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The Richardson Family Art Museum is dedicated to displaying
Wofford student art. The Richardson Family Art Gallery will be
used for traveling exhibits and some student artwork. The space
is located behind large glass panels that visitors can see from the
main lobby.
Art studios, including a 2-D studio for drawing, a 3-D studio for
sculpting and a studio specifically for painters, all use natural light
to give artists the best space possible to create.
“We have never had anything like this,” Mitchell said.
The facades of the building each feature a standalone white brick
wall bearing Rosalind Richardson’s name. The campus-side façade
is made up of large glass windows, designed to invite students and
the community into the building.
“You can see activity, and you’d want to come in and see what’s
going on in the theater and the art museum,” Smith said.
An ionized copper centerpiece stretches from the inside of the
main lobby to the top of the building. Smith said the unique mate-
rial reveals different shades of bronze or copper depending on the
angle of light hitting it.
Providing a useful space for students to embrace their creativ-
ity was a priority for the building’s design, Smith said. He said the
theater and gallery spaces can compete with any of the other facili-
ties available in Spartanburg County.
“We wanted a space that really worked for students. Students are
first and foremost in our planning process. We listened to the faculty
and their needs a great deal,” Smith said. “There are bigger theaters
in Spartanburg County, but there won’t be many that will be more
acoustically correct with an audio system or lighting system or any-
thing like that that’ll be better than what we have in here.”
Mitchell said students and faculty appreciate the Richardsons’
gift, and can’t wait for the couple to see what their investment has
led to.
“It’s a thoughtful, long-term, exceptionally generous gift for
us,” she said. “We’re a liberal arts college, and now we have a
hallmark center for the arts. It couldn’t be a more impactful gift at
this time for us.”

CLOCKWISE FROM TOP: The Richardson Family Art Museum is dedicated to


displaying Wofford student art. The Richardson Family Art Gallery will be
used for traveling exhibits and some student artwork. The space is located
behind large glass panels that visitors can see from the main lobby. The
Rosalind Sallenger Richardson Center for the Arts, on the Wofford College
campus, opened in May. The Sallenger Sisters Black Box Theatre, which is
indeed black in color, will provide a space for non-traditional performances.
The building’s centerpiece is the Jerome Johnson Richardson Theatre. The
320-seat theater includes a full stage, orchestra pit, and catwalk system. A
large screen also allows the theater to host speaking events.

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Chihuly sculptures greet
visitors with color and light
STORY BY LAURA CORBIN | PHOTOS BY TIM KIMZEY

A beacon of color and light greets Crimson Persian Chandelier.


visitors as they enter Wofford Both sculptures were commis-
College’s new Rosalind Sallenger sioned specifically for the center for
Richardson Center for the Arts the arts and were created to honor
into the main lobby of the center the commitment to the arts by Jerry
of campus. The striking, yet warm and Rosalind Richardson and their
autumnal shades of red, orange ongoing ties to both Wofford and the
and yellow are the elements of the Spartanburg community. Chihuly
Cerise and Amber Persian Ceiling and his team worked closely with the
created by renowned American Richardson family, representatives of
sculptor Dale Chihuly. Wofford and the design team to create
Entering from the main park- legacy works of art for the campus.
ing lot of the center for the arts The colorization of the artwork was
from Memorial Drive, visitors are inspired by images of fall foliage that
welcomed by yet another Chihuly were particularly chosen and much-
sculpture, the Goldenrod, and loved by Rosalind Richardson.

Glass sculptures by artist Dale Chihuly were installed in the building in March. At each
entrance of the building, the large red, orange, and yellow glass Chihuly sculptures
greet visitors. The artist worked with the Richardsons to create the pieces, “Golden-
rod and Crimson Persian Chandelier” and “Cerise and Amber Persian Ceiling.”

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“I want people to be overwhelmed with
light and color in a way they’ve never
experienced before,” Chihuly said of his
Persians sculptures. His Persians were
first exhibited as part of his solo show at
the Musee des Arts Decoratifs of Palais
du Louvre in France in 1986. The series
alludes to the romance and blossoming
of a bygone age and to a transient fragile
beauty preserved in the present.
Of his Persian Ceilings, Chihuly said, “I
want my work to appear as though it came
from nature so that if someone found it on
a beach or in a forest, they might think it
belonged there.” His first Persian Ceiling
was presented in his Chihuly sculptures
greet visitors with color and light 1992
exhibition opening the new downtown
Seattle Art Museum. Lit from above and
resting on a flat glass pane, the elements
of the Persian Ceiling come together to
provide an immersive experience in color
and shape. McMillan Pazdan Smith architect Ron Smith gave a tour of the new facility in May.

