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This time around, I’d like to share a trick based around a deceptively easy-to-play, simple concept
that will add some sophistication to your improvisations (while also being sure to turn heads with its
attention-grabbing coolness!): open-voiced, string-skipping 7th arpeggios.

The basic idea is this: Instead of playing 7th chord arpeggios sequentially in a root-3rd-5th-7th
manner, we’ll split up the arpeggios into six-note patterns with two notes per string on three strings,
skipping a string in between each.

The resulting intervallic shift of these patterns


RELATED ARTICLES “opens up” the voicing of the chords and creates
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an ear-catching sound that gives the illusion of
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Guitar Strength: Pushing Through Practice being somewhat “outside” while still remaining
%3B%3B16030846%3Bclickvars=) %3B%3B16030847%3Bclickvars=)
Plateaus in Under 7 Minutes completely within the confines of the key. Plus,
(http://www.guitarworld.com/guitar- with savvy use of these arpeggios and a
strength-pushing-through-practice- rudimentary understanding of music theory,
plateaus-under-7-minutes) these shapes can be a shortcut to extreme
harmonic depth.
Guitar Strength: Get “Scary” with These
Rut-Busting Licks Inspired by “Mr. Scary,” Just to get us all on the same page (and to satisfy
George Lynch my fellow theory nerds out there), please be
(http://www.guitarworld.com/guitar- reminded of the following rules of 7th chords:
strength-get-scary-these-rut-busting-licks-
inspired-mr-scary-george-lynch) 1) 7 means b7 (flat 7)
2) “Minor,” “min” or “-" only refers to the b3
Guitar Strength: 10 Commandments of 3) “Major” or “Maj” in a 7th chord (or higher) only
Playing Guitar in the Style of Dimebag refers to the “natural” (A.K.A. “major”) 7th
Darrell,(http://oasc08011.247realmedia.com/RealMedia/ads/click_lx.ads/www.guitarworld.com/1822922390/x21/default/empty.gif
Part 2 CO NTI N UE4)RTheE A D5th
I NGof the chord is “natural” or “perfect”
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unless otherwise noted (“+” for #5 or “b” for flat 5)

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