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"AFTERLIFE" AVENGED SEVENFOLD

As heard on AVENGED SEVENFOLD ( WARNER BROS.)


Words and Music by Matthew Sanders, James Sullivan, Brian Haner, Jr. and Zachary Baker * Transcribed by Jeff Perrin

Guitars are in drop-D tuning (low to high, D A D G B E).


Bass tuning, low to high: DAD G.

••••• •
05 Bb5 G5 Eb5 F5 Ab5 CS AIC# C/E 05 Bb(#4) Bb5 AS ES C/E

I 4 I I I I II
• imt·,II'"
I 4 I 4 .JI ,, flt" fiW7f, fi1 di
II II I I 12

[Al Intro {0 :17)

Fast q = 220
05 Bb5
~

~T
(string section)
(lpprox. 17 sec.
• Ctr. 4 (elec. w/dist.)
1 /"""\ / ~· ,
~ - ---'--'-----------~~s\.3 -: - - -5 -/-5.\-112
.,,.. - - ,
12--->-.--5- -3 - - 5
,··.......--.._,.
3-·- -5-1-5.\-,,.-<:13
-- ,i-----,.1 3~ 5
-i· -- - - - - - - - - --#-6',-5 - - -6 + 6-1-113 13 --"-.--6- -5- -6 5-· - - -6+ 6+-,..--<:15 ,, - - - - - , .1sJ.'>...- 6

Gtr. 3 (elec. w/disl.)


~rwo guitar pt,rts t,rr. /<Jr one su,ff. G1r. 4 part orig inally pe,formed <m 8 string (2 nd string).

Gtrs. I a nd 2 (elec. w/dis1.)

apvrox. 17 sec.
Rlty. Fig. 1
..
ttt::l:111111111111111. . . . . . . . . tlt:====r:."tb&:1..~ ~==1t1~~==7:::.~r:::::::j::3
- -+--+---,t---1--+--t-t--!---t---+--lt--+---t-1

**repeat p revious cl,orcl


Bass
tipprt>x. I 7 set·. Bass Fig . 1

G5 Eb5
Y,
\I, I

5 ., -.. , ,,,.,.--__ ~

~:-':---- ~=t~~ 1~ .~ - - - - - - - - - 13
' ~ - - -- - - -- -15
15 • Q
17°
s\+15\----11
·17,l.\.171 -18

end Rhy. Fig. 1

end Bass Fig. I

1- 1- 1- - -1 - 1~ 1
LJ I LJ I
05 Bb5 GS
Gtrs. 1 and 2 repeat Rhy. Fig . I (see bar I )
G1r. 4
( r epem previous rwo b,1rs)
9- 2
15- 17- 15
18 15
15 - 17-,-15 18
15
15- 17- 15
18 ~ - -
20 - 22 - 20 18 ---
20
20 -22:-,

I ~ LJ I I -
Gtr. 3
- 12 - 13- 12- 10- - - -12- 13, 12- 10- - - - 1 2 - 13- 12- 10-,-12 - 13- 12 - 10- - - -12- 13, 12- 10- - - -12- 13- 12- 10, 11- 18- 17- 15- - - -11- 18-,
10 10 11 11 15

I ~

Bass repeat.1' Bass Fig. 1 s imile (see bar 1)


- I I - - I I ~

( C) 200 7 EM I APRIL M USIC INC . ANO l)A R KNESS COATS US P UULISH I NG.
AL L RlCHTS C ONTROLLED ANO ADM IN ISTERED BY EMI AP R IL MU SIC I NC.
AL L R I GHTS R ES ERVED. IN TE RNATI O NAL COPYR IGHT S &CU RE O. USED UY P ER M ISSION.

