Amps and Pedals

 Logic Pro's extensive collection of virtual guitar and bass amps, with
associated cabinets, and their assortment of 30 virtual pedals--or
stompboxes--allow you to capture signature guitar and bass sounds from a
selection of genres and time periods. The effects parameters singular to each
amp, along with its microphone settings, allow you to further customize your
sound. You can plug any electric guitar into your audio interface to utilize
these plug-ins, and you can also apply them to any other instrument or miked
voice.

Delay
 Delay effects store the input signal, which is held and delayed, while the
original signal is repeated. The original signal is then sent to its input or output,
creating an echo effect. Logic Pro comes equipped with five different types of
delay effects: Delay Designer, Echo, Stereo Delay and Tape Delay. Delay
Designer can produce up to 26 taps (delays) per signal, and you can edit the
parameters of each tap individually. Echo Delay automatically syncs the
tempo of the delay with your project's tempo. Stereo and Tape Delay both
imitate the warm, analog sound of vintage tape echo machines, but Tape
Delay allows you to set the Delay, Feedback and Mix parameters separately
for the left and right channels.
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Distortion
 The Distortion effects included in Logic Pro simulate both analog and digital
distortions. You can use these to profoundly transform and manipulate your
audio. Logic Pro gives you six plug-ins with which to work: Bitcrusher, Clip
Distortion, Distortion Effect, Distortion II, Overdrive and Phase distortion. Each
is equipped with adjustable parameters for tone and gain, allowing you to
shape and control the amount of distortion applied.

Reverb
 Digital reverb effects let you simulate the acoustic environments of various
locations, such as open spaces, cathedrals, rooms and caverns. The effect is
produced by a series of delays, which are shaped by the parameters of pre-
delay, density and diffusion. These are commonly used on vocal tracks, to
enhance them in the mix.
Dynamics Processors
 Dynamics processors allow you to adjust the dynamic range of individual
audio files, whole tracks or an entire project. Logic Pro comes with four types
of dynamic processors: compressors, expanders, limiters and noise gates.
The compressor increases the perceived volume of a signal by actually
lowering the highest parts. The expander does the same thing, but raises the
signal when its volume rises above a certain level. The limiter is used to
prevent clipping while preserving the maximum overall signal level. Noise
gates are used to cut out soft sounds, such as low-level noise or hum from an
audio signal.

EQ
 Logic Pro comes with a collection of single band and multiband EQ plug-ins.
EQs, or equalizers, allow you to shape the sound of your audio by changing
the levels of various frequency bands. Single band EQ includes low cut and
high cut, lowpass and highpass, shelving and parametric EQs, and are
simpler than multiband EQs. Multiband EQs allow for more control, as you
can independently set the frequency, bandwidth, and Q factor of each
frequency spectrum band. The Q factor, or quality factor, defines the
sharpness of the band of frequencies that are affected by the EQ.

Filter
 Logic Pro provides five types of filter plug-ins: AutoFilter, EVOC 20 Filterbank,
EVOC 20 TrackOscillator, Fuzz-Wah and Spectral Gate. Filters can
significantly alter your audio signal by suppressing or emphasizing
frequencies. Filter effects allow you to emulate the sounds of analog
synthesizers, the funky "wah wah" of a classic clavinet keyboard, or a vocoder.
Vocoders are devices that transform analogue voice signals into a digital,
non-human, robotic sounding voice. Vocoders were especially popular in pop
music from the 80s.

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