Smith: \No,| I never \had.|| And except one kid oonce \said to
me,|| Were you oreally a \cat?|| And I heard myself >say,| oJust pull
yourself to\gether.| oHow \could I obe?||
, . 18, ,
. (no)
-1,44/50 , .
(6 )
.
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1. The Guardian,
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2. MP3 [
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3.
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173
4) Is there any discrepancy / incongruity between the lexical content of the utterance and the intended meaning?
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
a) yes
b) no
5) How would you describe the tone (of voice)?
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
a) annoyed / irritated
b) arrogant
c) friendly / humorous
d) sneering / mocking
e) sarcastic
f) feigned / pretended
g) vexed / angry
h) other
7) Would it help you identify irony provided you could see speakers facial expressions?
a) yes
b) no
175