1
''AFTERLIFE"
Half-time J = llO
Eb5 I
DS
14 ~ "'.""' Gtr.2 P.M.•••••• ,
- 20 - 18- -20 - 22 - 20 - 18,- ,20 - 22 - 20- 18~ 20- 22- ,20 - 18 ~ 18- . 20)
20 "
II
,,,
" s - 8- s - -s - 8- s - - o- o -o- -s - s - s - - - ; - #
II

--
6
I I I I 1 I J b:LJo- L___] I I I 16
I - I )
6 6
I

>-17- 15- - 17- 18- 17- 15- ,17- 18- 17- 15-- 17- 18-y-17- 15- - 15- 17~~
15 16 16 ::
II

""
~ I I ~
I )

[ID Verses (0:39. 1:44)


I. Like walking into a dream so unlike what you've seen
2. Place of hope andno pain Perfect skies with no rain Can
DS FS GS Ab5
Gtrs. I and 2
18 Cir. 2 P.M . •••••• , • -- ---- ----- - - ----, P.M ...... . ., * . . ................. . .. ..... .. ., P.M . ............ ..,

6
*Notes are quietly doubled by Grr. 3, one ocrave ( 12 frers) higher.
Bass
Bass Fig. 2 ·· ···-···-···-· ·· ······· ··· ········· · · ·· ···· ··- · - ----···-···· · ·· - ··· · · ····· ··-,

So unsure but it seems!


leave this place but refrain 'cause we've been waiting for you
DS FS GS Ab5
Gtrs. I and 2
21 • ................................. ...... .... ........ ., P.M. ------ ----, * --- .................... .. -- - .. -- - - -- - .. .... ., P.M. .. . . .... .. ,

Bass plays Bass Fig. 2 twice (see bar 19)

Fallen into this place just giving you a small taste


05 FS GS Ab5
c,rs. l and 2
23 * ..... .................... ' P.M. •••• - •••• - - ' • --- - --- - - ------------ -------., P.M. ........ ... ... .. .,

of your aflerme here so stay You'll be back here soon anyway


05 FS GS Ab5 GS FS
C1rs. I and 2
25 • ········· · ·· · ·· ··· · · , P.M. ·-····-, * ------ ---------------- , P.M ...... . .. .,

6-: - 5 -1-5-\---3
6- - 5-+5+--3
l___..d L.J
Bass

2
''AFTERLIFE"
~ Pre-chorus (0:58, 2:02)
Original Tempo J 220 =
I see distant light but girl this
This peace on Earth's not right (with my back against the wall) No pain or
N.C.(05) cs (D5)
28 G1r. 2

t------------1----------+-5 --~~-,~-
t------------1-----------1-3--+~---1-1--
9 - -9-10m 0 10- 12
X- -X- X X- X- -+-- - - - - - - - - 1
7- -7- 8 8 8- 10........- 1 - - - -- - - - -- 1

Bas~

can't be right Such a surreal place to


sign of time (I'm much too young to fall) So out of place don't wanna stay
cs (D5)
33 Ctr. 1 plays Rlty. Fill 1 second rime (see bar 38) Ctr.;. I and2

12- 12- 14a 4 14- 15


1 - - - -- - - - - - - - 1 -5 - ~ '----,...._~ X- -X- X X- X--+- - - - - - - - - - 1 - - - - - - - - - - - l
1 - - - - - - - - - - - - + -3- - + - - - - ! - I - - 10- 10- 12 1 12- 13........-1-- - - - - - - - - - 1 - - - - - - - - - - 1

0 - 8 - 0- 0- 1 - 8 - 1 - 5.~ -1---+--->-<1--+--+-~+---1--<--+--1--+- < - - ~,o - o- 8- o- 1 - o - o- 10 o- 8- o - o- 7- 8- 7- 5


I I I I I I I I I I I I I I I I I I I I I I I I

see so how did this come to be Arrived too early


I feel wrong and that's my sign I've made up my
cs
38 Rhy. l'ill J___________________________________________ ,
Bb5 cs NC#

Im (1 :15,2:20)
And when think of all the places just don't belong
mind Give me your hand but realize I just wanna say goodbye
DS FS BbS
P.M. ______ ,
cs C/E
43 P.M .... - .. , P.M. _, P.M. _, P.M., P.M . ..

