Documente Academic
Documente Profesional
Documente Cultură
WORDS
ANDMUS
IN DIGITAL)
orgy
ICBYJay Gordon,Amir Derakh,Bobby Hewitt, Ryan Shuck, JoshAbraham and Paige Haley TRANSCRI
BEDBY Jimmy Brown
ii 7friiSfrii
00Intro (0:00)
14
Moderate Techno-Rock
N.C.(BS)
let rinR throu8hout
14
q = 120
(GS)
14 14
(BS)
14
iiSfr
14
(A4)
1
tltr. 1 (w/dist.andlastchorus)
Rhy. Fig. I
2
... P.M. , ( repeat previous two meas.)
..-
I
.....
& ~
. .
.
;; - - .- -
--.
~
!' !' v v
.
LJ.J
let ri11gthrouRJ,our
LJ.J LJ.J I I I
Gtr.2 (w/cleantone,delayandslowchOfus)
..
, -,
.. -- --- .. -- ''"..
.....- .
I
.
. .-. .- .-
. .
~ .- - - - . .- .-
.
.
-'- ,.,
.... -
A
-
LJ I vI .LJ I v vI vI I
.... -- - - --
Gtr.3 (w/dist, delay,slowchOfUS,
and'harmoniZer)
- - ..
.....
I
"-"
CII
&
r
-
1
..
-
. "" - ,v,
--
Bass Buss Fig. I LJ_ I I
'
..- I.-
I T
&
&
..
.-- .-- ..- .-- .-. .-
LJ I I I
1
1
. . - -
i
. . . .
:- .-- .-- . .-- ..- .-
. ;- - . .-. ..- ..
.-
I I 1
.- -
v
I I
.
.
v
. l
L}
Harmomier 1/oublespirch one octave higher.
I I I I LJ I I I
(BS) (GS) (C#m) (C)
5 P.M. ............................... . ............ , end Rhy. Fig. I
. .. . . . . - II
.
.
-
, - .-- -- v-
. -
- '-
. . . . .
- -
.
-
. II
II
II
r rI
ft ft II
I I I I I I I I i i i i i i
Rhy. Fig. 2 end Rhy. Fig. 2
. . -- - -- -- II
II
.
- - - I
~ -
--
- - _1
'.
- .
-
- - - A A
ft
. .- .-
ft
A A .
-. - -I. I
.
.
:-
II
II
II
LJ112 I I I LJ I vI v I I
. r--.
.-,- - ~
-
- - - - - - - - -
... ~ ~-,
;:
v
. - ---- - /et ring :_ _: .
- . n
=
. I
~
-
1
....... ~ I I ~
..- .-. -- -. v- .- ..
end Bass Fig. I
.
- - .-. . . . .
.- .- .- .- . . . - - - .
.
-. . . . A
.
A
.-
-
II
II
I LJ I I 1 LJ F i i Iv I LJ I I I I I I I
Ben,/ strin8 beh11u/nut. until meas . I I
1
FICTION
(DREAMS
IN DIGITAL)
orgy
[i]tst Verse (0:16)
1. Sht'I IOlt In coma where It' beautHul
whatIt's llkt llvlng In a pennanent Imagination
N.C.(85) (GS) (BS) (A4)
Gtr. 4 plays Riff A twice Gtr. 5 plays Riff B
Glr.1
2
., ., ,., 9 9 9 9
~ Pre-chorus (0:48,1:52)
Guilty . by dlllgn She's nothing more than fiction Shedreams In
Bs cs. 85 cs
Glr. 1 (chorunnd delayoff)
17 2 . .
. . II
-
I, II
II
-
.,.. II
-
II
/ 1 L r 2
. .
.-- .- .-
- .-- --
~
II
. --
. - - - - A A
r i
A
,..
A A
A A
II
II
!On the rer.ording. g~itarist~ Dtrakh . la ed sin le no'te.i on the re-cho us. Whe11 erfior111i11
p y g pthe SOii8 live, he
( P 8 p lays twOIIOte
p ower chords.
Riff A (OJe)
'Glr. (wldiat.,fut chorusand hannonlzer
)
1 1 1 1 1
1 i --1;f Q'T;
---l;~
:II
Pitchsowub one octave hiRher.
