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Levi Celerio was born on April 30, 1910, in Tondo, Manila to parents that hailed
from Baliuag, Bulacan. He received a scholarship to the Academy of Music in
Manila and became the youngest member of the Manila Symphony Orchestra.
He wrote several number of songs for local movies, which earned for him the
Lifetime Achievement Award of the Film Academy of the Philippines. Celerio has
written lyrics for more than 4,000 Filipino folk, Christmas, and love songs, including
many that became movie titles.
Known for being a good lyricist, his songs cherish life, convey 'nationalistic
sentiments and utter grand philosophies. Celerio wrote more than 4,000 songs,
among them are popular pieces, which many consider to be immortal. At one
time or another, no Filipino could miss the tune or lyrics of Levi's Christmas songs:
Pasko na Naman, Maligayang Pasko at Manigong Bagong Taon (Ang Pasko ay
Sumapit), and Misa de Gallo.
His more popular love songs include: Saan Ka Man Naroroon?, Kahit Konting
Pagtingin, Gaano Ko Ikaw Kamahal, Kapag Puso'y Sinugatan, and Ikaw, O
Maliwanag na Buwan, Dahil Sa Isang Bulaklak, Sa Ugoy ng Duyan, and
Sapagkat Kami'y Tao Lamang, while his folk songs include Ang Pipit, Tinikling,
Tunay na Tunay, Itik-Itik, Waray-Waray, Pitong Gatang, Ako ay May Singsing,
Alibangbang, Alembong, Galawgaw, Caprichosa, Ang Tapis ni Inday,
Dungawin Mo Hirang, Umaga na Neneng, Ikaw Kasi, and Basta't Mahal Kita.
Celerio also wrote nationalistic songs such as Bagong Pagsilang, Lupang
Pangarap, and Tinig ng Bayan.
Celerio, for a time, was also recognized by the Guinness Book of World Records
as the only man who could play music with a leaf. Because of his talent, Celerio
was invited to The Merv Griffin Show, where he played "All the Things You Are"
with 39 musicians. Using his leaf, Levi wowed the crowd and got the attention of
the Guinness Book of World Records. The Book later listed the entry: "The only
leaf player in the world is in the Philippines". He would also later appear on That's
Incredible!.
NICANOR ABELARDO
Composer, pianist, and teacher Nicanor
Santa Ana Abelardo was born in San
Miguel de Mayumo, Bulacan, on February
7, 1893. He was the son of a photographer,
Valentin Abelardo, and a church singer,
Placida Santa Ana.
Abelardo was credited for bringing the kundiman to the level of art. He also
composed music for the sarswela as well as songs in different musical forms. He
completed more than 140 compositions, including Nasaan Ka Irog?, Kundiman
ng Luha, Mutya ng Pasig, and Bituing Marikit.
He died on March 21, 1934, at the age of 41. He left behind his wife, Sixta
Naguiat, and their six children. He also left a number of unfinished works,
including a symphony, an opera, and a concerto. The main theater of the
Cultural Center of the Philippines, and the U.P. College of Music were named
after him.
JULIAN FELIPE
Julian Felipe, composer of the Philippine
National Anthem, was born in Cavite on
January 28, 1861, to parents Justo Felipe
and Victoria Reyes. His musical talent
began to be honed when he was 10
years old, under the instruction of
Leandro Cosca. After Cosca’s death,
Pedro Catalan, a Recollect priest, taught
him to play the piano.
A patriot, Felipe joined the Philippine Revolution in 1896. His participation in the
uprising resulted in imprisonment at Fort Santiago together with the “13 Martyrs
of Cavite.” The “13 Martyrs” were sentenced to death, but Felipe was found
innocent and was eventually released on June 2, 1897.
"Kapantay Ay Langit",
"Ikaw",
"Gaano Kadalas Ang Minsan",
"Paano",
"Sana'y Wala Nang Wakas",
"Hanggang sa Dulo ng Walang Hanggan",
"Hiram",
"Kahapon Lamang" and
"Dito Ba?"
are but a few of Canseco's around 300 compositions, all defining what classic
hits should be.
Today in Philippine history, April 23, 1934, George Canseco was born in Naic,
Cavite Aside from being a journalist, he also worked part time as a scriptwriter
for the Manila Broadcasting Company and news director at Eagle
Broadcasting.
Canseco began devoting himself into writing music when Martial Law broke out
in 1972, seeing that press freedom was being contained in that time. It was
during this period when Canseco was commissioned by former Philippines First
lady, Imelda Marcos, to compose the national tribute hymn, "I Am a Filipino"
(Ako Ay Pilipino).
Meeting Del Rosario proved to be the event that would turn his life around as
Canseco wrote for the Megastar Sharon Cuneta the song "High School Life" and
"Langis At Tubig" in the 1980s. The producer's faith in Canseco's craft had never
worn out as Canseco was even able to fill in lyrics for other composers like Willy
Cruz, Homer Flores and Ryan Cayabyab, thus he went further from his own
compositions and joined expert hands with other composers throughout his
time.
Canseco's songs caused some of our most talented performers to rise to fame.
With songs hitting where it really hurts or loving where there's already love,
Canseco's songs defined a part in the lives of Regine Velasquez, Zsazsa Padilla,
Pilita Corrales, Dulce, Kuh Ledesma aside from Basil Valdez and Sharon Cuneta.
Canseco's last recorded love song made its way to Martin Nievera's 2002 album.
His manner of writing songs was as unusual as his gift as he can draw bittersweet
emotion from some imagined experience, play it over and over his head before
he would form melodies on paper. Unlike most masters of music, Canseco did
not train in formal schools of music. Instead, he self studied piano and learned to
interpret, write and compose notes at a very early age. His parents weren't into
music as well. His father Jose Canseco was a doctor while mother Cerafina, a
mathematician. Canseco was the youngest of three children.