Bass Fig. 3 end Bass Fig. 3

4 - 4- 4- 4- 4- 4- 4- 4 -H-- - - - - - - - -- --------~
'---1--+-1-1-+--1--1--1-~,0 - -0- 0- 0 - 0 - 0 3- 3- 3- -3- 3- 3---'-+---+--+--l-l--i----'-;l--+-+---+--+--t---'
I U U I U I U I
I've come to grips with life and realize this is going too far
Please understand I have to leave and carry on my own life
DS FS BbS cs C/E
Gu-s. I and2
P.M. _____ ____ , P.M. _, P.M. • , P.M. _________ , P.M. _, P.M._,
48

1--------------1--
O
--------
o - - - + - - - -3
- -~•3
3..-=--+-1- -1- 1- 1- 1- 1- - - + -
3- - -1-- - - - - - - - -
o- -o- o- o- o- o 3- 3- 3- -3- 3- 3- 0 -'-+----+--t--1--I--+----''-+---!--+---+--+-+---"
I LJLJ I LJI Jiii
Bass repeats Bass Fig. 3 (see bar44)

3
"AFTERLIFE"
Half-tim e J = 110
Eb5 I
05
~ "':""'" Gtr. 2 P.M. ••••• • ,
20
- -
~14 ,20 - 18 - -202220- 18,-,-202220
- - 18 ~ - 20- 22-,-20- 182()18- - 20) II
"
"" 5- B- 5 - -5- B- 5 - -o - o- o- -5 - 8- 5~ - F t : J
"
I I I ) I I I I I f s- o- L Jo I I I 16
- - 6 6
I

>--17 - 15 - -17- 18- 17- 15-,-17- 18- 17- 15- -17- 18 -,-17- 15- -15- 17{ 1 ~
15 16 16 -

- I I - I )

[!!] V er ses (0:39. 1:44)

I. Like walking into a dream so unlike what you've seen


2. Place of hope andno pain Perfect skies with no rain Can
05 F5 G5 Ab5
Gtrs. I and 2
18 G1r. 2 P.M. •••••• , • ---- --- - -- --- -- --, P.M .. .. . . .. . .. • ..................... ... . _ ___ "' P.M . . . . .. • .,

6
*Notes are quietly doubled IJy Ctr. 3. one oc:t<1ve ( /2 fre1s) higher.

Bass
Bass Fig. 2 ·· · ·-·· ······· ················-· ···· ···· -····-····-····· ·· · · -· - · · · · · · · ·· · ·····,

So unsure but it seems l 'cause we've been waiting for you


leave this place but refrain j
05 F5 GS Ab5
Gtrs. I and2
21 * ............................................... ., P.M. ----- · - ---, ·-- -------- ------------------ -. P.M . ........ . ..... ,

6 6
Bass plays Bass Fig. 2 twice (see bar 19)

Fallen into this place just giving you a small taste


05 F5 GS Ab5
G1rs. J and 2
23 • ··-· --········-······· ··· , P.M. •••••••• • • • , * ------ ----- ----------- -- ----"' P.M. ........... .. .. .. ,

of your afterlifehere so stay You'll be back here soon anyway


05 F5 G5 Ab5 G5 F5
Gtrs. I and 2
25 • . -....... ...... •... . , P.M.. ...... , _.. .. . . . .. .. . . .... .. ... . ...... .... P.M . ............... .,

s-
: - 5-+5 +--3
6- -5-+5 -l--3
L__d L__J
Bass

4
''AFTERLIFE"
[f] Pre-chorus (0:58. 2:02)
Original Tempo J = 220
I s~ a distant light but girl this
This peace on Earth's not right (with my back against the wall) No pain or
N.C.(05) C5 (05)
28 Cir. 2

1 - - - - -- - - - - - - 1 - - - - - - - - -- -1-s.- --''--- ,__~ 9


x----x-
9- 10
xm 0 10-
x- 12·'"::::=1:================~
x-
1 - - - - - - - -- - - - 1 - - - - - - - - - --1-3- --+-----'I--I-- 7- -7- 8 8 8- 10"-<--+- - - - - - - - - I

can't be right Such a surreal place to


sign of time (I'm much too young to fall) So out of place don't wanna stay
C5 (05)
33 Ctr. I plays Rily. Fill I second time (see bar 38) Gtrs. land 2