Fill I (0:28)
Glr.3 '(wldiat
(Clm)
., slowchorua,
delayandharmonize r.
(C)
let ring
(Bm)
/ -- ~ - -
(G)
II
Riff B (0:18,0:26, 0:34,0:42,1:30.'1:46)
~ . S(~rn~,) ~' f - II
Harmoniu r doublespitrlt on octavehigher. ' Pitchsoundsoneoctavehigher.
., . .2 ..
II
f I r
2
FICTION
{DREAMS
1N DIGITAL)
Orgy
[m Chorus (0:56,2:00)
dlglul 'Cause better than nothIng Nowthat control la gone
B5 GS D5 Es A5 ' es 85 GS D5 E5 A5 D5
Gtr.1 Gtr. 5 plays Rhy. Fill I first time
21 Rhy. Fig. 3 end Rhy. Fig. 3
- -
- -x - ,._, - I A O
- - - -- .... .-- -- - -L
.-~
"'
- I-
~
."'
~
". IX c
". "
I r I I I I I v r I J I I
Gtr.4 ,
~------------ -
- .
~
-- . .~-- ~-, - - .,
'"'
v v ~
Baas Bass Fig. 2 end Ba.rs Fig. 2
- - -- - ....
., -- - - -.
- - - -
I I I j I- I- I I
.
I
- - - -
i I I
. .
- - - - - I-- -- --
I 1 I ,- i I I I I ,-
-
i
--
-
I I
-
.-
L
- .""
-
L
-...,..
-
-
"' i
..
- - i .-
-
. -
-
-L
.
I
l"""""'r--
---------
v I I
--
J I i I - I v r I I I 1
OY
._,.,,. ... ,-
u - - _,
.. -
- . -
- -
- ..,
v v I v v v
Bass Fig. 3 end Bass Fig. 3
- - - .
- r.- I .- - .-- .- .- -
- .- : - - .
- -
- - - - - - -
. : .-
r . . ... - - - -
I-
I I I i I I i I- I I I I I j I I , I I i TT
Gtr. I substitutes notes in paremheses (E5open) 2nd titM
dlgltal
GIJ. 4
29 r,,.
N.qB!!!) --- ----~------ ---- - .........
----- ----"'T-\
~ -, - '-'./
- - ~
II
II
II
II
II
dim.
Gtr.5
------ ------ -- -- --- (white noise)
..
- - - II
Bass
.
-
------- . ..
- - - -~ .- r
--
- ~
.
r I r v I v u I
Rhy. Fill 1 .(058, 2:02)
"Glr. S(wlcist.and hannonize<)
2
Ii 1- *
r f I
' Pitch soundsone octavehighu.
3
FI-CTJON
{DREAMS
IN DIGI
TAL)Orgy
[ID2nd Verse (1:20)
And . your pixel army can't uve you now Myfinger's on the kill awnch
And don'tbe afraid Exposeyourself . before I lhut you down
Glr. 1 (85) (G5) (85) (A4)
33 P.ll . , 2
II
Ba,u plays Bass Fig. I twire
rrr, (2nd time) D.S. ij al Coda -$-
(go back 10 lg)
I . remtmber used to compose your dream, cortrol your dream
YOU
madeIOffll changes since the virus caught you llleplng
(85) (G5) . (C#m) (C)
Gtr. 2 play.vfirst mea.v. of Rhy . Fig. 2 Gtr. 5 plays Riff B Gtr. 3 plays Fill 4 first time
Gtr. 3 plays Fill 2 second time
37 P.M. ,
.,
r, ~
II II II II II II
Efj :II
I
~ ~
6/7
$- Coda (2:12i
r r6 6
I
II
I
II
I ~- I
II
I
8
I
8
I I
8 8
I I
digital causen, better than n9thlng
85 G5 05 E5 A5 E5 85 G5 05 E5 A5 05
Gtr. 5 plays meas . 2-7 of Rhy. Fill I
Gtr. 1 Gtr. 6 plays Vocoder Fill I
41 Rhy. Fig. 4 tnd Rhy. Fig. 4
-" '".-..
.. - -. -- ~
.. "'. A -
-
,.. .-
'--
.. "' -
ft
". -
"'. - - .-
~
,
.. . -f.
