10 . 27 .

04 V i r t u a l H o m e T h e a t e r R ev i ew M a g a z i n e

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review
Yamaha RX-V2500 Receiver
7.1 A/V Receiver with Dolby Pro Logic IIx,
130W/ch, & YPAO Parametric Room Setup/EQ
Introduction
2004 marked a year when
SpaceShipOne broke the status quo and
became the first private company to
successfully launch a reusable manned
vehicle into space and return it safely
home. That kind of innovation and
leadership garners a tremendous amount
of respect. Yamaha Electronics
Corporation seems to understand the
importance of product innovation and
leadership. With the RX-V2500, it is
apparent they continue to make
tremendous strides towards product
improvement and the development of new
technologies.
It’s been over two years since a Yamaha
RX-V series receiver has occupied
Reference System 3. As you can imagine,
I was pleased to be able to integrate the
RX-V2500 and see what surprises
Yamaha has come up with in the last
several revisions since my experiences
with the RX-V3000 receiver.
Associated Test Gear
HARDWARE
RX-V2500 Preamp / Processor
1266-LSEs Main Speakers
661-LSE Center Speaker
61-LSEs Surround Speakers
1010-SEP Subwoofer
Wharfedale Diamond 7.1 Presence Speakers
LPX-510 LCD Projector
StudioTek 130 Luxus Deluxe Screenwall (100” diag)
Digitalis Vision II HTPC (case)
DVD-3910 Universal DVD Player
WS-55813 55” HD RPTV
MX-700
BT-77 Speaker Brackets
1000+ Line Conditioner and Noise Filter
StarFlex SPX Speaker Cables
Interconnect Cables
2 www.audioholics.com
Review by Clint DeBoer of Audioholics.com
Having just reviewed the Denon
AVR-3805, I was anxious to test out
Yamaha’s YPAO system to see if it was a
more productive setup and parametric EQ
option for basic room correction. I also
wanted to see how well the 130
watts/channel amplification could drive the
4-ohm RBH Sound 1266-LSE main
speakers which require quite a bit of power
to sound their best.
Yamaha has certainly not been sitting on
its laurels of late. In fact, Audioholics
completed a rather thorough review of the
RX-V2400 receiver when it came out and
I was pleased to note the following
improvements from that model:
FURNISHED BY
Yamaha
RBH Sound
Wharfedale
Yamaha
Stewart Filmscreen
Projection Systems, Inc
Denon
Mitsubishi
Universal Remote
B-Tech
Panamax
River Cable
• Additional 10 watts/channel for
130watts/channel (20Hz – 20kHz,
0.04% THD, 8-ohms)
• DTS: Neo 96kHz
• Pure Direct Mode
• GUI Interface
• Updated YPAO Equalization modes
and shortened test time
• Manual PEQ settings
• Subwoofer phase select
• Additional component video input
• New remote control with backlit
buttons
• Shuttered optical connections
• Improved components
The Testing System
The Yamaha RX-V2500 receiver was
powering RBH Sound 1266-LSE Signature
Series speakers in a 12 x 20 listening room
in Audioholics’ Reference System 3. On the
left is the configuration utilized for this
review.
I’ll address power issues later, but the
Yamaha sufficiently powered my 4-ohm
main speakers without any noticeable strain.
The Listening Environment
The Reference System 3 listening room is
characterized by a series of natural diffusers
and a good combination of absorptive
materials. It is often necessary to hang
draperies and build or purchase fancy bass
traps to eliminate problems in a room. When
possible, I prefer to do it naturally; and as I
built my home, I was able to construct a
room where the furniture and natural
materials could do most of the work for me.
 Yamaha RX-V2500
Home Theater Receiver
Review Date 10.27.04 Virtual Home Theater Review Magazine review
Review Summary
Overall Rating: 4.5/5 Stars
MSRP: $1099
Pros
Three (3) HDTV-compatible
component video inputs
Accurate YPAO automatic speaker setup
Presence channels & Yamaha DSP
System memory with 6 storage options
(2 on remote)
Dialogue lift with presence channels
Independent volume trim for each input!
Cons
Auto Setup sets aggressive Bookshelves serve as diffusers, and 9’ flat approximately 7.5’ apart and the 61-LSE
crossover frequency ceilings with berber carpet produce a room surrounds are 7’ apart on the rear wall and
No IEEE 1394/Firewire interface that is lively, but not highly-reflective. faced directly forward to maximize their
The central listening position is on a sofa excellent imaging characteristics. An RBH
Remote button labels limit located in the center of the room, 11 feet
usefulness of backlighting Sound 1010-SEP subwoofer was situated
from the front wall, and 8 feet from the rear in a corner just outside of the left 1266-LSE
No parametric EQ bands below 62.5Hz wall. The RBH Sound 1266-LSEs are and was used for this review. Wharfedale
Diamond 7.1 speakers were mounted above