12- 12- 14a414- 15


1 - - - - - - - - - ----+-s ---.o--- + X- -X- X X- X- - - + - - - - - - - - - - 1 - -- - -- - - - ~
1 - -- - - - - - - --1-3 - - - + ---<I-->- 10- 10- 12 1 12- 13"-s--+-- - - - - - - - - 1 - - - -- - -- - - l
l - - -- - - - - - - - - ' - l - - -- ! - --+--+-- + - - ' - 1 - - - - - - - ---'-0- 7- 8- 0- 7- 0- 0- 10 0- 8- 0- 0 - 7 - 8 - 7- 5
I I I I I I I I I I I I I I I I

see so
I ,~1
how did
wrong
this
and
come
that's
to
my
be
sign
Arrived
I've made
too
up
early
my
C5 Bb5 C5 AIC#
38 Rhy. Fill'--···.················ ········ · ·-· ···-····--,

Im (1:15, 2:20)

And when think of all the places just don't belong


mind Give me your hand but realize I just wanna say goodbye
05 F5 Bb5 C5 C/E
P.M ....... , P.M. • , P.M. • , P.M. ...... , P.M. , P.M.,
43

Bass Fig. 3 end Bass Fig. 3

4- 4- 4- 4- 4 - 4 - 4 - 4,- l + - - - -- -- ---1
3 --3-- 3-
- --3
-- - -
3 - ----1-
3:---'-+---+---+--<l--_ _ __.__ _ _ __..._,__,_ __J

LJ I LJ I
I've come to grips with life and realize this is going too far
Please understand I have to leave and carry on my own life
05 F5 Bb5 C5 C/E
Gtrs. l and 2
P.M ......... • , P.M .• , P.M. _" P.M ..... ·-··· , P.M . • , P.M.• ,
48

00- -0- 0- 0- 0- o01- - - <3-


- -3-
- -33- - 3- 3- 3J -=--1-
- o,-.._.__ _ __,_ _,__.,.._..,__ _.._.____,,___.__ __,__,__-1-----"
I LJLJ I LJ I 1 !11
/Ja ss repear., Bass Fig. 3 (see bar 44)

5
'~TERLIFE"
~ Chorus (1:24, 2:28, 4:54)

Half-time J = 110
I don't belong here we gotta move on dear escape from this afterlife
F5 C5 D5 Bb5
G 1rs. I aod 2
52 Rily. Fig. 2

Bass
S11bs1i1111e Bass Fig. 4 simile a11 3rd Chorr,s (see bar 6 1)

11. 110 bc,ck 10 [ill 211d Verse I


211d rmd Jrd times, skip ahead 10 bar 61
'cause this time I'm right to move on and on far away from here
F5 cs D5 Bb5 Bb(#4)
end Rily. Fig. 2
>

2 .. 3.
Got nothing against you and surely I'll miss you this place full of peace
FS cs D5 BbS
G1rs. I a11d 2 play Rhy. Fig. 2 (S<'C bar 52)
Ba.ss
61 Bass Fig. 4 * - ..... - .......... .. - .. - - . - - - - .. - - - - - - - - - - - ,

*Suh:'ltiture 1101e .' i in port mhesis on 3rd Chorus.

3rd Chorus, skip ahead 10 §) Owro


and light And I'd hope you might take me back inside when the time is right
F5 cs DS Bb5
e11d Bass Fig. 4
65 > > >

1==
3-3-3-3-3-3-3-2~t~~~~~~~~~~~~~--t~~~~~~~~~~-~~~
-+~~~~~~~~~~~~~--t
3- 3- 3- 3- 3- 3- 1- 3,,...-<f-5- 5- 5- - - -s - 5=--=i-1- 1- 1- 1- 1- 1- 1- 1- j
IIIIIIII I I I I I I I 11 I I ,-u I ~ I I I I I I I
0

[£] Interlude (3:05) I.


Bb(#4) D5 Bb5 G5 Eb5
Gtrs. I and 2
69 P.M._ , P.M . _, P.M. _, P.M . .. ,

3- 3- 3
0- 0- 0 1- 1- 1 5- 5- 5 1-1 - 1
0- 0- 0 5- 5- 5 1- 1- 1
*repeat pret•im,s bent
bLJ bU bLJ
Ba:.s

1- 1- 1~ :l J I
0- 0- 0 5 - 5- 5 1- 1- 1
bLJ bLJ bLJ

6
''AFTERLIFE"
2. IQ] Bridge (3:23)
w/half-time feel
(1.) Loved ones back home all cryin' 'cause they're already missing me
(2.) Give!
(Ooh I
me
am
chance to be
unbroken
that person I wanna
I'm choking
be
on this ecstasy)
BbS AS DS Bb5 GS BbS AS
74 P.M. • , P.M._,

