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The history of the Eurovision Song Contest began with an idea of Sergio Pugliese, of the Italian television RAI, and then approved
by Marcel Bezençon of the European Broadcasting Union (EBU). The contest was based on the Italian Sanremo Music Festival and
was designed to test the limits oflive television broadcast technology.
The first contest took place on 24 May 1956,[1] where seven nations participated. As the Contest progressed, the rules grew
increasingly complex and participation levels rose to pass forty nations at the end of the 20th century. As more countries came on
board over subsequent decades and technology advanced, the EBU attempted to keep up with national and international trends.
The end of the Cold War in the early 1990s led to a sudden increase in numbers, with many former Eastern Bloc countries queuing up
to compete for the first time. This process continued into the2005 contest, in which both Bulgaria and Moldova made their debut.
Liechtenstein, Vatican City and Kosovo are the only European countries not to have participated; the most recent major European
country to take part was the Czech Republic, which made its debut in the 2007 contest. San Marino took part in the 2008 Eurovision
Song Contest in Belgrade, Serbia, together with Azerbaijan.
Australia made their debut in the 2015 contest and became the first country from the Oceania region (and the second country outside
Eurasia overall after Morocco in 1980) to participate in the contest. Although their participation was originally announced as a one-off
event, the country was subsequently invited to participate in the 2016 contest.
Contents
Competition history
The songs
Competitors
See also
References
External links
Competition history
24
1st
May
1956 SSR Teatro Kursaal Lugano 7[2]
Switzerland
3 Großer
2nd 1957 ARD
March Sendesaal Frankfurt Netherlands
10
12 France
3rd 1958 NTS AVRO Studio
March Hilversum
29 Netherlands
14th 1969 TVE Teatro Real Madrid 16
March Spain
United
Kingdom
21 RAI
15th 1970 NOS 12 Ireland
March Congrescentrum Amsterdam
3 Monaco
16th 1971 RTÉ Gaiety Theatre Dublin
April
18
25
17th 1972 BBC Usher Hall
March Edinburgh
Nouveau 17 Luxembourg
7
18th 1973 CLT Théâtre
April Luxembourg
Luxembourg
19th 6 1974 BBC Brighton Dome Sweden
April Brighton
Stockholm
22
20th 1975 SR International 19
March Stockholm Netherlands
Fairs
3 The United
21st 1976 NOS Congresgebouw
April Hague Kingdom
18
Wembley
22nd 7 May 1977 BBC Conference London France
Centre
22 Palais des Paris
23rd 1978 TF1 20
April Congrès
Israel
International
31
24th 1979 IBA Convention
March Jerusalem
Centre 19
19 The
25th 1980 NOS Congresgebouw Ireland
April Hague
4 Royal Dublin United
26th 1981 RTÉ Dublin 20
April Society Kingdom
Harrogate
24
27th 1982 BBC International 18
April Harrogate Germany
Centre
Théâtre Sweden
29th 5 May 1984 CLT
Municipal Luxembourg
19
30th 4 May 1985 SVT Scandinavium Norway
Gothenburg
Centenary
32nd 9 May 1987 RTBF 22 Ireland
Palace Brussels
30 Royal Dublin
33rd 1988 RTÉ Dublin 21
April Society Switzerland
Palais de
34th 6 May 1989 SSR
Beaulieu Lausanne Yugoslavia
Vatroslav
35th 5 May 1990 JRT Lisinski Concert Zagreb 22 Italy
Hall
Studio 15 di Rome Sweden
36th 4 May 1991 RAI
Cinecittà
13 Denmark
45th 2000 SVT Globen Arena 24
May Stockholm
12 Estonia
46th 2001 DR Parken Stadium 23
May Copenhagen
25 Tallinn
47th 2002 ETV Saku Suurhall 24 Latvia
May
24 Turkey
48th 2003 LTV Skonto Hall Riga 26
May
15 Abdi İpekçi Istanbul Ukraine
49th 2004 TRT 36
May Arena
21 Kiev Sports Kiev Greece
50th 2005 NTU 39
May Palace
20 Olympic Indoor Athens Finland
51st 2006 ERT 37
May Hall
12 Helsinki Serbia
52nd 2007 YLE Hartwall Arena 42
May
24 Russia
53rd 2008 RTS Belgrade Arena 43
May Belgrade
16 Olimpiyskiy Moscow Norway
54th 2009 C1R 42
May Arena
29 Oslo
55th 2010 NRK Telenor Arena 39
