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GREETINGS
Dear Singers and Conductors from all over the world,
Greetings from Soegijapranata Catholic University!
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ABOUT SOEGIJAPRANATA CHORAL FESTIVAL
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juries
BUDI SUSANTO, YOHANES
Budi Susanto Yohanes is a young Indonesian conductor and composer. He
studied choral conducting and vocal minor in Korea National University of Arts in
2012-2016 and graduated as Bachelor of Arts in Music and Choir Conducting.
He started his choral music journey and established Gracioso Sonora Choir in
Malang within year 1999. Later on he became the conductor for ITS Student Choir in
2011. Under his direction, the choir has achieved numerous international awards in
Busan, Miltenberg, Cantonigros, Rimini, Debrecen, Torrevieja, Gorizia and Llangollen.
He had experience as a chorister while taking part in Asian Youth Choir 2004-
2010 in Japan and Philippines as well as Collegium Vocale Seoul in 2013-2015. Budi
has been actively contributing as speaker and coach in workshops and choral clinics
and frequently invited to participate as adjudicator in various national and
international choir competition.
As composer, Budi has produced nearly a hundred choral compositions for The
Association for Music in International Schools and many Indonesian choir groups
likewise. Moreover, some music publishing companies like Earthsongs USA, Carus-
Verlag Germany, Kontrapunkt Hungary and Singapore Choral Research Center has
published the works of Budi Susanto Yohanes.
In 2012, his work 'O Nata Lux' won the 1st prize in Universitas Parahyangan
Competition for Choral Composition. In spirit of pursuing a greater musical career,
since early 2016 Budi Susanto Yohanes has settled in Jakarta and set up to work with
some local choir groups namely difertimento vocal ensemble and Terra Voce.
During 2016, he has involved in several concert programs in Jakarta and given
workshop at Musikalinangan and Philippine Choral Director Association's Reading
Session. In July 2016, he was one of the adjudicator in The 55th Concorso
Internazionale Di Canto Corale Segghizi, Italy.
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AGASTYA RAMA LISTYA
Agastya Rama Listya was born in February 18, 1968 in Yogyakarta. He obtained a
Bachelor of Arts in Music Composition from the Indonesian Institute of the Arts
Yogyakarta in 1992. His master's degree in choral conducting was received from
Luther Seminary and St. Olaf College, Minnesota, in the USA in 2001. He studied
composition with the late R.M.A.P. Suhastjarja, the late Slamet Abdul Syukur, Robert
Walker, dan Carolyn Jennings. He learned choral conducting under the tutelage of
Ester Gunawan, I Gusti Ngurah Wiryawan Budhiana, Martin Behrmann, Robert Scholz
and Anton Armstrong. Currently, he is completing his nal stage of doctoral study in
Ethnomusicology at Otago University in New Zealand. His research topic is on An
Ethnomusicological Study of Gong Music from the Island of Rote. Agastya is under
supervision of Prof. Henry Johnson and Dr. Jennifer Cattermole.
As an active composer and arranger, most of his choral works are commissioned
by professional and university choirs for competitions, festivals or concerts. His
compositions span from modern to traditional ones, from twelve-tone serialism to
folksong choral arrangements. Recently, he has been interested in exploring
Indonesian folk music. The multifarious of Indonesian folk music has become
inspiration for some of his choral music.
He published his works in four books: Jalan Orang Benar: Kumpulan Aransemen
Lagu Rohani Empat Suara Campuran Jilid 1 (Penerbit Andi Yogyakarta, June 2007), A
– Z: Direksi Paduan Suara (Yamuger Jakarta, June 2007), The New Hymns of Faith
(Pustaka Muria, July 2007), Nusantara Persada (Yamuger, October 2008), Risalah
Kontrapung Tonal 2 dan 3 Suara (Yamuger, Mei 2015). Apart from these publications,
he has been a regular writing contributor to Indonesian Choral Net online bulletin and
the International Choral Bulletin published by the International Federal for Choral
Music.
He has been actively involved as the choir director of the Salatiga Indonesian
Christian Church's choir from 2007 to date and has produced some albums with this
choir, for instance, As a Family, We Thank You (2007), The Joy of Christmas (2008),
Greatness of God (2009), Sing We All Noel (2010), and Sacred Classical Pieces to
Traditional Hymns (2011). He was also the choral director of Satya Wacana Students'
Choir Voice of SWCU (1993 – 2007), Satya Wacana Students' Vocal Ensemble Lentera
Kasih (1994 – 2011), Satya Wacana Vocal Consort (2011), and recently Lux Aeterna
Vocal Ensemble (2015 – present).