-
f. .
-
ft -
" .
,.,
.::, - ..
u v u v v u u ~
Bua
. -. .- - - - . . - . . - -.. - - ,., - -
- - - - - - : : : --
: :
.- .-.. ..- . - - , : .- -
f I I i i i I I i i I I I I I I I 1 ~ I ~ I I
Now 1111
1 control ii gone It "' mt unreal She'chamlngIn
85 G5 05 E5 A5 05 85 GS 05 ES AS ESopen
45 Rhy. Fi11. 5 end Rhy. Fig. 5 Rhy. Fig. 6 end Rhy . Fig. 6
".
. -.. -
"'
: -
"'. " ..
p r I
. :
-.. -
"
I vI I ) I I I.,...., i ~ i
-
-
.. -- ..
..
.,
I
~
I
.... - - - - - - - -- - - - - _
... - - . ... .
.. - ::,
- - - -
)
-- - .- - . .- - . .- .- - - -. .-
.
- - - - - - .-- --
)
-- -.
. - -.
)
- -
- -
I I I i I I I I I I I f I I I I I
I
I f I J i I i i I I
Fi/14(1:32)
VomdtrFi/1 I ' 1/2
G!r
-6 (VocoderIIT. forgtr.) Gtr. 3
4
FtCTION
(DREAMS
IN DIGITAL)
orgy
[ElGuitar Solo (2:32)
digital She dreams In digital
BS G5 DS ES AS DS BS' GS D5
Gtr. I plays Rhy. Fig. 5
Gtr. 6 plays VocoderFill I Gtr. I plays Rhy. Fig. 4
49 GIT3 .. _..., - ..
. .. -
- . ..,
,v
. - ;; II
Tr -
I -
v
-
,v
~
--
,v
- v
- -
.IJ v ~ v ......... l l l l l .I I.
- - - A - : : : - ; - - - -
II
Tr
II
-
I I I ,- I I I 1 I I LJ i
Gtr. 3 ES AS ES BS GS DS E5 AS ES
rr r r r r r r Irr
1" rr r r r r Ir r r r r r r::0rI
BS GS DS ES AS ESopen BS GS DS
55 Gtr. I plays Rhy. Fig. 6 011ea11d011ehalf times Gtr. 6 pla ys Vocoder Fill I
I ivl.j' r r j' r r.Ij' r r.j' r j'.r i' Ir j' i' j' r i' i~I
Bass p1ays Bass Fig. 3
.I
IQ]Outro (2:52)
She dreams in digItal She's guilty by design . 'CauteIt's
ES AS DS N.C.(B5) BS GS DS
58 Gtr. 1 Gtrs. I and 2 pla y Rhy. Fig. 3
- - - -:. ..
II
...
Z -
:.
0 :: - - - -
,_
-
Tl
II
II
-
-"
-
--; '"
-
.-
;,.
v I i I "-'
r I v I I
Gtr.3
.. --
- -
--.-
II
II - I
'
- - . - - ,.... -- - --- -- Tr
- '7". :'< o II
II I
.I I I u I
-
Bass
- - -
- - - - ,_, - - ---- - -- I .... ..Bass plays Bass- Fig. 2
-.1
.-
I
:
I I I I I - =
-
LJ
. II
5
FfCTION(D_REAMSIN DIGITAL)orgy
better than nothing Now that control Is gone It leefflS unreal
ES AS ES BS GS 05 ES AS 05 BS GS 05
Gtrs. I anti 2 play Rhy. Fig. 3
1~-----=--
Gtr.4 w/harmonizer
(notessoundoneoctavehigher) (first 3 bars only)
1~
62
~
If' ~
- - 1!11 -
i
I
r r Bass plays Bass Fig. 3
She'sdreaming in digItal
'She's nothing more than fiction
55,-,
Gtr. 4 ES
-
AS
--..
~
ES BS
-"'
GS 05
--
.,,,,. .......
ES
Git. 5
I~-,'"'
--- - ----- -
I
I
) I
.. ------- - -
..,.,,,
~---- - --- - ,., - - II
"""'
. --.,v,_.
Bass
. - -- -- '- - ..
-
.,
I
-. -
- -
I I I I l I