Bass Fig. 5 (play simile on repeat) end Bass Fig. 5

~ - - -~ '--- ----''--- • 1----- - - - - - - - + -1-· - -1- 1- 1- 1- o-- --+- - -- - - - ----11 - - - - - -- -- - ~


8- 8- 8- - -7- 7- 7- - ~~ o-· - - 0- 0- 2- 2- 31-'4-----+-1---+--+---+--'-S-" - - 5- 5- 5- 3- 5 8-,410- 8- 7- 7- 7- 7
bU bU I V I I I I I V I I I ! I LJ I I I I

pray by the grace of God that there's somebody listening [HJ Guitar Solo (3:58)

D5
! Oh
(Unbreak
Lord I'll
me
try so

Bb5
unchain
hard but you gotta let go
me
G5
I
of me
need another
BbS
chance to live)
A5
Original Tempo
DS
J = 220

Gtrs. I and 2 playjirst six bars


of Rhy . Fig. J (see bar 1)
Ctr. 3
79 Gtr,. I and 2

Bass repeats Bass Fig. 5 simile (see bar 75) Bass play.< first six bars of Bass Fig.
(see bar I )

BbS G5
P.M. , P.M . .,
.--
Yi ~

Bb5 A5
G tr.3

~ 1~ - s .:..:~ 8- 6- 5==i8s=: s:=


· :::~:==:~;:=-------~~'i:=i3-::i:::::;;:;~ : ::::'.'.'.:::=~=;::::::~ ~~ :":::3 ; :::·~22:=:::;;;;;;;;;;;:::;::::::::2z::'.~:'.:~::i:
l--+-- -l--1--+--+--1--+--r--..-- -..-=::::::::-
- ~1-3--,1r0_ 1~1·-~13_1+-'>-
-1---,3~~--_-_-_-_-_-_- _,_5_ ~3--------,,.
_ ----,r 8"-<-_,5_--,-_.,__4_ 2_ 3, _ __ 3__4_i-H -I-

I I I I ~
l --~j J. ___=LJ
LJ I I I I I I I I
Gtr-s. I and 2 4 4 2
Rhy. Fill 2 .. •. ••••••••••••••• .. .........•....•.... .•••••••••••••• ... ....•.. - .•. - --- . - - •••••••• - -- • .... ...••...•. · · · · · ••• ••• •• ••• •• ··,
II

I I I I I II
>--8- - -- - - - 1 - -- +-- - + - - -- + - - - + - - - -- -+-- 7- --+- - - l - - - -+----l-----+- - - l - - - - -- - ~11
7
,__j I I '~~_.__
1 ~ 1.____,I I I I
Bass
Bass Fill J . . .. •• ••••••••••••• •• ..... .. _. ___ .. __ .•• . . ••••••••••••••• • . .... _.... _... __ . ••• ••••••••••• __ • . . __ . __ . _. _.. _.• . .• _•••••••••• ,
II
II
~ 8- - - -- -8- - -8- -(8) - - -8- -8- -- - - - ' - -7- -- 7- -- 1- - -1- -- 1- -- 1- - -1- ----__,,II
I I I ! I I L__J I
ill (406)
D5 Bb5
Gtrs. 1 a11d 2 play first six btirs of Rhy. Fig. I (see bar I )
Ctr. 4
~

