HISTORY OF THE PIANO

FROM THE BEGINNING OF TIME

At some time in the distant past, ancient man must have discovered that by stretching a
thong between the horns of a dead animal, or on a branch that forked, a musical sound
could be produced. The hunter would also have heard that the string of his bow would
sound a definite pitch. Later it would have become clear that by stopping the string at
different points and varying its length and thickness it could be made to sound other
notes. Once two or more parallel strings were added to the bow, a rudimentary harp
was created.

The first stringed instrument was the harp, on which the strings are plucked. The
harmonic curve caused by the varied speaking lengths of strings dictated the shape of
the frame of the piano and broadly follows the shape of a harp.

The monochord is simply a sound box with a single string stretched over a movable
bridge to the position required, which is determined by a scale marked by "0" on the
surface. The bridge is moved to each marking to give you a new note. It was plucked,
and would now be referred to as a tone metre.

The psaltery was common in the fourteenth and fifteenth centuries. It is a shallow
closed box where strings are stretched and sounded by plucking with the fingers or
plectra. There was also a bowed version. The psaltery can be considered a forerunner of
the harpsichord, since the strings are plucked, just as the dulcimer can be considered a
forerunner of the piano, since its strings are struck. The hammer dulcimer is an ancient
instrument dating back to before Christ, and it originated in Iran. The dulcimer and the
psaltery may look alike, but they are played differently. Small wooden hammers are used
on the strings of the dulcimer to set the strings vibrating, much as the hammers do on
the piano's strings. The strings of the psaltery are plucked with the fingers or with a
feather quill, as are the strings on the harpsichord.
800
Around this time in Rome, music notation started to be developed. At first it was crude,
no more than a simple curve to indicate that the pitch should rise or fall. Then around
1160 in Paris the familiar five lines of the staff can be seen with the music notation,
giving a clearer sense of pitch. Around 1400 in England the system of notation began to
resemble our modern form, with open and closed notes. The colour red was used by
some composers to indicate metric alterations, the use of such "colouration," as it was
known, later giving way to other devices.
1157
Around the middle of the twelfth century we find the keyed monochord, which was
developed further, several strings being added, until eventually we recognize the
clavichord. A tangent was fitted to the back of each key, which when raised contacted
the single string, and facilitated simultaneous notes. The tangent acted as a bridge
determining the speaking length of the string. A mute was fitted to the non-speaking
length, so when the key was released the note stopped singing.
1350
Towards the middle of the fourteenth century German wire smiths began drawing wire
through steel plates, and this method continued until the beginning of the nineteenth
century. Iron, gold, silver, brass, gut, horsehair and recently nylon have been used for
strings on many different instruments. The earliest use of steel wire occurred in 1735 in
Wales, but is not thought to have been used for the stringing of instruments. The
Broadwood piano company stated that they were using steel wire in 1815 from
Germany and Britain, but this has not been confirmed. According to the Oxford
Companion, it was in 1819 that Brockedon began drawing steel wire through holes in
diamonds and rubies. Before 1834 wire for instruments was made either from iron or
brass, until Webster of Birmingham introduced steel wire. The firm seems to have been
called Webster and Horsfall, but later the best wire is said to have come from
Nuremberg and later still from Berlin. Wire has been plated in gold, silver, and
platinum to stop rusting and plated wire can still be bought, but polished wire is best. In
1862 Broadwood claimed that a Broadwood grand would take a strain of about 17 tons,
with the steel strings taking 150 pounds each. There had been many makers, but it was
not until 1883 that the now-famous wire-making firm of Roslau began in West
Germany. According to Wolfenden, by 1893 one firm claimed their wire had a breaking
strain for gauge 13 of 325 pounds. The same maker gives some earlier dates for the
breaking strain of gauge 13: 1867 - 226 pounds; 1873 - 232 pounds; 1876 - 265 pounds;
and 1884 - 275 pounds.
Wolfenden said:"These samples were, of course, specially drawn for competition and commercial
wire of this gauge cannot even now be trusted to reach above 260 pounds."
1400
By approximately 1400 the clavichord had about ten strings and in earlier examples two
notes or more were produced from that string or pair of strings by making two or more
tangents contact the same string or pair of strings at different points. This type is
termed fretted, or in German Gebunden. A later type, in which each note has its own
string, or strings, is called a "Bundfrei" clavichord. The clavichord is the simplest and
usually the smallest of string keyboard instruments. It is rather like an oblong box with
the keyboard running nearly the length of one long side and with the horizontally
placed strings almost parallel to that side. The small wrest pins and bridge are at the
right-hand side and the strings are permanently damped at their left-hand ends by a
strip of felt or cloth. The strings are struck from below by small pieces of metal shaped
like a screwdriver blade, which are fixed to the backs of the key frame as tangents.

Since about 1450 keyboards have virtually remained the same, except for a little
variation in the colour of the keys, as the older ones had the reverse of the present-day
key colouring. The organ was the first keyboard instrument and the weight of the keys
has varied greatly since the earliest examples, whose keys were so heavy that the
players were called "Organ Beaters." Around the thirteenth or fourteenth century,
keyboards were laid out according to the natural modes which were the basis of the
musical system. The interval of the augmented fourth, B to F, was considered
discordant, so B was lowered by adding an extra short key, which procedure then led to
five accidentals, B flat being followed by F sharp, E flat, C sharp, and G sharp.

Today's arrangement was found as long ago as 1361, as demonstrated by paintings of

the time. The first member of the harpsichord family was the virginal or virginals. The
 strings on this instrument are plucked by plectra and the shape is similar to that of the
clavichord. The spinet followed the clavichord and then came the more elaborate
harpsichord.

Tuning often followed the meantone system where major thirds were tuned precisely
and other intervals tempered. This created some very wild intervals and the howling
sound resulted in them being called "wolves" or the "wolf interval." If a series of fifths is
tuned from the bottom A upwards, when the top A is reached it will be a quarter of a
semitone sharp if all are tuned in pure intervals, and this is called the Pythagorean
comma.

The spinet could have received its name from a possible Italian inventor, Giovanni
Spinette, or from the connection with spine thorns, which were used for plucking the
strings.

1420
The earliest mention of a harp made in England appears in the state account books of
1420. "By the hand of William Menken was paid £8.13s.4d for two harps for Henry V
and Queen Catherine." Henry V reigned from 1413 to 1422. Harpsichords with one
manual and a two-foot register were slightly more triangular in shape than a modern
grand piano. The strings were normally arranged like those on a straight-strung grand
piano. Plucking was done by crow quills soaked in olive oil to harden them, though
sometimes leather was used, also to provide contrast in tone. In modern harpsichords
nylon is now the preferred material. When a key is depressed, the back end lifts a small
piece of wood or nylon called the jack, five to eight inches long, with a gong fitted at its
top carrying the plectra which plucks the string as it passes. On release of the key, the
plectra bypasses the string by means of a spring originally of hog's gristle. The damper
is fitted to the plectra, sometimes looking like a flag. By removing the jack stop rail, the
jack can be removed also. The rail prevents too much movement of the jacks. A screw at
the bottom end of the jack regulates its height. If plucking does not occur when hand
stops are preventing it, an adjustment can then be made with a small screw at the top or
in the side near the top of the jack. In the case of a two-foot register one or both
registers can be engaged. Whalebone, shell, and wood have been used as materials for
plectra. The harpsichord seems to have originated in Italy. Four octaves was the normal
range and various notes below this were introduced on other keys whose notes were
used less. For example, the lower E played C below, F played F, F sharp B flat, and the
rest were naturals, suitable as keynotes. Divided keys on the first two keys were also
found on English harpsichords with the back of the note for the correct note and the
front for another note.
1598
Paladino describes an instrument he has made in letters to the Duke of Modena, calling
it "Pian e Forte." Although this instrument was capable of soft and loud, it is not clear if
it is a type of harpsichord fitted with a device or a true hammered piano.
1682
On July 14, 1682, Henry Purcell was appointed organist of the Chapel Royal, London.
Purcell is famous for more than a hundred baroque compositions, including the
miniature opera "Dido and Aeneas," and his musical version of Shakespeare's A
Midsummer Night's Dream, called "The Fairy Queen." As the spinet was more popular
 in the UK than the virginal at this time, mainly because of its larger compass and more
powerful tone, Purcell would have used one to compose some of his music.

1709
The year 1709 is the one most sources give for the appearance of an instrument which
can truly be called a "Pianoforte." The writer Scipione Maffei wrote an article that year
about the pianoforte created by Bartolomeo Cristofori (1655-1732), who had probably
produced four "gravicembali col piano e forte" or harpsichords with soft and loud. This
instrument featured the first real escapement mechanism and is often called a "hammer
harpsichord." The small hammers were leather covered. It had bichords throughout,
and all the dampers were wedge-shaped. By 1726 he seems to have fitted a stop for the
action to make the hammers strike only one of two strings. He had produced about
twenty pianos by this time and then he is presumed to have gone back to making
harpsichords, probably from the lack of interest in his pianos. Three of his pianos
remain extant today: one with four octaves, dated 1720, is in New York; one with four
and a half octaves, from 1726, is in Leipzig, Germany; and there is one in Rome from
1722. There are approximately ten plucked instruments surviving today with the name
Cristofori on them.
1711
John Shore was the inventor of the tuning fork. He became a royal trumpeter in 1688
and rose to sergeant trumpeter in 1708. He was also lutenist to the Chapel Royal,
appointed in 1706. A lute is a guitar-like instrument with a long neck and a pear-shaped
body, much used in the fourteenth to seventeenth centuries. The instrument is
notoriously difficult to keep in tune, and Shore devised the tuning fork to help him tune
his lute. He died in 1752.
1725
Johann Ulrich von König, the court poet at Dresden, published a translation of Maffei's
article on Cristofori's piano, and within a year the clavichord maker Gottfried Silberman
(1683-1753) made two such pianos. Here again however, the piano was not received
with great enthusiasm. Bach, a close friend of Silberman, did not like his pianos at first,
but his opinion changed later. Christian Ernst Friederici, a pupil of Silberman,
continued with experiments on the piano and made a small square piano, which was a
success; he named his piano a "Fortbien". Later on Friederici began producing "pyramid"
pianos, which were grand-shaped pianos set vertically, with the treble curve side up and
the wrest pins at the bottom, not to be confused with the upright piano.
Not until after the end of the Seven Years' War in Germany in 1760 did the piano
become really popular. This was because twelve instrument makers came to England,
the "twelve apostles," as they became known. Johann Christoph Zumpe was one of
them, known for his simple but extremely successful "square" pianos for which his name
became virtually a synonym in the second half of the eighteenth century. It is not
known exactly when. Buntebart, who was also a pupil of Silberman, came to England,
and he worked at first with Shudi the famous maker of harpsichords.
1730
The firm of Kirkman piano makers was founded in 1730, according to the Pierce Piano
Atlas. However, Kirkman inherited the business from Tabel's wife, whom he married
one month after Tabel's death. Tabel was a harpsichord maker who trained with
Ruckers. He came to London in 1680 and set up making harpsichords. Abraham
 Kirkman, who was born in 1710 in Bischweiler near Strasbourg, came to work for
Tabel. In 1742 he moved to Great Pulteney Street. These are some later dates and
locations for him:
(1817) (Grand Pianoforte Maker to Her Majesty and H.R.H. The Prince Regent)
(1818-1832) (Grand Pianoforte Maker to His Majesty) 19 Broad Street, Golden Square
(1822-1896) Kirkman, Joseph (Junior) 67 Frith Street, Soho
(1831) 3 Soho Square
(1846) 9 Dean Street
(1848) DuLour's Place, Golden Square
(1864) 21 Broad Street, Golden Square
(1894) 12A George Street, Hanover Square
They had associates with Collard who were based at 50 Bond Street, London, the same
as Chappell. There is a fine example of a Kirkman harpsichord at the Colt Clavier
private collection. In 1896 Georgiana Kirkman sold the business to Collard's at cost.
1732
J.C.F. Bach was born in 1732.
1733
On April 11th, 1733, the Earl of Bristol paid Shudi £0.17.6 for the tuning of his
harpsichord. This must have been for a year--if it was just for one tuning I was born in
the wrong time.
1735
J.C. Bach was born in 1735. In the same year, according to Pierce, Schiedmayer made
his first piano. Before that he was a clavichord maker. He was born in 1711 and died in
Erlangen in 1781. He had three sons, two of whom made pianos from around 1790 on,
under their own names, Adam Schiedmayer and David Schiedmayer. Later on, about
1853, they became a single company.
1739
This could be the date for the first upright piano, made by Domenico del Mela, which is
more like a grand stood up than an upright as we know it today or the one made by
Hawkins in 1800. The compass of the del Mela piano runs from C to E and the piano is
in the collection of the Museo del Conservatorio in Florence.
1740
Broadwood's were granted the Royal Warrant for keyboard instruments.
1742
April 13th of this year saw the first public performance of George Frederic Handel's
Messiah, which took place in Dublin, Ireland. The Messiah is in three parts
representing Christ's birth, death, and resurrection.
1745
God Save the Queen was composed.
1745
Francisco Perez Mirabal was making pianos in Spain, two of which survive today. The
style of the piano is that of Silberman, with a compass of G to G and a length of 239 cm.
Although the Mirabal piano used the same type of case as Silberman's the action was of
a Florentine design. The stringing is unusual in that there are three strings for each
note in the treble. However, they are arranged in a pair and a single. The single string
has a longer speaking length than the double strings. The paired strings go through
two bridge pins on the first bridge, then through one bridge pin on the second bridge.
The single string passes through a slot in the first bridge and then onto the second
 bridge where it passes through two bridge pins. This system must have made the piano
interesting to tune as well as creating an unusual harmonic combination.