Features and outside of the main speakers at a height

of 8’ for use as presence channels for
Yamaha DSP.
Yamaha RX-V2500 Home Theater Receiver Review
7-Channel Powerful Surround Sound (130W x 7 RMS) First Impressions
[8 ohms, 20 Hz–20 kHz, 0.04% THD] While I’ll cover more of these topics in
Digital ToP-ART and High Current Amplification greater detail later, there were some things
that quickly jumped out at me upon first
Pure Direct Switch for High Quality 2-Channel and Multi-Channel Sound setting up and using the Yamaha RX-V2500
Reproduction
receiver.
192 kHz/24-Bit DACs for All Channels Remote Control
YPAO Automatically Sets Best Sound for Any Room, Any Speaker Placement First off was the updated remote control.
Upgraded even from the RX-V2400, the
Dialogue Lift for Enhanced Dialogue Sound new RAV352 remote is a much more
9-Channel Speaker Outputs with Zone 2 Out ergonomic remote than its predecessor I
utilized with the RX-V3000. This device is
On-Screen Display with GUI (Graphical User Interface)
narrower, providing a better fit for the hand.
Main / Zone 2 Front Panel Power Switching In addition, ALL (yes, all) buttons on the
Zone 2 S-Video Output Terminal remote are backlit, though not all are self-
labeled and most are difficult to read
Accurate Touch Volume Control because they are labeled with white rather
Audio Delay for Adjusting Lip-Sync (0–240 ms) than black. There is now a sliding switch on
the right side of the remote that directs
Digital Tone Controls for Bass and Treble control to either the receiver (“amp”),
Rec Out/Zone 2 Selector source, or television. The rest I’ll cover in a
few pages.
Selectable 9-Band Subwoofer Crossover
Power
Subwoofer Phase Select Yamaha is on a power trip – they keep
Speaker A, B or A+B Selection (Front L/R) adding more to their receivers and I’ll take all
they will give me. This new receiver priced at
SILENT CINEMA and Virtual CINEMA DSP just $1099 boasts 130 watts per channel
Direct-Access (Macro-Command, Learning and Preset Capable) Remote however if this were an all channels driven
Control Unit with Macro-Command Buttons and Illuminated Buttons rating (which it is not) Yamaha would require
Dimensions: 17.125” (W) x 6.75” (H) x 17” (D) a much larger package, bigger power
supply, and probably more money.

