"ALL DOWNHILL FROM HERE" New Found Glory

As heard on Catalyst (GEFFEN/DRIVE- TH RU)

Words and Music by Cyrus William Bolooki, Chad Everett Gil bert, Ian Grushka, Stephen Lee Klein and Jorda n Pundik Transcri bed by Jeff Perrin

F#5 A5 B5 ASopen A5/E D5open ES A

~ Sfr

I4 I4 14 II I I3 I I 1I I

~ ln tro (0:00)
Fast Rock q =168
Ctr. 3 (elec. w/dist.) F#5 C#5 05 A5 C#5 B5 F#5 C#5 D5 A5 C#5 B5 C#5
(drums)
,....

-....
-I &
I
- 11-- 9-r-11......,_ 9 -
I
x - -x --- x x
DI I 9--7r- 9 -- 7 x

ll!f I LJ I v I I
CtrS. I and 2 (clcc. w/di st.J

-....
!?hy. Fig. I . ~nd Rhy. Fig . J

-
I &

- 4 --
6,.L7
4,.L5 -- 7
I I
5:...,,4 I -
6>"-7 I
6:...,,4-- 4 7',~
DI X-4:...,, 2 0~ --4 ,.L5 - -7 4"-<:2- - 27'4

f l
2
D I
5
IJ I L.JI
reJJeat11revious chord
u 2
1 D i5 ~ VI LJ
Bass (5-scg. arr. for 4-scg.) !Jass Fig. I ~nd Bass Fig. J
T
-
.....
-z -
-
4>"-5 4 -2 -- 2- 0 4>"-5
~

4 - 2-- 2- 4-l
2 5- - 5__.J.._
5 2 5-- 5__.J.._5
I D I V I I LJ I D I V I VI LJ
F#5 C#5D5 A5 C#5 B5 F#5 C#505 A5 C#5B5 C#5
Gtrs. I and 2 play Rhy. Fig. I (see meas. I)
5 Ctr .3

1,l::::::= =~ ,, --,-i __ __,,_+-,,_ __ x__ __....

__ 1,l:::::::::= i,...:. 1,--,-i ,----, ,--+--, ,---- x--~ ---- ---H
9--- 7,....,..9---7 -- -+ -++--- x --- -- 9 --- 1,...::..9- -- 7-- -+ - ++ - -- x.---------tt

Bass repeals Bass Fig. I (see meas. I )

(fil 1st Verse (0:12)

You're hiding somethin
g 'cause it's buming through your eyes
N.C.(F#5) (D5) (A5) (B5)
Ctr. I (wtnanger and dela y effects)
Rhy. Fig. 2 ... . . . . . .... . . .. . .. . .. . . ,
9 ~M . . .. . .. . ... ... . . . ...................... ... ... . . . . . . .. . . .. . , ( repea t pr evio us two measur es)

try to get it out but all hear from you are lies
(F#5) (D5) (A5) B5
13 Cir . I 2 P.M. . ....... . . .. . . . .. . . . , '!"

.....
II

4
5- 5- 5- 5 -+ .0 - 0- 0- 0- 2
2-2 - 2- 2
I I I I I I I I I I I I I
Bass Bass Fi/11 . . . .. . ,
- - .. 7~
II

I
<g)2004 UNIVERSALTUNES,A DIVISION OF SONGS Of UNIVERSAL . INC. and BLANCOMEOWMUSIC. All rights oontroll ed and i>dministered by UNIVERSAL TUNES. A DIVISION OF SONGSOF UNIVERSAL, INC.
All Rights Rese....,d . Used by Permission. WARNERBROS. PUBLICATIONS U.S. INC. Miami. Fl 33014.