1748
Stein became a pupil of Silberman and he was with him until June, 1749. In 1760 he
married and had fifteen children. One of his daughters, Nannette Stein, was his best
pupil. David Schiedmayer also studied under him. Stein did a lot of research and took
out some odd patents.
1750
Thomas Culliford, 112 Cheapside London, established his piano making business
sometime in the latter half of the eighteenth century. He also worked for Longman &
Broderip for a time.
1752
Clementi was born in Rome, the son of a silversmith. In 1766, when he was fourteen, he
came to England and lived in Wiltshire under the watchful eye of Peter Beckford. He
made his debut in London in 1801. Clementi published a highly respected piano method
which even Beethoven endorsed, sending pupils along to Clementi. See also 1795.
1756
W. A. Mozart was born.
1760
Christian Ernst Friederici started on his own. C. P. E. Bach wrote a letter to Forkel on
the 10th of November, 1773, stating that he liked Friederici's clavichord in preference to
those made by Fritz. Friederici went on to make small square pianos, which became
very popular.
1761
In September John Broadwood started to work for Burkat Shudi.
1761
J. C. Zumpe was a German builder who served his apprenticeship with Silberman. He
also worked for Shudi making harpsichords for a time. In 1761 he set up his workshop
at 7 Princes Street, Hanover Square, London, where he worked until 1780. From 1780
to 1784 he was at Princes Street, Cavendish Square. He was in partnership with
Buntebart from 1769 to 1779. There is a combined piano/organ in the Musée des Arts
et Metiers in Paris, with Zumpe and Buntebart's name on it. The action of Zumpe's
square piano is very simple and has been called the "old man's head" or "single action
mop stick." Hammer heads were put to the strings by pads of leather fixed to the ends of
thick brass wires inserted into the backs of the keys. There was no escapement or
checking the fall of the hammers other than by the pads which lifted them. The dampers
were above the strings where the lever was tipped with cloth, and hinged by whalebone
at the back of the instrument on the keys passing through holes in the hitch pin block.
At the left side of the instrument there was either a stop to raise all the dampers or two
hand-stops to raise treble and bass sections independently. The wrest pins were on the
right and the hitch pin block was at the back parallel to the keyboard. A piano was made
by Zumpe in 1766 with the black notes divided into two sections, controlling different
strings, to allow for the tuning of sharps as sharps and flats as flats. The practical
difficulties of playing such a thing ensured that it did not catch on. Zumpe hired a
Scottish cabinet maker, John Broadwood who came to London to make his fortune. In
1769 he married Barbara, the daughter of Shudi the harpsichord maker who Zumpe
 used to work for. In 1763 probably the first advertisement for a piano in the UK was
taken out by Zumpe, selling them for £50.00. By 1767 one of the first known public
performances using a Zumpe took place, at the Beggar's Opera at Covent Garden. The
concert featured a Miss Brickler singing, accompanied by a Mr. Dibdin on a "Zumpe
pianoforte." Johann Christian Bach performed on a Zumpe for a piano concert at The
Thatched House, St James. Schoene & Co. of Princes Street, Cavendish Square, took
over Zumpe's business when he retired, running it from 1784 to 1793.
1767
Longman & Broderip, the music publishing and instrument retailing company, was
founded by James Longman in this year, with the first known address at 26 Cheapside,
London. Geib and Gulliford made pianos for them. (See also 1798.) The earliest known
surviving square piano with the name Longman is from 1770 and is in the Boston
Museum. It has five octaves spanning D to A. In 1798 the firm became Longman &
Clementi, and in 1832 when Clementi died the company became Collard & Collard.
Other known partners of Longman included Longman & Lukey in 1771 and Longman,
Lukey & Comp in 1774.
1768
J. C. Bach gave the first-ever piano recital on one of Zumpe's instruments at the
Thatched House in London. The instrument cost him £50, a bargain at the time, and
Bach himself thought so. Probably a wise investment by Zumpe.
1768
Gabriel Buntebart moved in to 7 Princes Street, Hanover Square, until 1795. One of his
pianos can be seen at a museum in Brussels.
1770
Beethoven was born.
1771
Americus Backers, a Dutchman, exhibited a piano with an action similar to Cristofori's,
yet with some differences, and Broadwood's and Stodart's helped him develop this
action, according to Broadwood's records. Broadwood's were to use this action in their
pianos and it was soon known as the English or Broadwood action. It was about this
time that J. Broadwood took control of the company, and the action was used up to the
beginning of this century. Backers started in 1761 at Jermyn Street, London, and
remained there until 1781.
1771
Robert Stodart took out a patent using the name "Grand" to describe his instrument,
this being the first known use of the word grand in a patent.
1772
Johann Andreas Stein (1728-1792), who was also a former apprentice of Silberman from
1749 to 1750, went on to develop the Viennese action in 1772. The hammers are centred
to a metal spring clip fixture on the keys called a Kapsel with the heads of the hammers
towards the player and the shanks being set horizontally and parallel to the keys. The
shanks protrude beyond their centre points and contact a spring or moveable stopper so
that the back of the shank is held when the key is depressed, forcing the hammers
forward until the escapement takes place. This action is also known as the South
German or Back Striker. The strings were normally fifty percent thinner than their
English counterparts and the hammers were much smaller and covered with buckskin,
giving a lighter touch and tone. This type of piano was preferred by Mozart. The
English action had a jack centred to the key and the top of the jack pushes the notch
 lifting the hammer; when the hammer is about an eighth of an inch from the string the
jack escapes by means of a set-off button. The notch is in contact with the button which
forces the jack away. A wire spring inserted into the key in front of the jack constantly
pulls the jack forward to keep it in place in front of the notch. The action is also known
as the direct action because the jack works directly under the notch. The action also
became known as the Broadwood action because of its extensive use by this maker. At
the back of the key there is a check which catches the hammer while the key is held, and
after the hammer has escaped there is usually one long centre wire for the hammers
running along one complete section. This is also known as a single escapement action.
There is always some lost motion which results from a gap between the jack and notch
to allow escapement. The gap's measurement being about that of card could have
resulted in the use of the term carding for the task of trying to eliminate this gap when
regulating.
1773
Clementi's Sonata Opus 2 is probably one of the first pieces to be composed with the
piano in mind and not the harpsichord. Haydn's popular piano sonatas started the shift
from the harpsichord to the piano. But it was Mozart's piano concertos which put the
piano on the map, especially through Mozart's virtuosity on the Viennese piano, which
had a light touch, a very crisp treble, and a very efficient damping mechanism. Mozart
didn't like the English action as it was heavy and the dampers were very slow. This is
one reason Mozart's music transfers well to a modern piano, unlike Clementi's music,
which in his later years he wrote mainly with English pianos in mind.
1774
Frederick Beck established himself at 4 Broad Street, Golden Square, London. There are
no records for him after 1795.
1774
John Joseph Merlin (1735-1804) came to England in 1760. He introduced the "una
corda" pedal which moved the action to one side, hitting only two strings instead of
three, making the piano quieter. In 1774 he took out patent number 1081 for a
combination harpsichord-cum-piano, which he called his "Compound Harpsichord."
1775
Johann Behrent of Philadelphia was probably the first piano maker in America, and he
made squares.
1776
America declared its independence.
1777
Erard made his first square piano; it was probably a copy of an English Zumpe piano.
1777
Robert Stodart, a former apprentice of John Broadwood, took out patent number 1172
for an instrument which was both a harpsichord and piano. Apparently you pressed on
one pedal and this disengaged the piano and engaged the harpsichord. If you pressed on
the second pedal this operated the swell
1777
Erard made his first piano in France. He then moved to England where he remained
until 1796. He then went back to France and in 1802 opened his Paris factory.
1779
Piano making was established in Estonia. this was manly small craft shops around 20,
later they became the company named Estonia which started in 1893.
1783
Broadwood introduced a sustaining pedal and is credited with its invention. However,
there is a Backers Grand of 1772 in the Russell Museum, Edinburgh with two pedals,
one on each front leg pointing inwards. The right is a sustaining pedal, the left an una
corda, so we may conclude that Americus Backers was the first to use the sustaining
pedal and the una corda. Its number is 29.
1783
The typical compass for the piano was now six octaves, by this time the piano may be
said to have taken over from the harpsichord in popularity.
1785
George Astor was established 73 Cornhill London, and closed down in 1810.
1786
John Geib invented the grasshopper action for square pianos while he was doing work
for Longman & Broderip. According to "The Pianoforte" by Harding, he was an
employee of Longman & Broderip. But "Early Keyboard Instruments" by James has
Geib's business address from 1775 as "Old Bailey London" until he emigrated in 1798.
The hopper hinged to the key with a spring to maintain position. An escapement screw
passes through the hopper and the button is behind the hopper. The later sticker action
for uprights was a development from this action.
1787
Bury, Samuel & Co. were listed at 113 Bishop's Gate within London. There are no
further records for them after 1794.
1787
Pascal Taskin developed a form of return string. Taskin used a screwed wrest pin in the
form of a metal loop, through which the strings were passed. One end of the loop passed
through a block of wood in such a way that it could be moved backwards or forwards by
means of a nut. This method was expensive to produce and was not widely used, unlike
the system James Stewart invented in 1827, which is still used today by all the piano
makers.
1790
James Ball set up making pianos in Duke street, London, and was active until 1817.
1790
Ludwig Lenkfeld set up in Tottenham Court Road and was there until 1796. He was in
partnership with Geib for a short time.
1793
John Adlam was established around this time and his premises were at 40 King's Street,
London.
1793
Broadwood's made their last harpsichord.
1793
Monro & May, 60 Skinner Street, Snow Hill, London. The company was in business
from 1793 to 1827. Monro worked for Longmann & Broderip until 1788 and may have
worked on his own after this time until 1793.
1793
Johann Adolph Ibach sets up shop in Barmen, Germany. The oldest surviving family-
owned piano manufacturers in the world, Ibach still makes fine instruments at their
factory in Germany.
1793
John Broadwood gave his son James Shudi Broadwood fifty percent of the shares of the
company and renamed the company John Broadwood & Sons. James had by this time
worked in all parts of the company and was well-versed in piano making.

1798
Broderip & Longman, the music publishing and instrument retailing company, went
bankrupt. Their addresses were 26 Cheapside and 195 Tottenham Court Road, London.
This was a turning point in Clementi's life, as Clementi had a long association with this
company. He decided to form a partnership with four gentlemen to set up a new piano
company from the old one. One of these gentlemen was Frederick Collard, who came
from Somerset.