May Germany
14 Düsseldorf
56th 2011 NDR 43
May Arena Düsseldorf Azerbaijan
10 Austria
59th 2014 DR B&W Halls 37
May Copenhagen
23 Wiener Vienna Sweden
60th 2015 ORF 40
May Stadthalle
14 42
61st 2016 SVT Globen Arena Ukraine
May Stockholm
62nd 13 2017 UA:PBC International Kiev Portugal
May Exhibition
Centre
12 Lisbon
63rd 2018 RTP Altice Arena 43
May
The songs
The earliest period in the Eurovision history is marked by the style of songs which participated and the manner in which the show
itself was presented. Famous musical and film stars would participate without prejudice, with Italian winners of the Sanremo Festival
and such British names as Patricia Bredin and Bryan Johnson. With a live orchestra the norm in the early years, and simple sing-a-
long songs on every radio station, the Contest grew into a favourite amongst almost all age groups across the continent. Iconic songs
such as "Volare" and Serge Gainsbourg's "Poupée de cire, poupée de son" hit the sales charts in many countries after their Eurovision
performance.
In the beginning, it was obvious for the participants that they should sing in their country's national language. However, as the
Swedish entry in 1965, "Absent Friend" was sung in English, the EBU set very strict rules on the language in which the songs could
be performed. National languages had to be used in all lyrics, including Maltese when the island nation made its debut. Songwriters
across Europe soon tagged onto the notion that success would only come if the judges could understand the content, resulting in such
entries as "Boom-Bang-A-Bang" and "La La La". The lyrics were allowed to contain occasional phrases in other languages, which
was utilized for example by the Yugoslavian song in 1969. In 1973, the rules on language use was relaxed, and in the following year
ABBA would win with "Waterloo".
Those "freedom of language" rules would be soon reversed in 1977, to return with apparent permanent status in the 1999 contest, with
the intervening years waning from highlights to dead-weight years. The "swinging sixties" and punk scenes were all but missed by the
contemporary Eurovision periods, whilst the 1980s saw an increase in balladry with an almost blanket disregard for electronica or
guitar-based pop. Other than heavily infused popversions, rap has been next to completely ignored.
One result of the attempt to modernise the songs in the Contest was the abolition of the obligatory use of the live orchestra, to which
all songs had to perform. This decision was made in 1997 and removed the automatic requirement for songs to be re-composed for
playback with a live orchestra. As of 1999, the host country hasn't been obliged to provide a live orchestra, and there hasn't been one
since. No attempt has been made to return the Contest to the days of live bands and violins. Live music is not allowed. This rule most
likely exists because there isn't enough time to wire the instruments during the short break between the songs. On the other hand, a
backing tape may have no voices on it, singing still must be done live. Before 1997 backing tracks were allowed, but only if all
instruments on tape were featured on stage. This explains the odd situation in 1996, when Gina G, entrant for the United Kingdom,
had two computer screens on stage.
Other than the earliest contests, each and every entry has been fixed at a maximum three minutes in length.
Competitors
Previous performers at the Eurovision Song Contest include:
See also
European music
References
1. "Eurovision – History" (http://www.eurovision.tv/page/dusseldorf-2011/history). Eurovision. Retrieved 8 June 2011.
2. 7 countries performed 2 songs each
External links
History by Year
Eurovision Song Contest: The Story
Sing Your Heart Out, Europe: The EurovisionSong Contest
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