1
 "ALLDOWNHILLFROM HERE"
~I

[g 1st and 2nd Pre-c h orus es (0:24, 1:15)

AndI can tell you're going through

themotions Figured you were acting out yourpart
F#5 05 ASopen 85
17 Ctr 3 2
,__ 11
<- X
._ 9
I I 7
x
5
I I
~ 7
I I 4
x
2
I I I

I
L-
.
LJ I LJ I LJ I LJ I
Gtrs. I and 2
Rhy. Fig. 3 2 end Rhy. Fig . 3
L-
I I I I I I I I I
._ 4 7 2 4
5 o~o 2 0
'- ,2 I I ,o I I I 1 l I I I I I I I

Bass
Bass Fig. 2 end Bass Fig . 2

5-5-5 - 5 _!. 9 5 / 7-7-7-7 - 9- 9- 9~

9 9 9"'-<:-5 5 5
,2-, 2- ,2 - ,2 I
5 5 5 0 7 7 7
I I I I I I I I I I I I I
I I I I L-..J I I I LJ I
Onceagain we're playing off emotion Whichoneof us will bum until theend
F#5 05 Asopen 85 F#5 05 85
21
9- 11 11 9- 7
x- x
7- 9
x x-x
9 7-5

1---- -#-~'----
41- +--+ - --5
7-.,__,. __ -+- - .1.-......1'-.1.- - _ _,. ;__ .,_ _ _ -1---
_.,__,.;__
__ 7_
5-
..............
+--l- -
__ _._ -- -t -- -- -- - --+I
2- +--+--0-+--+- - +- - --L +--l--+--l- - +--l-- +- -+--~ --l-- +- - 0- +--+--+-- --L +- -- -------- --"

~2

[!!]Cho ru s (0:35, 1:21, 2:41)

w/half-time fee l
1., 2. Catalyst you insist to pull me down You
3. Down You'repulling me down Pulling me downYou
down)
ASopen A5/E 05open F#5 ES
Ctr. 3 pla ys Fill I f ifteen times
"' Gtrs. I and 2
25 Rhy. Fig. 4 end Rhy. Fi g. 4

Bass
Bass Fig. 3 end Bass Fig . 3

Fill I (0:35, 1:27, 2:41)

IH
.,, I' I I'j
Gtr. 3 (piano arr. for gtr.)

2
"ALLDOWNHILLFROM HERE"
contradict the fact that you still want me around And it's
Gtrs. I and 2
29 (repeat previous four measures ) 4

I Bass plays Bass Fig. 3 twice (see meas. 25)

I 1
all downhill from here Andit's
ASopen 05open F#5 ES
Gtrs. 1 and 2 play Rhy. Fig. 4 (see meas. 25)
Gtr. 4 (elec. w/clean tone
)
33 let ring
2 2- (2)- 2- 5 2 2 - (2)- 2- 3 2 2- (2)-2- 5 2- (2)
2 2 2 2 4

..,
2 2 2 2- 4

I
(I sttime) To Coda r-$,
(skip ahead to meas. 53)
(2nd time) To Coda 11,$-2
(skip ahead ro meas. 89)
all downhill from here
Asopen A5/E 05open F#5 ES
37 Gtr. 4
2 2 - (2)- 2- 5
2 2 2
2 2 2

P.M. , P.M.... ,

Bass Bass Fi/12 ,

5 -- 5- 5- 5- 5- 5-0-'-+----+--+- +--+----+-~ 2-- 2- 2- 2- 2- 2- 2 o-o-o-o-o-- o-o-0-0-0

I U I 1 1 I I U 11 I I bdddI bdddI
[ID(0:53)
end half-tim e feel
F#5 C#505 AS C#5 BS F#5 C#505 AS C#5B5 C#5
Grrs. I and 2 play Rhy. Fig. I (see meas. I)
41 Gtr. 3

Bass p lays Bass Fig. I (see meas. I)

[El2nd Verse (1:04)

Your good intentions slowly turn to bitterness (turn to bitterness)
N.C.(F#5) (05) (AS) (BS)
Gtr. 2
Gtr. I plays Rhy. Fig. 2 three and a Jwlf rimes (see meas. 9)
45 P.M. . .. . .. . , 2

C/. 1
D .S. ~ al Coda I -$,I
(go back to (g)
Reoccurring episodes with each and every kiss (Let's go)
(F#5) (05) N.C.
49 2 P.M. , Gtrs. I and 2

~-- - ------~------- -...o-+

1---11
- 1-
1--t-
1- ,2- ,2 - ,2 - ,0 --'--1-1-1-
,....---f-1
--+-1---+1
--+1- 1-
1.......
Bass plays Bass Fill I (see meas . 16)

3
 "ALLDOWNHILLFROM HERE"
1
-{!)-Coda/
IQ](1:50) AndI can'tbelieve
F#S C#S 05 AS 85
53 ?"I 2
II