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mark anthony carpio
Choirmaster, The Philippine Madrigal Singers
Mark Anthony Carpio was personally chosen by National Artist of the Philippines,
Andrea O. Veneracion to succeed her reins as choirmaster of the Philippine Madrigal
Singers in 2001. Since then, Mark has taken the group to even greater heights, leading
them to win rst prizes in the Habanera and Polyphony categories in the Certámen
Internacional de Habaneras y Polifonia (Torrevieja, Spain, 2004), the Grand Prix in the
35th Florilege Vocal de Tours, France (2006), the Grand Prize in the European Grand
Prix for Choral Singing (Arezzo, Italy, 2007) and just recently for winning top prizes at the
64th Guido D'Arezzo International Choral Competition in Arezzo, Italy (2016). Under his
leadership, the choir continues to fulll a grueling schedule of annual international
tours, national outreach programs and its regular concert season as the resident choir
of the Cultural Center of the Philippines (CCP).
Mark also conducts the Sing Philippines Youth Choir, which draws its fty
members biennially from all provinces of the country, in honor of the Madrigal Singers'
founder who established the vision of a nation singing together in harmony and
united in song. Mark also directs the other Sing Philippines projects that include choral
music workshops, and conductor/singer development initiatives.
Known for his collaboration with emerging composers, innovative
programming, and approachability, Mark is a much sought-after choral clinician and
coach, frequently giving extensive and in-depth workshops all over the Philippines
and around the world. He is also frequently invited as adjudicator in choral
competitions and as guest conductor of several choirs around the world, including
the rst batch of the Indonesia Youth Choir (2015).
Mark is a faculty member of the Conducting and Choral Ensemble Department
of the University of the Philippines College of Music, where he earned his Master's
degree in Choral Conducting and his Bachelor's degree in Piano.
Nurturing young singers is a personal passion of Mark. With this, he also directs the
Consortium of Voices, a youth choir society consisting of the Kilyawan Boys Choir,
Kilyawan Male Choir and the Voces Auroræ Girls Choir.
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important dates
No Activities Date
1 Last day of registration April 18th, 2018
grand schedule
DATE MORNING AFTERNOON NIGHT
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Friday, Sept 7 2018 Choral Competition
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durasi
jumlah batasan jumlah
kategori ketentuan lagu (pure
lagu usia penyanyi
singing)
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durasi
jumlah batasan jumlah
kategori ketentuan lagu (pure
lagu usia penyanyi
singing)
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RULES
general rules
1. The Choirs can follow more than one category as long as they still meet the
requirements of that category.
2. Conductors and singers can only perform to represent one choir in one category.
3. All members of the choir group that follows the Kindergarten Choir, Children
Choir, Teenager Choir, Mixed Youth Choir and Mixed Choir categories must
match the intended age group, except for the musician and conductor. Age
tolerance for the Kindergarten Choir, Children Choir, Teenager Choir, Mixed
Youth Choir and Mixed Choir categories are allowed for a maximum of four
persons one year older than or less than the age limit specied in that category.
Violation of these provisions will cause the choir group to be disqualied from the
competition. If necessary, the committee shall be entitled to clarify the provisions
of that age to each member of the choir group concerned.
4. The song should be an original piece for the choir, not reduction.
5. Not allowed to bring a song in the medley (merging two or more songs).
6. The works should be in accordance with the score;
a. Works created with accompaniment, must be performed with the
accompaniment of the score.
b. Works created with a capella can be performed in a capella or by a non-denite
pitch or without a tune.
7. The committee will only provide an acoustic piano.
8. The use of amplication and electric musical instruments are not allowed in this
competition.
9. The artistic team reserves the right to reject the work to be sung, if it is not to
comply with the provisions of this competition.
10. The Choirs are not allowed to repeat the performance, except at the request of
the jury.
11. All COPYRIGHTS or authority on the use of songs is entirely the responsibility of the
participants.
12. The order of choirs performances during the competition will be fully regulated by
the committee.
13. The rehearsal stage will be scheduled for 10 minutes for each choir for each
category followed. The rehearsal stage schedule will be arranged by the
committee and will be informed to the participants after the announcement of
the recording selection.
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jury & evaluation
1. Soegijapranata Choral Festival will be judged by ve juries who have experience
in music and choir, both at national and international level.
2. The scoring in this competition is based on the following criteria:
A. Intonation
B. Sound / vocal quality
C. Fidelity to the score
D. Overall artistic impression
Ÿ The criteria for the scoring of points A and C will be scored on each song being
performed; for the B and D points scoring criteria will be scored on the overall
performance.
