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"1tH

W
Eachmodemay be viewedas a scalein its own right.
Beloware the modesderivedfromthe G majorparent
scale,shownin full,two-octave
shapes.
+#*6+6s#4#i#*&ffi
#ffisfl@.+;s #€fr*tr*ffi+.sw"s' ...:'.
. Lookfor a G majorbarrechordwithinthe G .,.
:A

"parent" lonianpattern,an A minorchordwithinthe A


Modesare createdwhen the root note of a
scale is displaced.For example,let's take C major. Dorianpattern,a B minorchordwithinthe B
Playedfrom C to C, this is simplythe C majorscale Phrygianpattern,a C majorchordwithinthe C
itself.In modalterms,this is the firsfmodeof C major. Lydianpattern,a D majorchordwithinthe D
Nextusethe samenotes,butthis time playthemfrom Mixolydian pattern,an E minorchordwithinthe
D to D-making the secondnoteof the scale(D)to be E Aeolianpatter,and an Fildiminishedchord
the root-and you havethe second mode of C major. withinthe F$Locrianpattern.
Play from E to E and you have the third mode of C
major,and so on. There are sevendifferentnotesin
the scale, so there are a total of seven different
modes. G lonian
7th mode (major)
6th mode l5 17
5th mode

C D EF G A B C D E F G A B
lst mode
2nd mode
3rd mode t5 t7

B Phryglan
Modal names
The seven differentmodes of the major scale are l5 t7
namedwith the followingGreek names.Noticehow
each modeof C majoris completelycontainedwithin
the sameoverallC majorpattern1. C Lydlan

€Yffiffiffi l5 L7

majorscaleltself.The Aeolianmodeis the


modalnamefor the naturalminorscale. D Mlxolydian
r
t
I l5 t7
Iii
r 1 C lonlan (maior)
H*
!: .-
! I ' I
E Aeolian
(nat. minor)
F
r[:
F:
It: 2 D Dorian
',i:..
F

Fil Locrian

3 E Phryglan
$.,
4 F Lydian All modes derivedfrom any parentscale (a modal
family)are said to be relatefthis meansthat they
sharethe same notes.lt is importantto realizethat it
is the placementof the roots which cause each
5 G Mixolydian pattern to be a particularmode. Delete the root
informationabove and all of the patternscan be G
major.Theyalsocould allbe A Dorian,B Phrygian,C
A Aeolian(nat. minor)
Lydian,D Mixolydian, E Aeolian,or FilLocrian.
6
On the followingpages,the modes(otherthan
lonian and Aeolian)are each coveredas scalesin
theirown right,overthe entirefretboard.
7 B Locrian

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