www.audioholics.com 3
review Virtual Home Theater Review Magazine

YPAO Manual Set-Up

Yamaha, at least on first impression,
Speaker Size Level Distance
seems to take a more serious approach to
room EQ. The YPAO system puts out pink Front L -0.5 10.0
noise and short sweep tone bursts in order Small
Front R +0.0 10.0
to evaluate the speakers’ frequency
response and set system parameters. The Center Small 0.0 10.0
YPAO system also sets the satellite to Surround L 0.0 8.0
subwoofer crossover frequency for the Small
system which makes sense since other Surround R +1.0 8.0
parameters would be affected by this. Presence L +2.0 13.0
Yes
GUI Presence R +2.5 13.0
Now that my loudspeakers and
The new graphical user interface for the
subwoofer were configured I moved on to Subwoofer -- -1.5 11.5
RX-V2500 absolutely knocked my socks
setting up and verifying my inputs and
off. It is ergonomic, and for the most part,
routing video via the GUI. I configured the Surround Back: None
well-organized. All of your manual and
Yamaha to handle component video from Crossover frequency: 60Hz
automatic receiver setup functions can be
the Denon DVD-3910 and Scientific Atlanta Bass out: SWFR
accessed via the GUI. In addition, you can
Explorer 8000HD DVR. I also set all of my Subwoofer Phase: Normal
now store 6 independent receiver settings
digital and multi-channel audio inputs
for instant recall (2 settings can even be
including the coax S/PDIF feed from my
invoked directly via the remote.) Auto Set-Up
HTPC, which stores my entire CD library.
Manual setup couldn’t be any easier, save Speaker Size Level Distance
System Setup: Manual for adding voice commands, and the whole
For tweakers and seasoned home theater system was configured in less than 10 Front L -0.5 10.0
Large
enthusiasts, no one can calibrate your minutes. That even included renaming Front R +0.5 10.0
system better than you – right? Well, let’s several of the inputs and adjusting their
start with a manual setup of the receiver, Center Large 0.0 10.0
volume trims to blend the levels of my
then. The new GUI allows you to set up various sources. Surround L 0.0 8.0
Sound, basic System Configuration, and Large
Surround R +1.0 8.0
Receiver Options. System Setup: Automatic
I started with the Basic System Presence L +2.5 13.0
If you think Manual Setup is easy, try Yes
Configuration options and set my system to Presence R +2.5 13.0
plugging in the microphone , pressing one
the following using an SPL meter and tape
button and waiting approximately 3 minutes Subwoofer -- -2.0 11.5
measure. I utilized the Yamaha’s internal test
– now that’s easy! Yamaha’s Auto Setup
tones which had to be enabled via the GUI:
feature is accessible directly from the GUI Surround Back: None
and is very literally a one-step process. It Crossover frequency: 40Hz
Speaker Size Level Distance can also be configured to limit setup to all or Bass out: SWFR
Front L -0.5 10.0 some of the following parameters: Subwoofer Phase: Normal
Small
Front R +0.0 10.0 • Wiring
Center Small 0.0 10.0 • Distance Notably, the Auto Setup was within 0.5dB
• Size of my manually configured settings. This
Surround L 0.0 8.0
Small • Equalizing difference is possibly attributed to my
Surround R +1.0 8.0 • Level physical presence during measurements as
Presence L +2.0 13.0 opposed to an unobstructed microphone, or
Yes Of these options only wiring (potentially) it could simply be a difference between the
Presence R +2.5 13.0
and equalizing cannot be done with visual calibrations of the Yamaha microphone and
Subwoofer -- -1.5 11.5 inspection, test tones and an SLP meter. the RadioShack SPL meter.
What’s really convenient and impressive is Note: The Yamaha Auto Setup incorrectly
that you really can trust the Yamaha to do an stated that my main speakers were both
accurate job of setting the basic parameters. wired out of phase. This was not entirely
Surround Back: None
The EQ settings generated by the YPAO incorrect. In fact, the RBH 1266-LSE
Crossover frequency: 60Hz
system we’ll discuss a bit further on. Here is 12” drivers are wired out of phase for
Bass out: SWFR
the comparison of the results I achieved correct acoustical summing at the
Subwoofer Phase: Normal
manually compared to the Auto Setup crossover point of the 12” aluminum
system: woofer and midrange/tweeter combo.