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“What makes the Chandeliers work for me is the massing of
color,” he says. “If you take hundreds of pieces, put them together
and shoot light through them, it is going to be something to look
at. Then, you hang it in space and it becomes mysterious, defying
gravity or seemingly out of place, like something you have never
seen before.” The first Persian Chandelier also was exhibited at the
1992 opening at the Seattle Art Museum.
The Goldenrod and Crimson Persian Chandelier is composed of
approximately 124 Persian Chandelier elements in various shades
of red, orange and yellow.
The Cerise and Amber Persian Ceiling is composed of approxi-
mately 177 Persian elements in similar warm autumnal tones.
Chihuly is globally renowned for his ambitious site-specific
architectural installations in public spaces, and in exhibitions
presented in more than 250 museums and gardens worldwide
including the Metropolitan Museum of Art, the Smithsonian
American Art Museum and the Corning Museum of Glass.
The Rosalind Sallenger Richardson Center for the Arts, includ-
ing exhibitions in the Richardson Family Art Museum and
the Richardson Family Art Gallery, can be seen from 1-5 p.m.
Tuesdays, Wednesdays, Fridays, and Saturdays; and 1-9 p.m.
Thursdays. The building and exhibition spaces will be closed to the
public Sundays and Mondays.

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‘ Sir Winston Churchill ’ THE ART OF

The British flag, right, is from the platform during Winston Churchill’s “Iron Curtain” speech at Westminster College in Fulton,
Missouri, on March 5, 1946. NATIONAL CHURCHILL MUSEUM AT WESTMINSTER COLLEGE

‘Passion for Painting’ on exhibit at Wofford’s


Rosalind Sallenger Richardson Center for the Arts

M
STORY BY LAURA CORBIN | PHOTOS COURTESY OF WOFFORD COLLEGE

ention the name Winston — five decades after his death — as a leader whose
Churchill, and the picture eccentricities and audacity contributed to his stub-
that immediately comes born defiance in the face of adversity.
to mind is that of a skilled He also is remembered as a passionate writer
statesman who led the Brit- and orator, writing more than 5,000 speeches, 42
ish during World War II books and countless articles ranging from African
and inspired a nation during its “finest hour.” travel journals to essays about oil painting. In 1953,
History has painted a portrait of Churchill (1874- he was awarded the Nobel Prize for Literature for
1965) as an ambitious, confident, bold and highly “his mastery of historical and biographical descrip-
creative man. Volumes have been written about tions as well as for brilliant oratory in defending
him as a statesman, and he is remembered today exalted human values.”

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LEFT: Bust of Winston Churchill by Sir Jacob Epstein. NATIONAL CHURCHILL MUSEUM AT WESTMINSTER COLLEGE RIGHT: A top hat
signed by President Franklin Roosevelt, Marshal Stalin and Winston Churchill at the Yalta Conference is on display in the “Pas-
sion for Painting: The Art of Sir Winston Churchill” exhibition at Wofford College. PROVIDED

There is another picture to be painted of Sir Win- the Sandra L. and Monroe E. Trout Director and
ston Churchill: the portrait of Churchill as an artist. Chief Curator at the National Churchill Museum at
A collection of paintings by Churchill, “Passion for Westminster College. “He maintained that he was
Painting: The Art of Sir Winston Churchill,” will be an amateur painter, though I believe visitors to this
on exhibit at Wofford College’s new Rosalind Sal- exhibition will agree that Churchill was an amateur
lenger Richardson Center for the Arts through Sept. with considerable skill. He did not create for the
15. Also on exhibit will be nature artwork from The purpose of exhibiting them widely. For Churchill,
Johnson Collection in the art museum and contempo- painting was a therapeutic activity. It helped him
rary works by three Tunisian artists in the Richardson sharpen his focus — it was a deeply personal exercise.
Family Art Gallery. For audiences today, Churchill’s paintings provide us
The Churchill exhibition offers a unique opportu- with a glimpse of the great leader’s power of obser-
nity to view paintings rarely seen in North America. vation and his highly creative mind.”
Bringing together 10 paintings from the esteemed Wofford President Nayef Samhat says the
collection of the family of the late Julian Sandys, Churchill exhibition is a fitting beginning for the
grandson of Churchill, and from the collection of the Rosalind Sallenger Richardson Center for the Arts,
National Churchill Museum, the exhibition surveys which will house the college’s arts and theater pro-
both Churchill’s landscapes and seascapes, the artist grams, two performance theaters, classrooms, and
statesman’s favorite subjects. studios.
Beginning with his work from the 1920s, the paint- “This stunning new building will transform the
ings on view represent four of the five decades in arts at Wofford College and beyond. Our ability to
which Churchill pursued what was for him the great- provide our students and the entire Spartanburg
est of hobbies. community with outstanding opportunities such
The exhibition in the Richardson Family Art as the Churchill exhibit is remarkable,” Samhat
Museum is a collaboration between the National said. “We are honored to host this important and
Churchill Museum at Westminster College in Fulton, rare exhibition in collaboration with the National
Mo., and Wofford College. It also includes several Churchill Museum. On behalf of the college commu-
objects from the permanent collection of the National nity, I also extend our deepest appreciation to Jerry
Churchill Museum, including a cigar humidor given Richardson for his gift that made this center possible
to Churchill by the people and government of Cuba and to his wife, Rosalind Sallenger Richardson, for
(1946); a top hat signed by Churchill, President Roo- inspiring that gift. Every day will be a celebration in
sevelt and Joseph Stalin (1945); and a rare dispatch this center for the arts with exhibitions, plays, and
box from Churchill’s time as Chancellor of the Duchy performances.”
of Lancaster (1915). Also on view will be several items The Rosalind Sallenger Richardson Center for the
from Churchill’s visit to Westminster College, where Arts, including the Richardson Family Art Museum
he delivered his most significant post-war speech, and the Richardson Family Art Gallery, will be
the “Sinews of Peace,” commonly known as the “Iron open to the general public from 1-5 p.m. Tuesdays,
Curtain Speech” on March 5, 1946. Wednesdays, Fridays, and Saturdays; and 1-9 p.m.
“During his lifetime, Winston Churchill cre- Thursdays. It will be closed to the public Sundays
ated more than 570 paintings,” says Timothy Riley, and Mondays.