Collard was a carpenter by trade, and was soon in demand as a "belly maker"
(soundboard maker). He was put in charge of production, while Clementi did most of the
selling. Clementi eventually became one of Broadwood's main competitors. Clementi
himself was a talented businessman, as much as he was a talented composer and
musician. Unfortunately, Clementi was reluctant to change with the times. He was
reluctant to introduce over-damping, over-stringing, and some of the more modern
factory production methods emerging from America. The firm eventually became
Collard and Collard. Collard's also made pianos for John Squire, 22 & 23 Sutterton
Street, Caledonian Road, London. Clementi died at Evesham England in 1832. In 1960
Chappell's took over Collard's, then sadly in 1963 a fire destroyed all the Collard
records, which included those of Clementi.
1798
Thomas Tomkison (1798 1851) in 1851 his workshop was located at 55 Dean St, Soho
London. Later he moved to 77 Dean St. He made squares and Grand's pianos and for a
time healed the royal warrant square Number 10490 date c1835 had the inscription
Makers to His Majesty, he produced 9,000 interments. His early pianos were 6 octave
running F to F about 1829 the compass was extended to 61/2 C to C

1800
1800
The first true upright, by John Isaac Hawkins, an Englishman living in Philadelphia. In
this piano, strings ran below the keyboard with hitch pins at the bottom (unlike the
pyramid piano where the strings ran up from the keyboard to the top). The compass was
five octaves with an octave span of 158 mm., which is narrow. Hawkins was born on the
14th of March, 1772. He attended medical college but left, and began a career in piano
making. It is said he made a piano for Thomas Jefferson, but that Jefferson was unhappy
with his piano and returned it to Hawkins. Not long after this Hawkins left the US and
returned to England to sell coffee. Later, around 1819, he ran a mechanical museum.
1800
The Jacquard weaving loom was manufactured in Lyons, designed to weave cloth under
the control of punched cards. Later developments of the idea were applied to musical
instruments, leading to the invention of the player piano and the Pianola.
1801
Erard made a grand for Napoleon, which had a Viennese action and five pedals.
1801
Edward Riley obtained a patent for a transposing piano, in which the keyboard moved
laterally, allowing keys to work different notes. The same year Jacob Ball made a
transposing piano, which is said still to exist.
1802
Erard's Paris factory was organised along the production lines of Broadwood's factory.
1802
Broadwood's six-octave grands were selling in London for £84. Dealers got a 25%
discount. Around this time John Broadwood was paid a salary of £5,000 while a skilled
worker would be paid £100.
1804
Challen Pianos London were established. Their clam to fame is that they made the
world's largest grand, at twelve feet long. They were later acquired by Barratt &
Robinson, England.
1804
Johann Strauss was born.
1804
Johann Baptist Cramer's first venture into publishing was with the company known as
Cramer & Keys.
1807
The sticker action was invented by William Southwell (1756-1842). He was an
apprentice to Weber's of Dublin, from 1772 to 1782. He went on to open a workshop at
26 Fleet Street, Dublin. The sticker action was fitted in upright pianos and cabinets
(also known as wall-climber pianos). In this action the hopper is fitted by a vellum
hinge, vertically to the back of the key, and escapement pins pass through the hopper.
The stick or jack raises the butt on a long centre. The over-dampers can normally be
removed as a complete part, though on some of the larger cabinets or (wall-climber
pianos), a stool was needed for the piano tuner to reach the tuning pins.
1807
Ignace Joseph Pleyel was born in Ruppersthal, Lower Austria, on the 1st of June 1767,
and died in Paris on the 14th of November 1831. He opened his piano factory in Paris in
1807. Anxious to create a Pleyel instrument accessible to all, the company developed an
excellently crafted square piano in 1839, at a very reasonable price. His son Camille
took over in 1831, and won many gold medals for his pianos. Pleyel made the first
double grand, two pianos in one case, with one keyboard at each end. Pleyel was in
partnership with the pianist Kalkbrenner. He was also a pupil of Haydn. He liked
Warnum's small pianos so much in 1815 he asked Henri Pape to organise the
construction of cottage pianos on the Warnum pattern. This could have been the
deciding factor in starting his own line of small pianos. Pleyel introduced the upright
piano to France. In 1961 they merged with Erard, and in 1971 Erard struck a deal with
Schimmel to manufacture Erard and Pleyel pianos. Some of their first pianos were called
"Pleyel Ignace" in Paris.
1807
Erard first used the metal stud bridge (brass agraffe).
1807
A fire on the 20th of March at the Clementi piano factory caused an estimated capital
loss of £40,000, of which the insurance companies paid out only £15,000. Broadwood's,
their main competitors and rivals, came to Clementi's aid, helping him to fulfil orders,
and Broadwood's workmen collected enough money among themselves to re-equip
Clementi's men with the tools of their trade.
1808
Bracing bars of metal were used to support the wooden frame in Broadwood's grands.
1809
Erard patented wrest pin bushings. The English patent number was 332. Not all pianos
have bushed wrest pins.
1809
Erard introduced the "Roller Double Escapement" or compound escapement action.
The roller lifts the hammer in two ways, by the jack and by the repetition lever. The
repetition lever's main job is to catch the hammer when it drops onto the roller and hold
it there, or lift it slightly; there have also been a few modifications to this action.
1809
Robert Warnum patented the cottage piano, which was a small upright and he later
invented the tape-check action, patented in 1826. It was also known as a pianino or
piccolo. The action was a sticker with only short shanks. Their pianos became very
popular. Large upended grand type pianos were sometimes known as giraffe pianos and
others as pyramid pianos. There were also harp pianos with exposed strings above the
action level and with wrest pins at the top and a sort of upright harpsichord which
plucked the strings which was known as a clavicytherium.
During the first part of the 18th century the street piano or barrel organ was invented.
It had no dampers and was not tuned chromatically.
1810
Chopin was born.
1810
Chappell Pianos of London was founded. The company also made Elysian pianos which
are now made by Young Chang.
1810
Schumann was born.
1811
Liszt was born.
1811
Samuel Chappell, Francis Tattor, and John Baptist Cramer formed the publishing firm
of Chappell & Co. on 1st January 1811. Cramer left in 1813 and Chappell is said to have
dissolved the whole partnership in 1825. One source claims that Cramer dissolved the
partnership at the end of the seven-year agreement in 1818. Chappell took his oldest
son, William into business, and he became director of the firm when his father died in
1834, although William's formidable mother became manager. The second son, Thomas,
1819-1902, left school to join his father when he went blind near the end of his life.
Cramer was born in Mannheim in 1771 and died in England in 1858. Clementi taught
him, and in 1793 he gave his first public performance, using a Broadwood piano. He
became famous for his playing and acquired the appellation "Glorious John." One of his
more illustrious pupils was George Smart. After working for Chappell, Cramer started
his own publishing firm. Like Chappell at a later date the name was associated with
 piano making. A number of piano makers and organ builders both printed and published
music at the same time.
1815
The pricelist of 1815 of Messrs. John Broadwood & Sons reads as follows:

o Six-octave grand £40.10s.0d

o Six-octave ornamented Grand £46.0s.0d
o Six-octave upright grand £46.0s.0d
o Six-Octave cabinet £33.2s 0d
o Six-octave ornamented cabinet £48.0s.0d
o Six-octave cabinet with additional keys £31.0s.0d
o Square with round corners and compass C to C £22.15s.0d
o Square with double action £18.3s.0d
o Square with single action £17.6s.0d
o Square (elegant) £26.0s.0d

1817
Thomas Broadwood visited Vienna, after which he wrote to Beethoven, offering him a
piano. Beethoven wrote back in February 1818: " I shall regard it was an altar upon which
I will place the choicest offerings of my mind to the Divine Apollo". Beethoven was very
appreciative of the six-octave grands, preferring the bigger tone of the English piano.
The piano still exists today. In that year Broadwoods were using four metals bars in the
trebles of their grands.

1819
This was the year that Brockedon began drawing steel wire through holes in diamonds
and rubies. It would also appear to be the date for the first use of steel wire in
Broadwood pianos.
1820
Aucher Frčres of France was one of the first piano makers with a folding keyboard,
which came to be known as a ship's piano. The company stopped making pianos in the
1930s.
1823
Chickering (1796 - 1853), having started as a cabinetmaker in New Hampshire, became
an apprentice with Babcock, a piano maker in Boston, in 1818. It is believed that
Chickering became a partner of Babcock at his new address, 11 Marlborough Street,
Boston. This would have only been for two years at the most. The firm of Chickering,
established in 1823, has the longest history of piano making in America. In 1932 they
merged with the Aeolian American Corp., and Wurlitzer started making Chickering
pianos around 1986.
1823
The Eavestaff company was established in 1823 at Finsbury Park, London. The Brasted
brothers took them over in 1925. At the end of the 1970s Eavestaff pianos were
marketed by a new company formed by John Brasted. The pianos were to be made
under licence by Kemble & Co. For some years previously, Eavestaff pianos were made
at the Barratt & Robinson factory, Hermitage Road, Harringay. From the 1950s onward
Eavestaff only made Minipianos, the best one being the Royal. They stopped making
pianos in 1983. In the USA Hardman Peck & Co. made Eavestaff Minipianos under
 licence in the 1950s and 60s. However, today Eavestaff pianos are made by in China, and
are not Minipianos, but a standard upright. Brasted pianos were made by them as well.

1825
Pierre Erard patented in England a method of fixing metal bars to the brazing by using
bolts, which passed through holes cut in the soundboard. The iron frame of a modern
grand is attached in a similar way and although Broadwood's used bars from 1808 there
was always controversy over who used them first, as Broadwood did not take out a
patent for metal bars in combination with a metal string plate until 1826.
1825
Babcock (1785-1842) patented the full iron frame, which was not at first completely
successful but still an important development.
1826
Robert Warnum patented the tape-check action, which is similar to the present-day
over-damper action. He also took out patents for diagonal stringing. From 1810 to 1812
he was in partnership with George Wilkinson at 315 Oxford Street and 11 Princes
Street. Wilkinson went to work for Broderip after this.
1827
James Stewart, Chickering's first partner, fitted return strings, not only for the steel
bichords but also in the treble section.
1827
Thomas Loud in America made the first down-striking grand. His workshop was at 22
Devonshire Street, Queens Square, London, from 1802 until 1825 when he moved to the
USA.
1828
Messrs John Broadwood & Sons pricelist for 1st May 1828:

o Square F to F, plain case 36 guineas

o the same type, banded with rosewood, 41 guineas
o Square in plain case with circular ends 38 guineas
o new patent six octave F to F with metallic plate Ł55.
o A charge of 4 guineas to be made for fixing drawers to either of the above
o Cottage six-octave f to F square front 50 guineas
o Cottage superior with six octaves and square front 55 guineas
o The same with with cylinder front 55 guineas
o Cabinet with six octaves 65 guineas
o Cabinet elegant 70 guineas
o Cabinet with six and a half octaves in rosewood case 75 guineas

1828
W. H. Barnes was founded and also sold pianos under the name of Normelle, Osbert,
and D'Almaine. It's not to clear if they made their own at first or just branded other
makes. Later on in the 1900s they did use the Kemble and Monington names.
1828
Rushworth's was founded by William Rushworth, a pipe organ builder in Yorkshire. In
the late 1800s the company moved to Liverpool. Apparently a piano was sold from the
offices, almost by accident, and it was then they decided to sell pianos to the general
public. This was the start of the piano retail site. At first pianos were made by Clarence
 Lyon of London, and not long after Rushworth's began producing classic British pianos
alongside their world-famous organ building, which is now in its fifth generation under
the leadership of Alastair Rushworth. It has become the largest organ builder in the
UK. Around 1921 Rushworth also acquired pianos from Squire & Longsons for £29.00
and resold them for £49 guineas.

In 1969 the piano retail side formed into a separate company. This was after piano
production was stopped at the St. Anne Street workshop to allow them to concentrate
on organ building.