6,.....7 I I I II

'- 4-- 4,.....5--7 x-o ~~4' 2

'-2
I u 5
I v I
X-0
L-..J I
Gtr. 2
fdbk . --- --- --- - - --- --- - -- - - -- -- - - - ,
- ... 0-+4'
II

~==================~~===============~p......L..l~-D~~-o~=~~=-
-=-_
~-:::~-
:::
-::::::
-:::-..::-::::::.:t~i-)
.:::.::::::L.J-O-\
l+-~~-+111
pitch: B
[HjBridge (1:55)
w/half-time feel
you pulled it off again I'm running Still it all sets in You'lldeny
F#S C#505 AS 85 F#S C#505 AS C#585
57 Gtrs. I and 2

6r-7
4--4r-5--7
2
I
Bass
u 5
I

4
47""-5 2
2 5--5 5
I LJ I V I
it 'til you're at your bitter end
61
F#S C#505 AS 85/F# F#S C#505 AS ES

67""-7 +-----+----67""-7--'----+--++---..._--,,..,..-----H
-47""-5--7 +------+-4--47""-5--7---+----t-+------+-2-+- ----fl
2
I u 5--+l--'-...__--+-_1---------'-2
I I
LJ 5
I "'P
O

4
47""-5 2
2 5--5 5
I LJ I v I
(I] 3rd Pre-chorus (2:07)
end half-time feel
AndI can tell you're going through
themotions Figured you were acting out yourpart
F#S 05 ASopen 85 F#S 05 Asopen 85
Gtrs. I and 2 play Rhy. Fig. 3 (see meas. 17)

-----,----
----+-
__,_
___
65 Gtr. 3

------+ 11-----,----~---+-9-----+ 14- 14"-<13----l

-;-+--X X X X X-X--+-----i
--l'--+---5 9 5 7 12-12"-<11-+-- --<

Bass plays Bass Fig. 2 simile (see meas. 17)

Onceagain we're playing off emotion Whichoneof us will bum until the end
F#S 05 Asopen 85 F#S 05 Asopen 85
69 Gtr. 3
_ _,_ ___
--,____ _ -__,-----~x
--- -- +11---,----9 -1- -,--,....-
x-x--+- -
--11--+-----1'--+---~9 7-5--1-+---

Bass

4
"ALL DOWNHILL FROM HERE"
CiJBreakdown (2:13)
w/ha lf-time feel
Catalyst you insist to pull me down You
As<>1>en DSOl)en F#S ES
Gtr. 5 (acous.)
73 Rhy. Fig. 5 e11
d Rhy. Fig. 5

-2
>--2
-0
I I I I
~+2 .
0
0
3
0
I I I I I

4
I I I I

~~
I

8=1
.;-I ........ LJ I --
2
I -- uo I
- I
Gtrs. I and 2 (lei ring in10 nl'XI two me(,sures)

------ ------ ------ ------

Rf 2
,0
2
0,
2
0,

Bass (let ring into next two measures)

i----w
------ 5
------- 5
------- ....
-------
contradict the fact that you still want me around Andit's
ASOl)en 05 Ol)en F#S ES

all downhill from here Andit's

Asope n 05open F#S ES
Ctr. 5 plays Rhy. Fig. 5 (see meas. 73)
81
1--
Gtr. 4
2
--
2- (2)- 2- 5 2
--
2- (2) 2
--
2- (2)- 2- 5
--
2- (2)
2 2 2- 4 2 2 2- 4----j
2-4
0 0 0
I I LJ I I _J I I I _J I I I _J I
2 2
D.S. ~ a1Codall$,
(go back 10 Im)
all downhill from here (And you keep pulling me
A ES
Gtrs. I and 2
85 Gtr. 4 P.M. , P.M. ,

+----------++ 2+---------- ++2 +-----------i-------------tl

-1---------- 44-0 0-1- -------- --l ----------- --+1
Bass plays Bass Fi/l 2 simile (see meas. 40)
2
.. Coda II (3:04)
[R]Outro (3:05)
ES F#S C#5D5 AS C#5B5 F#S C#5D5 AS
Gtrs. I and 2 Gtr. l Gtrs. I and 2
89 P.M. .... , P.M. . ... ,

Bass