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 Item
Name
YPAO Parametric Room
EQ Settings
YPAO allows you to set equalizing to the
following parameters intended to aid in
correcting the system for both room
anomalies and differences in loudspeaker
frequency response. One thing I found odd
was the wording of the EQ modes. Wording
in the manual almost suggests that
Yamaha’s YPAO is focused on taming the
anomalies associated with mismatched and
non-flat speakers, rather than compensating
for room deficiencies. This is largely
semantics as 50% of what reaches the
microphone is coming from the room.
However in our desire to educate
consumers, it’s always nice to maintain the
perspective that EQ is attempting to
compensate for the room, not loudspeaker
deficiencies. The available modes are:
• Check: Natural
This mode averages out the frequency
response of all speakers so that
higher frequencies are less
emphasized. This setting is only
recommended if the Flat setting (or
EQ off) seems too subjectively bright
for your tastes.
Evaluation Summary: This mode
seemed to roll off a bit of the high end
as indicated and for me did so in a
way that was unnecessary, resulting in
my above recommendation to only use
this if you are trying to tame a bright
room or if you prefer an artificially
warmer sound.
• Check: Flat
If your home theater system is
comprised of similar quality speakers,
then this setting will average the
frequency response of all speakers.
While it sounds like the system is
bringing all the speakers into
alignment, the gist here is that YPAO
is attempting to resolve to a flat
frequency response each speaker in
the room.
Virtual Home Theater Review Magazine review
Evaluation Summary: Unlike other
room EQ systems I’ve recently tested, Editorial Note
the YPAO system using this mode
gave a pleasing result, as opposed to It’s important to note that the YPAO
a Phil Spectre wall of sound. The system does not perform any
sound stage was preserved, while my corrections to frequencies below
Wharfedale Diamond 7.1 presence 62.5Hz, meaning that it really
channel speakers were EQ’d to more cannot correct for the lowest octave
closely blend in with the system. One subwoofer peaks or room modes. In
of the positive results was that I was addition, Yamaha’s EQ system is 1/3
able to utilize the Dialogue Lift octave bandwidth with fixed frequencies
function of the RX-V2500 without a for each of the 7 EQ bands.
noticeable and distracting change in
timbre.
• Check: Front
If your main speakers are of
significantly better quality than the
Measurements were taken using the
rest of the system this setting will
supplied Yamaha YPAO microphone
attempt to adjust the frequency
response of the other speakers to situated on a boom mount at the listening
position. This represents an off-axis
more closely blend in with the
frequency response measurement since the
front channels.
tested loudspeaker was the right front
Evaluation Summary: I alternated
between this mode and the Flat channel. Notably, the high frequencies
setting and felt that these settings indicate this off-axis response with a gradual
would be most beneficial for those roll off starting at around 5k. The first thing
looking for a room EQ solution that you may note is that the flattest overall
was the least intrusive to the best frequency response occurs with the Manual
possible sound of the system. setup. This represents a bypass of the
YPAO system. The “Front” mode is almost
Now let’s take a look at how the an exact match to the Manual settings,
YPAO system measures in Reference which is expected since that mode leaves
System 3 from the listening position: the main channels alone.
Note: Reference System 3 shows a 7dB dip at 280Hz, however the room’s remaining
frequency response is +/- 3dB across the rest of the listening range. The 280Hz dip was
from my presence in the room 4 feet behind the measurement microphone position. This
demonstrates how well the YPAO is actually working, though no mention regarding leaving
the room during the measurement procedure was found in the instruction manual.
www.audioholics.com 5
review Virtual Home Theater Review Magazine
Yamaha RAV352 Universal Remote
The Yamaha RAV352 remote control
has some great benefits and a few
“why did they do that?” near misses:
Pros
Very easily programmed
Fits nicely in the hand, new thinner design
Dedicated receiver volume
Source switch for controlling inactive components
Cons
Seafoam button labels unreadable in dark,
even with backlight
Backlight barely lights up keypad