In 1998 the piano retail side went under major reconstruction under the guidance of
David Rushworth, and they have introduced a wider range of overseas pianos. The
Rushworth piano is now made for Rushworth's in the Far East and is backed up by
Rushworth's in-house service facilities.
1828
Paint-covered hammers with rabbit's fur and sheep's wool felt were used. This could
also have been when two layers of felt were used. Buckskin was still commonly used for
the top treble.
1828
The Bösendorfer piano company was founded in Vienna. Ignaz Bösendorfer (1794-1859)
was granted the right to trade as a piano maker by the body of magistrates.
1828
Pape may have been the first to make over-strung pianos. He was born in 1789 and died
in 1875. Most of the great piano makers can be traced back to just a few early makers.
One of Pape's pupils was Carl Bechstein.
1829
Rawler made the first under-damper upright piano. It was about one meter high.
1829
Squire & Longson, London, was established. In 1938 a fire at the factory shut them
down, and Kemble acquired the name and produced pianos with the Squire & Longson
name until the 1970s. The workforce was taken up by Whelpdale Maxwell & Codd Ltd.
to make Welmar pianos.
1829
B. Squire was established. In 1936 Kemble took over production. For reference, serial
number 17845 corresponds to the year 1885, as confirmed by an original invoice.
Kemble's phased out B. Squire in the late 1970s. In the mid-80s Kemble made some very
small, overstrung, underdamper pianos with an 85-note range under Squire name,
which were just under 56 inches wide. They sell well in the North of England, as 57
inches is the width of the gap between the chimney breast and outside wall in a lot of
terraced houses.
1830
Claude Montal (1800-1865) started his career in Paris as the first blind piano tuner. He
was the son of a saddler and lost his sight through typhus at the age of six. His parents
sent him to an ordinary school, but later he was educated the Royal Institute for the
Blind in Paris. In 1834 he published a booklet title "How to Tune your Piano yourself"
and later opened his own shop and workshop.
1830
Chickering made a one-piece iron frame for a grand and patented it in 1843.
1830
There were approximately fifty piano makers in London at this time.
1831
William Allen patented a cast iron frame, including tension bars, all in iron but the
lower part of the wrest plank, which was of wood to hold the wrest pins.
1831
The company of Richard Lipp, Stuttgart, was established.
1832
Samuel, Barnet & Sons, London, were established.
1835
Wilke of Breslau invented the first hammer covering machine, although it was not
adopted for some time.
1835
John Hopkinson started his business in Leeds.
1835
John Strohmenger of London was established. In 1938 Chappell bought them out.
1835
Grotrian-Steinweg pianos was established by Friedrich Grotrian (1803-1860).
1836
John Brinsmead established himself as a piano maker in London. See also 1884.
1836
Steinweg was making grand pianos in Germany and later moved to America where in
1853 the company name was changed to Steinway.
1836
Tate was using a half-blow rail.
1836
Wheatley Kirk patented the first complete iron frame for an upright piano.
1837
Allison Pianos, 29 Berners Street, London, was founded. Other premises of the company
were at 49 Wardour Street, Soho, London (1839), and 75 Dean Street (1846), also in
Soho.
See also the Allison entry under 1840.
1837
In France at this time there were about seventy-five piano makers.
1837
William Knabe from Germany opened up his firm in Baltimore.
1838
The Whiton & Whiton Company was founded.
1838
Moore & Moore of London was founded. The company was taken over by Kemble's in
1933.
1839
Hallet & Davis, Boston, USA, was established.
1840
The Allison company was established. In 1840 the shop was located at 106 Wardour St.,
Soho, London, but this was just a retail outlet. In 1851 they opened a shop at 34 Brook
Street, and in 1856 a new factory was opened at 1a Warrington Street, Somers Town,
London. From 1879 on the company was called Arthur Allison and Co. and located at
 171 Wardour Street, while the factory on Warrington Street was still in use. In 1907
they moved to Prebend Street in Camden Town. In 1911 the company changed its name
to Allison and Allison and two years later opened shops at Leighton Road, Kentish
town, 10 Charlton King's Road, and Prebend Street. In 1923 they had locations at 56
and 60 Wigmore Street, and in 1929 they opened at 56 Chalk Farn Road, Leighton
Road, Kentish Town and 60 Wigmore Street. Later that year they were taken over by
Chappell. They also sold pianos under the name of Globe. As a reference for dating, a
piano with serial number 7116 can be confirmed as dating from around 1865.
1840
Antoine-Jean Bord of Paris (1814-1888), started making pianos. At one time they were
the largest manufacturer in France with a production of 4,000 instruments.
1840
J. and C. Fischer started making pianos in New York, USA.
1842
The organ of St. Nicholas in Newcastle-upon-Tyne was tuned to equal temperament.
This is believed to have been the first organ to be tuned in equal temperament in
England.
1842
John Pottie made a piano with two soundboards. Each soundboard had thirteen ribs to
support it, and sound was transmitted from the top soundboard to the bottom
soundboard by means of a second bridge.
1842
George Russell was established in London. The last known address for the company
was at 2 Stanhope St., London. From about 1936 Cramer made the pianos, and serial
numbers after that date are from Cramer. An example from 1939 would be number
128750,and an earlier one from around 1900 would be number 16499.
1842
Strich & Ziedler, New York, USA, was established.
1843
Bord of Paris used the tasto bar, which was a type of pressure bar.
1843
George Rogers of London was founded. Later Bechstein commissioned them to build
London-made Bechstein pianos in the early 1890s. Rogers merged with Hopkinson in
1918, and both were taken over by Zender in 1963.
1843
The Co-Op was founded on 1st December at Toad Lane, Rochdale. Roughly six years
later the first piano was sold to a man using his profits from the "divi." The sight of a
piano being carried into a cottage had never been seen before in Rochdale. The Co-Op
became a piano manufacturer and sold pianos under the names of Amyl, Amylette, and
Co-Op. The production factory was in Birmingham.
1844
Schwander opened his piano action factory. His son-in-law Herrburger succeeded him
and eventually Brooks took over, making it Herrburger Brooks.
1845
Ronisch was established, first in Dresden and later in Leipzig.
1845
Vienna at this time had 108 piano makers.
1846
On August 26 of this year Felix Mendelssohn's "Elijah" premiered at the Birmingham
Festival, England. Mendelssohn died at the age of 38.
1846
Walter Broadwood directed Mr. Hipkins, the head piano tuner at Broadwood's, that he
should instruct their tuners in the use of equal temperament. This was a marketing ploy
for Broadwood. Mr. Hipkins was only twenty at the time, and even at the age of
eighteen he is known to have been tuning pianos in equal temperament. When Chopin
toured England and Scotland in 1848, a Broadwood grand was often hired, costing 20
guineas even in London. Hipkins was the tuner and he preferred to tune in equal
temperament, so there is a good chance that the piano used by Chopin was in equal
temperament. Chopin was paid 150 guineas for at least one of his recitals, and he
commented on how much he liked the sound of the Broadwood piano.
1847
Broadwood grands were fitted with threaded oblong pins which must not be removed or
tapped in. They have to be turned three sixteenths of an inch and the coils formed as the
pin returns through the three sixteenths of an inch to its original position. Not to be
confused with the Wurlitzer metal plank, on which if the pins are too tight you can
relieve the tension by easing back on the wedge on the bottom of the pin. To tighten the
pins tap the wedges deeper up into the pin.
1847
Gaveau of Paris was estblished. Gaveau pianos generally have nice crafted cases. In
1960, the company merged with Erard and was later absorbed by Schimmel in 1971.
1848
Chickering became Chickering & Sons, USA.
1849
Hazelton Bros., NY, was established.
1850
Most larger grands and uprights had seven octaves, going down to A. That is important
because any pianos that don't go down that far, reaching only to C, for example, can be
reliably dated to before that time.
1851
At the Great Exhibition in London, 102 different manufacturers exhibited 178 pianos.
English pianos did very well at the exhibition as they could spend days prepping their
pianos and the damp condition was not a problem for theEnglish pianos; However, the
German and French makers had big problems with the damp and put them at a big
disadvantage.
1851
Production at Broadwoods was around 5,000; 1,500 grands 1,500 squares and 2,000
uprights value Ł950,000. Erards were producing over 2300 interments a year value
Ł320,000 wile in Germany production was around 200 a year England and France
exported quite large numbers . The main reason for this was sound volume English
pianos was much more powerful for concerts halls manly due to the English action,
However, many pianist preferred the versatility of the German Action but this action
did not make a big sound. Price also placed a big part in the French and English makers
could sell a piano in Germany for as little as 500 talers where as pianos made in
Germany were more expensive.
1851
This is roughly the date when the classical piano-making period gave way to the more
modern period, exemplified for example by the greater use of iron frames.
1852
Chickering & Sons, Piano Makers, opened a factory in Boston, USA.
1852
Albert Weber was born in Bavaria on July 8th, 1828. In 1852 he established the Weber
Piano Company in Manhattan, New York. In 1869 the company opened new premises at
the uptown location of Fifth Avenue and Sixteenth Street in New York. In 1903 the
Aeolian Company of New York acquired Weber. At about this time they also opened a
factory in Hayes, England. In 1985 the Aeolian Piano factory was closed down. The
Wurlitzer Company purchased the Weber name, but they never made any pianos under
that name. In 1986 they sold the name to Young Chang, which started to produce
Weber pianos. However, this did not last long as Samsung America, Inc. acquired the
licence to sell Weber pianos and established the company offices in New Jersey, USA.
Around 1988 they introduced different numbers for grands and uprights. Grands
started at number 034442 and uprights started at 1327707. In 1992 they introduced
new models. The agreement obligated Samsung to buy these pianos from Young Chang.
However, in December 2003 Samsung dropped Weber and is now marketing Chinese
pianos under the Behning name.

There are a few makes of piano going under the name of Weber, most in the US, but
there was one in Berlin and a large company in Canada.
1853
Bechstein of Berlin was formed.
1853
Blüthner was formed.
1853
Steinweg changed its name to Steinway of America and the Steinway piano firm was
founded.
1853
A Norwich England action maker patented a spring and loop action.
1853
Bord used a spiral spring for the jack.
1853
Claude Montal one of the first blind piano tuners. He exhibited the sostenuto pedal,
which Steinway bought. A monograph written by Montal in Paris in 1856, entitled
"L'Art d'accorder soi-meme son piano," described his invention.
1854
Gabler was founded in New York, USA.
1854
Mason & Hamlin was founded in Boston, USA, by Henry Mason and Emmons Hamlin.
1855
On the 12th August in the late evening, Broadwood's Horseferry Road factory burned
down. The factory made 2300 pianos a year, and 575 employees worked there. At this
time their piano factory was the biggest in the world. It was three storeys high, with a
separate steam engine house. The weekly payroll was £1000. There were 600 pianos
permanently out on rentals, at rates ranging from 12s to £2.12s.6d per month, serviced
 by ten delivery trucks. With much of their business done on credit it was recorded that
sometimes there was an annual write-off of £10,000. This was the year they made and
sold their last cabinet piano, No. 8963, because of the fire.
1855
W. Sames Ltd. was established.
1856
Decker & Son, NY, USA, was established.

1856
Wurlitzer pianos, USA, was established.
1857
Steck, NY, USA, was established. They later merged with Aeolian.
1858
The Hallé Orchestra was formed.
1858
Grotrian-Steinweg, of Braunschweig, was formed. Later the family split and the other
half emigrated to the US and founded Steinway & Sons.
1858
Monington & Weston, London, was established. Later they put the double iron frame
on their uprights, making them very heavy but very stable pianos.
1859
August Forster established a small workshop in Lobau, Germany, where he made his
first piano. From there he went on to open his first factory in 1862.
1859
Ludwig Bösendorfer took over the business when his father died.
1859
Kimball, Chicago, USA, was established.
1859
On December 20 of this year Henry Steinway Jr. took out the patent for over-stringing
for grand pianos (patent number 26,532). This was a turning point for Steinway and
their pianos won many awards around the world for best grand piano because of the
over-stringing feature.
1860
Alfred Dolge started the American Piano Supply in New York City. The American Felt
Co. acquired APSC in 1900.
1860
Civil war broke out in America.
1862
D. H. Baldwin established his firm in America. In 1889 the name was changed to the
Baldwin Piano Company.
1862
Blüthner made their 500th piano and by 1868 this was up to 2000.
1862
Ajello & Sons, London. Giuliano Ajello established the business In London. They
manufactured a variety of pianos and were very successful, eventually operating two
factories in London. Ajello pianos won many prizes for piano making in Europe. Most of
his six sons were involved in the piano business, as with many piano makers. The Ajello
factory closed around 1930.
One of the factories was a leased property, while the second, in Camden Town, London,
was owned by the family. When manufacturing ceased, the building was leased out to
various users until the early 1980s. When Giuliano Ajello's grandson's estate was finally
settled, the Camden Town building was sold.

Arthur Giovanni Ajello, and Louis Robert Ajello, grandsons of Giuliano Ajello
emigrated to Canada 1910, and established their own firm, which operated until the
early 1930s.

At Leestone Road, Wyhtenshawe, Manchester, relations of the Ajello family, namely

Bill Ajello, set up making pianos in 1947 and stayed in production until 1960 according
to the Pierce Piano Atlas that has the serial numbers for the Manchester factory.
However, Peter Ajello believes they were still making pianos much later than that.

The following is courtesy of Bill Kibby of PianoGen:

1862-3 G. Ajello established in London, later maker to the King of Italy.

1870 Not listed in the Post Office London Directory.

1880 Guiliano Ajello, Pianoforte Maker, 11 Park street, Camden Town, N.W.

1885 Gold Medal awarded to G. Ajello at the International Inventions Exhibition.

1886 Kelly's Directory of the Furnishing Trades under Pianoforte Makers & Warehouses
includes Giuliano Ajello, listed at 104 Park street, Camden Town, N.W.

1892 My Post Office London Directory lists Ajello at 104 Park Street, N.W., an address shared
with Roof & Treacy, Marble Masons, and Alfred Spencer, Harmonium Fittings Maker.
Marian Ferriday is compiling a history of the building which was previously known as 104
Park Street: Can anyone help with further information about Ajello, or Alfred Spencer?

1894 104 Park Street.

1899 104 Park Street.

1908 Ajello made uprights with removable keyboards, to facilitate moving.

1911 G. Ajello & Sons are listed as makers in Dolge's book "Pianos and their Makers."

1914 Ajello & Sons Ltd., 104 Park Street, and at 285 Upper Street N. (2368 North).

1914 By Appointment to the King of Italy. Piano number 22,751 (& 751), rubber-stamped 1914
on action, and tuning dates on keys start 1914.

Around 1931 two G. Ajello & Sons pianos with serial numbers around 28,500 are dated quite
reliably by Malcolm action numbers, in spite of the mark 2.10.9 on the iron frame. By Royal
 Appointment to H.M. the King of Italy.