His very first composition was "I'll Never Be Yours" followed by "You're all I Love."
He translated the latter into Tagalog which became the theme song for the
Eddie Rodriguez movie "Kapantay Ay Langit," the song that brought Canseco to
immense popularity. From there, Canseco wrote.
"Rain,"
"Kailangan Kita",
"Kung Ako'y Iiwan Mo",
"Kastilyong Buhangin",
"Dito Ba", and
"Langis At Tubig".
From Canseco's pen came eternal Original Pilipino Music. Most of which
interpreted by the country's ace balladeer, Basil Valdez, whose career as a solo
artist took fortunate turns when he recorded "Ngayon at Kailanman" in 1978.
In movies, Canseco became musical director for films like "Burlesk Queen",
"Pagputi ng Uwak, Pagitim ng Tagak", "Atsay" and "Miss X;" and wrote the most
unforgettable movie theme songs in "Kapantay Ay Langit" (which was named
best theme song in 1971).
The following compositions all won best theme songs for Canseco from the
FAMAS awards:
His english track "True Love Came Too Late" was named Awit Awards song of the
year in 1984 while Dulce's rendition of "Ako Ang Nagwagi, Ako Ang Nasawi"
bagged the grand prize in 1979 at the World Song Festival in Hong Kong.
Afterwhich, "Ngayon," another song interpreted by Basil Valdez earned the
grand nod from Likha Awit Pambata Songwriting Contest and Artistic
Achievement Award at the Pacific Song Contests in Sydney, Australia.
George Canseco, who is said to be the grandson of Don Telesforo Canseco the
first caretaker of the historic Casa Hacienda de Naic, died of complications
from liver disease and lung cancer on November 19, 2004 in Manila.
FRANCISCO SANTIAGO
Dr. Francisco Santiago was born on
the 29th of January, 1889 in Santa
Maria, Bulacan, Philippines. He was
a composer, pianist, teacher and
film director. His parents were
Felipe and Maria Santiago. He
married Concepcion de Leon in
1923 and they had four children.
Among Dr. Santiago's popular kundimans are "Sakali Man" and "Hibik ng
Pilipinas" (1917); "Pakiusap" (1921); "Ang Pag-ibig" (1922); "Ano Kaya Ang
Kapalaran?" (1938). Among his undated kundimans are "Hatol Hari Kaya?";
"Aking Bituin" and "Pagsikat ng Araw". The kundiman entitled "Kundiman, Anak
Dalita", which he wrote in 1917, was sung before the Royal court of Spain under
the request of King Alfonso II.2
Among his works in the classical genre are the "Philippine Overture" and the
"Sonata Filipina in D flat Major" written in 1922. The latter is the "first sonata written
in the Philippines introducing Philippine musical themes" according to the films,
among which are "Kundiman", "Leron-leron Sinta", "Madaling Araw", "Manilena",
and "Pakiusap" (the movie which was inspired by his own composition). Dr.
santiago also composed a version of "Ave Maria" for high voice with violin
obligato in 1919. He did musical transcriptions of "Ay, Kalisud!" (1928); "Ang
Kumintang", "Kura-kura" (a Jolo folk song) and "Hawi-hawi" (an Aeta folk song).
These last three pieces are undated. He also composed "Sumilang na Ang
Manunubos" in 1932, a Philippine Christmas carol, which according to
composer, Antonio Molina, is the "first Philippine Christmas carol ever written for
mixed chorus and symphony orchestra."3 Dr. Francisco Santiago wrote the
music of the sarswela, "Si Margaritang Mananahi" in 1913, with libretto by
Severino Reyes.
Antonio J. Molina, versatile musician, composer, music educator was the last of
the musical triumvirate, two of whom were Nicanor Abelardo and Francisco
Santiago, who elevated music beyond the realm of folk music. At an early age,
he took to playing the violoncello and played it so well it did not take long
before he was playing as orchestra soloist for the Manila Grand Opera House.
Molina is credited with introducing such innovations as the whole tone scale,
pentatonic scale, exuberance of dominant ninths and eleventh cords, and
linear counterpoints. As a member of the faculty of the UP Conservatory, he had
taught many of the country’s leading musical personalities and educators like
Lucresia Kasilag and Felipe de Leon. Molina’s most familiar composition is
Hatinggabi, a serenade for solo violin and piano accompaniment. Other works
are (orchestral music) Misa Antoniana Grand Festival Mass, Ang Batingaw,
Kundiman- Kundangan; (chamber music) Hating Gabi, String Quartet, Kung sa
Iyong Gunita, Pandangguhan; (vocal music) Amihan, Awit ni Maria Clara,
Larawan Nitong Pilipinas, among others.
Jose Maceda
Among his honours are the CCP-LFC Composition Prize (1980, for Awit ng Ibon)
and three awards from the chancellor, which earned him the Hall of Fame
Award for best research at the University of the Philippines, entitled Gawad
Chancellor para sa Pinakamahusay na Mananaliksik (2001–03). He later
received the Nippon Foundation Senior Fellowship for Asian Public Intellectuals
(2008–09).
His return to the Philippines marked a new path in his style. After immersing
himself in indigenous Philippine and Asian (Javanese music and dance, Chinese
nan kuan music), he became more interested in open-ended structures of time
and space, function as a compositional concept, environmental works, non-
conventional instruments, the dialectics of control and non-control, and the
incorporation of natural forces in the execution of sound-creating tasks. All these
would lead to the forging of a new alternative musical language founded on a
profound understanding and a thriving and sensitive awareness of Asian music
aesthetics and culture.