Keypad does not adhere to standard layout
As I hinted at earlier, I liked what will not be as fortunate to receive a fully
Yamaha had done with the RX-V2500’s backlit remote. I say light the remote
redesigned remote control. The hard, and light it up blue with low
RAV352 fits assertively in the hand so power, high-performance LEDs. If
that most commonly used keys are you’re going to light it, make sure all the
positioned within easy reach of the buttons are visible and that you can use
thumb. This includes volume, channels, the remote to summon for help in the
Menu, navigational and the Enter event that you are lost at sea.
button. Even DSP functions are within Programming the remote is simple.
easy reach without having to maneuver The only difficulty I had was that the
the remote control. The only drawback programming buttons were somewhat
to that is that with a DVR I am good at eluding the tip of my ballpoint
constantly using the fast forward and pen. Often times it would take me 4-5
rewind buttons – all of which are tries to lock in a learned device. A
located below the keypad/DSP section. paperclip may render this comment
The fact that all keys are now backlit moot.
(activated via a button on the left side of I also like the feel of the buttons
the remote) would be cause for small themselves. The no-slip texture is easy
celebration except that the remote on the hands and helps ensure you
stopped just short of the first down and select the right buttons. Users of
opted to include “sea foam” colored previous Yamaha remotes will need to
labels on many of the primary buttons - get used to flipping the new
rendering them nearly invisible in the AMP/SOURCE/TV switch which is a
dark, even when backlit. One other nice development that instantly directs
thing to note is that the numeric keys remote control commands between the
(which are not arranged in the familiar 4 receiver, currently selected source, or
rows of 3 format) are also poorly and television (as programmed into the DTV
unevenly backlit. It’s a crime. Perhaps source.)
all of the manufacturers are finally Separate power buttons for the
catching on to the fact that many receiver, source and television help
remotes may be used in the dark, ensure that you’ll never mistakenly turn
though apparently RX-V1500 owners off the wrong device.
6
2 www.audioholics.com
What you can see happening with the Flat
mode is the YPAO system attempting to do
some correction at the high frequencies as
well as bump up the 350-400Hz range. As
I mentioned, the result was pleasing and I
noticed no significant decrease in
soundstage or imaging.
The Natural mode, as indicated here, rolls
off a bit more of the high frequency
information starting from 2kHz, though
gently, in order to perhaps compensate for
brighter systems (or rooms). While I don’t
personally find this mode useful in my
listening room, it would probably be much
better than using a tone control to tame a
bright listening room.
It’s hard to tell the whole story with a
single microphone at the listening position,
but this should give a fairly accurate picture
of what YPAO is doing in terms of its effects
on your main speakers. The measurements
required to tell you how it affects the entire
system would be nearly insurmountable and
better left to subjective listening evaluations.
“This receiver can play
loud and was able
to accurately reproduce
bass transients in a way
that was remarkable
for a receiver priced
just over $1000.”
Clint DeBoer
Listening Tests - Music
Our prior review of the RX-V2400
detailed some subjective tests for that model
and the evaluation of this unit agrees with
our previous assessment. This receiver is
clear and powerful. Even when feeding it
analogue 5.1 sources from the Denon DVD-
3910, the noise floor on this unit was
extremely low. For a receiver at this price
point to be able to drive a pair of 4-ohm,
88dB sensitivity reference speakers tells
you something about the quality that goes
into Yamaha products.
 Item
Name
DVD-Audio
I listened to several multi-channel discs
including the new DVD-Audio disc from
KAJE. Tracks 1, 6 and 10 feature some
outstanding vocals along with some
incredibly diverse and creative
instrumentation. The RX-V2500 was able to
clearly articulate the top end while not
missing a beat on the smooth bass lines,
exercising the 12” low frequency drivers of
the RBH Sound 1266-LSEs with ease. On
other tracks the performance of the Yamaha
receiver was equally impressive with rich
dynamics and an unrestrictive soundstage.