A Monington & Weston piano, number 50,347, from 1931, has a similar mark - 2.12.9 on the
frame. The number on the bracing is 15,502.

1936 G. Ajello & Sons Ltd. 285 Upper street N.W.

1951 Not listed in Music Trades Directory.

1960 Not listed. Later models were made by Kemble, who say that the historical records were
destroyed in a fire: perhaps Chappell's 1964 fire?
1863
Henry F. Miller & Sons of Boston, USA, was established.
1864
Anton Petrov founded his piano making firm in Czechoslovakia.
1864
Kranich & Bach, NY, USA was established, specialising in small grands.
1865
Most manufactures were now using iron frames and the remaining few were using iron
frames that bolted together in sections.
1866
Nathaniel Berry Pianos were established. In 1965 Barratt & Robinson Ltd. purchased
them.
1866
The last square piano to be made by Broadwood. It was dropped because the cottage
piano was more popular in the home.
1870
Harry Brasted started up his piano making firm, using a piano with a compass of over
seven octaves. In 1916 the company made parts for biplanes to help the war effort. In
1925 Brasted's bought up Eavestaff's. In 1928 Brasted merged with Boyd Ltd. In 1934
they introduced the Minipiano. Percy Brasted had discovered a miniature piano made by
Messrs. Lundholm of Stockholm, from whom Brasted's bought the rights. The piano
was then made only in England. Lundholm contracted to import them and receive a
royalty on sales.

Percy Brasted gave it the name Minipiano and it is sometimes claimed that it was his
invention. Sales topped 7,000 at 28-38 guineas each. Early models had the wrest plank
below the keyboard and the drop action at the rear, so that the hammers struck
forwards towards the player. Wedging was unnecessary, as half the strings were
monochords and the rest bichords. The wrest pins passed through the wrest plank and
were double-ended to allow for stringing at the back. If a string has to be replaced, the
coils have to be put on in the opposite direction, and if the piano is chipped up from the
back the pins are turned anti-clockwise to raise the pitch. Also, from this position, the
bass will be on the right-hand side and treble to the left. Jack Davis, who worked for
Brasteds, later designed a flanged iron frame to which the case would be built, enabling
higher string tension and reducing the width by about eight inches.

Other makers soon copied the braceless back. With the soundboard now forming the
 back of the piano, the action could be put in its traditional position, but of course, below
the keys. Wires were attached to the backs of the keys to pull up the wippens and
trichord stringing was re-introduced. Lastly, to achieve longer bass strings, a sort of
triangular action was made, with the treble strike line being horizontal, but the bass
section tapering down to the left. The early type of Minipiano has often been criticised,
but it should not be forgotten that it did much to maintain and even stimulate interest
in an industry which was being hit by the gramophone and the radio. The name
Eavestaff was used on the fall on the instrument. Americans usually know small
uprights by the name spinet, which is neither accurate nor helpful.

The Challen company ceased independent manufacture in 1959, with the name going to
the Brasted brothers.
At the end of 1970 a new company formed by John Brasted marketed Eavestaff pianos.
The pianos were to be made under licence by Kemble & Co. As with Challen's for some
years previously, Eavestaff pianos were made at the Barratt & Robinson factory,
Hermitage Road, Harringay.
1870
Shenstone & Co. a piano key maker, was established. Many piano makers used their
keys, including Cramer, Kemble, Rogers, Knight's and Challen.
1871
Albion Pianoforte was founded in London.
1871
Bohemia Pianos was founded, in the town of Jihlava, Czech Republic. Around 1924 in
collaboration with Viennese piano makers Bohemia Pianos started to make the Hofmann
& Czerny, employing some fifty workers.
1871
The Royal Albert Hall was opened, with a seating capacity of 10,000. Thomas Chappell
was one of the original governors.
1871
Perzina Pianos started on July 1, Julius and Albert Perzina opened their first shop in
Schwerin. Perzina piano are now Chinese made .
1872
Smith, Barnes & Stroeber was established. They seemed to stop making pianos in 1920.
The pianos were made in Clybourn, Chicago, USA. In 1884 the name became Smith and
Barnes.
1872
Sohmer, NY, USA, was established. Hugo Sohmer was the inventor and the first person
to build a five-foot baby grand in the USA.
1872
Steinway patented the duplex scale. Bearing bars on the dead length of strings were
used to help towards the production of definite harmonies.
1872
The Rev. Dr. Bonavia Hunt founded the Church Choral Society and College of Church
Music, London. This organisation was established for the purpose of teaching,
practising, and testing. In 1875 it was incorporated as Trinity College, London, and was
the first to grant diplomas of efficiency in music to male members of the Church of
England. In 1876, Trinity established examinations in the theory of music to fill the gap
 left by the Royal Society of Arts. It took until 1878 for the first practical examinations
to take place.
1873
The tuning department was set up at the Royal Normal College for the Blind, now the
Royal National College for the Blind, Hereford, one year after the college had been
founded in Norwood, London. The first annual report of the college appeals for £2500
to buy an organ, forty pianos and other instruments for orchestra. It also says "the
committee beg to return their thanks to Messrs. Broadwood and Sons, Messrs. Collard
and Collard, Messrs. Erard and Chappell for several pianos presented to the institution
and others lent for the use of pupils." During that year Broadwood presented a complete
set of models of piano actions, specially constructed for the tuning department. In 1875
Sir John Stainer wrote "the models of the various parts of the pianoforte in the
department set aside for the training of tuners pleased me very much and I am not
surprised to hear that some of the students of the college are earning their living as
thoroughly competent tuners." It seems that Mr. J. Irvine from Broadwood's was the
first teacher. By 1887 the famous A. J. Hipkins, also from Broadwood's, assisted by Mr.
Irvine, were examiners. We read that "in each year we have two preliminary
examinations, in which Mr. Irvine not only inspects pianos, tuned by the pupils, but sees
each pupil at work, noting the manner of holding and managing the tuning hammer and
damper, testing them with all varieties of trichord pianos, including overstrung
instruments. Each pupil is required to demonstrate by actual performance his
mechanical skill in making eyes, stringing, and ordinary light repairs, such as removing
broken wrest pins, repairing hammer shanks, etc.

The third and final part of the examination is conducted by Mr. Hipkins. The work of
each pupil is carefully marked with a detailed criticism in regard to defects and if the
work falls below the standard required the certificates are withheld. The college
authorities are determined to recommend only students who are thoroughly qualified to
do good work."
1873
Sergei Rachmaninov was born.
1873
Blüthner introduced aliquot stringing, which was a fourth string placed over the others
from G above middle C. It is not struck but vibrates in sympathy. It has to be chipped,
and it is to the right of the trichord and slightly higher.
1875
A. B. Chase, NY and Norwalk, Ohio, USA. was established.
1876
Fletcher's was founded. Now known as Fletcher and Newman, Fletcher amalgamated
with Newman's.
1876
Whapdale and Maxwell founded their firm. They were formed to import pianos from
abroad. They still do this and are particularly associated with importing Blüthner
pianos.
1876
Kluge started to make piano keys for the European piano industry. It now has key
manufacturing plants in Wuppertal, Germany and Wilkow, Poland. The company is
now owned by Steinway.
1877
The British Piano Manufacturing Co. Ltd. was established in Crown Place, Kentish
Town, London. They made pianos for Windover.
1877
Barratt & Robinson was established. Barratt & Robinson developed the Kastner-Wehlau
floating centre. There is no gluing of the bushing, as it is made out of plastic and was
pushed into either side of the flange with a special tool, very quick and simple. They also
made Minstrall, Schrieber, Skerratt and Whitton & Whitton. In 1984 the company was
acquired by Broadwood.
1877
Gors & Kallmann of Berlin was established. Now made in China by Beijing Xinghai
Piano Group Limited who is a large-sized Industrial enterprise in China. Its annual
output is 50,000 pianos not all Gors & Kallmann
1877
Edison invented the gramophone.

1878
Fieiger Pianos (later changed to Calisia) was founded in 1873 by Gustaw Arnold
Fieiger, at first as a repair workshop at, 549 Al. Jozefowa St., in 1898 they moved to
Szewska St. later renamed to 9 Chopin St. (a corner of Nowa St.), where it has been
functioning up to now. In 1878 Fieiger made his first piano.
1880
The world Exhibition in Sydney, Australia was very important to the European makers.
After England it was the biggest market for pianos at the time and unlike the London
Exhibition all the makers were playing a level field and no damp the was 50 piano
makers from Germany, 21 for France, 15 from Australia, 12 from England, 8 from Italy,
4 from USA, 2 from Belgium 1 from Tasmania and 1 form Japan .
1880
Arnold & Co. was established.
1880
The Cable Co., Chicago, USA, was established. (They also made Conover from 1883,
Kingsbury and Wellington.)
1880
John Thomas Gilbert's company was founded.
1880
W. Harper was established.
1880
Oblong wrest pins went out, in favor of square pins. Also by this time machines were
used more for hammer covering.
1880
Nordiska Pianos Sweden was est, They also made pianos under the name of Futura,
Classsica & Bambino. In 1988 all machinery, tools, and piano scale designs, were
purchased by Dongbei Piano Group China and moved from Sweden to China.
1881
Robert Moraley's company was founded. They made pianos and then older keyboard
instruments and are now particularly associated with harps and harpsichords. Robert
had been a tuner with Erard in 1871, before going on to Broadwood, and then starting
his own company in Lewisham.
1883
Around this time Clarence Lyon founded a piano making firm at Medlar Street,
Camberwell, known as Cremona Ltd. (The name was chosen out of admiration for the
fine string instruments made at the Italian town of Cremona). It made trade pianos
under various names and dealers, such as Paul Newman, Ronson, Barnes of London,
Cranes of Manchester and Rushworth and Draper of Liverpool. All of these companies
put on their own transfers. they also made Squire & Longson pianos. Clarence Lyon
designed the Cremona pianos both internally and externally and in the 1920s his right-
hand man was Alfred Knight, who was employed as works director and who must have
played a part in improvements made. In 1929 the Cremona factory was burned to the
ground. In 1934 Alfred Knight went on to start Knight pianos.
1883
Bansall & Sons was established.
1883
The now famous wire making firm of Roslau began business in Germany.
1883
Heckscher, the piano part suppliers, were established.
1883
Darwen Pianos was formed.
1844
In Germany there was 424 factories producing pianos and employing 7,834 50% of
production ending un in the UK.
1884
In England the imperial standard wire gauge was sanctioned by the board of trade.
Prior to this we used the Birmingham wire gauge. Most UK makers used Birmingham's
piano wire. This was due to Webster and Horfall of Birmingham's who in 1854 invented
a means of making tempered cast steel piano wire. The Germans had done this before,
with little success. The wire from Birmingham's factory was much stronger than the
German wire.
1844
Mr. Johnson started the Schaff Piano Supply Co., USA.
1844
Jean Schwander, an Alsation, opened his action making factory in Paris. He retired in
1882, but his name can still be found on many actions of fine pianos made today.
Bechsteins for example, were later fitted with Schwander actions, up until about the
time of the First World War. His successor was his son-in-law Joseph Herrburger, who
formed a New York branch in 1900. Twenty years later Brooks of London and
Herrburger amalgamated, so the firm of Herrburger Brooks came into being. The Paris
branch of Herrburger Brooks closed in 1953, and moved to Long Eaton Nottingham.
1884
The piano making firm of Spencer was established. Spencer & Co. and Malcolm and Co,
were two substitute companies of Murdoch and Murdoch, becoming one of the largest
retailers of musical instruments in the UK who made their own pianos. According to the
Pierce Piano Atlas, "Piano number 38833 was made for HRH the Princes of Wales" in
the summer of 1986. Under new ownership, Spencer Pianos ceased to be known by that
name. It became Miltone Spencer and soon after ceased trading.
1884
Brinsmead patented a wrest pin so designed that the stress was horizontal. A perforated
metal flange in the cast frame took octagonal nuts around a screw-headed bolt where
the strings were attached. The tuner needed a special T-shaped tool. The type, when
applied to uprights, was called a "top-tuner" because the pins were above the plank,
pointing upwards instead of forwards.