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Of Churchill’s nearly 575 total paintings, 350 are became the basis for his book, “Painting as a Pastime,”
landscapes or seascapes. He often planned his holi- serves as the painter’s personal credo on the creative
days — to the south of France or Marrakech — in order process and recounts the origins of his interest in
to satisfy his interest in colorful scenery, which he painting.
painted en plein air, or outdoors. In 1915, during World War I, Churchill commanded
“The oil paintings in this exhibition — Churchill the British Navy as First Lord of the Admiralty. “He
painted almost exclusively using oil paints — are some observed the horror of 20th-century warfare — pow-
of the best examples of Churchill’s artistic efforts,” erful artillery, machine guns, trenches — and devised
says Riley, who will give a talk at the closing recep- a plan to shorten the conflict by knocking Turkey out
tion for the exhibition on Sept. 15, titled “The Art of Sir of the war on the eastern front in the Straits of the
Winston Churchill.” “They show his love for light and Dardanelles,” Riley says. “While historians continue
shadow and intense color. He famously referred to the to debate who caused the plan to fail, it did — disas-
act of painting as a ‘joyride’ in a paint box.” trously, with 25,000 allied casualties. Churchill took
Riley continues: “Part of Churchill’s great success the blame and was forced to resign his position.
as a man — and a leader — was his creativity. The same “At 40 years old, he was despondent and depressed.
mind that could paint an image with words — ‘broad It was the low point in his career that Churchill began
sunlit uplands’ — applied thought to color, light, and to paint. He later said that painting ‘came to my
shadow. I think audiences today can appreciate the rescue.’ He never turned back and continued to paint
depth of Churchill’s genius by looking at his painting.” into his 80s. It was therapy for him. He once said,
Churchill did not begin painting until the age of 40. ‘without painting, I could not live.’ I think that is an
Although he received no formal training as an artist, important reminder for us in today’s age, that we might
he pursued his hobby with characteristic passion, and heed Churchill’s advice — slow down, carefully observe
it became a lifelong interest. A 1921 essay, which later the world around you, refocus and be creative.”

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SCENE Spartanburg celebrates community
with fundraisers and social events

ETV Endowment PHOTOS BY ALEX HICKS JR.

The ETV Endowment


hosted a special luncheon
with Rudy Mancke and
Mary Alice Monroe on
June 15 at the Piedmont
Club in Spartanburg.
Mancke and Monroe
explored the habitat of
South Carolina’s coastline
and the protection of our
shorebird and seabird
populations, which have
decreased 70 percent
across North America.
This event will launched
Monroe’s new novel,
"Beach House for Rent,"
which was published
on June 20. Mancke, a
Spartanburg native and
graduate of Wofford
College, is the host of
SCETV’s longtime series,
"NatureScene." He is also
the host of South Carolina
Public Radio’s Nature
Notes, a popular weekday
feature that explores the
natural world. Monroe is
a New York Times best-
selling, award-winning
author. Monroe’s novel,
"The Beach House," will
be released this summer
as a movie starring
Gaffney, S.C. native Andie
MacDowell.

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Go Red For PHOTOS BY SAMANTHA SWANN

Women Luncheon Guests


arriving
at The
The 2017 Spartanburg Go Red for Women luncheon sponsored by the American Pied-
Heart Association took place on May 11 at the Piedmont Club in Spartanburg. mont
The organization encourages women and their families to take action and live Club for
a healthier life. Spartan-
burg Go
Red for
Women
Lun-
cheon.