The solid bass lines of Track 12 really
exercised the system in general and I
couldn’t help but crank up the music until
the Yamaha was pushing over 95dB at the
listening position. After a while I stopped and
noticed the automatic fan mode had
engaged. I felt the top of the unit and noted
that it was warm, but not hot, to the touch.
While not surprising at all, just be sure to
have some ventilation around the top and
rear of the unit as you would with any high
performance amplifier. Keep in mind also
that larger rooms demand higher continuous
power output levels to achieve the same
listening levels of a smaller room, so if you
plan on cranking this receiver to insane
levels for long periods of time in a large
room, you may want to consider
supplementing your system with a robust
dedicated amplifier.
I next turned up Track 7 “I Can’t Tell You
Why” of the Eagles: Hell Freezes Over DTS
DVD. Vocals sounded natural and
uncompressed and the drums had a very
smooth sound that arrived at the listening
position unimpeded, as I expected. There
were no surprises as I moved on to Track 13
“Life in the Fast Lane” and listened to Don
Henley’s lead vocals rough their way
through the song while Joe Walsh creatively
nursed his guitar to speak. Overall, multi-
channel music sounded natural and
convincing, even at high SPLs.
Virtual Home Theater Review Magazine review
information. The only sound going to the
subwoofer was the dedicated LFE track. I
engaged the Presence Channels and turned
off the EQ for these tests as well.
In addition to playing my all-time favorite
film, The Fifth Element, I popped in the
newly-released Star Wars Episode IV: A
New Hope to see how it sounded coming
through the Yamaha. I wasn’t disappointed.
When explosions and laser fire weren’t
Two-Channel arcing through the speakers, John Williams’
I listened to a host of my favorite score was
2-channel selections, including James certain to be
Taylor’s Greatest Hits and some relative bellowing
unknowns such as Laura Story’s through on all
Indescribable, which has become one of my sides. These
recent favorites. Add to these selections movies do a
tracks from Steely Dan, Seal and Toto and great job at
you have a well-rounded suite of listening surrounding
material. the listener
Using Yamaha’s Pure Direct mode I was and really
able to really experience what the RX- pulling you
V2500’s amplifiers were capable of putting into the action. With Yamaha’s presence
out. Pure Direct puts the unit in 2-channel channels activated, the experience was,
bypass mode with no sub output. With my quite literally, lifted onto the big screen as
main speakers set to Large the Yamaha’s we watched the films on a 100” diagonal
amp was working hard, driving full range Stewart Filmscreen Studiotek 130 powered
frequencies to both of my 4-ohm RBH by Yamaha’s LPX-510 LCD projector. Turn
1266-LSE mains. This receiver can play on one of the 70mm Cinema DSP modes
loud and was able to accurately reproduce and you may never again watch a movie in
bass transients in a way that was remarkable your home without Yamaha DSP!
for a receiver priced just over $1000. The For some additional explosive action,
overall sound was capable of being precise I continued my listening sessions with
and detailed while still retaining the ability to Farscape: The Complete Third Season.
power through demanding material. Farscape is, in my opinion, one of the
greatest series ever to arrive on television.
The quality of the
Listening Tests - Movies show is equaled by
I wanted to give the Yamaha RX-V2500 the soundtrack and
amplifiers a thorough workout by driving all score which came
of its channels at fairly high SPLs. Placing a through with flying
few select DVDs into the DVD player, I sat colors, at times
back to watch some high-impact movie audibly transforming
scenes. Remember that for these tests, the my listening room
Yamaha had configured all of my speakers into the living ship
to “Large”, including the surrounds, so the that is one of the
amplifier was sending full range signal to all primary Farscape
the speakers, including the low frequency sets.
Editorial Note
The Yamaha RX-V2500 allows you to select either Presence channels or Back
Surround channels, not both. Even if you have an external amp, there is no facility for
providing preamp outputs to both Presence and Back Surrounds at the same time. It
would be great to see Yamaha to allow for both (even if one set is not amplified) in
future iterations of this model.
www.audioholics.com 7
review Virtual Home Theater Review Magazine