1884
Zimmerman started up in Leipzig, after working for Steinway in New York. The
company become a limited company in 1884 and by 1912 was said to be the largest
piano factory in Europe, making some 12,000 pianos a year.
1885
Schimmel Pianos was established in Leipzig, Germany.
1885
Spring and loop actions in grands, sometimes incorrectly known as simplex actions,
were being made by Herrburger Brooks. This action is a single escapement action.
1886
The annual piano production in America was approximately 25,000; in France 20,000; in
England 35,000. The Germans claimed the higher figure of 73,000.
1887
Gors & Kallmann, Berlin, was established. Quite a few of these pianos are found in the
north of England.
1887
Gold, an American hammer maker, made a machine to cover hammers with one layer.
In 1876 John Macpavany had shown a similar device.
1887
The London College of Music was founded and in 1939 was recognized as an examining
body.
1887
Torakusu Yamaha established the "Yamaha Ream Organ Manufacturing Company" and
became the father of Japan's musical instrument industry. In 1887 Torakusa Yamaha
built the first reed organ. In 1900 production of upright pianos started, and in 1902
production of grand pianos started. In 1904 Yamaha pianos won awards for excellence
at the St. Louis World Exposition.
1888
Windover was established, and also made Mertons. They may have had a factory in
Manchester or a shop. The British Piano Manufacturing Co. Ltd. also made Windover
pianos.
1888
Broadwood's steel bar-less frames were introduced.
1890
Ambridge & Son London.
1890
Foster player pianos was formed in East Rochester, NY, USA.
1892
Barber & Co., London.
1892
Danemann Pianos was established, and many fine examples of these pianos can be found
in UK. For schools they are very sturdy pianos, and the company also made pianos for
other companies, including Pohlmann.
1892
Zender's Pianos opened. Sydney Zender, the younger brother of Henry Zender, kept
making pianos during World War I by using iron for the strings as there was a
shortage of steel. In World War II he survived by selling reconditioned pianos. He died
in 1948 and his son Ivan took over. Ivan expanded the business and took over the
factory next door in Hackney. In 1956 production was running at 2,500 pianos a year.
1893
The Royal Manchester College of Music was founded.
1893
Estonian Pianos opened in Estonia. Piano making in Estonia was an art practiced
during the late 18th century and has been documented as early as 1779. When the
country regained its independence from Russia in 1991, the factory's employees bought
the factory from the government. In 2001 the factory was in the hands of one owner Dr.
Laul's
1893
Octavius Beale established a business to import pianos Sydney in 1884. He imported
German upright pianos, of which a few survive today - these are known as "Habsburg
Beale". it was common practice to import pianos, and attach local name it was also
common in the UK as well. Australias first piano factory was set up by Sydney. Beale In
1902, Beale opened a new factory at Annandale which went on to become the largest
piano factory in the southern hemisphere in the early 1900s. Beale pianos are now
manufactured in China.
1896
Kirkman's piano company was handed over to Collard & Collard at cost, by the last
remaining female member of the Kirkman family, on condition that the traditions of
Kirkman's be maintained.
1896
Grover and Grover started a piano company which in 1911 moved to Stroud, England.
The company was known as the Stroud Piano Company, and made the Bentley pianos.
This name was later adopted by the company to form the Bentley Piano Company.

1900
1900
A Baldwin concert grand wins the Grand Prix Award at the Paris international
exhibition. This was the first American-made piano to win this award.
1901
The Bechstein Hall opened, later becoming Wigmore Hall.
1904
In Atlantic City the American Manufacturers & Retailers decided to have done with
square pianos. At their annual conference they bought in a large number of square
pianos and built a pyramid fifty feet high with them. They then set fire to it, the point of
 the rather interesting spectacle was that these pianos were valueless as trade-ins on new
pianos.
1904
Chickering produced a quarter grand, said to be the smallest of its kind. It was five feet
long, and only fifty inches wide. They used a standard width key, but modified the key
blocks and off-set of the action to achieve this small width.
1905
Octavius Beale started making pianos in New South Wales, Australia. Born in Ireland in
1850, he first started importing pianos under the name of Hapsburg Beale. The Beale
piano factory was established at 47 Trafalgar, St. Annandale and made pianos till
around 1940.
1907
Marshall & Rose was founded in 1901; Captain George Samuel Rose became the factory
manager at Broadwood's. His father, uncle, and grandfather had also worked for
Broadwood's; he had been with the firm since 1888. He spent some years in Germany
and France, where he received his apprenticeship in piano making. He was responsible
for the introduction of the green frame pianos they made at Broadwoods. He handed in
his resignation on the 3rd June 1908 and subsequently went into partnership with Sir
Herbert Marshall. His pianos show some evidence of German influence. During the
Second World War and as a result of the Concentration of Industries Act, the
Whelpdale, Maxwell and Codd Company in London made Marshall and Rose pianos.
After the war Broadwood & Hopkinson went back to their own factories. However,
Marshall & Rose were no longer interested in manufacturing pianos. Whelpdale,
Maxwell and Codd still continues to make Marshall & Rose to this day.
1909
Whelpdale and Maxwell started to have pianos made for their company. At first these
were made by Squire & Longson, under the name of Welmar. Squire & Longson is now
owned by Kemble pianos in England. They went over in 1933.
1910
This year saw the end of spring and loop action production for upright pianos.
1910
Around this time Broadwood's were among the first British piano makers to make
player pianos. They called their model the "Artistone Player-Piano." It sold for £84.00
and this pushed up the Bond Street profits to £80,000 in a single year, an increase of
£12,300. A Broadwood player piano went on Captain Scott's Antarctic expedition
where it was taken to first-base camp, and played on the ice.
1910
Hopkinson, not to be outdone by Broadwood, released their "Electrelle" an electric
player piano.
1911
There were 136 piano makers in England and 133 were based in London, mainly in
Islington.
1911
Michael Kemble founded Kemble's.
1912
Hopkinson Piano Makers devised an apprenticeship scheme in conjunction with London
Technical College; the course was called "Piano-Making." Also, in 1916 classes in
musical instrument technology began at the Northern Polytechnic, London.
1920
Brooks of London amalgamated with Herrburger of Paris. The vertical piano shown
here contains one of their actions.
1921
Squire & Longson were making pianos for retailers. They sold them for £29.00 and the
retailers resold them for £49 guineas. The retailers were Barnes of London, Rushworth
& Draper of Liverpool, Cranes, and many more.

1921
Jonas Chickering joined James Stewart and established the firm of Stewart and
Chickering in Boston, USA.
1923
Around November, J. Hopkinson died and the business was acquired by Rogers. In 1963
Rogers was bought by Zenders.
1928
Broadwood and Challen co-operate in the design of a new grand piano with agraffes on
all bridges except the treble capo. A Challen-Broadwood Patent was taken out.
1929
King George V and Queen Mary toured the Broadwood factory at Bow, East London,
and in the following year, the King bought a Broadwood piano for Buckingham Palace
and the Queen bought a Broadwood for Sandringham.
1929
Chappell started its programme of expansion, buying out Allison pianos, Clementi's
world famous Collard & Collard, and if that was not enough, they bought Johann
Strohmenger & Sons as well in 1938.
1930
Kawai left Yamaha and started his own firm.
1931
The Neo-Bechstein Piano with no soundboard, just amplified through loudspeakers.
1933
Whelpdale and Maxwell started to make Welmar pianos themselves and Cod joined the
company in the 1920. Whelpdale and Maxwell and Cod Ltd. still survives under that
name today.
1933
The Squire and Longson name went to Kemble.
1934
Challen started to make the largest piano in the world for the Silver Jubilee of George
and Mary, in 1935. There may have been two pianos or the one withdrawn repainted
and polished and turned out again. There was a letter in the Piano Tuners Quarterly
form Challen dated 19th December 1940, saying:

"Particulars of the world's largest grand piano, manufactured by Charles H. Challen & Sons.
This instrument was made in honour of the Silver Jubilee of their Majesties King George V and
Queen Mary and is the largest grand piano in the world. It has created a profound impression in
musical and engineering circles. It is eleven feet and eight inches long, weighs one and a quarter
tons, and the combined tensile stress of the strings amounts to over thiry tons. The iron frame
alone weighs six and a half hundred weight and the longest bass string is nine feet eleven inches.
 The experimental work in connection with its production took over twelve months, and the cost
amounted to over £600. In spite of its immense dimensions and strength, so perfectly has
everything been calculated that it is even easier to play than an ordinary piano. It is a feat of
British piano engineering, which places the British industry definitely on top. It was first shown
at the British Industries fair in 1935, where it was inspected by H. M. the Queen, and was
played for her by Billy Mayerl. At a later date Sir Walford Davies, Master of the King's Music,
also played the instrument and in reference to the piano he stated 'it is indeed a glorious
instrument. It has the bass of an organ and yet the intimacy of touch and tone of the finest piano I
have ever played. A great achievement'. It has been used on several occasions for broadcasting."

--Charles H. Challen
1934
Alfred Knight started his own piano building business.
1934
Brasstead introduced the Swedish designed minipiano which had its wrest plank below
the keyboard, a drop action and double-ended wrest pin holding bichords throughout.
Later Jack Davidson Brasstead introduced a flanged frame to which the case work was
fixed and the more traditional design came into the Minipianos.
1935
Steinway patented the capo d'astro bar which is part of the iron frame and forms the top
bridge in the treble. Other makers had used it for the whole compass of the piano
instead of studs in the bass and middle sections. It improves the tone and gives more
clearance for the hammers as the bar bears down, whereas studs are fastened from
below and worn hammers can catch on these and break on removal of the action. The
fall on a Steinway is usually pinned to the key blocks similarly to Erards of the same
period in the nineteenth century.
1936
The BBC held a grand piano test in 1936, which included three categories, according to
length. Bösendorfer won the largest and smallest size, and Challen and Steinway shared
the 7'6" to 9'.
1938
Chappell bought Johann Strohmenger & Sons.
1939
An English patent was awarded to Alan Blumlein for his invention of stereo. He was
killed in a plane crash in 1942.
1948
Ajello & Sons of Manchester was formed. They were related to Ajello of London and
made pianos from 1948 to 1960. You find a lot of these small over-strung pianos in the
north of England.
1948
The Swedish firm Lindna introduced plastic parts, about which the less said the better.
1953
The Paris branch of Herrburger Brooks closed.
1956
Pearl River Pianos was established. They started with six shops and a workshop, and
now have a work force over 4,000 and over 300,000 square meters of factory floor space.
 Production of pianos is 100,000 per year. Twenty percent of their production is
exported to the west.
1956
Kawai was now employing over 500 people and producing just over 1500 pianos per
year. Koichi Kawai received the prestigious "Blue Ribbon Medal" from the Emperor of
Japan, becoming the first company in the Japanese musical instrument industry to
receive it. Koichi Kawai died suddenly in October of 1955 at the age of 70. Around this
time 33-year-old Shigeru Kawai took over the company and embarked on radical
changes. He began construction of two new factories, one a wood processing plant and
the other a piano assembly plant, becoming the company's first modern production line.
1958
The Pearl River Piano Group Ltd has been manufacturing quality pianos in
Guangzhou, China since 1956. In 2007 they have the capacity to build over 100,000
pianos a year as well as an extensive array of Pearl River wind and stringed
instruments. Our 3-million square foot facility in the Pearl River Delta is equipped with
the latest in Computer Aided Design technology and staffed by a dedicated workforce
with 17 years average length of service with Pearl River and have been awarded the
ISO 9001 Certification for quality control.
1958
Samick Musical Instruments was established. Samick has grown into the largest
manufacturer of musical instruments in Korea, and is now the world's largest piano
company. They only started making upright pianos in 1960 and grands in 1970.
1959
The Challen company ceased independent manufacture of their pianos, with the name
going to the Brasted brothers at first, then later to Barratt & Robinson.
1959
British Piano Actions Ltd., London, passed control of the company to a consortium of
six:

Paling & Co. Ltd., of Austria

Heintzman & Co. Ltd. of Canada
Pratt, Read & Co., of America
The Bothner Polliack Group of Companies of South Africa
Beale & Co. of Australia
Alfred Knight & Co. of London

Three years earlier a receiver had been appointed for British Piano Actions Ltd. Five
months before the take-over the unsecured creditors received the offer of three shillings
in the pound. British Piano Actions Ltd. transferred production from London to
Llanelli, South Wales, which was classed as a distressed area, where there was need to
create opportunities for employment and much needed grants. On the 10th of March
1982 British Piano Actions were again put into the hands of the receiver.
1960
Yamaha produced two thousand two hundred pianos a month.
1960
On July 1Oth, Lindner, a subsidiary of Rippen of Holland, opened in Ireland. The pianos
produced were revolutionary; aluminium alloy welded frames were introduced reducing
 the weight by about half that of a cast frame. Plastics were used more widely for action
parts and keys. There were flanges for the whippen and hammer, and dampers were
clipped onto the rail rather than fixed with screws as is the normal way of fixing them.
1962
Steinway introduced Teflon as a bushing material on all New York built grands and it
was used until 1982.
1963
Kawai America was established, followed by Kawai Europe, Canada, Australia, and Asia.

