DIGMudvayne

WORDS
ANDMUS
IC BYM. McDonough, G. Tribbett. R. Martine and C. Gray TRANSCRIBED
BYAndy Aledort

***NEW FORMAT***
Bass lines are included in the guitar transcriptions
Dropped-D tuning 1 steps down (low to high: B F# B E G# C#).
Bass tuning (low to high: B F# B E).
All notes and chords sound 1 steps lower than written.
05 E(b5) ES F5 Eb5 GS F#5

114
115fr fr
"xxxx "-XX XX

12 11 11 11 44 11

~ Intr o (0:00)
Moderate Grindco re q =134
N.C.(DS) E(bS) N.C.(DS) E(bS) N.C.(DS) E(PS) N.C.(05) E(b5) N.C.(D5) E(b5) N.C.(DS) E(bS)
(wlvornl ~tfects) Gtr. I plays Rhy . Fig. I fo ur times
Rlry. Fig. I- - - - - - - - - - - - - -, (play J ti111es)
(play 4 ti111e
.,) fur lul lull
Gtr t( w/dist) 1 Gtr 2
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> > > > ~

... I ..,I II

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f w/heavy w/heavy
dist. _ ...
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Bass(w/pick)

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(0:14) 00Chorus (0:21, 1:18, 2:16)
Ah Dig bury
Dig bury
ES 05 ES F5 ES 05 E5 N.C.(05) E(bS) ES 05 ES FS E5 05 ES
Gtrs. t and 2 (play J ti111
es)
4 112 112 P.M . ___ > 112 P.M.. ... .............. ...... ,
P.M. - .-, 1

LJ LJ LJ LJ
\/2
Bass 112
> > > > > > > > > >>

LJ LJ LJ LJ
_th_2 1b._3
(2nd time 011 2nd chorus) To Coda Ih;v (2nd time m1 3rd dwrus) To Coda Ill W
(.,kip ahead tr, meas. 19) (skip ahead to meas. 42)
me underneath Everythingthat I am rearranging
me underneath Everythingthat I was slowly changing
ES 112 N.C.(DS) E(bS)
7 >+> ..
PM --- - ...
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As heard on Mudvayne's No Name/Epicrecording L.D.50
02000 Zomba Enterp, is.ts I nc. and Mud'vayne Music . All 11ghts adm1mste red by Zomba Enterprises Inc. All ,ig hls restfVed. Used by permission of Warner Btos. Pubhcat 1ons US, Inc ., M1am1, fl 33014 .

1
 DIGMudvayne
[)Verses (0:36, 1 04)
I. I would love to beat the face of any motherfucker that's thinking they can changeme
2. I struggle in violated space sell-outmotherfuckers
in the biz that try to fuck me
FS OS ES FS 05 ES
P.M. ........................... ., P.M . _____ ., P.M . .... . . ......................... ...... ......... .. .,
10 ;~ -,

H H

H H H H

White knucklesgrip pushingthroughfor the gold If you're wantin' a pieceof me I brokethe motherfuckin' mold I'm
Hang fromtheir T's rated P-G insight I ain't sellln' my soul when there'snothing to buy I'm
12 P.M. , FS 05 ES N.C.
P.M. , > .
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bf f I - 112
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L...J bl i i i i i j
'Slap: R
f I I I
L R R
i.

R
i'
L
r I I I Li R L R R
R = Sfop string s wlriJ(ht thumb :
L = Sl"P strings wlleft h(lnt/fin gers .

drowning in your wake Shit rubbed in my face

Livid in my space pissing in my face
ES FS OS ES
14 P.M. ,

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1 1
(2nd time) To Coda 1-(!}- D.S.~ (wlrepeal) al Coda 1-(!}-
(skip ah ead to meas. 18) (go back to{ID )
Teething on concorde grapes gets me high
fuck you while you try to
N.C.
16

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Slap: R LR R R L R R

2
DIG Mudvayne
-$-Coda I
1
(1:16) D.S.~ (wlrepeat) al Coda n-$- -$-Coda II
2 2
(1:30)
Slightly Slower J = 80 - - - - - - - ,
Fuck me (go back w [IDJ you ain'tfuckln' changing
N.C. ES 05 Eb5 ES GS F#5 F5
112
18 19 P.M. ,

'---- 3---.J '---- 3 ___J

1/2 1/2
> > > > > >

Slap: A L A A A '- 3 ---' '---- 3 ---'

[Q](w/w ,usper111g)
. .
me Dig Dig Dig
ES
21 1/2
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112

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L-J -
lli] Interlude (1:41)
Dig huh c'mon motherfucker dig huh C'monmotherfuckerdig huh C'mon motherfucker
dig huh Go
ES
25 112
+
PM. ., 1/2


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[!] Bridge (1:48)

Let me help you tie the rope around your neck Let me help to talk
ES E(b5)
Rhy . Fig. 2 end Rhy. Fig . I Gtr. I plays Rhy. Fig. 2 rwice

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29 PM . ll2 112 112 112 112
Gtr 2
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32 you the wrongway off the ledge Let me help you hold the Glock against your head

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3
 DIG Mudvayne
Let me help you tie the rope around your neck Let me help to talk
Let me help you hold the Glock against your head Let me help to chain
E5 G5 E5 G5
Gtrs. 1 and2 112 112 112 112 112 112 112
35

Bass 1/2 1/2 1/2 112 112 1/2 112

v LJ vI LJ v
D.S. ~ (wlrepeaJ) al Coda III -(f)-
3

I. 2. (go back 1olfil )

you the wrong way off the ledge the weights onto your legs Get on the plank fuck
GS D5 E~S E5 G5 F#5 FS
112 112 112 112 112 112
38 + + --..---..-..............-- ..,
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-$-3
Coda Ill (2:30)
Wish youwerecommitting suicide Sucking on a motherfucking
E5 DS ES FS ES DSES ES FS ES DSES
42Gtrs. and& 2 112 112 112

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P.M........... ................................... , PM . _ ,
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tailpipe Deadman walking on a tight rope Limblessin the middle of a channel Bombs away
ES N.C.(DS) E(~S)
P.M. ,
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