Ÿ The score assigned by each jury on each valuation criterion is an integer with a
range of 50-100 and the result of subsequent score calculation uses a value
with a decimal point system two digits behind the comma (provided that a
decimal number less than 5 will be rounded down and a decimal number
more than 5 will be rounded up). Example: the 78.643 value will be rounded to
78, 64 and the value 84.465 will be rounded to 84, 47.
Ÿ Delays of the performances will be penalized 3 points from the total temporary
score.
Ÿ Excess duration of performance will be penalized 1 point from the total score
while each entering the rst 60 seconds.
Ÿ The total temporary score is obtained from an average of ve juries' score.
Ÿ The total nal score is the total temporary score minus the total penalty.
3. The decision of the jury is absolute.
scoring example
1. Scoring from each jury (example)
B D
A C
NO song SOUND OVERALL ARTISTIC
INTONATION FIDELITY TO SCORE
QUALITY IMPRESSION
1 Song 1 84 85
2 Song 2 83 83 84 83
3 Song 3 82 83
83 83
83,25
Total of temporary
416.19 : 5= 83.238 83.24
score
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pRIZES & aWARDS
1. Each choir in each category will receive an award with the following
conditions :
Score : 60.01 – 65 Bronze Medal B
Score : 65.01 – 70 Bronze Medal A
Score : 70.01 – 75 Silver Medal B
Score : 75.01 – 80 Silver Medal A
Score : 80.01 – 85 Gold Medal B
Score : 85.01 – 100 Gold Medal A
All choirs will receive award certicates and medals according to the
achievement of the choir.
2. The choir which achieved Gold Medal with the highest score in each
category (category champion) will get a trophy, certicate and
money of 3.000.000 IDR.
3. The jury will give a special award (if any), ie:
Ÿ The best conductor selected from the choirs who advance to the
Grand Prix.
Ÿ The other special jury award, which is deemed appropriate after
the jury's consideration.
The winner of the special jury award will get the award certicate.
4. The Soegijapranata Choral Festival organizers will give the award
certicates for favorite champions in all categories. Favorite
champions are determined based on audience choice. Favorite
champions have no effect whatsoever on the results of the juries'
judgment.
5. The rst winner for the Grand Prix will receive award trophy, award
certicates, and money of 10.000.000 IDR.
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REGISTRATION
1. The choirs must ll in the Registration Form available on the website of
Soegijapranata Choral Festival (www.soegijapranatachoral.com) and include
some of the following requirements, ie:
a) Upload a short biography of the choirs, in Indonesian or English, a maximum
of 300 words (MS Word).
b) Upload the latest photo of the choir (max 5MB, JPEG format, 300dpi)
c) Upload a recording le of the choir (MP3, max size 8 MB) for each of the
categories followed. The recording must match the selected category.
d) Upload the proof of payment of registration fee.
2. The choirs are required to ll out the Repertory Form at Soegijapranata Choral
Festival website (www.soegijapranatachoral.com).
3. Soegijapranata Choral Festival registration deadline is April 18th, 2018. All
participants are expected to have submitted the Registration Form and
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Repertoire Form before April 18 , 2018, through the website..
4. Announcement of the results of the recording selection will be announced on
May 1st, 2018.
5. The choirs which pass the recording selection are required to submit ve copies of
original or authorized works for each category entered including the Grand Prix
not later than July 16th, 2018 (postmark) to the address:
Panitia Soegijapranata Choral Festival
Jalan Siblat 2 No. 11A Candi Stoom, Candisari, Semarang, Jawa Tengah
Postal Code : 50257
Contact Person: Kinanthi Sekarlangit - 081229496873
6. The choirs which are late in submitting ve copies of repertory will be charged a
ne of 500.000 IDR for each category.
ENROLLMENT FEE
· Kindergarten Category : 1.000.000 IDR
· Children Choir Category : 1.500.000 IDR
· Teenager Choir Category : 2.000.000 IDR
· Mixed Youth Choir Category : 2.000.000 IDR
· Mixed Choir Category : 2.000.000 IDR
· Equal Voice Category : 2.000.000 IDR
· Sacred Music Category : 2.000.000 IDR
· Folklore Category : 2.000.000 IDR
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CONTACT US :
SMS, Whatsapp : Theresia (+62856-4340-8670)
Email : soegijapranatachoralfestival@unika.ac.id
Instagram : @soegijachoralfest
Website : www.soegijapranatachoral.com