1963
On show at the Frankfurt Fair was a Herrburger Brooks Schwander action, with a brass
sleeve, lined with P.T.F.E. plastic bushing instead of a cloth bushing. The Amber Light
Engineering Co. supplied this brass plastic bushing.
1963
The Leeds piano competition was formed in the UK.
1963
Rogers was acquired by Zenders.
1964
Kembles acquired John Brinsmead and Cramer Pianos.
1965
Barratt & Robinson Ltd. purchased Nathaniel Berry Pianos.
1966
Jasper Corp. acquired Bösendorfer.
1967
Herrburger Brooks stopped making the spring and loop action for grands. A useful date
as many small grands used this action.
1971
Kemble took on UK distribution of Yamaha pianos and musical instruments.
1971
Pleyel and Gaveau pianos were made by Schimmel from 1971 to 1994. In 1994
production moved back to France and new designs were introduced using Langer and
Renner actions.
1972
Blüthner was nationalized by the East German government.
1973
The foundry equipped to produce iron frames for Barratt seemed to be on the verge of
closing, so Barratt & Robinson bought the firm to guarantee their future supply of
frames.
1974
Baldwin of the US acquired all of the shares of Bechstein.
1974
Knight introduced a fibre bushing for the wrest pins (tuning pins) which is said to have
a holding pressure of 30,000 lbs., compared to traditional wood bushings which only
took a tension of 6,000 lbs.
1975
At the Frankfurt International Spring Fair, a new 4' 6" grand piano was shown. It was
in mahogany, with a satin polyester finish, and called the Alfred Knight in honour of the
late Alfred Knight.
1978
During 1978 Fazioli Pianos was formed.
1978
The Erard name was taken over by Schimmel of Germany.
1980
Kawai opened their Ryuyo grand piano facility. The 300,000 square-foot plant was built
at a cost of $50 million and is capable of producing over 60 grand pianos per day. The
Ryuyo factory embodies the marriage of hand-craftsmanship and advanced automated
technology.
1980
Kemble pianos made the decision to move into retailing and acquired Chappell of Bond
Street, London, opening a second branch in the Milton Keynes shopping centre.
1980
On 3rd December Broadwood stopped making their own upright pianos, though they
continued to be produced by Kembles, and are now made by Welmars.
1980
Paolo Fazioli exhibited his first hand-built piano at the Frankfurt Fair.
1982
Broadwood purchased Danemann Pianos and the factory.
1982
Steinway stopped using ivory on piano keys.
1983
Eavestaff stopped making pianos in the UK.
1984
Zender pianos were made by Bentley's for them.
1984
Yamaha acquired a majority shareholding in Kemble organ sales and the company was
renamed "Yamaha-Kemble Music (UK) Ltd." The Kemble piano factory signed an
agreement to start making Yamaha pianos under license in the UK. The piano
production was re-fitted with state of the art machinery and computer-controlled
production techniques supplied by Yamaha.
1985
The Birmingham brothers bought Steinway and the rest of CBS's musical instruments
division (except Fender).
1985
Bentley's were to stop making their own actions and keys. They were to be provided by
Herrburger Brooks.
1986
Baldwin sold Bechstein to Karl Schulze, the German piano master technician.
1987
Zender was completely taken over by Bentley which included Rogers Pianos.
1987
Ningbo Oriental Piano Parts Company was established. The President was Mr. Luo
Senhe. In 1998 they employed a hundred and fifty staff, enabling them to produce
 16,00000 sets of piano parts per year. In 1991 they began building complete pianos. The
company employed George F. Emerson, an American piano designer who worked for
Baldwin Piano Inc and Mason & Hamlin. Also, Viennese piano tuning and voicing
specialist Zlatkouic Sibin, and Japanese piano specialist Ema Shigeru helped to monitor
quality control and production. In 2001, the Hailun company invested heavily in
Japanese digital equipment and production lines. Also in this year, co-operation was
founded between Hailun and Wendl & Lung, The company was renamed Hailun
Musical Instruments Co.,Ltd. The main factory encompasses about 431,000 sq ft of
space and in 2006 produced 12,070 pianos of which 10,500 were uprights and 1,570
grands they exported 8,120 pianos the main brands are Wendl & Lung, The also make
piano stools, in November 2006 they opened a new headquarters and showroom in
Lilburn USA.

1988
By this time Schimmel were making their own keyboards.
1989
The Danemann Name was sold to Gardner Pianos in Cardiff in connection with the
Welsh Enterprise Board.
1989
Frazer pianos were taken over by Hellas.
1989
Broadwood pianos were made at Bentley's under license.
1990
Barratt & Robinson and Challen pianos were being made in Malaysia. Frames, actions
and keys were coming from the UK with felt from the Royal George Mill. The actions
were by Langer. Dietrick Dotzek from Germany designed the wrest plank and stringing
scale.
1990
Knights was acquired by Bentley.
1990
Chavanne Pianos was established in France, making high quality upright pianos, 125
cm. in height, using spruce from Fiemme in Italy, with Renner actions.
1991
The Beethoven Broadwood Fortepiano tour of Vienna, Bonn, Bath, London, and
Budapest took place.
1993
Bentley, Broadwood and Knight were acquired by Welmars. David Grover of Bentley
moved with them as head of overseas sales.
1994
The parent company Bury, Cooper & Whitehead of the Royal George Felt Factory,
Oldham, closed down. The Royal George Felt Factory, however, continued making felt
till its closure in 1998, when a Far Eastern company bought the felt making machinery.

In 1990 the company was given the Queen's Award for export achievement, as 95% of
production was exported. When they were at their peak the hammer felt produced at
Royal George was enough for over 160,000 pianos in one year.
1995
Barratt & Robinson pianos are now being made by Mickleburgh of Bristol. Sadly they
are not staying with the Barrett serial numbers, which will cause confusion in the
future. For example, Barratt number 44688 becomes 1998 under Mickleburgh and
Barratt's old number 44688 becomes 1963. The pianos are not for export outside of the
UK at the moment.
1995
Trinity College, London, received the Queen's Award for Export Achievement, a first
for a music examining board.
1995
At Bechstein's the receiver was sent in, and following the public outcry a rescue plan
was devised.
1995
Steinway Musical Properties Inc. was sold by the Birmingham brothers of Boston to a
group of Wall Street investors.
1995
About this time, the Pearl River piano company of China and Yamaha Pianos of Japan
went into a joint venture. They set up a company called Yamaha-Pearl River. This
company was set up to make certain "Eterna" models that are exported to Europe and
the USA.
1995
The Selmer Music Instrument Company, owned by Dana Messina and Kyle Kirkland,
paid $100 million for Steinway & Sons in 1995, and it went public a year later, trading
under the name of LVB.
1995
In July 1995, Kimball stopped making grands, and its production of uprights at this
time was largely done by Baldwin.
1996
Steinway is now fitting Herrburger Brooks actions in their upright pianos.
1996
Steinway Musical Instruments went public in August 1996 and is now trading as LVB
(Ludwig Von Beethoven) on the New York stock exchange, opening at $19 a share.
1996
In February, Kimball pianos of USA was wound up. The furniture and piano action
divisions in the US and UK are still intact. Also, Kimball International's division, mainly
Bösendorfer, is unaffected by these changes. However, in October 1996 Kimball sold the
action divisions Herrburger Brooks, England, to Harmony Pianos of Hong Kong.
1996
On April 6, in Sacramento, CA, Music Systems Research, the manufacturer of America's
best selling player piano system, Piano-Disc, announced the acquisition of the bankrupt
Mason & Hamlin Piano Company assets.
1996
Bechstein went public, winning many private shareholders, though Schulze and his
family are still major stockholders. Since 1997 the shares can be bought at the stock
exchange "Freiverkehr Berlin," Bechstein being the only German company to be
successfully traded at the "Börse."
1997
A new Broadwood barless piano design was patented and launched at a seminar at the
Royal College of Music. The Millenium range of pianos was announced, incorporating
the barless upright.
1997
Dietrich Heinrich Dotzek of Sweden took out a patent for a magnetic assisted upright
piano action, patent number GB 2331831. The magnets assist the jack to return under
the hammer butt notch, thus giving you a faster repetition with no extra weight added
to the touch as would be if a spring was used for the same purpose. The patent was filed
in 1997 and published in 1999.
1998
In September, Herrburger Brooks of England, the action maker, went into
administrative receivership.
1998
On Saturday, December 12, The US International Trade Commission started an
investigation into the competitiveness of the US piano industry. This was because piano
imports from China, Japan, Indonesia, and South Korea were in excess of 62,480 in the
first nine months of this year.
1998
Broadwood celebrated their 270th anniversary.
1998
Edward John Mason, working for Broadwood, took out a patent for an improved capo
bar, to improve the tonal quality of the last twenty notes of a grand piano. The patent
was filed in 1998 and was published the following year.
1998
On December 28, Steinway Musical Instruments Inc. acquired Kluge, Europe's largest
manufacturer of piano keys. The purchase price was three million Deutsche marks.
Kluge, Which has key-manufacturing plants in Wuppertal, Germany, and Wilkow,
Poland, jointly have a turnover of six million Deutsche marks.
1999
Baldwin, the US piano maker, was to lay off 180 workers at their Conway plant. This
represents three-quarters of the staff at the Conway plant. Conway was opened in 1957.
This streamlining was to help them fight off the Asian imports. Baldwin's share of the
market has dropped in the last few years. They had sales of $98.1 million for the first
nine months of 1998, down from the first nine months of 1997, which had sales of
$103.6 million. By consolidating operations at the Trumann plant in north-eastern
Arkansas Baldwin hopes to save an estimated $2 million a year.
1999
Thursday 18th March saw the end of the 10-year ban on importing ivory into Japan.
After the February meeting in Washington the Convention committee decided to allow
three African nations, including Zimbabwe, to resume exports of ivory to Japan. The
number of elephants in Zimbabwe had increased, so the committee imposed a limited
volume of exports per year to 60 tons. Ivory is now only being used for the production
of keys for Yamaha concert grand pianos. Currently only 80 concert pianos are
produced annually, each requiring 24 kilograms of ivory.
1999
The 12th of April was the first day for a new company born from the ashes of
Herrburger Brooks. The new company is called Langer Ltd.; it was formed by David
 Martin and two other former directors of the old Herrburger Brooks. They have moved
into smaller premises, but have kept the machinery and fifty members of the old work
force. They will continue to make action and keys but will no longer be making
hammers.
1999
On Thursday 12 December Deutsche Bank announced that they were buying Baldwin
retail financing units at a cost of 35 million dollars. The financing units are for the
purchase of musical instruments, primarily pianos. Deutsche Financial Services is well
experienced in financing and able to maintain dealer relationships - important to
Baldwin piano sales. This sell-off will help Baldwin Pianos to clear some of its debts and
concentrate on piano production.

2000
The year 2000 marks the 300th year of piano manufacturing--Happy Birthday!

2000
January sees the launch of the new Shigeru grand by Kawai. It has been in the mind of
Mr. Shigeru Kawai for over fifty years. In 1980 the Piano Research & Development
Laboratory (called the Shigeru Kawai Piano Research Laboratory) was founded, and
work began on creating this life-long dream of Shigeru. The creation of the laboratory
led to the production of the Kawai EX Concert Grand Piano, which has been played by
first-prize winners at major piano competitions around the world. This "quest for
perfection" eventually became the basis for the Shigeru Kawai grand pianos. All Shigeru
grands are handcrafted by master piano artisans from the Shigeru Piano Research
Laboratory. Bass strings are hand wound, hammers are specially hand made (identical
to the hammers found on the EX Concert Grand Piano), and soundboards are aged
naturally (not in kilns) for five to fifteen years. In general, the various building
processes take three to five times longer on a Shigeru Kawai grand than on a regular
Kawai grand, thus the number is strictly limited.
2000
February sees the launch of the new Quantum Piano, a collaboration between Conran &
Partners and Kemble. Conran designed the case and Kemble designed the inside. The
piano has a larger soundboard area than many baby grands, and is also fitted with a
sostenuto pedal. Sadly they are only making sixty as a limited edition piano.
2000
The Pearl River Piano Group announced they were to begin production of the old
German make Ritmuller. Apparently they will be using the original scale design to keep
the European sound, and the pianos are to be made in a special part of the Pearl River
Factory. The pianos are aimed at the US market.
2000
Kemble's license to manufacture Chappell pianos ended this year. It will be interesting
to see who takes over the manufacture of Chappell pianos. Kemble has the right to the
name till 2005, so we will have to wait until then.
2000
On July 14 Overs Pianos of Australia launched their new action at the Australasian
Piano Tuners and Technicians Convention in Sydney. It will be fitted into a Steinbach
225 cm. grand piano, with some bridge and scale modifications. This action is the
product of computer-aided design; it apparently has superior performance over existing
piano actions. The Overs Action offers pianists a level of control, responsiveness and
speed unrivalled in grand pianos to date, with a down weight of 50 grams and up weight
just over 40 grams. In comparison most of the popular grands have a 50 grams down
and 23 grams up. The closer the up weight is to the down weight the more responsive
the action is.
2000
On 14 July there was an official press release on the merger between Whelpdale
Maxwell & Cod Ltd., London, and Woodchester Pianos, Stroud. The new company will
be known as "The British Piano Manufacturing Company Ltd.," and will incorporate
the Welmar Piano Co., the Bentley Piano Co., Alfred Knight Ltd., The Woodchester
Piano Co., Sir Herbert Marshall and Sons Ltd., and the Stroud Piano Co. Whelpdale,
which makes Broadwood, Bentley, Knight, and Welmar pianos, will be moving
production from the London factory to the Woodchester factory in Stroud, Gloucester.
For Bentley Pianos this is a move back to where they were established. The new
company will be making the following brands: Broadwood, Rogers, Hopkinson, Gehr,
Steinberg, Lipp, Zender. The new company is to work with Ladbrooks Pianos to
produce a new Broadwood steel barless upright piano.