91 !.. ... ,,,, - - .........--.... .-


~~~~~:::::(:~~~~g 1 2\ -5- -3- -5
13>--6- -5- -6

Gtr. 3
*Two g uitar parts arr. for one srub:
Bass playsjirst six bars of Bass Fig. I (see bar I J

7
'~TERLIFE"
GS BbS AS
Grrs. I and 2 pliiJ Rhy. Fill 2 simile (see bar 89)
I ~
Vz grad. bend 1~

15 - 151 -15-+15\ -11


11::e:l~!----17-\-17!----18

Bass play.,· /Jass Fill/ (see bar 89)

Q] (4:15)
DS Bb5
Gtr. 3
99
- 17· 16· 15- 15· 16· 17· 16· 15 - 15· 16· 17· 16· 13 13- 16- 17- -(17) - (17)~ 13· 12· 10· 10· 10· 12· 13· 13· 12· 10- -10· 13· 10_"'i',1
18 18 15 15 X 11 11
14
12- 15
12

==bd 1 I
5

G,rs. I :ind 2
I I I I LL l.l
3 ' - 3 --' - =u I

Rhy. Fi;;. 3

' -0
I I . . . 0 3
. . I I I

1
'-l.J I LJ I LJ I LJ I
Bass
Bass Fig. 6
..,
1- -1- -1- - 1- -1- -1- -1- - 1~
~ o - -0 - -0 - - 0 - -o - -o - - o - -o
I I I I I I I I I

GS
102
10- 12- 13- -(13) - (13) '<,-18- 17 - 16- 15- 16- 17- 18- 17- 16- 16'13\ 10- 10 15 15 17- 18:....__(18) ~
11 13- 10- 10
10 15
>--- 12- -12 16
13 - 13~ 17

UJ
J
LC
3
J
l- J -' - I I I I LJ LL
J
I::...

-
-
3
1
I I . I . . 5
I I I I I I I . . . I I

LJ I I LJ I LJ I I I I I I LJ
- 1- -1 - - 1- -1- -1- -1- 1- o 0
5- -5- -5- -5- -5- -5- - 5 - -5
I I I I I I I I I I I I I

105
-
BbS
18- 17- 15- -15 - 17- 18· 17· 15· 13- 13- 10
18 11
10- -10
12
11 -
AS
10 T 13 =--"""23,.,._13- 12
10 -=--
9,.L-14
14- 15- 17- 18
16- 17- 187"'-i

I
3
- LJ...J
3
I I I I I I I I I I

end Rhy. Fig. 3

' - - -8
I I . I I I

7
' - - -8 7
I I I I I I I I
end Bass Fig. 6

' - - - - -8 --- 8- -- 8 - - -8 - - -8 ---8 - - 8 _ _8, _ L 7 - - 7 - -7 - - 7 - -7 - - 7 - -7 _ _7, _ _ _ J


I I...._ ___.1
' -_.....1_ _1

8
'~TERLIFE"
05 GS
C trs. I and 2 repeat Rhy . Fig. 3 (see bar 99 )
Cir. ~
(Gtr.4)

.101 r l ~ 13 10 -13-10131!:~~13 ~ 13 ~1!:~13 10, 15·101310-13-101310-15-101310-13-10-13-10:-r:-12·13·15·13-12·13·17·13-121312·13·15-13-12-13-,


I

.
I
I
-

• ...I

I
G ir. 4
b =t:::: b~ t::::d: t::::::b I
=± ,.
~ =t::::t:::::: =t::::::t:::::: t::::::t:::t::::::

/)(ISS repe{//s Bass Fig. 6 (see bar !i!i)


BbS AS
110 t.rcm. pick
r -1713- 12-13-1 1 -1
513- 2 3 - 1113-12-13-15 -13- 12-13r 18-17· 15 - - - -11-15-13
18-17-15 17 15 13
~
15 ~ 10.,..-«-18- 10 ~ 17'9
17- - -15
,,... ,,.... ,,.... 17

=t:::::::t::::::
I I I _J_J
J
~
""'·1
'-- .1 - l
-u 1
'Y

.:i LJ UJ
3
IK] (433)
Half-time J =110
05 +1!12
cs ES
G1r. 4 (1 s t lime only) .w/bar
: _:v:::..------___ ..
113 ! ~ N.H. ~
I

~ 11-· '
- - - - - - - -5 csi-·- - - - - ---<s>- +W • I

I ~ I I
pitch: G
Gtrs. I mul 2
P.M·------- - --, P.M . ........................................................... ... P.M. · -- ----------- ,
I

1 1 1 1

~ i~==-::,·==...·", :' : :...·,":':::::::::::1-l,_•_-_-_-_-_--1


,8_,,-,._,,-,.(~lg
-·_
:,:: : : : : : : : : :: l'.:====:,tl'=====·+l''=====::::,~==:.l'==::l'::=:::l'.:=::;1
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