Brandy
Soler,
Emily
Phalen,
Darleen
Cassidy.

Women having red lipstick applied for the Spartanburg Go Red for Women
Luncheon on May 11 at the Piedmont Club.

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Tahmikia Autry, Kathy LaValley, Angela Forrest and Nancy Emily Gladden and Alexandria Meg Gilmartin and Jennifer Susan Kunkler and Claire
Bockstiegal Bradley. Phillips. Kunkler.

Rebecca Hammett, Tiffany Coleman, Katie Boling, Jessica Knight, London Parker, Jeraldine Mack, and Women gather for group photo at the Go Red for
Lauren McClure, and Kelsey Elder. Michelle Beech. Women Luncheon at the Piedmont Club on May 11.

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Junior League of Spartanburg
Marianna and Roger Habisreutinger hosted The Junior league of Spartanburg Sustainers Spring Celebration at their home. More than 100 sustainers
were in attendance. The event was catered by Two Samuels.
 
PHOTOS COURTESY OF JUNIOR LEAGUE OF SPARTANBURG

Jada Wood and Laura Keller. Peggy Pitts and Gloria Close.

Robin Field, Melissa Sullivan, Krystal Gurganus, Brianna Houser, Meredith Lynn Carman Jordan, Donna Chapman Kennedy, Ginger Davis, Gloria Close and
Gergley, and Colleen Rice. Jada Wood.

Jenny Connell, Paige Rousey, Kellynn Krystal Gurganus, Marianna Habis- Mary Ann Cleland and Amanda Mathis. Ginger and Beau Shuler, Vic Bailey,
West, Krystal Gurganus, Chrissy reutinger and Neely Bailey Darr. Jay Wakefield, Lynn Bailey, and Ron
Proctor, Mary Grace Close, and Neely Fields.
Bailey Darr.

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2017 Best of the
Best Spartanburg
The Herald-Journal hosted the 2017 Best of the Best Spartanburg awards
banquet, at the Marriott in downtown Spartanburg, on May 11.

TIM KIMZEY PHOTOS  

The Herald-Journal held its 2017 Best of the Best Spartanburg awards banquet, Jessica-Marie Goethe and Tina Clark with Carolina Garden World.
at the Marriott in downtown Spartanburg, on May 11.

Spartanburg County Sheriff Chuck Wright received the Person of the Year award. The Herald-Journal held its 2017 Best of the Best Spartanburg awards banquet,
at the Marriott in downtown Spartanburg, on May 11.

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Vic and Lynn Bailey of Vic Bailey Ford. Deanna Phillips and Yadira Rodriguez
with Mungo Homes.

Angie Yarborough, Betty Kirtley, Danny Yarborough, Pat Cole, Tanja Keller and Matthew Ogle, and Joe Marzouca with Felicia Nechelle Evans and Randy
Carolyn Meyer with B & D Family Jewelers. TLC Motors. Evans with Founders.

Jennifer Evins, president & CEO of the Chapman Cultural Center, accepts an Lindsay Posey and SoYoung Bennett Lisa and Jock McGaha of Mother’s
award from Herald-Journal publisher Kevin Drake. with Pizza Inn. Restaurant.

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Hope Blooms for Hospice
The "Hope Blooms for Hospice" luncheon was held at the Marriott in downtown Spartanburg, on May 18. The Spartanburg Regional Foundation honored
Spartanburg Regional Hospice, recognizing the clinicians who provide care to hospice patients during the annual event.

PHOTOS BY TIM KIMZEY

Joseph Hood, Mable Hood, Tal Young, Beth Young, Billy Young, Mary Beth Hood, The Spartanburg Regional Foundation honored Spartanburg Regional Hospice, rec-
Maurice Hood (guest speaker for event), and China Hood. ognizing the clinicians who provide care to hospice patients during the annual event.

Kayla Griffin and Jennifer Bledsoe. Nancy Johnson and Monica Soto. Dan and Debbie Philbeck. Mary Hope Rhodes and Melissa France.

Karen Willis and Debra McLennan.

The “Hope Blooms for Hospice” Wanda Sprouse, Heather Wilson, Julie Laye, and Paige Biggs. The “Hope Blooms for Hospice”
luncheon was held at the Marriott in luncheon was held at the Marriott in
downtown Spartanburg on May 18. downtown Spartanburg on May 18.

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PA R T I N G S H OT

East Main
Street 1920
WILLIS COLLECTION

East Main Street in Spartanburg in 1920. C and F Co.,


Rice's, Rialto, Piggly Wiggly, N.Y. Loan, Strand, J.D.
Collins, Elite Ice Cream, Kress, Arnold's, and Bijou.

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