Back when I had my RX-V3000, I would
use some of the attack scenes in Pearl
Harbor to demonstrate what the Presence
Channels and Yamaha’s Cinema DSP could
do. I felt it appropriate to review the same
scenes with the RX-V2500 to see how they
fared and if my experience was as dramatic
as it had been with the older receiver. I was
not disappointed. In fact, I was again blown
away by the stark contrast between
standard 5.1 content and a 5.1+2 mix with
Cinema DSP. For those utilizing a front
projection system, Cinema DSP simply
makes the movie going experience more
epic with a wider soundstage and a great
illusion of being part of the action. In
addition, for those of you with an elevated
screen, you can utilize the RX-V2500’s
Dialogue Lift to place some of the center
channel content into the presence channels.
The result is dialogue and action that is more
aligned with the projector screen (rather
than below it). When utilizing Dialogue Lift I
actually preferred to engage the YPAO EQ
into “Front” mode so that the Presence
channels were EQ’ed to more closely match
the timbre of my main speakers.
For movies I consistently found the
General Cinema DSP mode to enhance the
presentation without becoming distracting or
artificially corrupting the surround track.
Yamaha RX-V2500 Receiver
MSRP $1099
Yamaha Electronics
6660 Orangethorpe Avenue
Buena Park, CA 90620
(714) 522-9105
www.yamaha.com/yec
Conclusions and appears to be their goal. As we concern
ourselves more and more with room
Overall Perceptions acoustics and technology that makes it easy
Certainly the Yamaha RX-V2500 is not
to setup and manage our home theater
the year’s greatest achievement – I mean,
systems, products that incorporate
it’s not like they launched a commercial
technologies like Yamaha’s GUI and YPAO
spaceship into orbit, right? It is, however,
systems are imperative. And what’s more,
quite possibly the most amazing receiver you
they are going to be expected. We’re happy
will find for just over $1000. With a fairly
that there are a few leading companies out
accurate YPAO system and room corrective
there bringing these technologies home and
EQ that doesn’t sound half bad, this is a
daring the market as a whole to keep up.
receiver to be reckoned with – and you can
bet other manufacturers are watching.
By Clint DeBoer
Yamaha has consistently provided
Email - clint@audioholics.com
improvements to its lineups over the years,
but since 2003 they have been on a mission
– and technological progress and excellence
Yamaha RX-V2500 Receiver
Score Card
The scoring below is based on each piece of equipment doing the duty it is designed for.
The numbers are weighed heavily with respect to the individual cost of each unit, thus giving
a rating equal to: Performance x Price Factor/Value = Rating
Audioholics.com note: The ratings indicated below are based on subjective listening and
objective testing of the product in question. The rating scale is based on performance/value
ratio. If you notice better performing speakers in future reviews that have lower numbers in
certain areas, be aware that the value factor is most likely the culprit. Other Audioholics
reviewers may rate speakers solely based on performance, and each reviewer has their own
system for ratings.
Audioholics Ratings Scale:
Outstanding (reserved for features or areas that exceed market norms)
Above Average
Average
Below average
Very poor
METRIC RATING
Build Quality 1
/2
Ergonomics 1
/2
User Interface
Remote
Features
DSP Modes
5.1 Channel Pro Logic II / DTS Neo Performance
7.1 / 5.1 Channel DD / DTS Performance
Macro Dynamics /2
1

Micro Dynamics /2
1

Two Channel Performance /2

1
Non-exclusive reprint rights have been provided to
Yamaha Corporation to reprint and freely distribute Multi Channel Music
this review. Any other uses or instances of this review
by other parties or by Yamaha Corporation are Overall 3
/4
prohibited without prior approvals from Audioholics. Value 3
/4
The original review can be viewed online at
www.audioholics.com

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