On a sad note, London, which two hundred years ago boasted the world's largest
concentration of piano makers, will no longer have a single piano manufacturer in the
city.
2000
Schaff buys the American Piano Supply Company. Both companies were founded in the
early 1800s, supplying the USA piano trade with felt and tools. The APSC was taken
over in 1915 by the American Felt Company, and they went on to acquire other supply
houses and tool manufacturers, including the Tuners' Supply Company of
Massachusetts. In 1973 a 34,000 square foot modern warehouse was constructed. They
became the world's largest piano supply house. Schaff has been in the family for six
generations.
2000
Tianjin Young Chang Akki Co,Ltd who is a subsidiary of Steinway Musical
instruments, Inc. USA and Young Chang Co., of Inchon, Korea jointly announced the
signing of an agreement under which Young Chang will manufacture the new Essex
line of pianos. In October Steinway's launch of the new Essex line of pianos, an entirely
new instrument with a lower tension duplex scale and a larger, tapered soundboard,
with optimum placement of braces, ribs, and bridges and pear-shaped hammers. This
new line was designed by Steinway's engineering team, headed by Susan Kenagy and
the engineering team at Young Chang. This new line of pianos will be made at the
Young Chang factories in Korea . The cabinetry will be Art Deco in style. Four models
will be introduced initially, a 182 cm. and a 160 cm. grand, and a 111 cm. and 123 cm.
upright. Tianjin Young Chang Akki Co,Ltd production output for 2006 was 23816
pianos, 21693 uprights amd 2123 Grands of theses 13158 were exported.
2001
2000 Hangzhou Goodway piano co.,ltd was founded the factory is about about 100,000
square meters production for 2006 was 15,673 pianos of which 1,4961 were uprights
and 712 were grands they exported 6,864 the piano brands are Goodway, Wisdom
,S.Ritter and Chan & Sohn There pianos passed the rigorous standard of ISO9001
Quality Management System
2001
On Wednesday, May 30, 2001, Baldwin Piano & Organ Co. filed for bankruptcy under
US Chapter 11, to allow them to regroup as a company. The reasons given were
inventory excess and administrative expenses. On Thursday, May 31, the Nasdaq stock
market halted trading in Baldwin shares as they closed at $2.15.
2001
On October 15th, Capital Corp., Baldwin's largest creditor, won the right to acquire the
company for $17 million in an auction in federal bankruptcy court. Two companies have
put in a bid to Capital Corp. for the Baldwin piano name, an investment group based in
California and Gibson Musical Instrument Co., maker of Gibson guitars.
2001
On Wednesday November 14th, Gibson Guitar Corp. completed its purchase of Baldwin
Piano & Organ Co., giving the guitar maker a brand name in the piano business. GE
Capital was Baldwin's biggest creditor and had the right to sell the company under a
bankruptcy agreement reached in October. Baldwin owed GE Capital just under $31
million. It is unknown at this moment what Gibson paid for Baldwin, but $17-$20
million could be the likely price.
2001
On November 15th, the Great American Group, Wholesale & Industrial Services, will
be selling by order of US Bankruptcy Court the manufacturing equipment of Baldwin
Piano & Organ Company USA. The sale will be held in Greenwood, MS.
2001
On Friday, December 21, 2001, Kimball put up Bösendorfer pianos of Vienna for sale.
The company, which employs 230 workers, turned over $16 million last year. The
Austrian BAWAG PSK Group purchased Bösendorfer for US$25 million , and the
company is hoping to increase production from the present 500 to 800 grand pianos a
year. If all goes to plan the contracts are to be exchanged in January 2002.
2002
December 9, 2002 "The Calisia Piano Factory in Kalisz has signed the first trade
contract with recipients in China after a three-decade break," this is a trial run of ten
pianos. Calisia is Poland's only piano maker.
2002
On Tuesday 17 December Bechstein announced that Samick is to take sixty percent of
Bechstein shares in return for twenty-five percent of Samick's shares. In the first nine
months of 2002 Bechstein's profits sunk around ten percent. It is hoped that Samick can
use its large dealer network in the US to sell Bechstein pianos. Samick makes 45,000
pianos a year. It is possible that Samick will make a cheaper version of a Bechstein
pianos, just as Steinway uses Young Chang to make their Boston piano range. Bechstein
will also assist Samick in improving certain models. The Samick Company was
originally established in 1958, in Inchon, South Korea. They have been buying up piano
names such as Knabe, Kohler, and Campbell.
2002
Qingdao Sejung Musical Instrument Co.,Ltd. (S.J Music) Was established a brand new
600,000 square foot factory in China, it was built in just under five months. They
produce the Jorge Steck, Hobart M Cable and Falcon makes of piano. Piano production
in 2006 was 20351 this was made up of; uprights 1,5366, grands 4985 and they exported
14570 pianos. Qingdao Sejung is the world's largest single-site factory for pianos and
guitars producing many brands and OEM products for other manufacturers. In just one
year turnover went from 0 to $20,000,000.
2003
On Thursday, 9 January, an Elvis Presley Knabe grand piano was sold for $685,000
(£425,711). Music producer Robert Johnson and partner Larry Moss sold the piano to
the chairman of the Blue Moon Group, Michael Muzio.
2003
On Monday, 7th April, the British Piano Manufacturing Co. Ltd. went into liquidation.
Production of Welmar, Knight, Broadwood, Bentley, and Woodchester pianos stopped.
The parent company Whelpdale Maxwell & Cod Ltd. also went under the following
day. This also affected Blüthner shops which were part of the WMC group. In 2000 the
company had moved from London to the Woodchester factory to cut costs.
2003
Intermusic, of Poole Dorset, England have bought the stock of the failing British Piano
Manufacturing Co. Ltd. They have also acquired the piano names of Bentley, Welmar,
and Woodchester. Probably the pianos will be made in the Far East for Intermusic.
2003
In December 2003 Samsung dropped the Weber piano made by Young Chang since
1984 and is now marketing Chinese pianos under the Behning name.
2003
Yantai Perzina Piano Manufacturing Co. Ltd was established they make Carl Ebel,
Eavestaff, Gebr. Perzina, Gerh. Steinberg, Sängler & Söhne brands. and makes 6000
upright pianos and 300 grand pianos annually.
2005
The ABPT celebrates 50 years of service to the public
2005
April 21st Steinway announces it is to move production of some of the Essex models to
Pearl River Factory in China. The move will help keep cost down according to Robert
Dove Steinways Asia's President.
2005
Bechstein is opening a new factory in China, where they will apparently make pianos for
the local market. The name will be "Berlin Bechstein Piano (Shanghai) Co. Ltd."
2006
Steinway & Sons New York factory has announced that it will return to the production
of the original fully developed version of the Model O grand with its characteristic
round tail, curved bass bridge, and rear duplex scales. The Model O was introduced in
1902 at the New York factory. Henry Ziegler (1857-1930) designed the Model O The
model do get some alterations In 1906, the bass bridge was changed from straight to
curved, and the frame was modified to accommodate adjustable rear duplex scales. In
1914, the length was increased slightly by 1/2" from 5'10" to 5'10-1/2". In 1924, the
last of these Model O grands were produced in New York.
2006
Yamaha are no longer making the C range of upright pianos that was made at the Pearl
River Factory China. The new range of B Models the B1, B2 replaces the C109 and
C113 Traditional. The new models will also have a silent version and will be available
in more finishes the B model will be made in Indonesia, the same place that the popular
GB1 grand is made. The other big factor is price the Black B1 will retail @ Ł1,899.00
which is a big drop in price on the C110A @ 2,229. The Yamaha B1 Silent Piano in
Black Polyester RRP 2,899.00 and is being discounted down to as little 2,299.00 by
some retailers.
2006
Mr. Schulze the majority share holder of Bechstein in an interview with merkur.de
announced that Bechstein sold 5192 piano of witch 1450 were grands in 2005 Mr.
Schulze says that "western culture" can't do without eastern and far-eastern wages.
Currently, the German factory only manufactures the luxury brand "C. Bechstein". The
progressively cheaper models, Euterpe, W.Hoffmann and Zimmermann are made in the
Czech Republic, Indonesia and China.

2006
Kemble Pianos Launch their new The Mozart K121 model this is to celebrate the 250th
anniversary of the birth of Mozart. The new commemorative limited edition Mozart
piano will only have 250 individually numbered models made. It comes in two version of
case both very decorative.
2007
April 12, 2007 C. Bechstein Acquires Czech Piano Manufacturer The purchase of the
firm BOHEMIA Piano means that Bechstein now owns a second piano manufacturer in
Europe. A subsidiary company of C. Bechstein Pianofortefabrik AG, Berlin/Federal
Republic of Germany: C. Bechstein CZ s.r.o., with its main business offices in the
southern Moravian Jihlava, Czech Republic, has acquired the Czech piano and grand
piano manufacturer. Bechstein, had previously held 49 per cent of Bohemia Piano
through a Czech subsidiary. Bechstein sales in 2006 raised from 27.6 million euros to
29.3 million euros.
2007
Dec, 2007 Bösendorfer sell shares to Yamaha

BAWAG PSK is at the final negotiation stage to sell 100% of the shares in L.
Bösendorfer Klavierfabrik GmbH to Yamaha this will add to Yamahas portfolio of
Kemble pianos and Schimmel pianos. Brodmann pianos was the other bidder in the
battle to own Bösendorfer. The sale of the piano maker Bösendorfer follows the
purchase of BAWAG by the US hedge fund Cerberus earlier this year. On the 20th of
December. Yamaha managers Hiroo Okabe and Hitoshi Fukutome (General Manager
Piano Division) traveled to Vienna for the signing over.
2008
April, 2008 QRS has ended production of player-piano rolls

QRS has been making rolls for 108 years the company was founded in Chicago, . Rolls
used in player pianos reached their peak in popularity in the early 20th century, when a
roll of paper was able to reproduce music through perforations signifying notes played
on the piano. The last new-issue piano roll that went off the assembly line was the
 companys 11,060th. The song was Spring is Here, by Rodgers and Hart, recorded by
Buffalo-based pianist Michael T. Jones. The company is now a leading manufacturer of
digitized and computerized player-piano technology that runs on CDs.
2008
Kemble Pianos shows it pianos at the Shanghai piano fair in China
2009
4th March 2009 Petrof turns to lacquered furniture. to keep going the proportion of
current production of pianos and furniture is 50 - 50. By July, roughly 200 of Petrof's
390 employees will be forced to leave the plant situated on the outskirts of Hradec
Kralove. Petrof has in recent years produced about 7,000 pianos annually, mostly for
exports.
2009
On the 19th March Yamaha announced it was considering the closure of Kemble
Pianos, Kemble employs 96 people in Milton Keynes. Yamaha owns 91.8% of its shares,
sales had fallen from Ł10m three years ago to just over Ł8m in 2007-08, when Kemble
reported an operating loss of Ł284,000..

2009
On 7th May Pianofortefabrik Leipzig GmbH &co maker of Ronisch and Upfeild pianos
went into receivership
2009
Schimmel Piano Company, Germany's largest piano maker, filed for bankruptcy/ on
July 31 With reorganization Schimmel should be able to emerge as a viable
manufacturer, producing pianos in factories in Germany and Poland but with a reduced
workforce.
2009
30 Oct 2009 The final piano has been built at Kemble Pianos after nearly 100 years of
production. Yamaha the main shareholder of Kemble and Co has announced plans to
transfer production to Asia.
2009
Steinway Musical Instruments Inc has signed a dealwith Samick Musical Instruments
Co. to take a minority stake in Steinway pianos 1.7 million shares of Steinway common
stock priced at $16 each Steinway plans to use the approximately $27 million in
proceeds to get rid of outstanding debt Samick has the option to buy an additional 1.7
million shares in Steinway Samick's chairman, Jong Sup Kim, will join Steinway's board.